DEVIL IS FINE, latest from bitter, amazing John Vercher

DEVIL IS FINE
JOHN VERCHER
Celadon Books
$28.99 hardcover, available now

Rating: 4.5* of five

The Publisher Says: Still reeling from a sudden tragedy, our biracial narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged white grandfather. He travels to a beach town several hours south of his home with the intention of selling the land immediately and moving on. But upon inspection, what lies beneath the dirt is far more complicated than he ever imagined. In a shocking irony, he is now the Black owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovering and reclaiming a painful past. With the wit and rawness of Paul Beatty’s The Sellout, Devil Is Fine is a gripping, surreal, and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The first book I reviwed by Author Vercher was After the Lights Go Out, a tough, unflinching look at the way one biracial man navigates a life whose deck is stacked against him as he determinedly struggles for Better.

Not so our unnamed stream-of-consciousness narrator. He's subsided into a haze of addiction, numbing the rejection of US society, his family of origin, and himself. He does not manage his pain, he tries to outrun it. This is, as anyone who has ever entered therapy knows, pointless and causes far more problems than it solves.

Be that as it may, here we are as the novel opens on the one disaster any parent dreads the most: the death of his son, a teenager, is unsurprisingly a shock to his system. His white mother's father, a stranger to him (for the most part) died and left a landholding...a plantation...to his son. After the unbearable horror of his son's funeral, he discovers he's a landowner for the first time in his life.

When he goes to the property to get the train moving on the process of selling it to be developed, ending at last his lifetime of (largely self-inflicted) poverty, things get weird. Like, "am I hallucinating?" weird. The language used in the synopsis above, "blurs the lines between real and imagined," is very carefully chosen. I like magical realism, and am resolutely a materialist, but the eerie, spooky things that happen in the corner of one's eye, and juuust out of sight, aren't unreal necessarily. After all, if the brain does in fact create reality from the bouncing of photons and the resistance of electrons to merging, there's nothing to say ghost or spirits or other such "hallucinations" are not real.

Our narrator's derangement from this latest helping of grief, added to his borning acknowlefgment of harms he's caused via addiction behaviors, is entirely enough to explain his altered perceptions of the material world. The good news for him is these spirits or whatever are guiding him onto a path of redemption. The bad news is he's going to forego a lot of money.

Redemption, to the degree it is possible, is worth a lot more than money. That our man is on that path at last makes this a very satisfying read indeed.

I was less impressed by the author's approach to stream-of-consciousness storytelling here. I followed, I think, most of the shifts in narrative. The key is "I think". I'm a savvy, experienced old reader, who loves him some Virginia Woolf; and yet I was left wondering if I was following every change. That's not a good sign that the author's got the material entirely under his control. I'm happy to pay it forward and occasionally do a re-visit of a paragraph once in a way, but it happened a lot. That's why this isn't a five-star review.

The story told ends up getting all the stars; the storytelling was a very slight bit less than perfectly aligned wiith it. On balance, though, a strong positive on getting yourself a copy.

Just maybe from the library.

MISS MAY DOES NOT EXIST: The Life and Work of Elaine May, Hollywood’s Hidden Genius, an unjustly underknown and underappreciated woman

MISS MAY DOES NOT EXIST: The Life and Work of Elaine May, Hollywood’s Hidden Genius
CARRIE COUROGEN
St. Martin' s Press
$30.00 hardcover, available now

Rating: 4* of five

The Publisher Says: Miss May Does Not Exist, by Carrie Courogen, is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch.

After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is “Miss May does not exist.” Until now.

Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: A biography of a living person, one famously Private and Reclusive, faces an uphill battle when that person declines to participate in the project. The issues become apparent early. I felt put off by one tic the author has: Referring to her subject as "Elaine" seemingly in an attempt to give a spurious sense of her own intimacy with the steadfastly unavailable Miss May.

This is really a minor stylistic issue in most cases of biography. When Miss May simply won't show up...apparently a habit of hers, as the author rather disconcertingly learns via stalking the woman...it looms large because there is nothing of a personal connection in the biographer's tale. This is a very well-researched and capably written dissection of a classic parasocial relationship. Miss May is a public figure as an actress of stage and screen fame. The ways in which the author collects information about her subject are available to other members of the public. Miss May therefore maintains control of the master narrative available to the author, as to the rest of the world. The amount of research required to write this book is, as it must be to make any kind of a story, deep. The border between that depth and stalking is blurry in all cases. I was, however, pushed into "really? Ew!" territory when the author used her own artist connections to find out when and where her subject would be attending public events and getting herself invited to them.

