THE MAN WHO SPOKE SNAKISH, cultural juggernaut in Estonia...deserves your eyeblinks

THE MAN WHO SPOKE SNAKISH
ANDRUS KIVIRÄHK (tr. Christopher Moseley)
Black Cat/Grove Press
$11.99 ebook, available now

Rating: 4.75* of five

The Publisher Says: The runaway Estonian bestseller tells the imaginative and moving story of a boy tasked with preserving ancient traditions in the face of modernity.

Set in a fantastical version of medieval Estonia, The Man Who Spoke Snakish follows a young boy, Leemet, who lives with his hunter-gatherer family in the forest and is the last speaker of the ancient tongue of snakish, a language that allows its speakers to command all animals. But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their "bread" (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest's sacred grove.

With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.

I RECEIVED A COPY FROM MY SISTER AS A GIFT. THANK YOU!

My Review: Look at that list of comps! Those're huge shoes to fill. They were even huger ten years ago when this talky, slow-paced book came out.

Ten years on, how does the read hold up? I have to get rid of a lot of my books now that I'm unable to hold tree-books open any longer, and the tech aids to doing that are not usable in the tiny space I live in. So I'm revisiting a few I liked and then letting them go to new lovers.

My sister blew my mind by telling me, after I got this book from her, that our ancestry is part Estonian! I'm still in slight shock. I wonder if that's the reason I resonated on some core level to this fantastical, almost allegorical, tale of the end of the world and the birth of modernity. I'll never know but I'm leaning that way...the pace of the story is slow, builds on itself as characters...maybe the best ones not even human...sinuously glide, powerfully stomp, and ethereally appear at various times during Leemet's long defense of his doomed paradise.

In the best tradition of the fairy tale, the origin myth, Leemet's life is either impossibly long or Time isn't what we experience in our limited lives. As the relentless Germans, The Hansa in our terms, bring their crosses, their monasteries, and their god to Leemet's pagan world of bears that seduce the human women with the greatest of ease and our brother hominins who're blessed with tails. The retreating pagan world is beaten back deeper and deeper into the firest while humans chop it down to farm wheat for the Germans' awful-tasting "bread" that they feed to their monks. Leemet can't really understand the idea of "monks"—why would his fellow humabs long to be castrati to sing beautiful music for monks when snakish commands all nature to bend to Man's will? Why abandon the beautiful Ints, their viper-selves have been with humankind forever? But the pagans lose battles, endure slaughter (ethnic cleansing we'd call it if it happened now, with a side order of jihad) as their ways fall before the new world order.

Told in well-honed, pointedly crafted words, there's a sad miasma of regret in Kivirähk's tale of the essential human conflict: conquest, supplantation, genocidal destruction. There is no doubt that Kivirähk is not in favor of the new world being born, and is satirically critical of those who accept the yoke of becoming farmers for the foreigners. He satirizes the "but this is how we've always done things" crowd just as harshly, just as facetiously; the target is human nature in each snarky aside, each minatory judgment. (I'm a little anachronistic in using the sixteenth-century "minatory" but I don't know an older word for "threatening, scolding, accusing.")

I ate this story up, like the entire nation of Estonia did...it's their bestselling novel ever, there's a board game based on it, this is their country's Lord of the Rings only not so tedious. If there's anything I know about publishing, though, the failure to catch fire in the US market means it will be ten more years before we can even hope to see another Kivirähk title in translation. Too bad...this would make an *a*maz*ing* animated feature that would take Estonia and France, where its success was greater than the Anglophone world, by storm. That would've made a wide, smooth road for other works by this intense, inventive, talented world-builder.

Don't hesitate to get a copy of whatever edition you can best afford.

THE CUT LINE, survival...contingent contentment...solitude

THE CUT LINE
CAROLINA PIHELGAS (tr. Darcy Hurford)
World Editions (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: In the dog days of an Estonian summer, Liine flees to the countryside to put a conclusive end to her toxic 14-year relationship.

She undergoes every stage of separation in a lone farmstead amid forests. A lot of physical labor and gardening help her withstand her ex-partner’s threats, the incredulity of friends and family, and her own anguish.

