HAPPY PRIDE MONTH 2026!

Last year at the end of June, my friend Sarah-Hope and I decided that a good way to celebrate #PrideMonth would be by highlighting our top five queer reads of the past year. Hence, the list I offer below that covers books published in 2025 and 2026 to date. I cheated; one of Sarah-Hope's is also one of mine so I included but didn't count it.
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Forest Euphoria: The Abounding Queerness of Nature by Patricia Ononiwu Kaishian: Overall, the thing I loved about this read was not the fount of factfulness but the fountain of meditative, calm reflection that Author Patty (she refers to herself as such on her website so I'm presuming to do so too) uses to soothe away the hurts being queer in a hostile world has wrought. It delights me that this deeply queer in most senses of the word I'm familiar with has spent more than a year on The Independent Press Top 40 Bestsellers: Non-Fiction! Most recently for the week ending June 2, 2026.

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Stories from the Edge of the Sea by Andrew Lam: How to go on, when you honestly think your world is ending, is at the heart of any immigrant's story. Your world is ending, are you going to end with it?

Not while someone is cold and hungry, I'm not. I immigrated from my happy world to this ugly, mean-spirited one entirely against my will. But here I am. My kettle's only got words, but heads need filling...feeding...too. There are five 5* stories in here: The Tree of Life is an elegy to a mother's love; A Good Broth Takes Its Time "I insure people against tragedy, in a country built on it," says Toan, survivor and thriver on pho's magically Proustian-madeleine insubstantial waft of piercing sadness and joy at the ephemeral moments of recall; and for me, relict of a great, great love gone to AIDS, there's October Laments that follows a woman who processes her grief in real time posts on Facebook, in a foreign language, for the husband she shared twenty-five years of life with. I suppose we all conduct our love affairs in translation to a degree, but there's a gulf you cannot deny away or fully bridge between older and younger, added to culturally separated lovers.

Any one of those stories would get this collection on my favorites list. But all three? No wonder this collection's one of LitHub's 100 Notable Small Press Books for 2025!

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Separate Rooms by Pier Vittorio Tondelli and translated by Simon Pleasance was the first novel about AIDS in Italian. This book came out in 1989. I assume most of y'all remember something about 1989, but probably not the sheer awfulness of the AIDS epidemic eating the gay-men's communities around the world at that time.

I was there. I loved and lost more than once in the hell of the times. It happened like Tondelli, dead a year and a half after this book appeared, said it did. Leaving a record for those not even born then feels important to me; leaving an anguished, choked sob that records the reality feels urgent.

•••••• [bookcover:We Were the Universe|196845475] [book:We Were the Universe|196845475] by [author:Kimberly King Parsons|17201366] is the first novel by my 2019 six-stars-of-five delight [book:Black Light|43152994]'s author. Grief and grieving are common to us all. It is not, for some, cathartic to experience them in fiction. I'm not one of those people, but if you are, this is not the read for you. I hope all the rest of us will derive the comfort of fellow feeling from this story that was shortlisted for the 37th Lambda Literary Awards for Bisexual Fiction.

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The Six Loves of James I by Gareth Russell snuck under my harbor-blocking chains set up against applying 2026 identities to 1560s-born folks. Author Russell is scrupulous in making you au fait with his sources. He specifically says, on the occasions he makes a logical leap, that this is what he's doing. Where people in the past used the lens of homophobia to "tar" a man's reputation with the stench of sodomy, much more often than not the "charge" was made absent solid evidence, and for some sort of political or ideological reason. Hence my relieved pleasure with this read's honest offering-up of details I enjoyed learning that led me to think James of Scotland (born in 1966 not 1566) would've *loved* Pride Month.

•••••• My cheat:

(So What) If I’m a Puta? Diaries of Transness, Sex Work, Desire by Amara Moira and translated from Brazilian Portuguese by Bruna Dantas Lobato and Amanda De Lisio: Self-determination, personal autonomy, individual freedom, call it what you like: It is the central fact in the competing ideologies of high-control and laissez-faire systems of social organization duking it out around the world since 2025. Spoiler alert: It's always going to fall short for one side's happiness and comfort. I myownself want it fall shortest for the high-control (usually religious) fascist slime. This personal story is a goddamned anthem for the freedom so hard-won and so terrifyingly fragile.