My own personal line was crossed when I read that. I saw the project in a very different light afterwards.

How the heck do you tell The Truth about someone who so values her privacy that she will invent stuff for public dissemination, decline to interact with people in any unmediated fashion, and simply not show up at invitation-only public events? This is someone who doesn't want people rummaging in her drawers. I expect that, like those Victorian folks who directed that their records be burned after their deaths, we will discover that this level of erasure is Miss May's wish as well. So the public record as ably collated and presumptiously contextualized (possibly inaccurately and unfairly, I doubt we will ever be allowed to know) by the author might very well be the only formal record of the long and excellent career of an unfairly overlooked and undervalued creative force.

That will, I expect, have to do. The work she did will speak for itself in the long run; absent a change of heart or a sudden betrayal of Miss May, here is a record of the truth she wanted the audience to know. Fellow pedants please note the citation style is inconsistent and incompletely explanatory.

COMPLETELY KAFKA: A Comic Biography, centenary of his death honored in fun-to-read format

COMPLETELY KAFKA: A Comic Biography
NICOLAS MAHLER (tr. Alexander Booth)
Pushkin Press
$19.95 trade paper, available now

Rating: 5* of five

The Publisher Says: A delightfully witty and original graphic biography of Kafka, published to coincide with the centenary of the author’s death

This bold and sharply funny new look at Kafka is told through Nicolas Mahler's distinctive graphic novel style and minimalist illustrations. Full of fascinating details and witty, absurdist illustrations, it’s a delightful tribute to one of the world’s great writers.

Franz Kafka not only wrote prose, he was also passionate about drawing: at one time, he even said it satisfied him more than anything else. In this graphic biography, acclaimed artist Nicolas Mahler echoes Kafka’s own minimalist drawing style in a unique and surprising approach to the great writer’s life and work.

Drawing extensively on Kafka’s fiction, letters, and diaries, Completely Kafka illustrates the major and minor details that formed his life, from struggles with self-doubt and writer’s block to a failed plan for a series of cheap travel guides.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: When people want to say "this stinks and I don't know what the hell is going on" in one word, they reach for "Kafkaesque" to do the job. This is, as all eponymizations must of necessity be, a gross oversimplification and misrepresentation of an extremely complex and, in my never-remotely humble opinion, beautiful body of work. Nicolas Mahler's selections from Kafka's fiction and his letters are very cannily chosen to be effectively illustrated in his minimalist style:

The lines, the volumes they define, the handmade feel of the brushstrokes, all echo the effect of Kafka's prose in my reader's ear. They are bold, they delineate spaces and fill them with interesting images; they are clear, unambiguous in themselves and still make the gestalt ambiguous; they do not use vivid colors but rely on contrasts, shapes, edges to convey their sense.

Offered as a corrective to the sloppily used eponym and an expansion of real understanding of Kafka and his intentions in a short, unpretentious, enioyable package on the centenary of his death.

Very highly recommended for those whose idea of Kafka pretty much ends at using "Kafkaesque" when at the DMV or the county tax office.

June 2024's Burgoine and Pearl-Rule reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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A Champion for Tinker Creek (Tinker Creek Series #1) by D.C. Robeline

Rating: 4* of five

The Publisher Says: Master mechanic Lyle James built a successful but lonely life in Tinker Creek after rescuing his dad’s auto repair shop until an international development firm conspires with local officials to condemn the shop and steal his land.

Jose “Manny” Porter has come home to take a reporting job at the South Georgia Record, a regional newspaper where his father is publisher and editor-in-chief. As the son of a driven Anglo father and Cuban exile mother, Manny knows all about how competing parental expectations can chill efforts to even find sex—much less love.

After a night of passion, Lyle and Manny are thrown together in a fight to save Lyle’s business. Their struggles may lead to more than either expected for their community and their lives.

I RECEIVED A COPY FROM THE MY YOUNG GENTLEMAN CALLER. THANK YOU, DARLING.