Dread is pervasive in this novel. Set in the near future, it is filled with vivid depictions of the threat of climate change. All around Liine, nature is facing acute drought and heat. No less menacing is the presence of an expanding NATO base close to the cottage at the Russian border. The world’s largest military alliance is practicing for an attack. Explosions and shots ring in the distance while Liine tries to recover from fourteen years of violence.

Yet she simply follows the rhythm of nature as summer unfolds. While her environment changes around her, Liine—always in the garden chopping wood, weeding, sowing—undergoes profound transformations, too. The Cut Line is a story of fear, self-blame, grief, numbness, and anger ultimately giving way to hope and healing, joy and lightness.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Reckoning with the toxicity of Love is the most difficult emotional task I know of; it is the central concern of this story. In Liine's life there is no softness in the emotional gifts anyone around her grudgingly and contingently grants to her. She finally accepts her partner will never be a validating, accepting, kind force supporting her own betterment. Running away at last, she lands at a family property far from the city, where there is nothing much in the way of modern conveniences. She's also hounded...well...tracked down anyway by her family who think she should accept that her violent, withholding ex is as good as she'll ever get for a man to be with.

Been there, Liine.

Her stubborn resistance to submit to family or ex is rooted in her desire to survive, maybe begin to thrive. But there's a catch (of course there is): her rural haven is under severe stress from climate change; and it's very close to a NATO base provocatively situated close to Estonia's border with Russia, their former colonial power. Liine might have leapt out of the frying pan but it looks like the fire is fast approaching.

Her willingness to work hard is barely keeping her even with the environmental changes; her emotional healing work is under siege from the perfidious ex's smear campaign in their friend circle (after a breakup, Liine, walk away and let those who care follow you; those who don't are not your friends), and her family's pressure to go back; the NATO base is constantly "testing" ie exploding weapons in a cacophonous assault on nature. An environment that does not support her much-needed self-repair work. So what else is new.

It sounds very challenging, right? It really is; it really demands we invest in Liine to overcome her manifold obstacles to becoming herself, for herself, not answering to anyone else. If she can stay the course...if she can pull the heroic feat of self-reinvention off....

In under 150pp, you're not getting a full redemption arc. It's more a book about vibes, about being in the moment with the character. I was rooting for her to live each day, since she tells us directly that "at night I die several times" to make sure we get how intense the labor she does really is.

It comes from deep within, an anger I've never dared to feel before. It's a wild feeling of injustice that I've been treated like an inferior kind of being that doesn't deserve respect. Like someone who can be pushed about, who can be manipulated, who can be reproached, humiliated, and who won't fight back. Why didn't I fight back? Why did I put up with it all? I'm mad at myself as well. No, hold on a moment. That's another thing that's been planted in me: blame yourself, descend into an endless labyrinth where you find nothing but your own faults. Analyze only what you did wrong. Consider what you did to deserve it. And anyway, if it was so bad, why didn't you leave sooner? Stop.

That's a distillation of the work of recovery from abuse that can't be bettered.

What you're getting in this plunge-pool of a story is the dive not the swim. The ending isn't A Resolution; it's Liine committing herself to resolving the problems she came to sort out, to coping with the problems she has limited control over (nature, NATO), and being her own, real, honest self.

It is a gratifying story to read to me in this moment I'm making changes in my own life. It is not all tied up with a bow. That won't be to everyone's taste, some facets (eg going to her sister for...what? nothing happens) were not to mine. No perfect score from me; but a deep, enfolding read about a tough woman finding the strong core she needs to stand on while facing down the world.

And she does it for herself.

ONE TRUE WORD, exhortation, plea, demand, or...?

ONE TRUE WORD
SNÆBJORN ARNGRÍMSSON (tr. Larissa Kyzer)
Pushkin Vertigo (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4* of five

The Publisher Says: A #1 bestselling hypnotic psychological thriller from Iceland, in which a woman abandons her husband on an uninhabited island.

“So gripping I simply couldn't put it down. . . Atmospheric and original with an ending I did not see coming” — Eva Björg Ægisdóttir, author of The Creak on the Stairs

Why did she do it?

