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Thursday, May 27, 2021

RUNAWAY, Peter May's trenchant novel of growing old's many indignities

RUNAWAY
PETER MAY

Quercus (non-affiliate Amazon link)
$6.99 ebook editions, available now

Rating: 3.75* of five

The Publisher Says: "Five of us had run away that fateful night just over a month before. Only three of us would be going home. And nothing, nothing would ever be the same again."

Glasgow, 1965. Headstrong teenager Jack Mackay has just one destination on his mind--London--and successfully convinces his four friends, and fellow bandmates, to join him in abandoning their homes to pursue a goal of musical stardom.

Glasgow, 2015. Jack Mackay, heavy-hearted sixty-seven-year-old is still haunted by what might have been. His recollections of the terrible events that befell him and his friends some fifty years earlier, and how he did not act when it mattered most is a memory he has tried to escape his entire adult life.

London, 2015. A man lies dead in a one-room flat. His killer looks on, remorseless.

What started with five teenagers following a dream five decades before has been transformed over the intervening decades into a waking nightmare that might just consume them all.

I RECEIVED AN ARC FROM THE PUBLISHER. IN 2015. AM I EMBARRASSED OR WHAT.

My Review
: Aging. Yuck. No one really likes it...prostate pees for men, hot flashes for women, a general sense of "oh why bother" when confronted with la crise du jour...suddenly all those Godard films you watched to impress that cute guy make sense, ennui is one's default state.

But there are a few who, for whatever (usually external) reason, decide that this just Will Not Do. They put on their velcro-close "running shoes" (ha! like they're ever gonna run absent a fire alarm or a closing buffet) and say, "fuck this I'm outta here." In fact there's quite a little subgenre of books about old folk running away: those Swedish ones by that boring man, what was his name, anyway you know the ones I mean; long ago, Paul Gallico wrote one, Mrs. 'Arris Goes to Paris, and then M from the Bond movies was in that English one set in India...Marigold Something.

We are decidedly not, however, in any of those cute-old-folk entertainments here.

There are secrets in all our pasts. We don't tell others because they're too personal, or too painful, or too embarrassing...rare is the secret, though, that has cost lives in two centuries. Jack Mackay has one of those.

In 1965, Jack and four friends were about to defy the odds and Be Someone. Rise to their personal heights! They had to get the hell away from the dank chains of family, of course, and the mildewy environs of Glasgow. London! Music was happenin' in 1965 London! And they had what it takes, they were going there to build better than their small-time successes.

Tragedy. Humiliation. Homegoing, for some anyway. Jack spends fifty years being, well, nobody and everybody. Mediocre, an almost-was whose life has dragged on and on. Now more changes are being forced on Jack, his awful absence of success is revisiting him with its wet shroudlike envelopment. And suddenly, from the depths of 1965, the Jack of 2015 takes off back to London, his grandson at the wheel, because the siren call of unfinished business is LOUD.

The awful part is that finishing up that business could get people killed. Jack wouldn't be arsed if it was him whose "life" was the only one in danger, but the threat includes his old friends. And his grandson.

I must say that the indentity of the perpetrator of the coercive and criminal scenarios made all the sense in the world to me, and the nature of the disaster in the past was very deeply sad if not terribly unusual. The pure-D unadulterated Peter-May-ness of the resolution to the disasters past and present stems from his utter, abject inability to leave a thread to dangle. Every last end is tightly bound up.

Since Author May is a veteran of the TV mills and decades of thriller- and mystery-writing, he's developed that habit of story-telling and be damned if you, reviewer, wish for something a bit more textured, true to life. As this particular novel is a standalone and is based in part on some of the author's own lived experience, well...maybe it's all down to that specialty of the old, the tidying-up of the past.

I *do* know that, in spite of taking a thoroughly humiliating six years to write this review, I approve of the story, polished and tidied into fiction though it may be.

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