There. I'm out of the closet. I want what "They" only claim to want, the PTB out of my personal business, telling me who I can fuck, marry, or vote for.

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Below, with her permission, I present Sarah-Hope's list of her five extraordinary reads from 2025 and the first half of 2026.

Necessary Fiction, by Eloghosa Osunde: Necessary Fiction is one of those novel-ish short story collections (or short story collection-ish novels). It's sent in present day Nigeria, mostly Lagos, and features a wide range of gay/lesbian/queer/nonbinary characters. Most of the characters come from families wealthy enough that they're not concerned with making a living, but those who are not prove to be ingenious in figuring out services that seem to become essential as soon as they're offered/invented. If you like queer fiction, if you like books that are adventurous in terms of style and structure, you're in for a huge treat with Necessary Fiction. Five Stars

(So What) If I’m a Puta? Diaries of Transness, Sex Work, Desire by Amara Moira: This is a book about resistance and the powers that want to smash that resistance. The resistance is Moira's. She's a literary scholar, tranvestí, and sexworker. The powers are cis het men titillated by pursuing what they would imprison others for, social convention, and the politics of hate—and an infinitude of others. Moira demonstrates that sexwork is like any kind of work: occasionally satisfying, but more apt to fall somewhere along the awakward to the life-threatening (like Amazon warehouse employees, folks working in explosives factories, workers on the processing lines in the chicken business). Read So What If I'm a Puta to spend time looking through Moira's eyes with rage, solidarity, and grief—then look at our own sans blinders and distractions.

Five Stars

Dark Renaissance The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival by Stephen Greenblatt: Kit Marlowe was not just a brilliant playwright and contemporary of Shakespeare, but also involved in the intelligencing (we would call it espionage) that became a significant force in England during the reign of Elizabeth I. We can safely call Marlowe a loose cannon. Greenblatt identifies some of Marlowe's most salient characteristics—button pushing, shocking, espousing the outré—and then examines Marlowe’s plays to see the ways those characteristics are evidenced in his work. If you have any interest in Elizabethan politics and/or queer politics and/or faith and/or drama this is a book you should be pick up posthaste.

Five Stars

These Heathens by Mia McKenzie These Heathens has two settings: small-town Georgia in 1960, where Doris, the central character, lives and Atlanta, where she travels to end a pregnancy accompanied by one of her former teachers. The "former" here is important. Doris left school a year or two ago because she was needed at home. She comes from a church-going family and is a firm believer. Much of her day is shaped by the "rules" her faith has given her to live by. When Doris realizes she's pregnant, she's certain that Jesus doesn't want her to become a mother, so she turns to the most trusted adult in her life who is not affiliated with her family's church: her former teacher Mrs. Lucas. Mrs. Lucas promises she will help and arranges through a childhood friend to bring Doris to Atlanta for an abortion. It's at this point that things begin to get complicated. Doris is meeting people unlike any she's known. These are city people with incomes well beyond those earned by the Black folk living in her hometown. There's Mrs. Lucas' childhood friend, who appears to prefer women over men. Doris has been warned about the dangers of inversion, but she is every bit as fascinated as she is perturbed. And she also meets several young men who introduce her to SNCC, sit-ins, and even a bit of the Nation of Islam. She's also meeting people she's only read about in Jet or Ebony: the Kings, Bayard Rustin, and Black entertainers. Watching Doris enter these new worlds, explain them to herself, and make her own way through them is a delight.

Five Stars

My Roommate from Hell by Cale Dietrich: As a general rule, I can’t stand romances, but sometimes a romance comes along that stretches the genre in so many directions that it becomes a delight to read, regardless of preconceived biases. The novel riff on the enemies-to-lovers trope. Owen and Zarmenus are first-year students at college and roommates. Owen wants to study software engineering then land a high-paying job—he’s devoted to his goals. He’s also gay. Hoping for a studious study partner, he’s instead paired with Zarmenus—that’s Prince Zarmenus, the son of the rulers of Hell, which scientists have just discovered exists. His parents want to him to be a sterling example of a well-behaved demon as a first attempt at an Earth-Hell exchange program. Zarmenus meanwhile wants to party and sleep with as many hot guys as he can. Yep, he too is gay. Their relationship is a disaster from the get-go, things get worse, then they get worser, then they get exceptionally complicated while becoming (maybe?) slightly less worser, then…. My Roommate from Hell is a flat-out comic romp with a cast of characters that may drive you nuts at times, but who you’ll also come to feel deeply fond of.