My Review: Series mysteries are about the maintenance of what the Egyptian pharaohs called "Ma'at". The serious work of maintiaing the rightness of the world is in the hands of this goddess. The characters are, in the reader's mind, the vehicles for ma'at to act, so we invest in the recurring characters the most thoroughly and readily. Lyle and Manny have good chemistry, are fun to watch as they figure out the boundaries of their relationship.

Plus I agree with the politics in the story. It all adds up to a recommendation for other series-mystery readers, for left-leaning environmentally concerned readers, and those who really like having A Villain in their crime fiction.

The ebook is only $8.99. I think that is a fair price for reading pleasure received.

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Manny Porter and the Yuletide Murder (Tinker Creek Series #2) by D.C. Robeline

Rating: 4* of five

The Publisher Says: Riding a tide of success after helping his boyfriend, Lyle, save their neighborhood of Tinker Creek from predatory developers, reporter Manny Porter throws himself into his career and community activism. The last thing he expects is to discover the body of prominent research scientist Phillip Nikolaidis during a laboratory tour. Murder can strike anywhere, and all the evidence points toward Tristan DeJesus, Manny’s nineteen-year-old mentee.

Manny only has the holiday season to overcome jealous colleagues, an angry corporation, and a skeptical publisher to discover who killed Nikolaidis before the judicial system condemns an innocent man to lethal injection.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I wasn't surprised about Manny's love, Lyle, being so very supportive of his dangerous determination to solve a tricky, twisty case until I thought about the Rules of Series Mysteries: Conflict with the spouse is supposed to be a given because it gives the writer an extra source of tension. I like this model, loving and supportive, a lot. I'm all over any story that models not accepting the corporate world's actions and excuses as valid. This story met that need and trumped it with use of the offending party's tactics against them.

Also, Christmas. I am a sucker for holiday stories. I loved that Manny and Lyle were shown to be involved in this life event as well as the crime-solving goodness. The series has a fan in me.

Bold Strokes Books wants $8.99 for this one, too, and that is very worth it.

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Devil's Chew Toy (Hayden & Friends #1) by Rob Osler

Rating: 4* of five

The Publisher Says: Seattle teacher and part-time blogger Hayden McCall wakes up in a stranger's bed alone, half-naked and sporting one hell of a shiner. Then the police come knocking on the door. It seems that Latino dancer Camilo Rodriguez has gone missing and they suspect foul play. What happened the night before? And where is Camilo?

Determined to find answers, Hayden seeks out two of Camilo's friends—Hollister and Burley—both lesbians and both fiercely devoted to their friend. From them, Hayden learns that Camilo is a "Dreamer" whose parents had been deported years earlier, and whose sister, Daniela, is presumed to have returned to Venezuela with them. Convinced that the cops won't take a brown boy's disappearance seriously, the girls join Hayden's hunt for Camilo.

The first clues turn up at Barkingham Palace, a pet store where Camilo had taken a part-time job. The store's owner, Della Rupert, claims ignorance, but Hayden knows something is up. And then there's Camilo's ex-boyfriend, Ryan, who's suddenly grown inexplicably wealthy. When Hayden and Hollister follow Ryan to a secure airport warehouse, they make a shocking connection between him and Della—and uncover the twisted scheme that's made both of them rich.

The trail of clues leads them to the grounds of a magnificent estate on an island in Puget Sound, where they'll finally learn the truth about Camilo's disappearance—and the fate of his family.

I CHECKED THIS BOOK OUT OF MY LOCAL LIBRARY. USE THEIR SERVICES OFTEN, THEY NEED US!

My Review: A book about Commander would be great, please and thank you. Quozy mystery that doesn't have loads of smexytimes. As that was exactly what I wanted to read, I got my wish. The story felt more than usually contrived...the way the sleuth gets drawn in to the crime was in no way credible outside a novel...but contained so much verve and energy in its pacing that I simply could not bring myself to care about suchlike silliness.

Again this month I'm kept purring by the presence of social attitudes I share. This time the author takes on anti-queer policing attitudes and the nonsensical attitudes towards immigrants infesting our political landscape. The sleuth finds himself dealing with bullying, unsurprisingly as he's short and queer, so we get that facet of stakes-making, too. None of these are in any way added onto the story being told. Fun reading with good messaging.