After a day of simmering tension on a trip to an uninhabited island, Júlia finally reaches breaking point. In a fit of fury she makes a reckless decision—leaving her husband Gíó marooned in the middle of a freezing fjord in the depths of the Icelandic winter. As the cold dark of night swiftly approaches, she leaves without looking back.

When she regrets her decision and returns, he is nowhere to be found. There is no trace of him, and no sign of where he may have gone. The police launch a manhunt, but soon their suspicion falls on his wife. In an attempt to shield herself from their speculation, Júlia weaves an elaborate net of lies, trying to convince the police—and herself—of her innocence. But as her story starts to crumble, dark secrets start coming to light.

As time runs out, Júlia races to discover what really happened. But is Gíó alive or dead? In hiding or hunting her down? And can Júlia get to the truth before it destroys her?

One True Word is a #1 bestseller in Iceland that has been acclaimed by authors such as Katrín Jakobsdóttir, the former Icelandic Prime Minister.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Júlía has a psychotic break and abandons her justifiably irritable "husband" on a little rocky islet in the North Atlantic Ocean. At night. In winter.

Despite the psychotic break, and the probable underlying paranoid personality disorder, she regrets her action and returns...the next day, after realizing she can't explain his disappearance away well enough to avoid legal problems, and fearing manslaughter charges...but he is not there.

This is bad. Epically bad. Contacting the police and spinning them a fantastical pack of lies, as she has done to evade blame her whole life (we meet the sister who hates her guts, and rightly so) she lives in fear that 1) the police will find his body, and b) he's alive and out there waiting to get revenge for what she did to him. And no blame on him if he is.

Her lies are ever more baroque and untenable. The legal system does what it is set up to do, poke into every corner and demand all the information, all the data, all the facts...but would Júlía even know a fact? Is there some...reason...for this psychotic break that she just can not face? Is she retrofitting details suggested, innocently enough, by the questions she has to answer?

In extremely short chapters and unadorned prose, this Icelandic thriller unwinds the worst moment of a wounded soul's life. It's tightly focused on Júlía, we never hear anyone else's thoughts or feelings except as they're expressed to, recalled by, her. It's not a nice place to be, Júlía's head...her perceptions are disturbingly off-kilter from the things she's reporting that she heard. Paranoid personality disorder? Abuse survivor? Both?

It's a book of questions, ambiguities, uncertain footings. If that and a very disjointed flow of story are not enjoyable to you, this ain't your read. I was drawn in by the sheer brio of a writer who focuses a noir thriller in the tightest focus on a woman who's undergoing a breakdown around her "husband"'s possible death, positive disappearance, at her own hands...unless she's dissociating, dissembling, desperately gnawing off her metaphorical arm to escape...what?

I detested Júlía, and thought her life was enough of a fantasyland that I was never fully sure Gíó, the vanished man she's not legally married to, was real. Could I even trust her to tell me the truth about that? Is it a lie or is her paranoia destabilizing my readerly radar that much?

I can't give five stars to the read despite the engagement and investment it elicited from me. Its ending was not on the same level of inventiveness as the rest of the story. It felt to me as though I was being dumped the minute after having brain-melting sex. Reality does this to me all the time; fiction should not!

I've also shaved off the partial stars because the short, choppy chapters that (I think) are intended to be in the places Júlía experiences breaks in her reality feel distancing, are in fact impediments to my connection to an already unlikable narrator. So I land on four of five stars but with the caveat that it's a better story, if not read, than this rating suggests.

THE SECRET OF SNOW, cozy, sentimental Swedishness

THE SECRET OF SNOW
TINA HARNESK (tr. Alice Menzies)
Atria Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: This lyrical runaway Swedish hit follows a reclusive, elderly couple who cross paths with a pair of twentysomething newcomers in a small mountain town, revealing an unexpected, shared history and the reclamation of a nearly extinct culture.

Meet Máriddja: eccentric, eighty-five years old, and facing a cancer diagnosis. She’s determined to keep the truth about her illness from her husband Biera, while also finding someone who can take care of him once she’s gone.

Meet Kaj: a new transplant to the village, recently engaged to Mimmi, and mourning the death of his mother. One day, when Kaj unexpectedly finds a box of Sámi—the indigenous people of Scandinavia—handicrafts belonging to his mother, he unlocks something he never anticipated, something that will change his life for years to come.

