August 2026's Burgoine and Pearl-Rule reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


The Women in White by Sarah Pekkanen

Rating: 2.5* of five

The Publisher Says: The next thriller from #1 bestselling author Sarah Pekkanen combines a decades-old mystery with spine-tingling paranormal elements in this twisty novel of the seen and unseen.

Extrasensory perception.
The Gift.
A Sixth Sense.
Or something else…

In 1964, four remarkable young women at a prestigious university became the subjects of parapsychology experiments by a visionary scientist. On the cusp of a historic breakthrough, the women mysteriously vanished and the program was erased from history.

Decades later, Riley Bell, newly divorced and desperate for a fresh start, accepts a caretaker job for an elderly widow named Betty. Riley steps into a home that is frozen in another era—no microwave, television, or cell phones, and Betty has never heard of the internet.

Why has Betty lived in such profound isolation for so many years, and why does she need Riley now? As the story unfolds across two timelines—Betty’s 1960s era of 5 o’clock martinis and high-stakes experiments, and Riley’s quest to uncover the truth about the missing women—old secrets rise to the surface. And the only way to survive is to confront the mystery that has lingered for sixty years.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It's not you, book, it's me...I am allergic to storylines about parapsychology now. I had no idea this would happen; I've enjoyed stories in this vein fairly recently. I'm really disappointed.

So my rating is only for me, I need to remind muself not to ask for ESP/parapsychology tales anymore ::sad trombone::


St. Martin's Press (non-affiliate Bookshop.org link) will gladly accept $14.99 from you to get the ebook onto your Kindle. I say do it, though without fervor.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


Dislocations by Sylvia Molloy (tr. Jennifer Croft)

Rating: 3.5* of five

The Publisher Says: How do you keep a friendship intact, when Alzheimer's has stolen the common ground of language, memory, and experience, that unites you?

In brief, sharply drawn moments, Sylvia Molloy’s Dislocations records the gradual loss of a beloved friend, M.L., a disappearance in ways expected (forgotten names, forgotten moments) and painfully surprising (the reversion to a formal, proper Spanish from their previous shared vernacular). There are occasions of wonder, too—M.L. can no longer find the words to say she is dizzy, but can translate that message from Spanish to English, when it's passed along by a friend.

This loss holds Molloy’s sense of herself too—the person she is in relation to M.L. fades as her friend’s memory does. But the writer remains: 'I’m not writing to patch up holes and make people (or myself) think that there’s nothing to see here, but rather to bear witness to unintelligibilities and breaches and silences. That is my continuity, that of the scribe.' In 2007, at New York University, she created the MFA in Creative Writing in Spanish, which was the first programme of its kind in the United States.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: In under 100pp, the terrifying journey that is dementia is not possible to plumb...only to evoke. It's a quick hit of a terrible drug whose side effects are agonizing.

I did not feel I was particularly drawn in as a short story can do; nor was I afforded insight; nor was I entertained; it was fine sentence-by-sentence writing and image-making but not storytelling.

Charco Press (non-affiliate Bookshop.org link) wants $15.95 for an ebook. Ask the library to get one.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


This is Amiko, Do You Copy? by Natsuko Imamura (tr. Hitomi Yoshio)

Rating: 3.5* of five

The Publisher Says: Other people don’t seem to understand Amiko. Whether eating curry rice with her hands at school or peeking through the sliding doors at her mother’s calligraphy class, her curious, exuberant nature mostly meets with confusion.

When her stepmother falls into a depression and her brother begins spending all his time with a motorcycle gang, Amiko is left increasingly alone to navigate a world where she doesn’t quite fit.

Subtle, tender and moving, This is Amiko shows us life through the eyes of a unique, irrepressible, neurodivergent young character.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Very interesting look at Japanese culture through the eyes of a young, naïve girl who is also neurodivergent. It is very much her book, in the manner of the French récit; but I know so little about Japanese culture that much flew above my head.

I can't tell if that is my problem really perceiving Amiko's affect on others, or if it is her naïveté that presents the obstacles to her success communicating with others.

Pushkin Press (non-affiliate Bookshop.org link) needs $11.99 for you to legally access the ebook. An afternoon's involving if slight reading so do it if you're in that mood.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


January by Sara Gallardo (tr. Frances Riddle, and Maureen Shaughnessy)

Rating: 3.5* of five

The Publisher Says: A revelatory, pioneering masterpiece about the life, rape, and abortion of a 16-year-old Argentine farmworker—now in English for the very first time

With echoes of Edith Wharton’s Summer, this radical feminist novel broke the silence around abortion to reshape the way women’s bodies and rights were perceived in 20th-century Argentina.