Crooked Lane Books (non-affiliate Amazon link) wants $13.99...check it out of the library.

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Cirque du Slay (Hayden & Friends #2) by Rob Osler

Rating: 3.5* of five

The Publisher Says: In this rollicking mystery, perfect for fans of Steven Rowley and Elle Cosimano, the circus becomes the stage for a high-profile murder investigation.

With quirky LGBTQ+ amateur sleuths, Cirque du Slay will delight readers looking for a madcap mystery with high-flying excitement!

Pint-sized Seattle middle school teacher and gay dating blogger Hayden McCall and his best friend Hollister are invited to a fundraiser for Bakers Without Borders. The celebrity performer, Kennedy Osaka, is the artistic director of Mysterium, an upscale circus arts show combining magic, acrobatics, and a Michelin-star dinner. But Kennedy is a no-show—until she’s found dead in her hotel suite.

When frenemy Sarah Lee is discovered in the room with the body, Hayden and Hollister are on the case to find the real culprit before Sarah Lee is charged with the crime.

The suspects for the murder are as unique as Mysterium a Russian trapeze artist, a cowgirl comedian sharp-shooter, an over-cologned operations director, a feisty, green-haired costume manager, and Adrenalin!, a sexy troop of Romanian male acrobats...If Hayden and Hollister are to clear Sarah Lee of suspicion, they’ll have to outsmart a killer for whom trickery is art.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Like the first in the series, it's very unlikely to occur in real life but it doesn't matter. Too much fun was happening to make it at all important in this quozy. I'm sure the jokes about a woman's avoidupois will put off plenty of readers but the fact is she uses them to reclaim unkindness the same way we're using "queer" these days. That's not to say the conversion is perfect...Hayden likening her to a mattress is cringey indeed...as is her being a lesbian named Burley, so be aware of this, more sensitive readers of size.

The Romanian acrobats in the circus setting are played for fun, too, but there's less to interpret in their presentation. I thought Hayden's interpolated blog posts were deployed well. Sometimes that knowing wink actually helps the context get established in the reader's mind. Entertaining fun but not as much in my wheelhouse as the first one.

Crooked Lane Books (non-affiliate Amazon link) wants $17.99...definitely check it out of the library.
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Puzzle for Two by Josh Lanyon

Rating: 3* of five

The Publisher Says: It was like those crazy detective novels he read as a kid…

Fledging PI Zachariah Davies’s wealthy and eccentric client, toymaker Alton Beacher, wants to hire an investigator who can pose as his boyfriend while figuring out who is behind the recent attempts on his life. And Zach, struggling to save the business his father built, is just desperate enough to set aside his misgivings and take the job.

But it doesn’t take long for Zach to realize all is not as it seems (and, given that it all seems pretty weird…). The only person he can turn to for help is equally struggling, equally desperate–but a whole lot more experienced–rival PI Flint Carey.

Former Marine Flint has been waiting for Zach to throw in the towel and sell whatever’s left of the Davies Detective Agency to him. Still, he’s unwillingly attracted to the game but inexperienced accountant-turned-shamus, and can’t help offering a helping hand when Zach runs into trouble.

Especially when it’s hard to imagine any worse trouble than having your client murdered.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Fake dating, faking coming out as gay...this feels like something from the Aughties being republished a bit after its best-before date.

The men are bisexual. There's a LOT of lying around this subject. I think the banter between the men as they fall in love is what saves the read for me. A lot of time has passed, a lot of progress has been made; the cutesy-coy marketing campaign for Deadpool's 2024 film featuring superheros "playing gay" for laffs hits worse than this book's sexuality shenanigans.

But not a lot.

JustJoshin Publishing (non-affiliate Amazon link) asks you for $7.99 for an ebook.

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Come Unto These Yellow Sands by Josh Lanyon

Rating: 3* of five

The Publisher Says: Once a bad boy, the only lines Professor Sebastian Swift does these days are Browning, Frost and Cummings. When a student he helped to disappear becomes a suspect in a murder, he races to find the boy and convince him to give himself up before his police chief lover figures out he’s involved.