Five Stars

☀☁☂☀☁☂☀☁☂☀☁☂☀☁☂☀☁☂☀☁☂☀☁☂☀☁☂☀☁☂ ...AND THERE YOU HAVE IT! Two retirees, veterans of the culture wars of the 1960s and 1970s who came out in our different homes to different results, and developed a shared love of reading...reading Queer stories especially. We shared one title on our favorite reads, and generally show consistent love for our siblings in queerness in their global diversity.

#ExistenceIsResistance

REARS & VICES is E.M. CARO's involving, exciting Pirate Throuple luuuv tale

REARS & VICES
E.M. CARO
Tides & Troth Books LLC (non-affiliate Bookshop.org link)
$17.99 paperback, available now

Rating: 4* of five

The Publisher Says: Black Sails and Hamilton meet in this queer, poly, spicy Historical Romance set during the 19th century Age of Revolution, when pirates briefly reclaimed the Gulf and Caribbean seas and provided crucial support toward anti-colonial nation-states. Perfect for fans of K.J. Charles, Cat Sebastian, and Courtney Milan!

HE THOUGHT HE’D BE A HERO BY NOW—AND THAT IT WOULD MEAN SOMETHING.

It’s 1816. The wars with France and America are over. Royal Navy career man Everard Anderson de Anglada sails the peacetime Great Lakes, demoted to captain of a tiny ten-gun schooner. When Preston D’Arcy, Everard’s former lieutenant and too-handsome ex-flame, forewarns him about a court-martial they must judge, Everard is begrudgingly grateful.

HE’S RADICAL, RESPECTED, UNFORGETTABLE—AND A PIRATE.

On the docket, however, is Vitaliy “Vitya” Gray, infamous pirate captain and anti-colonial weapons smuggler. Everard has crossed paths with him before—not strictly as enemies.

TOGETHER, THEY COULD BE LEGENDARY…

After a hasty jailbreak, philosophical debates, and proposals—pirate marriage, no strings—Everard finds himself, his heart, and even D’Arcy commandeered: to the Gulf of México. There, piracy is nothing like he imagined, and Vitya is everything Everard ever truly wished to be.

…SO LONG AS LEGEND DOESN’T GET IN THE WAY OF LOVE.

The Spanish crown looms. Dangerous secrets and betrayals come to light. Then Everard is offered a position with the revolutionary Galveston navy. Everard must decide: fulfill his desire for legacy… or stay beside the men with whom he’s fallen in love and make a legacy of their own.

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My Review: Well-researched historical romance with twenty-first century guys parachuted in to do the romancin'. Consent would not remotely matter to guys born in the eighteenth century, nor would equality of the sexes be so unquestioned even among the pirates. Still, I'd prefer to have this quibble (and it's only a quibble) that to squeam out over dubcon or worse scenes, or grunt in disgust at period-appropriate sexism.

The essence of the story was the geopolitical complexity of the Napoleonic Wars, arguably the real Second World War after the Seven Years' War, which counts in my mind as the real First, acted out in the slowly decolonizing New World. There are many moving parts to the mens' relationship development. The idea of throuples is now public, and gaining acceptance under several nammes including polyamory. It's interesting to see it begin to root into historical fiction. It's exceedingly unlikely to be a modern invention but of course the evidence...written words, court documents, that kind of thing...is scant and mostly subject to interpretation.

Digression: this is how progress gets lost, y'all. The evil fucks who want to stop the massive numbers of people in the world from enjoying true liberty and happiness reset the social clock with destruction of records, of books, of art that depict the things they want to deny us. If histories vanish, History is what "They" say it is, and our actual lived lives, our hoped-for, dreamed-of, briefly attained progress has to be reinvented slowly and painfully. And it can always be fought against, denied, diminished by "it's not in the records" arguments. Look up Magnus Hirscchfeld, the Edict of Torda, matelotage. We live in a Golden Age of information availability. Notice how carefully that availability is being sabotaged with fake "privacy protections" and very real power/ownership consolidations.