Perfect for readers of Tove Ditlevsen, Annie Ernaux’s Happening, and Claudia Piñeiro’s Elana Knows.

In the sweltering Argentine pampas, all things bow to Nefer. Reeds nod when she digs her heels into her horse, unripe peaches snap and fall as she gallops past. Sickly-sweet air bends, churns in Nefer’s throat.

Nefer measures the distance between her body and the table, and feels something filling her up, turning against her. Her belly swells.

Desperate, Nefer visits a local medicine woman who is known to perform abortions but Nefer becomes too afraid to explain why she is truly there.

She attends confession at church but cannot confide in the priest. During a fierce argument with her mother, she finally blurts out her secret.

A radical feminist text, January was the first Argentine novel to represent rape from the survivor’s perspective and to explore the life-threatening risks pregnancy posed, in a society where abortion was both outlawed and taboo.

With a narcotic musicality and voice scorched through with honesty, Gallardo hangs before us an experience that has been lived and ignored a thousand times over. Nefer closes her eyes. We careen to her and we see.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I quibble with "has been lived and ignored a thousand times over" and would put "billion" in that place. I have not read the Spanish version; I can say the English one might be more...flattened out, unmusical...to me as a man who has a pretty simple idea of how to fix rape: Teach your fucking son to keep it in his pants. "No" means no, "stop" means stop. Do it anyway and we lock you in a room with her family and a baseball bat, whatever's left of you raping bastard after five minutes we arrest or bury as appropriate. No further questions.

Abortion is healthcare, healthcare is a human right.

Archipelago (non-affiliate Bookshop.org link) charges $13.99 for an ebook.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


Black Box: The Memoir That Sparked Japan’s #MeToo Movement by Shiori Ito (tr. Allison Markin Powell)

Rating: 5* of five

The Publisher Says: The internationally recognized sexual assault memoir that revolutionized a feminist movement around rape, stigma, and silence in Japan.

In 2015, an aspiring young journalist named Shiori Ito charged prominent reporter Noriyuki Yamaguchi with rape. After meeting up for drinks and networking, Ito remembers regaining consciousness in a hotel room whilst being assaulted. But when she went to the police, Ito was told that her case was a "black box"—untouchable and unprosecutable.

Upon publication in 2017, Ito’s searing account foregrounded the #MeToo movement in Japan and became the center of an urgent cultural and legal shift around recognizing sexual assault and gender-based violence. As international outlets covered every step of her story—even documenting it in the BBC film Japan’s Secret Shame—this book launched a societal reckoning. At the end of 2019, Ito won a civil case against Yamaguchi.

With careful and quiet fury, Black Box recounts a broken system of repression and violence—but it also heralds the beginning of a new solidarity movement seeking a more equitable path toward justice.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Rape is a disgusting criminal act of bodily and psychological violation; it is the world's most common crime; it's also, for its frequency of occurrence, the least prosecuted because no one wants to believe the victim.

No one believed my mother was raping me, so I relate, Ms. Ito; but your courage while rage-fueled was ultimately what changed the game in Japan. I hope your example continues to inspire victims of rape to come forward in their legions to seek, and receive, justice.

Feminist Press (non-affiliate Bookshop.org link) wants a pretty hefty $17.95 for any edition. Be prepared for graphic, horrifying words evoking graphic, horrifying acts.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


Variations on the Body by María Ospina Pizano (tr. Heather Cleary)

Rating: 3.75* of five

The Publisher Says: A constellation of short stories illustrate the intersecting lives of women on various peripheries of society in and around Bogotá, Colombia.

In six subtly connected stories, Variations on the Body explores the obsessions, desires, and idiosyncrasies of women and girls from different strata of Colombian society. A former FARC guerilla fighter adjusts to urban life and faces the new violence of an editor co-opting her experiences. A woman adrift in the city she left as a child looks for someone to care for, even if it has to be by force, while another documents a flea infestation with a catalog of the marks on her flesh. A little girl copes with her anxiety about the adult world by exacting revenge on her nanny, who she thinks belongs to her.

Combining humor, heartbreak, and unexpected violence, Ospina constructs a keen reflection on the body as a simultaneous vehicle of connection and alienation in vibrant, gleaming prose.

I RECEIVED A DRC FROM THE PUBLISHER VIA VIA EDELWEISS+. THANK YOU.

My Review: Six stories in ~127pp that came across like weirdly semi-autonomous chapters in a surreal novel, not quite different enough to be full stories but instead feeling to me as though Author Ospina is re-writing the same idea from different angles.