Max likes being lied to even less than he likes sonnets. Yet his instincts—and his heart—tell him his lover is being played. Max can forgive lies and deception, but a dangerous enemy may not stop until Swift is heading up his own dead poet’s society.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Wow. More lies and relationship fakery...the one who allegedly puts up the barriers and resists the relationship deepening is suddenly the first to utter The Big Three? Hm. The idea of these two being together is, uhhh, unlikely; but the reason they get together does support the connection forming. Again, it's the banter that keeps me going in the book. This time the mystery is one I got invested in.

JustJoshin Publishing (non-affiliate Amazon link) wants $6.99 for an ebook.

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Fire from the Sky by Moa Backe Åstot (tr. Eva Apelqvist)

Rating: 3.5* of five

The Publisher Says: Ánte’s life has been steeped in Sami tradition. It is indisputable to him that he, an only child, will keep working with the reindeer. But there is something else too, something tugging at him. His feelings for his best friend Erik have changed, grown into something bigger. What would people say if they knew? And how does Erik feel? And Erik’s voice just the push of a button away. Ánte couldn’t answer, could he? But how could he ignore it?

Fire From the Sky is a sharp and intelligent story about heritage, family ties and age-old commitments to the past. But also about expectations, compassion, feelings that course through your body like electricity.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: It is very much an intelligent story, and one with 15-plus-appropriate explorations of desire (WITHOUT consummation). As one would expect, it's angsty as all get-out. I was very interested in the Sámi people's culture as presented here. I now know more about reindeer than I ever suspected I didn't know before.

I was less convinced about the boys' separate characters. I think something missing in a lot of YA for my reading taste is that very sense of separate *personhood* not simply different dialogue tags. I sometimes lost track of Erik or Ánte being the speaker. That feels like a quibble as I write it...so, on balance, a "yes, but" recommendation for the Elizabeth Acevedo or MT Anderson reader.

Levine Querido asks $19.99 for a hardcover.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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Normporn: Queer Viewers and the TV That Soothes Us by Karen Tongson
PEARL RULED @ 33%

Rating: 3* of five

The Publisher Says: An irreverent look at the love-hate relationship between queer viewers and mainstream family TV shows like Gilmore Girls and This Is Us

After personal loss, political upheaval, and the devastation of the COVID-19 pandemic, many of us craved a return to business as usual, the mundane, the middlebrow. We turned to TV to find these things. For nearly forty years, network television has produced a constant stream of “cry-along” sentimental-realist dramedies designed to appeal to liberal, heterosexual, white America. But what makes us keep watching, even though these TV series inevitably fail to reflect who we are?

Revisiting soothing network dramedies like Parenthood,Gilmore Girls, This Is Us, and their late-80s precursor, thirtysomething, Normporn mines the nuanced pleasures and attraction-repulsion queer viewers experience watching liberal family-centric shows. Karen Tongson reflects on how queer cultural observers work through repeated declarations of a “new normal” and flash lifestyle trends like “normcore,” even as the absurdity, aberrance, and violence of our culture intensifies. Normporn allows us to process how the intimate traumas of everyday life depicted on certain TV shows―of love, life, death, and loss―are linked to the collective and historical traumas of their contemporary moments, from financial recessions and political crises to the pandemic.

Normporn asks, what are queers to do―what is anyone to do, really―when we are forced to confront the fact of our own normalcy, and our own privilege, inherited or attained? The fantasies, the utopian impulses, and (paradoxically) the unreality of sentimental realist TV drama creates a productive tension that queer spectators in particular take pleasure in, even as―or precisely because―it lulls us into a sense of boredom and stability that we never thought we could want or have.

I RECEIVED A DRC FROM THE PUBLISHER VIA aggregator. THANK YOU.

My Review: By the time I bailed we were still defining terms. Okay, it's an academic book; did it have to be tedious as well? I wish it had been *bad* because I could just ignore it completely.

Not for the distracted or casual reader. I tried three times to get past a third of the way in and could not make it up the hill. I was obviously not the right reader, or did not get to it at the right time. The subject interests me a lot. Well, it will still be on my Kindle if I decide to try again.

NYU Press only wants $9.99 for the Kindlebook.