Matelotage is most relevant to our story, though, because most of y'all ain't heard of this gay marriage from the seventeenth century, yet two of the throuple we're following in this story are matelots. Vitya and Everard are bound in this union and are pretty good at using its spousal-equivalent privilege. Sex, when they get around to TALKING TO EACH OTHER about it, is very much part of the matelotage as we can feel sure it was for others in this and earlier eras.

My main reason for offering only four stars for this very creative and quite interesting story is that not-talking thing was done with such ridiculous and flimsy excuses...honor, the one person not allowing the other to finish a sentence, etc...that I slammed my Kindle shut so many times I worried I'd cracked the screen. Once or maybe twice...okay, especially in the early stages of figuring each other out, or just discovering them. But every time? Every topic? No one, not once, saying "listen to me, please." If that's y'all's experience of being in love, stick to novels, it's just too bleak to be borne in your life.

And not novels like this one that smash the same pathological communication style *after* the love's been established.

As endings go, this one's a humdinger. The last 20% of this story would not let me out of my chair. I got so excited as the throuple withstood the stress test of the awful betrayals!

A good, not quite excellent, love story that offers real rewards for yearning romantics.

PURE MEN, Prix Goncourt-winning Senegalese author MOHAMED MBOUGAR SARR's récit of homophobia's viciousness

PURE MEN
MOHAMED MBOUGAR SARR (tr. Lara Vergnaud)
Other Press (non-affiliate Bookshop.org link)
$10.99 ebook, available now

Rating: 4* of five

The Publisher Says: A young professor grapples with homophobia in Muslim Senegal in this searching, heart-wrenching novel from the National Book Award–longlisted author of The Most Secret Memory of Men.

A viral video makes the rounds in Dakar, showing an incensed crowd that gathers to dig up a grave and drag the corpse from holy ground. When Ndéné, a French literature teacher, watches it, he’s surprisingly affected. Who was this man, and what could he have done to deserve such a fate? The answer soon becomes clear: he was a “góor-jigéen,” one of the so-called “men-women,” the shameful label given to homosexuals, cross-dressers, or any man who lives outside the accepted norm.

Haunted by the video, Ndéné sets out to learn more. With the help of a friend who works in night life, he explores a hidden side of Dakar, away from the rigid Islam of his family and university. Although he feels a certain disgust for homosexuality, he’s moved by the suffering and resilience of the people he meets. But the further he goes, the more he doubts his own identity, threatening to become an object of suspicion and scorn himself.

A powerful, nuanced portrait of queerness in a conservative society, Pure Men asks the fundamental question of how to find the courage to be true to yourself, whatever the cost.

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My Review: A récit from a Francophone Senegalese author, winner of multiple impressive prizes including 2021's Prix Goncourt for The Most Secret Memory of Men (published by Other Press in 2023), the first sub-Saharan native speaker of French to be so honored.

This powerful story of one academically expert yet culturally naïve man Ndéné coming to terms with the raw potency of religious belief to inspire behaviors its own tenets specifically condemn...murder, desecration of human remains...in a Muslim-majority country by no means anywhere close to a Stonewall moment. In all of his professorial duties and in his life with his lover Rama, Ndéné has not thought much about queerness and Senegalese Islamic homophobia. His hather is a major figure in the Islamic world of Dakar, and Senegal as a whole.

Then Ndéné encounters a viral video of the desecration of a grave because its occupant is rumored...not known bur rumored...to have been a góor-jigéen or man-woman (equivalent to US English faggot) that rocks his entire world. This is done by homophobes screaming at a corpse things that any adult queer has heard many times whether loudly or quietly directed at them. It's a jolt to professorial Ndéné, accustomed to explicating poetry and French culture to his students. He elects to pursue more information about the video, about queerness, and about Senegalese Islam's homophobia. An academic's natural role is to perform research, after all.

Rama and her friend who works for Human Rights Watch in Dakar bring innocent Ndéné into a buried lifeway lived at risk of torture and murder by Dakar's homosexual population. It is fateful. It cannot possibly go unnoticed because of who his father is in the Muslim world; and because the viral video is not condemned by his father, Ndéné investigating the acts depicted and the topic they're embedded in attaches suspicion to himself and damages his father among the devout. Rama, herself bisexual, is added to the trail of calumny.
In exploring the intense, hypocritcal taboos and burning hatred experienced by Senegal's queers, Ndéné begins to ask himself questions about Authority, conformity, prejudice in a country known to be repressive overall. He does himself no favors wher he decides to introduce his students to the work of Verlaine, that monadnock of queer letters the world around. Why would he do this, seeming to me to make the decision on a whim?