"When she reached that age of abstract yearnings that concentrate in and cloud the body, not long after she moved to the United States with her parents, Aurora used to scrape the bottom of her yogurt cup in desperation, ashamed of her desire for so much more when it was clear there was nothing left, sensing that her distress meant something else, something wretched and essential she couldn't put into words." It's finely wrought but seemingly undifferentiated from the others. I hope we see more, and more developed, other ideas soon.

Coffee House Press (non-affiliate Bookshop.org link) asks for $16.95 for any edition. Need a short read to get into in fits and starts? It's perfect for you.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


So We Look to the Sky: A Novel by Misumi Kubo (tr. Polly Barton)

Rating: 3.5* of five

The Publisher Says: This shocking, boisterous novel was a runaway bestseller and award winner in Japan

Searingly honest and sexually explicit, So We Look to the Sky is a novel told in five linked stories that begin with an affair between a student, Takumi, and a woman ten years his senior. Their scandalous liaison, which the woman's husband makes public by posting a secretly taped video online, frames all of the stories, each exploring different aspects of the passages of life and the hardships ordinary people face.

A teenager experimenting with sex and then, perhaps, experiencing love and loss; a young, anime-obsessed wife bullied by her mother-in-law to produce the child she and her husband cannot conceive; a high school girl, spurned by Takumi, realizing that being cute and fertile is all others expect of her; Takumi's best friend, who lives in the projects and is left alone to support and care for his voracious, senile grandmother; and Takumi's mother, a divorced single parent and midwife, who guides women bringing new life into this world and must rescue her son, crushed by the twin blows of public humiliation and loss, from giving up on his own.

Narrating each story in the distinctive voice of its protagonist, Misumi Kubo weaves themes including sex, love, the female body, gossip, and the bullying that leaves young people feeling burdened and helpless into a profoundly original novel that stays with you for its affirmation of the raw, unstoppable force of life.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I feel a bit dimwitted because I did not get how these stories cohered into a novel at all. Braided stories don't usually flummox me like this; the framing device did not relate to the other stories enough for my old queer's brain to follow its story logic.

However heterosexual I'm not, I did get involved in the events herein and recommend the read to straight people.

Arcade (non-affiliate Bookshop.org link) ants what I find a pretty steep $17.95 for the ebook.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


Migratory Birds (Undelivered Lectures series) by Mariana Oliver (tr. Julia Sanches)

Rating: 3.5* of five

The Publisher Says: A sensitive, stunning debut on movement, migration, and loss, in the vein of Valeria Luiselli’s Sidewalks.

In her prize-winning debut, Mexican essayist Mariana Oliver trains her gaze on migration in its many forms, moving between real cities and other more inaccessible territories: language, memory, pain, desire, and the body. With an abiding curiosity and poetic ease, Oliver leads us through the underground city of Cappadocia, explores the vicissitudes of a Berlin marked by historical fracture, recalls a shocking childhood exodus, and recreates the intimacy of the spaces we inhabit. Blending criticism, reportage, and a travel writing all her own, Oliver presents a brilliant collection of essays that asks us what it means to leave the familiar behind and make the unfamiliar our own.

I RECEIVED A DRC FROM THE PUBLISHER VIA VIA EDELWEISS+. THANK YOU.

My Review:

"A place at once empty and full, Cappadocia inspires bewilderment. Which is why it is useless to try and take in the landscape with only your eyes. Trees are few and far between and sunlight pours mercilessly onto your skin, drenching it." –and–
A man pilots a yellow ultralight across the sky. His name, Bill, Bill, Bill, is the last thing he hears before his feet take wing. All liftoffs are the same, he thinks, a ritual by which we become birds. As the body rises, the mind blots out all sounds and refashions them one by one, as if they existed in isolation. First heartbeat, then breath, then saliva moistening the throat; then the whoosh of air as the ultralight’s wings break it into a white trail.

Prose like this is...fine. In small doses. I hit my maximum dose before the book was over.


Transit Books (non-affiliate Bookshop.org link) charges you $14.99 for the ebook. I might not be thrilled with it, you might be; at least it's not wasted money.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


In Bad Company (Sandhamn Murders #9) by Viveca Sten (tr. Marlaine Delargy)

Rating: 2.5* of five

The Publisher Says: Sandhamn Island’s archipelago is a beautiful place to visit. For a mother on the run, it’s the only place to hide in a novel of escalating suspense by Viveca Sten, bestselling author of Still Waters.