THE SECRET LIVES OF COUNTRY GENTLEMEN, first of a duology that could easily be longer (hint, hint)

THE SECRET LIVES OF COUNTRY GENTLEMEN
KJ CHARLES (The Doomsday Books #1)
Sourcebooks Casablanca (non-affiliate Amazon link)
$16.99 trade paper, available now

Rating: 4.75* of five

The Publisher Says: Abandoned by his father, Gareth Inglis grew up lonely, prickly, and well-used to disappointment. Still, he longs for a connection. When he meets a charming stranger, he falls head over heels—until everything goes wrong and he's left alone again. Then Gareth's father dies, turning the shabby London clerk into Sir Gareth, with a grand house on the remote Romney Marsh and a family he doesn't know.

The Marsh is another world, a strange, empty place notorious for its ruthless gangs of smugglers. And one of them is dangerously familiar...

Joss Doomsday has run the Doomsday smuggling clan since he was a boy. When the new baronet—his old lover—agrees to testify against Joss's sister, Joss acts fast to stop him. Their reunion is anything but happy, yet after the dust settles, neither can stay away. Soon, all Joss and Gareth want is the chance to be together. But the bleak, bare Marsh holds deadly secrets. And when Gareth finds himself threatened from every side, the gentleman and the smuggler must trust one another not just with their hearts, but with their lives.

I CHECKED THIS BOOK OUT OF MY LOCAL LIBRARY. USE THEIR SERVICES OFTEN, THEY NEED US!

My Review: The way I know I'm reading a KJ Charles story is when the men falling in love have their life's work established, are busy doing it, and do not need anything to make life more complicated for them. Then they meet/reconnect when they're just about out of strength. After that, they need the other to be able to do their work because strength supported is powerful in all new ways.

I love this story dynamic.

So I was sure to be a happy old reader, and mirabile dictu in light of recent disappointments, so I was. Joss made me smile with his assumption of the mantle of Head of Household. He clearly was born for the role. The ways in which his Head-ness manifested weren't always clear because he would use them in the interests of everyone, of the family he heads but also the community at large.

Gareth, the baronet "in charge" of the whole community, sees Joss's activities from a high-control perspective. He's expected to enforce The Law. He doesn't much like this burden because he isn't naturally assertive. In the course of doing his duty, he and Joss come into conflict. Nothing makes your feelings clearer than conflict. Gareth and Joss...well...there's a reason Author Charles writes romances. Their bond, as she depicts it, is powerful and undeniable. This cross-class pairing allows each to understand the nature of the social system they live and love within.

As is usual in the genre, the romance succeeds...more believably than a cross-class romance usually does because rhe men are each the head of their world; because the men are each the inadequately trained inheritors of their power; and because they are similarly happy to reform their youthful bond.

I think prospective readers should know going in that the story is told in a regional voice, a dialect of sorts that is rooted in a specific place and its people; others, outsiders within the story, comment on its peculiarity so this is very obviously meant to convey the social bonds that exist in the great mass of the people. I found it effective at that and, for my reader's ear, quite musical and engaging. Others might not. As part of the author's larger purpose of creating a world as a setting for her story, this works very well. As a facet of worldbuilding in general it's very hard to pull off. Author Charles's previous books have made it clear she is a Master of this art. The Marsh, a real place I'm told, is vivid in my mind's eye without feeling overdetailed.

Straight people are strongly cautioned. Not safe for "eww-ick" homophobes. I'd call the steam level moderate, but I can—and have—fallen asleep during a porn film. The sex in the story is not of prurient intent. It is there as an enhancement of the reader's understanding of the development of each man's connection to and acceptance of the other. It is also a clear signal of the characters' increasing awareness of the world outside their Marsh as different, as Other...and this Othering lets them gain space for their Forbidden Love to grow and nurture not only their partner but their fellow Marsh inhabitants.

Since I read these stories for fantasy fulfillment, I got what I wanted. I hope you'll try Author Charles's many terrific tales. Starting here is a good idea.

THE FITFUL SLEEP OF IMMIGRANTS, messy the way life is, real the way fiction needs to be

THE FITFUL SLEEP OF IMMIGRANTS
ORLANDO ORTEGA-MEDINA
Amble Press (non-affiliate Amazon link)
$9.99 Kindle edition, available now

Rating: 3.5* of five

The Publisher Says: Award-winning author and immigration attorney Orlando Ortega-Medina returns to 1990s San Francisco in The Fitful Sleep of Immigrants, a powerful family drama that plays out within a captivating legal thriller.