The lack of my fifth star above can now be explained. Is Ndéné having a bi awakening? Is he simply so repulsed by his father's religion's hypocrisy and the cultural cruelty, viciousness really, on display in that viral video that he simply wants to lash out at the cultural fog?

Dunno. Does Author Sarr know? It was not obvious to me if he did, and made this choice of direction steered by that knowledge. It's a vague and unsatisfying thing as a result. I can see from Translator Vergnaud's high-quality work that the vagueness was intentional. No author who can create this much investment in a story narrated by a man entirely in his own head, from his own PoV, and in under 200pp reach a truly life-altering conclusion that's internally consistent and resolves the story's plot is going to simply forget to mention if the main character's suddenly gone queer.

But then why do this? What the hell, back down and live to fight another battle (metaphorically speaking, not literally)? It's simply not in the text, or I am too obtuse to see it.

Astonishingly forceful and stylistically assured, the read os one I'll recommend to anyone willing to live in a high degree of narrative uncertainty.

Good practice for our modern life.

MAD EDEN: A Novel, long may Morgan Thomas create characters to enrich our imaginations

MAD EDEN: A Novel
MORGAN THOMAS
MCD x FSG (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: From a pathbreaking writer, a thrilling, form-bending novel about a trans healthcare worker whose carefully built life is suddenly imperiled.

Ro and Liam live in a ramshackle cabin in a secluded stretch of Florida. Neither their home nor their sometimes-tumultuous relationship is what the world would call perfect, but to Ro—newly diagnosed with autism and working as a patient navigator for people seeking gender-affirming care—their life, despite the deeply inhospitable political climate, is a kind of paradise.

It's hard to pinpoint exactly what shatters their peace. There’s Quentin, the unpredictable teenager for whom Liam and Ro are quasi-parents, who visits on his way to college, where he plans to finally start T. There’s the appearance of “Mad Eden,” an online fantasy serial about heroic dragon riders that increasingly becomes Ro’s obsession. And then there’s a seemingly innocuous patient video call that results in consequences both unexpected and grave. This triad of circumstances sends Liam's and Ro’s world spinning toward disaster—unless Ro can become the real-life hero their situation demands without betraying who they are and who they love.

With colossal heart and preternatural skill, Morgan Thomas crafts a deliciously destabilizing debut novel that challenges us to confront and reinvent questions of language, sex, prejudice, identity, and the shifting scales of morality. Playing with the possible relationship between autism and time to forge an ingenious new kind of storytelling, Mad Eden imagines, with exhilarating courage, how we might yet joyfully live in a precarious world.

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My Review: "Intersectionality" is a buzzword, it's true; the idea behind a person having intersecting identities has always seemed self-evident to me, so I'm been a bit eye-rolly in my response to its polysyllabifactive neologization.

Whatever, old man, what's your point?

The intersectionality of Ro's adult-diagnosed autism and Ro's trans identity would never have been used in a mainstream, high-budget novel in my youth. It would have lurked in the bottom-of-the-midlist pity-porn area of publishing throughout the entirety of the twentieth century. (Leave aside autism's hideous, abusive history for now, it's not relevant in this context. Let's just be delighted that it is not the case anymore.)

And Author Thomas would have been deprived of their métier. To all our great loss. (Singular "they" is neither error nor solecism.) To make this exploration of human...grunginess, messiness, animal-function reality...there had to be a generation of writers pushing pushing pushing against the polite prudery of nice people who act like they've never smelled, let alone touched, an asshole. If you've changed a diaper, cleaned yourself after a shit, cleaned up after your pet, yes you have. Many a nose is wrinkling now. Maybe this read is not for you, because it's very forthright in its body-ness. I think all y'all ought to unpucker and stop with the fakeness of pretending you're shocked, shocked! to find there's animal reality to beings living their life.

I suspect it will cause some people to re-evaluate their transphobia, however minld it may be, to realize that it's rooted in a concept of body-ness that belongs to a bygone era. Much like "eww-ick" homophobia, the reality of the twenty-first century is we can fix/clean/care for many, many things that killed people in older times. Keep up! Plug in! Grow some empathy for others' needs and wants, if you expect to go unchallenged in your perception of yourself as a good person.