Building a case against Andreis Kovač is a risky strategy for prosecutor Nora Linde. A violent key player in Stockholm’s drug trade and untouchable when it comes to financial crimes, he has the best defense money can buy. To topple Andreis’s empire, Nora’s working a different angle. It’s personal. Nora’s critical witness is Andreis’s wife, Mina—if she’ll testify.

Mina has suffered her husband’s rage too long. It’s nearly cost her her life. Still carrying the traumas of the Bosnian War, Andreis can be triggered like an explosive. He must be taken down. And as the trial looms, Mina and her infant son must disappear. The police have found her a safe place to hide on Runmarö Island in Sandhamn’s archipelago. But there’s no shelter from a man as powerful and merciless as Andreis. Especially when he’s being crossed.

His campaign of terror has just begun. He’s prepared to crush anyone who stands in his way: Mina, Nora, and everyone they know and love. Andreis is coming for them. This time, Nora is on the defense.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It's time I left the series behind. I was not involved in this one at all, and after finishing it felt no relief, no regret, nothing at all.

It could be comparison bias after The Camino, it could be Bosnian-War criminal fatigue, it could be I'm just tired of Nora...but poke me with a fork, I'm done.

Amazon Crossing (non-affiliate Bookshop.org link) requests and requires $14.95 for a paperback.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


An Ordinary Violence: A Novel (58%) by Adriana Chartrand

Rating: 2.5* of five

The Publisher Says: Terrible things happen side by side with the ordinary.

Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. But when Dawn's seemingly perfect life in the big city implodes, she is forced to return to her childhood home and the prairie city that still holds so much pain for her and her fractured family. Cody is released from prison with a mysterious new friend by his side, and Dawn must follow increasingly sinister leads to uncover their nefarious plans to access a dangerous supernatural network.

As the lines between right and wrong blur and dissolve, Dawn reckons with trauma and violence, loss and reclamation in an unsettling world where spirit realms entwine with the living—and where it is humans who carry out the truly monstrous acts.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: "Maybe that's why Violet talks to her, why she can feel a buzzing sometimes, an insistent mechanical whine from somewhere distant that, if she listened hard enough, might turn ou to be the sound of her name, hissing through a hundred thousand alien throats."
I made it all the way to that line before my experiment with #Summerween blew up. Maybe I need actual fall, leaf-changing pumpkin-carving fall, short-day clock-turning fall, to put me in the mood for spooky shenanigans.

Or maybe this just isn't great and I'm done.

Spiderline/House of Anansi Press (non-affiliate Bookshop.org link) asks $18.99 for a paperback.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


Accidental Genius: An Oral History of The Room (32%) edited by Andrew J. Rausch

Rating: 2* of five

The Publisher Says: Accidental Genius features intimate and laugh-out-loud commentary from The Room cast and crew, including interviews from its star Greg Sestero.

What a story indeed! A rollicking recollection of experiences from the legendary “so bad it's good” film. This comprehensively chronicled book offers a fascinating glimpse into the cultural phenomenon that brings together die-hard fans and newcomers alike.

Everything you could have possibly wondered about The Room all in one book!

Take a look at Tommy Wiseau's infamous 2003 release through the eyes of the people who made it. Get the low-down on bizarre audition calls, film set antics, and accounts from the very first fans who experienced The Room at its earliest screenings. Also including interviews focusing on the aftermath of the movie: Sestero’s The Disaster Artist, where are they now, and its lasting legacy.

Here you will get a glimpse of how it all began, why it remains popular, and just what audiences still get out of this unusual film that people love to hate.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I thought these were essays on the OTHER bad movie, from 2015, but that one's just called Room. The 2003 excrescence these snippets are about was too ghastly to watch so I really didn't...I heckled and jeered. That was kinda fun, I guess, but not enough to read about the reeking shitpile I've tried to forget seeing.

CLASH Books (non-affiliate Bookshop.org link)
has the effrontery to ask you to PAY for this! $18.95 no less...any edition...I'd laugh if I wasn't so pissed off at being pissed on by that Wiseau...person.

THE CULTURE OF LIES, last collection of essays I have of Dubravka Ugrešić's to review

THE CULTURE OF LIES
DUBRAVKA UGREŠIĆ (tr. Celia Hawkesworth)
Open Letter Books (non-affiliate Bookshop.org link)
$9.95 ebook, available now

Rating: 4.75* of five

The Publisher Says: The Culture of Lies is one of the most intelligent and lucid accounts of an appalling episode in history. It shows us the banality and brutality of nationalism and the way that nationalistic ideology permeates every pore of life. Ugrešić's acerbic and penetrating essays cover everything from politics to daily routine, from public to private life.