A “brilliant debut” (Aftonbladet Söndag, Sweden) full of humor and heartbreak, The Secrets of Snow movingly grapples with grief, love, and the power of history.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: As with most bestsellers, this story is pitched right down the middle. Take one old (straight, natch) couple facing end of life issues of varying but intense urgency. Add one young (straight, natch) couple facing relationship teething pains and life traumas. Connect them by geography in a place small enough to breed affinity through enforced proximity. Add a glaze of native cultural issues. Give the old woman an iPhone and have her repurpose Siri as a confidant for comic relief. Serve.

It's fine if this is dessert after a hearty substantial meal. This is presented as the meal. If these were the concluding chapters of a much longer book that dug into Kaj's relationship with his mother and dialed down the awkward obvious coincidence that's telegraphed early and often, and the roots of Mári's anguished love for Biera (though who wouldn't be mad for someone who thinks his wife "was generous with everything, including her dignity" when everyone else thinks she's a madwoman!), I'd be wadding up the Kleenex with the rest of y'all.

It's a debut novel, and as I've said many times I grade on a curve for debut novelists, or I'd be a lot less tactful in expressing my dissatisfaction. I now turn your attention to the marvelous, evocative writing. Particularly effective, probably even moreso in Swedish, is the evocation of Sámi culture...the indigenous folk of the Arctic are about as well-presented in Sweden as First Nations people are in Canada, and only Black people are presented worse than Native Americans in the US. Author Harnesk does not stint on her vocabulary. Menzies, our translator, has worked hard and successfully to render the tone of the original. I don't speak Swedish, but there's a feel, an aura around a really well-made work of prose that comes through in the very best translations. It came through here.

While understanding why this became a bestseller does not add to my desire to praise it, I predict all y'all would love the read if you gave it a try. The Fredrik Backman bus, the Shelby van Pelt posse, the Sally Hepworth squad, should bypass the library hold list and put your credit cards on the line. This book is aimed right at you. Any reader wanting a lingering look at love, grief, and a lifetime of being true to your lights finally being rewarded should get it from the library. Request it if you don't see it in the catalog.

It's built to make you feel the warm glow of goodness.

WILDWOOD, second in the Northwoods police-procedural series

WILDWOOD (Northwoods #2)
AMY PEASE
Atria/Emily Bestler Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: From the acclaimed author of the “riveting debut” (People) Northwoods, a mother-son law enforcement team confront buried secrets in their small town as they work to expose a conspiracy that goes far beyond the tight-knit community.

Deputy Sheriff Eli North has spent the last year getting his life back together. He hasn’t touched a drop of alcohol, he’s working through his PTSD from his military deployment, and he’s repairing his most important relationships. When an undercover informant disappears and all signs point to murder, Eli must expose the dark underbelly of his idyllic Wisconsin small town while safeguarding his newfound stability.

Then, with the unexpected arrival of FBI Agent Alyssa Mason, Eli and his mother, the sheriff, are pulled deeper into a violent criminal network built on the backs of the lost and forgotten.

As the case deepens, loyalties fracture and the line between justice and survival begins to blur. In a town where everyone has something to hide, exposing the truth may cost them everything.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Marge and Eli are back! (Follow the link at the top to find out who they are.) They're making rural northern Wisconsin as safe from wrongdoing as they're able to. It's been simple up to now.

That's a joke. The truth is nothing in law enforcement is simple, nor has it ever been. It's always a balancing act, it's an exercise in how deep the shadows are that you can leave alone and still accomplish the goal of reinforcing Ma'at's web of right action and good behavior. Ancient Egypt's goddess of the social fabric ought to replace the yucky moralizing minatory system in place now...though of course that's always how humans will develop any system of control given enough time.

Back to Author Pease: Alyssa and Marge are developed in ways I would not have predicted they would be. In common with the rest of the series, Author Pease uses this story to give her characters personhood, real dimensionality; even contradictory and inconsistent pasts and goals that change. It makes them all feel like people I would be pleased to meet in real life. They are believably still dealing with the same kind of crisis as in Northwoods because these issues were not, could not be, resolved to an end point in one case (no matter how complex and wide-ranging it turned out to be).