Ro, the autistic trans guide through the deliberately desgined to be complex medical system that enriches many corporations and immiserates and impoverishes millions who live in the US, uses their autism to guide those in need through a labyrinth. Think, in this case, of the original Labyrinth and its intended function: a prison to hold a monstrous being created out of mismatched partners' uncontrollable, animal (!) passion. Is this making sense now? Ro is less Theseus, more Ariadne. A humane person, one caring for the welfare of others, helping them finr ways through the unforgiving maze, not always a "monster"-slaying self-righteous prick.

I don't offer a perfect five stars because I was less convinced by the "Mad Eden" text that Ro becomes obsessed with being all that worthy of their obsession. I was also more interested in leaning more about Ro, their partner Liam, and the couple's found-family child Quentin in relationship than I was in "Mad Eden." So, purely on personal-enjoyment grounds, I've got to go with a solid four-and-a-half stars for this rich, enriching, selfness-nourishing tale of one person's choice to use their lifee to help others find their own true selves.

PUCK...yuck.

PUCK
SAMANTHA ALLEN
Zando (non-affiliate Bookshop.org link)
$9.99 ebook, preorder now for delivery 2 June 2026

Rating: 2.5* of five

The Publisher Says: In this A Midsummer Night's Dream-inspired romcom, Puck is a reality show producer and agent of chaos with a talent for bringing people together . . . and tearing them apart.

Meet Puck: the nonbinary, thirty-year-old mastermind behind "Homewreckers", a dating show that puts troubled couples through hell—with a little help from their exes. Used to being the one pulling the strings, it shocks Puck when their life undergoes a plot twist of its own and their college roommate Mia announces her engagement to her ex’s best friend, Damon. Having only recently broken up with longtime-boyfriend Zander, and never having had much in common with Damon (who lovesick Lena has always pined after), Mia’s news leaves her friend group reeling—and Puck’s mind whirling.

When they arrive for a week of wedding festivities at an upscale resort in the Appalachian forest, Puck immediately sees that Mia’s marriage will lead to misery, and takes it upon themself to save their friends by rearranging the couples—without anyone finding out. But as Puck comes up against a type-A maid of honor hell-bent on making this wedding happen, it becomes clear that they will have to deliver the greatest stunt of their career. If only they can take their eyes off the bridesmaid. After all, the course of true love never did run smooth…

Written with Samantha Allen’s signature charm, wit, and an irresistible dose of Shakespearian mischief, Puck is the ultimate romcom for our chaotic era, and a celebration of the friendships that carry us through it all.

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My Review: I've read reality-TV plots before, and liked them fine. I dislike Puck as much as it is possible to dislike a fictional character.

Controlling and manipulative are the core qualities a producer/director must have. The Creative Types series got uniformly good reviews from me, and controlling manipulative producer/director types abounded. LOVE, HATE & CLICKBAIT had the same. I liked it, too. All these stories were chock-a-block with cynical, manipulative controlling people.

Puck is the first one of the producers to feel sociopathic, actually uncaring in their actions...as in not really interested or invested in a positive outcome of some sort. Their impulse to derail the train heading for a genuine disaster was, it felt to me as I read along, much the same "I will because I can and y'all sort out the pieces once I've had my laugh" as in A Midsummer Night's Dream.

I'm glad I read the whole story. I'm supposed to see the easy, wealth-lubricated hum of a stage play wedding as hollow and shallow and doomed to failure. So Puck blowing all those things up? Well, why not they were going to blow up anyway.

I found the idea of Puck's in-universe TV show, Homewreckers, to be as repugnant as The Traitors all y'all seem to lap up. I'm not going off on a rant about how vicious all these craptastic shows feel to me...entertain y'all's selves how you see fit...but absent some tinge of positive motivation, some twinge of conscience or at least awareness that the playing cards being shuffled by Puck are people with feelings, I'm not recommending the read.

The prose is charmingly descriptive, the surfaces ae glossy, the dialogue had a brittle wit to it.

And I disliked every page.