With a diverse and unusual perspective, she writes about memory, soap operas, the destruction of everyday life, kitsch, the conformity of intellectuals, propaganda and censorship, the strategies of human manipulation and the walls of Europe which, she argues, never really did fall.

Shot through with irony and sadness, satirical protest and bitter melancholy, The Culture of Lies is a gesture of intellectual resistance by a writer branded "a traitor" and "a witch" in Croatia.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: A collection of very wise, trenchant, and tendentious essays to cap off #WITMonth.

Shifting from Yugoslav nationality to Croatian was not a seamless process for Author Dubravka. A new passport under a new governing entity does not change the passport holder's identity or thought processes or, dangerously, political beliefs. Dissent is even more dangerous in a newly created state struggling to distance itself from the burdensome and ill-fitting imposed identity and ideology. Author Dubravka didn't fit in when Yugoslav was a political state's demonym, but neither did loads of other folk. "Croatian" as a political demonym is new enough that to dissent from the new ruling class is to risk losing the right to use it. This is where Author Dubravka ended up, an ethnic Croat instead of a Croatian citizen.

Labels don't matter much to me in my white US male's privilege. Unless I insist on bringing my Otherness to the fore, I can simply walk around being an "American," a label that makes me wince at its arrogance. Author Dubravka did not exist in that bubble of certainty. Her identity, dissenter, observer, critic, meant her labeling got complicated quickly in the upheavals of Communism's death throes. The wry tone of these works does not foreground a thing I perceive, possibly that I interpolate, the trauma and pain of losing an identity, a building block of selfhood. It's clear the fact of that loss is central to Author Dubravka's work; she does not wallow or lament but rather observes and analyzes. I still feel an edge of strong emotion despite it not being foregrounded.

I know of a writer colleague who claimed to a foreign journalist that he was ‘the victim of repression’ under Yugo-communism, that his books were banned, and that he had been in prison. That colleague was never in prison nor was he ‘the victim of repression’ and all his books were regularly published. I do not believe that he was lying. Exposed to media brainwashing, terror by forgetting and collective compulsion, my colleague had simply forgotten his personal history, he carried out an unconscious mental touching-up, and in the general context the spoken lie became an acceptable truth. And after all, the foreign journalist had come to hear just such a story, in his Westerner’s head he already carried such a stereotype: the story of a repressed writer in the former communist regime and a happy end in the new, democratic one.

It's not a shouted pain, it's a carefully phrased analysis of trauma's aftermath that shows how very painful it was for all to need to re-craft selves when their world ended. New nationalisms, new canons, new ethnic expressions glorified...all processes we undergo in youth and that are painful enough to live through even in that more mentally agile passage of life; as an older, even an old, person...!

I am no one. And everyone. In Croatia I shall be a Serb, in Serbia a Croat, in Bulgaria a Turk, in Turkey a Greek, in Greece a Macedonian, in Macedonia a Bulgarian… Being an ethnic ‘bastard’ or ’schizophrenic’ is my natural choice, I even consider it a sign of mental and moral health. And I know that I am not alone. Violent, stubborn insistence on national identities has provoked a response: today many young citizens of former Yugoslavia, particularly those scattered throughout the world, stubbornly refuse any ethnic labels.

There is a lot to be learned for us in the US on the subject of nationalism and identity in 2026 that a public intellectual from a disintegrating polity can teach us from the 1990s. Author Dubravka felt, though, analyzed, contextualized for us already. I hope more of us will now absorb and appreciate that gift in our own parlous times.

THE DEVOTED, debut family-saga novel set in Hong Kong's criminal Triads

THE DEVOTED
CATHERINE CHO
Washington Square Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 3* of five

The Publisher Says: In this emotionally transportive literary debut about family and fate, a young Korean woman whose father is a leader in an infamous crime organization becomes entrenched in the dangerous world she once sought to escape.

Raised in Hong Kong by their Korean grandmother in a quiet village, Eunha and her brother Solomon live a sheltered life. Their father is a Dragon Head, a leader within the infamous criminal organization of the Triads. While their beloved grandmother does her best to shield the children from the constant hum of violence and fear that surrounds their father and his world, Eunha only has Solomon and their one permitted companion, a boy named Kai, for company.

But as Eunha grows up and marries into a supposedly respectable Hong Kong family, the veneer of her careful life begins to crack. When her young son is kidnapped, she is cast into the city’s criminal underground and back into the orbit of Kai, now a Dragon Head himself.

Will Eunha finally give in to the life she has strived so hard to rise above or was her future always fated?

