Showing posts with label Alyson Books. Show all posts
Showing posts with label Alyson Books. Show all posts

Tuesday, June 29, 2021

WONDER BREAD AND ECSTASY, an unintentionally anti-capitalist screed against the vacuity of consumerism


WONDER BREAD AND ECSTASY: The Life and Death of Joey Stefano
CHARLES ISHERWOOD

Out of print (non-affiliate Amazon link)
Various prices from different vendors

Rating: 4* of five

The Publisher Says: Drugs, sex, and unbridled ambition: These were the main ingredient in the lethal cocktail that killed gay porn's brightest star, Joey Stefano. As pornography's most marketable gay face and body, he was filmed having sex in more than 35 hard-core videos, danced an unforgettable striptease in clubs across America and Europe, and hustled his way through thousands of dollars paid to him by clients around the globe. But none of this filled the void inside Nicholas Iacona, a.k.a. Joey Stefano. From his childhood in the country's heartland to his tragic rise and fall in Los Angeles's dark and dangerous world of gay porn, Wonder Bread and Ecstasy paints a grim portrait of American life gone berserk.

My Review: Reading that blurb twenty-five years on, the first thought that comes to mind is, "Oh, Sasha...stop being such a drama queen." Sasha Alyson's eponymous publishing house brought this book out two years after Joey Stefano's death from an (almost untreated, in a scandalous twist I hadn't known when I first heard of the event) overdose of party drugs. It also marks Charles Isherwood's only book publication to date. (You've probably been scratching your head about Charles Isherwood, thinking permaybehaps of Christopher, but Charles if the theater critic who got canned a few years back. One sees in the Vulture piece linked that the now-reviled Scott Rudin's name appears prominently in the mishegas; much could be explained if that involvement was, well, one of Rudin's usuals.)

Anyway. Back to Joey Stefano...he was a standard-issue kid from a typical, unexceptional background; no one would've thought it was unusual at the time, nor would anyone have seen in a young boy's truculence and troublesome personality a clear danger sign of childhood sexual abuse. Isherwood, as he had no access to the deceased, doesn't say directly that there was something of incest actually happening; it doesn't take any intense reading between the lines, though, to see it's among the likely explanations for the gay only-male-child's unfillable void of love. What the surviving family denies is, in my observation of families with abusive parents of any stripe, typical circling the wagons behavior. What I think happened is that there was abusive behavior in his past...too many things point to it. What we can't know is the form that abuse took.

What a ride of a life the beautiful creature led, though, messed up from a middling sort of childhood which led to a complete absence of ordinary career paths after his father died and he, grieving, left high school. With his sisters and mother clearly unable to provide what he needed in terms of support and guidance, he did what those pretty enough to do so have always done: He sold his body for his daily bread.

Nothing unusual there...but the time this was happening, 1983, was the absolute nadir of the AIDS epidemic. A teen hustler on the make after older men in a time before the concept of "safe sex" had even been articulated still less codified? Guaranteed he's going to do risky things. And thse risky things were exactly what he wanted to do anyway, the guy was a size queen and a truly complete bottom. Look at any one of the many scenes he filmed: This was a man who loved his job. He loved the sex. He loved the cameras. He loved the attention. And, as most porn figures of the era used to their advantage, the VCR revolution that came along exactly as the AIDS epidemic hit meant that the films they made were a form of advertising their wares the same way the old club scene was slowly moving away from.

Here came the most beautiful young man, the least debauched looking angelface, to do the most titillatingly extreme things! On film! You could watch it six, eight, ten times in a row and not once would it fail to deliver! Wealthy men saw; they wanted; they paid and he came. And there was the beautiful body they craved. On screen or off, there was a glory of nature and it was yours for the right (steep) price.

So Joey Stefano got used to being used and used to using people, places, and things. He was, with his eager cooperation, a packaged product...and he had a shelf life.