That's really the secret of a solid, lasting series mystery. The scoobygroup needs to feel like a posse you'd want to join by reading about them. Their interactions and interdependence are the source of a social web that will either trap you or make you desperate to escape. I'm in the trapped camp.

Social disintegration, personal reconstruction, Life's endless stream of entropy...all in this very well-crafted and solidly written story of a family doing its dead-level best to battle for Right, Good, and Justice for All. Well worth your time and treasure, like the first one was.

The BOOKBINDER'S SECRET, debut historical mystery set in a biblioholic's fever dream

The BOOKBINDER'S SECRET
A.D. BELL
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: Every book tells a story. This one tells a secret.

A young bookbinder begins a hunt for the truth when a confession hidden beneath the binding of a burned book reveals a story of forbidden love, lost fortune, and murder.

Lilian ("Lily") Delaney, apprentice to a master bookbinder in Oxford in 1901, chafes at the confines of her life. She is trapped between the oppressiveness of her father’s failing bookshop and still being an apprentice in a man’s profession. But when she’s given a burned book during a visit to a collector, she finds, hidden beneath the binding, a fifty-year-old letter speaking of love, fortune, and murder.

Lily is pulled into the mystery of the young lovers, a story of forbidden love, and discovers there are more books and more hidden pages telling their story. Lilian becomes obsessed with the story but she is not the only one looking for the remaining books and what began as a diverting intrigue quickly becomes a very dangerous pursuit.

Lily's search leads her from the eccentric booksellers of London to the private libraries of unscrupulous collectors and the dusty archives of society papers, deep into the heart of the mystery. But with sinister forces closing in, willing to do anything for the books, Lilian’s world begins to fall apart and she must decide if uncovering the truth is worth the risk to her own life.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I was suckered in by "forbidden love" in the description. It does not mean queer love. It means a girl of "gentle birth" (SOMEone's never been in a delivery room, there is not one single thing gentle about birth) falling for a lower-class boy, being thwarted in her desire for him, and the very tedious and predictable consequences thereof.

All of this features in the mystery the young bookbinder's apprentice is required to solve by her...compulsion, I guess...to have some control over something in her life. Her status as a 1901, so transition between Victorian and Edwardian, woman means she's hemmed in on all sides in spite of being her antiquarian-bookseller father's heir and an apprentice bookbinder of significant skill.

She is, in other words, that most dangerous of people: One who knows just enough to know she is second-class by other people's designs. Those are the people who foment revolution, who commit violent crimes, who rise up for their own benefit. Lily's many steps above her peers because she's got a (failing?) business coming to her, she's learning a skilled trade, and by and large is left to her own devices to live her life as she sees fit.

Which leads me to that missing star. Lily has two suitors and pursues relationships with each unremarked on...in 1901. It's the unremarked on that is the bridge too far in straining my suspension of disbelief. She'd have A Reputation, be called names, be gossiped about. As we're never in the men's company for long enough to form our own opinion about them, at least the gossiping neighbors could've filled us in. Also, the mystery is set in 1851...how did it end? Why do I care if a mid-Victorian pairing gets consummated? For that matter, why does Lily, except to distract herself from the unsatisfying life she's leading?

I liked very much the bookbinding bits. I honestly got invested in Lily's struggles with discovering clues, being perfectly willing to lie and steal to acquire them; but also was sure this would not have gone unremarked in her small professional world. For all of my willingness to meet the book halfway, this was my quarter-star docking point. In the future installments of the series this is clearly meant to be I hope some judicious pruning will cut some redundancies, some peril will attach to Lily's unconventional lifestyle, and her men will either be more present or at least gossiped about.

ISLAND AT THE EDGE OF THE WORLD: The Forgotten History of Easter Island, new data and modern analysis change the game

ISLAND AT THE EDGE OF THE WORLD: The Forgotten History of Easter Island
MIKE PITTS
Mariner Books (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 4* of five

The Publisher Says: A vital and timely work of historical adventure and reclamation by British archaeological scholar Mike Pitts—a book that rewrites the popular yet flawed history of Rapa Nui (Easter Island) and uses newly unearthed findings and documents to challenge the long-standing historical assumptions about the manmade ecological disaster that caused the island’s collapse.