The Devoted is at once a sweeping family drama, a moving account of forbidden love, and a story about a woman’s determination to choose her own destiny.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: In my experience of this story, the devoted Eunha was the most important person. It's the longest récit on record. It should have been called "Eunha Says" because we're never shown the action but reported it by Eunha.

Interesting as the story of a Korean family of criminals in Hong Kong is, I'd really have liked it to include some other PoVs to give me a more rounded view of the genuinely involving events reported here.

The effect of Eunha telling me this story is that I have only her word that these acts and actions made her feel what I'm told she felt. I'm distant from the action; I'm not much invested in it. I get the point of Eunha being reserved, being non-demonstrative; I'd've felt it more as a character-building choice had I experienced directly at least some of the action either omnisciently or in an unrelated character's PoV. As it is, it's claustrophobic for me.

And what a shame that is! A story I myownself would've loved to get really sunk into, not trapped inside. It's a good story not very well told. I'd read another of Author Cho's works because I get that she's got The Eye℠ but didn't choose the most reader-involving way of telling what it saw this time around.

THE LIPETSK CONSPIRACY: The True Origins of Hitler's Luftwaffe (Tom Munro Aviation and Espionage Series #4), interwar Bonding

THE LIPETSK CONSPIRACY: The True Origins of Hitler's Luftwaffe (Tom Munro Aviation and Espionage Series #4)
WILLIAM FERNIE
Fernie Publishing Ltd (non-affiliate Amazon link)
$5.99 Kindle edition, available now

Rating: 4* of five

The Publisher Says: Before the Luftwaffe terrorised Europe, it was forged in secrecy.

In the uneasy peace before WWII, Captain Tom Munro is flying for Deutsche Luft Hansa when he uncovers a clandestine military airfield hidden deep within Soviet Russia.

Coerced into supporting Germany's secret rearmament programme, he risks his life flying experimental aircraft and developing new, untested operational techniques all prohibited under the Treaty of Versailles. This test flying provides a unique opportunity to gather military intelligence of immense value to the British Secret Intelligence Service.

But Tom knows that he will not be allowed to survive with this vital intelligence and must attempt the impossible: escape with Germany's secrets before he disappears forever.

An interwar aviation/espionage thriller for readers of David Downing, Philip Kerr and Robert Harris.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Tom Munro is a very enjoyable PoV to follow as this based-on-facts thriller of Nazi Germany's preparations for war in the air. The prior three volumes in the series deal with the Great War, the Treaty of Versailles era, and now the period that enables the rise of the Nazi state.

It's a period I'm very interested in, and one that saw gigantic advances inn aeronautical engineering, materials science, and other sciences that are useful in wartime. As always it's the horrors of slaughter that drive change, and the economy's growth, and the terrible Othering of people in no way wrong, bad, or evil as the scum at the top try to justify the war "They" want by manufacturing enemies within and without.

What makes Tom fun to follow is mostly his test-pilot nous. It's fun for me to read about the planes realy being tested, really being studied in this pre-Depression time that has so much hope for a peaceful future that recedes and recedes while Tom and his ilk try to keep it alive. Yet here he is flying violation-of-treaty equipment to a secret base! One in Russia, no less...more serious skulduggery...and consequences for Tom in terms of using spycraft for...good?

Come for the history, stay for the gearhead talk, which you'll need to be getting along with that to be in the full story. I was captivated, you might not be, so be aware the jargon is plentiful and needed to make sense of the Lipetsk Russian airfield subplot. There are many politicosocial developments but they almost all incorporate technology and discussion of same.

There is yearning for his lost, belovèd fellow spy Alice, which is getting a bit wearing if I'm honest. Oh well. One must have a woman in a thriller, she motivates the main man. *sigh*

A complex and very very sensitive matter, Germany's resurgent ambitions and rebounding desire to lead the technological world, and the worries of her very recent opponents all buried in piles of dead people from that stupid war. And an ending to this story that's exactly right. All designed to give this old man reader the happy.

Be ready for the complexities on multiple fronts and it might do the same trick for you.

A RESISTANCE HISTORY OF THE UNITED STATES, from Bookshop.org's Independent Press Top 40 Bestsellers: Non-Fiction list all summer long

A RESISTANCE HISTORY OF THE UNITED STATES
TAD STOERMER
Steerforth Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

The Independent Press Top 40 Bestsellers: Non-Fiction For the week ending August 25, 2026

Rating: 3.5* of five

The Publisher Says: An urgent, bracing new look at American history that Ava DuVernay calls "deeply necessary for this moment."

Revisit the Salem Witch Trials, the Underground Railroad, and other resistance movements of American history to get a bold new understanding of how resistance shaped our past—and how its principles can change our future.

