FACE OF GREED is Detective Emily Hunter's first outing

FACE OF GREED (Detective Emily Hunter #1)
JAMES L'ETOILE
Oceanview Publishing (non-affiliate Bookshop.org link)
$18.99 paperback, available now

Rating: 4.5* of five

The Publisher Says: Greed, corruption, and betrayal—no murder is as simple as it seems

When a prominent Sacramento businessman is killed and his wife injured in a brutal home invasion, Detective Emily Hunter and her partner, Javier Medina, are called to investigate. At first glance, it seems like a crime of opportunity gone horribly wrong, but Emily soon finds there might be more to both the crime and the dead man.

The high-stakes investigation also comes at a time when Emily is caring for her mother, who has early-onset Alzheimer’s, and Emily struggles to balance her job with her personal life. The city’s political elite seem to want the case solved quickly, but darker forces want it buried.

Could there have been a motive behind the attack, making it more than a random home invasion? Emily uncovers clues that cause her to reconsider her understanding of the crime. A deadly game of greed and deception pulls Emily deeper into the shadowy world of gang violence and retribution. She has to walk the razor’s edge to identify the killer—without becoming the next victim.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I was inspired to pick this book for a review by Luigi Mangione's case developments...most state charges dismissed, the fate of the evidence prosecutors wish to present uncertain. This novel predates that alleged crime by several years but still has resonances with it...powerful people want a conviction, other forces don't want any such thing for intense, irreconcilable forces each competing for their purpose to prevail.

As a procedural, Emily and Javier lead us through the maze of conflicting evidence. Their detecting seems to be run on vibes, the leads they follow up assessed and occasionally dismissed based on things I found unconvincing. In the end, Author L'Etoile crochets it all into one big design that was, once you've seen it, inevitable; it just takes a shift of your idea of the violent thing that happened to see.

Emily, as our lead detective and primary PoV, gets the majority of the development in the story. Her personal life is complicated by a mother with early-onset dementia and the urgently needed carer for mom living in her house. It adds stress to her already stressful life. In a lot of ways I felt Emily was responding to some...irregularities...in a key witness's account of what seems on the surface to be a terrible but random act with her own pent-up frustrations. Equally it can be argued that her pushback against what's clearly an attempt to shut her and Javier's fact-finding down before embarrassing truths are revealed is sharpened by that frustration.

Author L'Etoile moves the story along at a solidly even clip. I was no more done with emotionally processing a domestic event of Emily's than a key piece of evidence is suddenly...shifted...like playing Uno when the reverse card smacks you. It's deft, it's handled well, and it exemplifies his chops as a writer and plotter of mysteries. I was always ready to dismiss the case because it's clearly not one the PTB think needs a real resolution just a speedy end. It turns out Emily has a lot of stiffness of spine. She needs it as a woman in a misogynistic world and as a support for an increasingly dependent mother.

Quite a lot of cussin' and discussin' of women in sexualized terms happens. It's not presented in a way meant to titillate but in a matter-of-fact evocation of the milieu the characters inhabit. It will bother some, so be prepared for it or make your decision to read accordingly. I think the grittier edge it gives is both appropriate and within ordinary peoples' boundaries.

As is often the case with procedural stories, the whodunit bit of the story is almost less important than the whydunit bit. The motives for this crime are in the title; the blowback from Emily and Javier following leads is in the title; it was very clear, when I got to the proper perspective point in the story, why this particular man was killed.

Can't say I'm sorry to know he's dead. I suspect you won't be either.