BATH HAUS
P.J. VERNON
Doubleday Books
$26.95 hardcover, available now
Rating: 3.75* of five
FINALIST FOR THE 34th Lambda Literary Award—BEST LGBTQ Mystery! Winners announced 11 June 2022.
The Publisher Says: Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life.
He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.
What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists. P. J. Vernon's Bath Haus is a scintillating thriller with an emotional punch, perfect for readers curious for their next must-read novel.
I CHECKED THIS BOOK OUT OF MY LOCAL LIBRARY. USE YOUR LIBRARIES, FOLKS! THEY NEED US AND WE NEED THEM MORE THAN EVER.
My Review: I love flawed gay protagonists! They don't come more flawed than Oliver. What he did, how he did it, all truly contemptible. Why? Lower still. By the end of the story, he is the sort of creepy little loser it's easy to hate. Yet I never *quite* learned to hate him. I was certainly contemptuous of his actions...for which he paid a steep price.
Nathan, well...he's a rotten-souled chip off the fetid, foul-smelling old block. He does nothing for anyone but himself. He is a walking, talking scion of White Privilege, and not worth the powder it would take to blow him up. Nathan (and family, and friends) I hated with force and vigor.
Why I kept going despite serious problems with the characters peopling the book is simple: the pace picked up after about the 40% mark. It got so involving I couldn't stop. But I will say this, I wouldn't have been kind about the whole thing if Tillie had not been okay.
Borrow it from the library. Not a book you'll want to re-read.
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
THE REDSHIRT
COREY SOBEL
The University Press of Kentucky
$29.95 hardcover, available now
Rating: 4.5* of five
The Publisher Says: Shortlisted for 2020 Center for Fiction's First Novel Prize
Corey Sobel challenges tenacious stereotypes in this compelling debut novel, shedding new light on the hypermasculine world of American football. The Redshirt introduces Miles Furling, a young man who is convinced he was placed on earth to play football. Deep in the closet, he sees the sport as a means of gaining a permanent foothold in a culture that would otherwise reject him. Still, Miles's body lags behind his ambitions, and recruiters tell him he is not big enough to compete at the top level. His dreams come true when a letter arrives from King College.
The elite southern school boasts one of the best educations in America and one of the worst Division One football programs. King football is filled with obscure, ignored players like Miles—which is why he and the sports world in general are shocked when the country's top recruit, Reshawn McCoy, also chooses to attend the college. As brilliant a student as he is a player, the intensely private Reshawn refuses to explain why he chose King over other programs.
Miles is as baffled as everyone else, and less than thrilled when he winds up rooming with the taciturn Reshawn. Initially at odds with each other, the pair become confidants as the win-at-all-costs program makes brutal demands on their time and bodies. When their true selves and the identities that have been imposed on them by the game collide, both young men are forced to make life-changing choices.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Let's start with the easy bits: Clearly Author Sobel, football alum of DUKE University, knew the sports parts inside out. Clearly he understood the racism and exploitation inherent in King/Duke University inviting Black players to its program, and campus. And I strongly suspect he knew some closeted players. He himself is not gay, and it shows.
This is not a knock. The man understands viscerally the cost of hiding and sneaking. But he doesn't get the longing for a man to touch you and be touched by you because I'll wager he's never felt it. What he does get is the way love, real true first love, makes a man out of a boy. That part is absolutely crystal clear, and is the heart of my appreciation for this story. Reshawn the phenom's hatred for the entire enterprise of college football, possibly the game itself, gets serious exploration. It's counterpointed to Miles's "I-am-a-camera" absorption in the colors and the personalities and the panoply of the game's celebrants, as Author Sobel directly describes them:
Here came the celebrant. Coach Zeller's vestments were a purple polo shirt, pressed white khakis, and unscuffed tennis shoes he reserved for games. He took his place at the head of the half circle, and once the last people squeezed inside and the doors closed he began his first pregame speech as King's head coach.
It's not necessary to reproduce Zeller's blather about either rising or sliding, about choosing and losing. It's not like it makes any difference, but it does show the author's clear grasp of the milieu and his own keen perception of the performative and ritualistic elements of football at this school.
What the author also gets is what it takes to be Other in a world that has no room, no time, no oxygen for Otherness. What happens is cruel and vicious and mean-spirited. Miles is the most intensely tested character in this book and it is unbelievable to me that his power and strength could go unnoticed by the people around him. The adults clearly see it and clearly want it...but on their own terms.
The end of the story is not at all what one would expect it to be. The end of the story is, in so many ways, the end of childhood's sweet spot in adolescence and the entry of Miles...and Reshawn...into the dark, cold, stinking pool of adulthood. Reshawn is, like Miles himself, tested and comes through a man. The others? The team, the coaches, not one of them is anything other than a dupe. They're fools caught on the deck of Plato's ship of fools, all the worse because they see it and choose it.
I can't imagine all that many of my fellow queer gents are football-mad enough to want to wade through the games and practices. There's no compensatory sex to make the enterprise less...cishet...and that is deeply too bad. I think, if y'all can pry open your rage-sealed hatred for the way team sports treated you, you'll find a story about personal power, about truly accepting yourself and your place in this world, and about how important it is to know your friends are fully, completely there for you if you're to make any kind of success out of adult life. And thus how very satisfying Miles's story is. That is what you get; you should come experience it; and take some time to appreciate that this is not some lame fantasy of The Lockerroom, but the voice of experience telling you how it goes when it goes right.
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