Rapa Nui, known to Western cultures as Easter Island for centuries, has long been a source of mystery. While the massive stone statues that populate the island’s landscape have loomed in the popular Western imagination since Europeans first set foot there in 1722, in recent years, the island has gained infamy as a cautionary tale of eco-destruction. The island’s history as it’s been written tells of Polynesians who carelessly farmed, plundered their natural resources, and battled each other, dooming their delicate ecosystem and becoming a warning to us all about the frailty of our natural world.

For too long, people have imposed their own theories on this extraordinary place and its inhabitants. Thor Heyerdahl, after his famous Kon-Tiki expedition, claimed the island had been discovered by light-skinned people from South America, believing only they could have been capable of travelling there and building the statues. Erich von Däniken took it to greater extremes, saying the statues had been carved by aliens. More recently, Jared Diamond's theory of ecocide—that Islanders destroyed their world by cutting down all the trees—has become popular as a vital message about the need to conserve our planet's resources.

But what if that history is wrong?

In The Island at the Edge of the World, archaeological writer and scholar Mike Pitts offers a direct challenge to the orthodoxy of Rapa Nui, bringing to light new research and documents that tell a dramatic and surprising story about what really led to the island’s downfall. Relying on the latest archaeological findings, he paints a vastly different portrait of what life was like on the island before the first Europeans arrived, investigating why a Polynesian people who succeeded for centuries throughout the South Pacific supposedly failed to thrive in Rapa Nui. Pitts also unearths the vital story of one of the first anthropologists to study Rapa Nui, an Oxford-trained iconoclast named Katherine Routledge, who was instrumental in collecting firsthand accounts from the Polynesians living on Rapa Nui in the late nineteenth and early twentieth centuries. But though Routledge’s impressive scholarship captured the oral traditions of what life had been like pre-1722, her work was widely dismissed because of her gender, her reliance on indigenous perspectives, and her conclusions which contradicted her historical peers.

A stunning work of revisionism, this book raises critical questions about who gets to write history and the stakes of ignoring that history’s true authors. Provocative and illuminating, The Island at the Edge of the World will change the way people think about Easter Island, its colonial legacy, and where the blame for its devastation truly lies.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: An archaeologist with access to twenty-first century morals and mores and technology is not going to write with kindness towards the previous generations' conclusions. They're rooted in outdated assumptions, using techniques that feel shockingly cursory to modern sensibilities; most shocking is the unquestioning racism of so very much of the analysis made by earlier generations.

A third, the first third, of the book relays those earlier analyses with what felt to me as condign levels of condemnation or disagreement, couched in evocative language. If you're offering a different light on past data with newer data and previously unavailable technology, casting shade is inevitable. Why not begin with tendentious tones? Many cavil at this. I do not.

After bringing attention to, in the second third, an underknown and too-little celebrated Katherine Routledge and her astute observations and contextualizations of the society and culture of the island, Pitts goes into the modern archaeology and emerging understanding of Rapa Nui. It's a paradigm shift, and we're seeing it in its earliest days.

I found the book as a whole fascinating, creating a gestalt of scholarly opinion's mechanisms of change as evidence...and society's changing mores...demand. It is not a simple bowing to the winds of fashion as the reactionaries and recidivists with political axes to grind insist. It is the scientific method at work, correcting its data to account for developments across all fronts of scholarship. No "Truth" is immutable, scary as many people find that fact. Fixing thoughts into cages of ideology is never permanent. Examining data, analyzing orthodoxy's tenets, is how Einstein blew open the ideas of physics...out came cell phones, computers, the entire internet.

I won't pretend I was completely fascinated during the whole read. It was a slog to read the archaeology jargon but it yielded a really fascinating new understanding of a place most of us are intrigued by. More than that, though, this is a perfect example of how science works: take a data set, examine it, add to it, and analyze both the before and after data sets. Present conclusions as "this new data refutes/supports previous data; the current, amended data set supports/refutes the following conclusions."

It's a message I like, I support, and I choose to amplify.