Attorney Marc Mendes, the estranged son of a prominent rabbi and a burned-out lawyer with addiction issues, plots his exit from the big city to a more peaceful life in idyllic Napa Valley. But before he can realize his dream, the US government summons his Salvadoran life-partner Isaac Perez to immigration court, threatening him with deportation.

As Marc battles to save Isaac, his world is further upended by a dark and alluring client, who aims to tempt him away from his messy life. Torn between his commitment to Isaac and the pain-numbing escapism offered by his client, Marc is forced to choose between the lesser of two evils while confronting his twin demons of past addiction and guilt over the death of his first lover.

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My Review: Very interesting take on the insanely vicious US immigration system pre-marriage equality. Add in a battle against the monster of addiction and you have quite a ride of a read.

People driven to action by ever more foreclosed options to achieve their goals are the raw meat whose roast-and-veggies we call fiction. Marc's dark past includes substance abuse and a very troubling death. He's haunted by the way his ability to be there for and give help to Isaac is limited by his past.

So far, so good. The story's got lots of material anyone over, say, 25 or 30 will relate to. What keeps a fifth star off my rating is the sheer idiocy of a lawyer not knowing for sure and certain his own intimate partner's immigration status! He wasn't born in the US, and you never asked? "Honeybunch, let's get you a bank account, so whip out the green card." This is lax in the extreme and no lawyer I've ever known would just not think to check on this even if not formally.

While I had fun reading the book I was never swept into the story. It is all down to me being picky about the thinking-through of characters' reasonable actions and responses.

THE SAVIOR OF 6TH STREET does not earn my praise

THE SAVIOR OF 6TH STREET
ORLANDO ORTEGA-MEDINA
Kindle edition (non-affiliate Amazon link)
$9.99, available now

Rating: 3* of five

The Publisher Says: Urban Magical realism novel for fans of Haruki Murakami, Toni Morrison, and Junot Diaz

Deserted by his father at the age of four and raised by his voodoo queen mother on the fringes of Skid Row, Los Angeles street artist Virgilio Santos believes it his mission to save the down-and-outers in his neighborhood. But when he crosses paths with Beatrice Schein, an alluring Westside art collector with an aim to promote him to the international art world, Virgilio is tempted to turn his back on his friends. That is, until he discovers that Beatrice's father is a principal financier of organized crime in his neighborhood with plans to tear it all down for redevelopment.

'Rendered with urgent intensity, The Savior of 6th Street is a literary tour de force that confirms Orlando Ortega-Medina as one of the most original storytellers of our time.' (quote unattributed in the original)

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My Review: Need I belabor the "Virgilio/Virgil" and "Beatrice" call-backs to The Divine Comedy? There's really all you need to know in this book's defecnse. We're on A Quest, we will be meeting adversaries, we will not feel fully present in the narrative...unless the author puts it in the first person of course! So the author puts it in the first person.

The inclusion of a trans character in Concha gets this book a slot in the #PrideMonth blast. Also, the author's latesr book will be reviews in less than an hour. The fact is, I'm not a fan of this fantasy retelling of Divine Comedy. Santería, the magic system we get in this magical-realist novel, does as little for me as other variations on catholicsm do. Putting it in a first-person retelling of Dante's epically long, epically weird poen, only in prose, got an amused smile at the conceit. The execution doesn't match the ambition for me.

As rhetorical stand-ins for the forces of gentrification as expressions of the rancid neoliberal hellscape of 21st century LA, the author's villains are fine caricatures. The issue of writing an otherwise straightforward story of a talented, impoverished nobody finding his voice and getting the attention he merits as a modern take on a world literarure monadnock is the characters in the former need to be fleshed out. The characters need to command my sympathy and attention in immediate ways. In the latter, the characters are archetypes, are so removed from any need to know more than a liberal-arts course teaches you about them (relegated to the footnotes) that drawing deeper lines around them is akin to touching up Mona Lisa with some pink acrylic to make her skin look more "realistic".

A book equivalent of a pot of pink axrylic gets stars for ambition not achievement.