WITHOUT PREJUDICE: My Life as a Gay Judge, a memoir of living the curse "May you live an interesting life in interesting times"

WITHOUT PREJUDICE: My Life as a Gay Judge
HARVEY BROWNSTONE
ECW Press (non-affiliate Bookshop.org link)
$21.95 paperback, available now

Rating: 4.25* of five

The Publisher Says: Harvey Brownstone’s story is a tumultuous, sometimes hilarious, and uplifting journey from bullied child to outcast after coming out to his parents, to trailblazing lawyer, to distinguished judge.

Brownstone colorfully details his momentous and inventive judicial career marked by his numerous innovations of the justice system, particularly revolutionizing Ontario’s child support enforcement program.

In retirement, he is no longer shackled by the restraints traditionally imposed on the judiciary, and thus Brownstone provides a frank, unfiltered, and refreshing glimpse into the inner workings of the justice system, boldly delineating the strengths and weaknesses of criminal and family courts, both of which he claims are sorely in need of comprehensive reform. His remarkable story, reinventing himself from high-profile judge to highly acclaimed talk show host, is a testament to the resilience and triumph of the human spirit.

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My Review: An unusual man's memoir of being unabashedly unusual and unapologetically opinionated.

Judges are not often public figures while still sitting on the bench. Harvey Brownstone got that memo, looked it over for legal penalties, saw there were specific things he was never to speak of so he didnt, and then quietly spoke up for the powerless his entire career. A fluently bilingual judge in an Anglophone province, he was in demand to hear cases involving Francophone participants; he was always active in criminal and family law; he was always, as a good judge ought to be, aware of how his decisions were going to impact all the parties' futures.

A lot of Justice Brownstone's empathy for people enduring trouble, as by definition all those in the legal system are, comes from his parents' surprising rejection of him when he came out to them as gay. It was the 1970s! They were sophisticated people, not from some lunatic religious-nut group...just quite homophobic. This disappointed me, as well as made me empathetically upset on his behalf. Fiive years of no contact made me cringe for him.

As he transitions his narrative to the legal career he self-financed (imagine trying *that* in 2026!) the tenor shifts from personal suffering to compassion for the suffering of other as they wend their way through a system he knows is stacked against them. Defendant or plaintiff, the Canadian legal system is as labyrinthine and intentionally complicated as that anywhere in the world. Justice Brownstone does not hold back in this memoir from expressing his anger at the cruelty baked into the system as it is...most especially the capricious, arbitrary "family" courts.

Justice Brownstone wrote of that system in a 2009 book entitled Tug of War: A Judge's Verdict on Separation, Custody Battles and the Bitter Realities of Family Court in 2009, published by the same house this book comes from. I don't think my blood pressure would remain safely controlled were I to read that book. This one, with its wider focus, challenged me, so I'll be avoiding his earlier book. No more hospital visits for TIAs if I can help it!

I suspect Canadian readers will be more involved in the nuts-and-boltsness of Justice Brownstone's policy agenda for legal-system reform. I'm totally with him in the spirit of his reforms; I can't see anyone in the US who holds a comparable position writing so openly and passionately in favor of redressing the balance of the system. It makes me a bit jealous, like having Mark Carney as their head of government does. Still leaves me with an overall positive impression of Justice Brownstone, and a hearty supportive push for any and all Canadians reading these words to go get themselves involved in his crusades.

I'm hoping the US readers will see what an honest, person-centered, effective and responsible progressive looks like and will start looking for more of them here.

STEVEN ROWLEY'S PAGE: a novel about testing your experience of love and a novella about being tested by love's lies

TAKE ME WITH YOU
STEVEN ROWLEY
G.P. Putnam's Sons (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: A poignant, hilarious, and wholly original love story, from the New York Times bestselling author of The Celebrants and winner of the Thurber Prize for American Humor.

College professor Jesse del Ruth has been abandoned. Thirty years into their relationship, Jesse witnesses his husband Norman get out of bed late one night, walk into their Joshua Tree backyard, step into a strange beam of light and . . . disappear. How could Norman desert him after a lifetime together? Where did he go? And, most confoundingly . . . will he ever return? Jesse knew they were longing for something, both feeling stuck. But had Norman been so stuck that his only option was to leave Jesse behind?