The glory years were glorious indeed if you're destined by background to mediocrity and by your actions to poverty. The gift of beauty needs to be harvested quickly, and he (showing what I think is a strong shrewd streak) took every chance that hove into view and made it an opportunity. I loved that about him as I read the book. I could, with the distance of time from his death, see which way the parade was headed, and still think "that's exactly what a businessperson with a perishable asset *should* do."

Time, however, has no respect for the asset. Overexposure...changing industry tastes...Joey was the first porn star bottom, the first not to be called a "stunt butt." Inevitably for a business built on pandering to the craving for novelty, he lost some luster, and lost his sense of purpose.

He didn't lose his need to fill his devouring emotional vacancy with drugs. Nothing else could work. No one else could be enough to keep the need to numb the pain of losing something you never even felt you deserved. Numbing the loss of his father, the unlikely chance that he could've built some kind of trust and love between them. That was taken away in 1983; that was just the ignition point, not even the start of the trouble, the gay only son of a bog-standard father...this wasn't going to end well no matter what. And it didn't.

Dead at 26. Self-inflicted harm. And all because he bought the line of bullshit about Stuff, getting and having, being a solution instead of a problem...drugs, money, sex, it's all part of the "more more more is better better better" mentality that costs so many people so very dearly. Just not usually, unlike unlucky Joey Stefano, their continued life.

Tuesday, June 28, 2016

MURDER IN THE RUE ST. ANN by Greg Herren, the second Chanse MacLeod mystery

MURDER IN THE RUE ST. ANN (Chanse MacLeod #2)
Greg Herren
Bold Strokes Books
$9.99 eBook, available now

Rating: 4* of five

The Publisher Says: When sexy gay private eye Chanse MacLeod investigates the financial shenanigans of club promoter Mark Williams, he discovers that not only does Williams have ties to the New Orleans judiciary, he also has ties to Chanse’s lover, Paul—a connection that reveals secrets about Paul’s past that Chanse had never guessed and now wishes he didn’t know. When Paul disappears, it seems his past has caught up with him in a terrifying way.

My Review: Second of the Chanse MacLeod murder mysteries set in New Orleans, this is a more assured performance by author Herren. He winds a good tale around the sudden end of happiness for our tight-lipped hero...boyfriend Paul goes, in the space of twenty-four *really* lousy hours, from apple dumpling sweetie pie to murder suspect to missing person. Chanse reveals more to us in the course of his frantic search for Paul, and along the way steps in the dogshit-laden middle of a Federal Mob case, almost becomes a wrestle-porn whore, and winds up with a tender and loving experience of family and love and acceptance. As his entire world ends. Ain't it always the way?

*SPOILERS FROM HERE ON*
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I don't know if I've told my grim secrets often enough for them to be scabbed over or not, but this book ripped them scabs right off. Chanse's trailer-trash past is detailed here, and while the setting of his agonies was way way down-market from mine and my mother was the abuser not my father, we came from similar backgrounds of unknowable trigger-points for screaming violent abuse. It was harrowing to read. (Sucked to live, too.)

Then, after a very unpleasant break-up, we see Chanse's self-involvement and inability to love and care in a real and significant way for others: Check! Did that. I hid it behind being an AIDS volunteer, and put a braver face on it for the public, but oh yeah. Ask any of the women I married. Ask the men I dated. I promise they'd back me up here: Cold as a walk-in freezer when it came down to it.

And then, and then...oh my oh my...Chanse loses Paul to a vile and horrible crime, as I lost my son to his mother's drunk driving in 1981, as I lost my dearly, dearly treasured Bland to AIDS in 1992. Herren gives his reactions to the horror in a direct and laconic way, which makes them all the more affecting. Those of us only slightly and tangentially able to feel emotions anyway respond to grief in a particular way...all the color goes out of the world. There may be a storm of weeping, then *slam* the gate goes down. No more tears. And then the torment begins: You are made of lead, of iron-bound lead, and the world is papier mache. Moving is a delicate task. Nothing at all works. Drinking and drugging suddenly seem like *wonderful* ideas, so off you go!