The United States was shaped by resistance—but not in the way we’ve been taught. The Revolution did not secure liberty; it opened the door to either liberty or oppression, where only white men enjoyed all of the benefits and protections of citizenship.

In A Resistance History of the United States, public historian Tad Stoermer shows how from the very beginning, that tension—between the ideals of resistance and the realities of power—has defined America more than the Enlightenment ideals enshrined in the Declaration of Independence and the Constitution.

Utililizing powerful storytelling to focus on key—and often lesser-known—moments in American history, this book reveals the truth of how resistance movements from Colonial times have opposed the powers that be. Stoermer covers an impressive roster of pivotal movements, with each chapter identifying a key resistance movement and principle meant to inspire contemporary readers, including:

Bacon’s Rebellion/Metacomet’s War (1676)

Salem Witch Trials (1692)

The Black Loyalists (1783)

The Underground Railroad (1850)

Through these and many more examples, Stoermer dismantles the mythologies that pass for American history—exposing the curated nostalgia, moral evasions, and institutional silences that have long protected abusive power. What emerges is an essential look at how we can take lessons from the past to understand, and effectively respond to, the injustices we face today.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: There's a reason this story has been on the Bookshop.org non-fiction bestseller list since who-kicked-the-cat. It's organized like the podcast-a-holics like it, event by event. More like a podcast script collection than a narrative history, it is nonetheless a nevessary document of how *structural* change can get made.

I myownself don't think that's the only kind that counts, where the author does.

I'm far more annoyed by the absence of footnotes/inline citations in a serious work of non-fiction. Surely in the Age of AI it would be the work of but a moment to get that done! By itself, that was one star gone. I'm not convinced the choice of political changes enshrined in law was as restrictive as the author's use of it requires. To use my own pet peeve, where's the gay-marriage part? Where's the Homestead Strike?

So not perfect but way way better, more corrective, than the triumphalist claptrap that's extruded by the yard from more mainstram publishers. Steerforth Press does interesting work all the time even when I quibble with it. This is a fine example of that reality.

I think most readers would prefer to ear-read the book, as it plays into the podcasting ethos of it.

THE DEPOPULATION, interesting fictional treatment of factual event

THE DEPOPULATION
MARINA CLOSS (tr. Thomas Bunstead)
Bellevue Literary Press (non-affiliate Bookshop.org link)
$17.99 all editions, available now

Rating: 4* of five

The Publisher Says: From a major new talent in Latin American literature comes a tale of cultures, languages, spirits, and the natural world on the brink of transformation

“Of all the happy, hermitic lands, the Guayrá was the jewel.”

So begins this polyphonic wonder of a novel set in a 17th-century Jesuit mission founded within the wild South American subtropics by the mystical and intense Father Ruiz and his assistant Father Maceta. As the priests seek to convert the indigenous Guaraní and unravel the many religious mysteries that surround them, the harmony of their community is abruptly upended by the arrival of Overá, who announces himself as the Son of God and younger brother of Jesus. But an even larger threat presents itself when word arrives that European marauders and slave hunters will soon descend upon the peaceful mission, compelling Overá and the priests to launch a mass exodus into the heart of the jungle.

Full of humor, passion, and terror, The Depopulation brilliantly evokes the moment when modernity’s spark set fire to a still-magic world.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: A story of two halves: in the beginning were words describing a vanished jungle world, evoking heat humidity and the stunning void of loss and emptiness...I was utterly drawn into this world, so much so that my summer shirt-changing schedule ramped up. So sweaty in sympathy was I that I couldn't read the story in bed for obvious reasons. The evocation of the world where the colonizers and the colonized agreed that god(s) speak to us and through some of us they choose left me rapt.

Comes the arrival of Overá and the languid, interesting story of these spiritual imperialists trying to fill a void...a void of hierarchy...turns slower, because the focus stops being on Ruiz and Maceta working to learn about and build over the world they've chosen to be in. This is also when the main body of colonizers, rapacious boring caricatures to a man, arrive to rape, pillage, and clap.

It's ironic that my favorite part was when the spiritual imperialists were center stage. Given my antipathy to the religion the men were foisting on already traumatized people, it does not make any sense to me that the secular depredations, more kinetic in their lineaments, should be the part where my attention flagged. The truth is, if the focus had shifted to the acts and actions of these horrifying greed-machines in action, I'd've put the book down never to be picked up again. Tale as old as time, beauty destroyed by beasts; I've read it, no need for more.