As Jesse struggles to understand Norman’s disappearance, he tries to piece together his new reality. Is he expected to wait patiently for a partner who may never come back? Or is this an opportunity for reinvention? He is, after all, alone for the first time in his adult life. Should he return to the classroom? Put in a pool? Get a dog? Call his estranged mother? What does it mean to be alone when you’ve always been one half of a whole?

When Norman’s sister Lally lands on Jesse’s doorstep with an urgent request, Norman’s absence becomes even more profound. Add to Jesse’s grief and confusion a conspiracy-theorist neighbor, a strange man following him, and suspicions that he may have had a hand in Norman’s disappearance, and Jesse starts to crack under the pressure. With his husband missing and the world closing in, all eyes are on Jesse. Before he can understand how Norman could leave it all behind, Jesse must confront what it means to stay.

In Take Me With You, Steven Rowley brings his resonant wit and emotional insight to an epic love story—an exploration of the forces that draw two people into the same orbit and the gravity that threatens to pull them apart.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Being left as a subject for comedy makes more sense to me now that I've left and been left often enough to really *get* why people leave. Jesse and Norman, after a lifetime together, are...ordinary. They don't have the most exciting life but they're...contented. A perfect meet-cute sets them off on a long voyage of comfortable ordinariness. The voyage ends when Norman debarks their cruise ship in a spectacular way.

What follows is Jesse's journey through grief. Where'd he go...why'd he go...is he coming back....

Reckoning up a lifetime's happy domesticity in the ruins of abandonment shouldn't be funny. Often enough it's not. Often enough it is...this is Steven Rowley, after all...but it's muted, it's in the brightly lit pastels of these men's Joshua Tree homeplace. I got to the ending and thought, "if anyone says 'don't panic' I will riot" but no, no indeed, just a very endearing flashback and some rollerblades.

It's not the same as Author Rowley has given us in tje past, it's maybe not his tippy-top form, at least for my taste; but I am happier, I am more at one with my contentment than I was before I read it.

I call that an excellent return on time invested.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE DOGS OF VENICE
STEVEN ROWLEY
G.P. Putnam's Sons (non-affiliate Bookshop.org link)
$9.99 ebok, available now

Rating: 4* of five

The Publisher Says: From the New York Times bestselling author of The Celebrants and The Guncle, a heartwarming story about finding oneself in one of the most romantic cities on Earth.

After months of planning a romantic holiday getaway in Venice, Paul is blindsided when his five-year marriage suddenly unravels. Fueled by heartbreak, Paul endeavors to take the trip alone.

Soon after arriving in Italy, he notices a small, scruffy, self-assured dog trotting alongside a canal with the confidence he so desperately wants for himself. When their paths cross again, Paul feels compelled to learn how his new four-legged friend thrives on his own. Amid the food, sights, and welcoming people of Venice, Paul’s journey culminates in a magical encounter that leads him to feel real connection—to a dog, to a foreign city and, most importantly, to himself.

Capturing Steven Rowley's signature wit, insight, and indelible characters, The Dogs of Venice offers another timeless story of love lost, and independence found—a holiday tonic for the soul.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: What an awful December Paul is having: the collapse of his love; the need to hide from his lovely supportive friends while the wounds that Christastime-dealt betrayal gave flensed him to the bone start to heal; because let's be so real here...he has to go on the not-romantic-anymore trip to Venice that he planned to take with Darren, the now-ex, at a some expense so he's not around as Darren moves out, which...acceptable. He's rented a cool apartment though it turns out his landlady's got zero English and this presents some amusing miscommunications.

Also, as ways to re-enter singlehood go, a trip to Venice is fire. Most romantic sinking ruin since Atlantis, plus hot Italian guys? Sign me up for the broken-heart tour. Paul even succumbs to the sensualty of Venice by having a fling. I was glad it was just that, a fling, and at the end of the story Paul takes home some lonely introspective walks with one of Venice's stray dogs, some fairly basic grief-processing that gave me very mild hope for his post-Darren future, and a real sadness that there's such a homeless-hound problem in Venice.

I don't think this is peak Rowley, but I do think it was 93 minutes very well spent. It took me away from my deeply grouchy mood that's hung over since yesterday. For that alone, I'd give it four stars; it deserves them more for the way a slightly co-dependent man starts facing up to the cost of couplehood über alles and starting out on the path of learning how much alone gives and how little loneliness is actually in it.