And that, my friends, is where Herren leaves Chanse--at a bar, drink in front of him, at 11:45am.

Oh yeah. Been there, done that, and so (I suspect) has Herren. I don't think a person can make this imaginitive leap without a real solid launching pad. I hurt for him, no one should have to know what it's like. But then, isn't that what art does? Take the fortunate to the places the unfortunate know how to find? Well, whatever the source, the book takes the reader there, that awful agonized place of loss.

But then you get to close the book, put it on a shelf, and get a glass of water for your nightstand as you go to bed.

Sweet dreams.

Monday, June 27, 2016

MURDER IN THE RUE DAUPHINE by Greg Herren, first Chanse MacLeod mystery

MURDER IN THE RUE DAUPHINE Chanse MacLeod #1
Greg Herren
Bold Strokes Books
$9.99 eBook platforms, available now

Rating: 3.75* of five

The Publisher Says: For gay New Orleans private eye Chanse MacLeod, it seemed like a simple case: find out who was blackmailing his pretty-boy client's rich, closeted boyfriend, collect a nice check, and take some time off. But then the pretty boy turns up dead in what looks like a hate crime and the gay community of New Orleans is up in arms, demanding justice. In the stifling heat of a New Orleans summer, Chanse searches for an extremely clever killer on a trail leading to a gay rights organization, boys for hire, and New Orleans society, knowing he has to find the killer before the entire city explodes.

My Review: Chanse MacLeod, former LSU football star, New Orleans policeman, and present-day private detective, gets a client in the most appealing possible way for a gay male mystery: His hottie hirer picks him out, and up, at the gym. Hunky Mike Hansen is, wait for it, in love with a rich, married, closeted doctor who is being blackmailed. Mike arranges to meet Chanse at Mike's home, after getting the incriminating blackmail tape from Dr. Delicious McWallet. (We don't find out his real name until well into the book.) Chanse, worn out from the workout and still sad over his peripatetic lover's departure for another multi-day trip as a flight attendant, oversleeps and is an hour late for their meeting. Darn good thing, too, since if he'd been on time, he'd've seen Mike being murdered.

Discovering the body, reporting the murder to his former colleagues at NOPD, and then trying to stay out of the circus that ensues is the meat of this short first mystery in a series by author and anthologist Herren. Gold diggers, horny creeps, jaded reporters, single-minded do-gooders, whores and whoremongers jig and caper through Herren's pre-Katrina French Quarter and Faubourg Marigny. MacLeod's laconic page presence still allows for character development, since we're in first person. What solves the mystery is an attempted murder that, for a wonder, vivifies the term "feed 'em to the fishes." The resolution is in no way a surprise, but the way it arrives is fun.

I'm not sure Chanse would give my fat carcass the time of day, muscle queen that he is, but I don't mind hitchhiking on his betank-topped muscular shoulder. The book is a fantasy, and it's not played for realism, but it's got some good character bases for a long-legged series: gruff black lady cop, honest and forthright, whom everyone erroneously assumes to be a lesbian; Chanse's hag, reporter Paige Tourneur, is appealingly damaged and quite obviously hangin' with his hunky self out of self-protection, so fertile ground for fun developments; Chanse's lover the air mattress (gay male slang for stewards), who commits the Unpardonable Sin of saying "I love you" to Chanse not once, oh no we can ignore that, but TWICE! Chanse's attack of the fantods led me to the mirror to see if maybe Herren had a camera in there...and leads Chanse to the brink of an affair with a most, most inappropriate man.

Enjoyable fluff, this. I wish the author's editor had made him do a few of the obvious development tricks, delving just a wee bit deeper into the recurring characters' pasts, but all in all this is a good and solid effort. It lacks suspense to an almost fatal degree as a mystery, but it makes up for it in blithe and quick-witted writing. Book 2, Murder in the Rue St. Ann, awaits on the nightstand. It's only 1am, I can fit in 50pp or so, can't I?