Author Closs titled the book accurately. The story of these white-savior priests leading the great unwashed (in the blood of The Lamb, repulsive image that is) native people away from the slavers and the greedy just...well, it felt try-hard. They're good for trying to use their knowledge of what the colonizers are up to as a means to protect their charges from it.

It's the "their charges" bit that sorta messes up my pleasure in the story. Overá (it feels like there's a Portuguese pun in that name, I'm sure of it, something like "truth-teller" or "honest guy" but it can't quite form in my mind because I don't know enough) and his delusions popped me out of the story because my frame of reference...I've known schizophrenic men, with delusions they're certain are THE Truth, so Overá is familiar to me. The flipside of familiarity in this case is lack of ability to see through the story's deistic-sovereignty lens. I see through my twenty-first century mental-illness lens the disordered thinking of a paranoid person's delusions.

So it really frustrated me not to continue to be swept away, yet that was what I experienced. The language Translator Bunstead used to present the ideas was lushly evocative. It seems likely to me that most others will not be so rigidly entrenched in psychotheraputic ideas as to be unable to set aside the twenty-first century long enough to immerse themselves in the sixteenth. It was a lovely visit for me, just a mite too short to last all story long.

While I was there, I had a lovely time. I hope you'll get into the depopulating Amazon and stay for the full ride.

THE CAMINO, Anglophone debut of Dutch-language suspense star

THE CAMINO
ANYA NIEWIERRA (tr.Eileen Stevens)
Simon & Schuster (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5- of five

The Publisher Says: From the Netherlands’s most popular crime writer, a literary thriller following a woman who walks the Camino de Santiago, searching for answers about her husband’s death.

Forty-four-year-old chocolatier Lotte Bonnet has been living happily in South Limburg for years with her husband Emil, a former refugee from Bosnia. But when Emil unexpectedly dies by suicide while walking the Camino de Santiago, or Way of Saint James, Lotte is devastated.

Shocked and confused, Lotte resolves to follow Emil’s exact path on the Camino one year later, hoping for answers, or at least insights into what could have compelled him to take his own life. While walking the arduous trail through central France, passing idyllic villages and meeting fellow pilgrims, Lotte’s thoughts are also elsewhere, in Sarajevo, as she learns the terrors of a war and shocking secrets about her husband’s identity.

Inspired by the natural beauty that surrounds her, forming new friendships, and possibly a romantic connection on the Camino, Lotte is distracted as the trail grows more treacherous, and as it becomes clear someone is following her, someone who does not want her to know the truth.

Fans of Louise Penny’s Inspector Armand Gamache will be delighted by Lotte’s easy charm and enthralled by the revelations on her journey. Anya Niewierra’s blockbuster mystery The Camino has taken Europe by storm and is finally available in English for the first time.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I was dazzled.

It wasn't always *comfortable* reading but it was always to-the-point, even when it felt like it might not be. Every detail does indeed serve a purpose. There are dreadful deeds done in the past from the framework of the novel, that are definitely not for the fainthearted. I *strongly* discourage readers whose tolerance doe not extend to child harm not to read this book at all.

I'm not at all clear that the story's a thriller by my own lights. I'd call it an historical mystery/suspense novel that examines recent European history from a grieving woman's perspective; Lotte's decision to go on the Santiago de Compostela pilgrimage as a means of discovering her late husband Emil's secrets felt...forced...until I sank into the full implications of pilgrimage.

Her discoveries about her husband of a quarter century are, well, intense and not at all expected. It's a truth in any intimate relationship that there are unspoken things; mostly unspoken because they're not really important.

Not this time.

The Spoiler Stasi being among the nastiest of hazards on the internet, I won't detail the discoveries she makes; the CWs will be enough to warn the sensitive. I began my read aware of a few details so I was prepared, but I reiterate for clarity that you must heed the CWs.

The issues that arise as Lotte retraces the Way of St, James in the present are treated in a way that was very suspenseful...I worried for her safety from the time she decided to undertake her parallel pilgrimage, since Emil's suicide was at best suspicious. The bad stuff that happens is very well designed, in that it makes the stakes of her rash decision that much more obvious as each instance of near-miss violence more obviously targeted.

The why that we eventually learn for these events is fully explanatory. It changes the game for Lotte and for the reader as we learn why Emil's secrets and his lies are revealed to Lotte, and why that revelation is so deeply disturbing to the unseen others on her trail following his trail.

If the CWs make you nervous, read the book, because the resolution/revelations are well worth it. If they leave you deeply upset merely reading the words, do not touch the book at all.

It proved to me that Author Niewierra deserves her European fame as a creator of suspenseful stories.