DAUGHTER OF EGYPT from the reigning Rani of women in historical fiction

DAUGHTER OF EGYPT
MARIE BENEDICT
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: New York Times bestselling author Marie Benedict, returns with a sweeping tale of a young woman who unearths the truth about a forgotten Pharaoh—rewriting both of their legacies forever.

In the 1920s, archeologist Howard Carter and Lord Carnarvon of Highclere Castle made headlines around the world with the discovery of the treasure-filled tomb of the boy Pharaoh Tutankhamun. But behind it all stood Lady Evelyn Herbert—daughter of Lord Carnarvon—whose daring spirit and relentless curiosity made the momentous find possible.

Nearly 3,000 years earlier, another woman defied the expectations of her time: Hatshepsut, Egypt’s lost pharaoh. Her reign was bold, visionary—and nearly erased from history.

When Evelyn becomes obsessed with finding Hatshepsut’s secret tomb, she risks everything to uncover the truth about her reign and keep valued artifacts in Egypt, their rightful home. But as danger closes in and political tensions rise, she must make an impossible choice: protect her father’s legacy—or forge her own.

Propelled by high adventure and deadly intrigue, Daughter of Egypt is the story of two ambitious women who lived centuries apart. Both were forced to hide who they were during their lifetimes, yet ultimately changed history forever.

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My Review: I like this sentence as a statement of purpose for this story:

I've been a student of Hatshepsut since the day Mr.Carter entered my world. The narrative of her existence is one I've been constructing as long as I can remember. The nature of her life and the manner in which her successors were positively determined to erase her from history is a puzzle I'm determined to solve myself.

Based on the few extant facts of two erased women's lives, intertwined in a way I found very compelling, this novel of erasure is so infuriating I want to chew nails to relieve my frustration. How many women, strong, intelligent, and capable, have suffered this fate without the unique concatenation of societal circumstances that preserved the barest bits and patches of their life like these two?

It doesn't do to dwell on it. I'm prone to rumination as it is.

I found the story of these two flinty women very involving. Their shared unwillingness to make themselves small enough to be unthreatening to the men around them truly inspired me to look more deeply into their factual lives. Historical fiction often does the opposite for me, leaving me more or less as informed as I ever want to be; these lives were sufficiently powerfully rendered that I wanted still more. There is not any evidence of Lady Evelyn doing any discovering, but she was clearly deeply intrigued and passionately invested in her father's and Howard Carter's discoveries in Egypt.

I was not entirely delighted by the, to my way of thinking, cursory nods at the deeply contentious subject of Empire and imperialism more generally. After all, Hatshepsut's own imperial project draws a distinct parallel to England's commercially motivated one. I know asking for more is asking for Author Benedict to choose to write *my* preferred story not her own, so I'm not holding that against the rating.

I felt this was a four-star read mostly because I found the ending a bit contrived for my taste. I do not think it is an ending that flows naturally from the two intertwined stories preceding it; more it was the set-piece everything on the way was going to support. It didn't ruin my pleasure in the read, but it did tarnish that pleasure just a bit to feel I was being pandered to when, until then, I was being lured along with strong storytelling.

Liking for ancient Egypt as a storytelling venue will go a long way towards wrapping you into the tale. It's not perfect but nothing is, and it's far more perfected than the lives these women were left with by the patriarchy of their times. Our times ain't great, but things have been worse.

THE SALVAGE, sapphic Gothic Scottish fun

THE SALVAGE
ANBARA SALAM
Tin House Books (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: A twisting, gothic literary thriller sure to delight fans of Our Wives Under the Sea by Julia Armfield, The Wonder by Emma Donaghue, and The Paying Guests by Sarah Waters.

It is 1962, and Marta Khoury, a trailblazing marine archaeologist, has been called to Cairnroch, a small island off the east coast of Scotland. A Victorian shipwreck, dragged from arctic waters, holds the remains of a celebrated explorer and the treasures of his final expedition. But on her first dive down to the ship, Marta becomes convinced she has seen a dark figure lurking amid the wreckage.

When the Cuban Missile Crisis and the deep chill of a record-breaking winter keeps Marta stranded on Cairnroch, she forms a relationship with Elsie, a local woman working in the island’s only hotel. When the ship's artefacts inexplicably disappear, Marta and Elsie have to brave the freezing conditions to search for the missing objects before anyone else catches on. As something eerie seems to follow her at every step, Marta must confront if the haunting is a figment of her imagination, the repercussions from a terrible mistake from her past, or if something more sinister is at play that will trap her and everyone on the island—and their secrets—in an icy wilderness.

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My Review: Sapphic gothic ghost story set in the icy winter waters of the North Sea off Scotland? Meat and drink! Get in my eyeholes!

Marta, a woman in the dangerous business of commercial salvage diving in 1962, is a rarity. It's her husband who runs things, and maybe it's just me but seems to me he's not averse to taking on jobs that put Marta in very significant danger. As the story unfolds, there are secrets in this marriage that, well, that cast doubts....

She's evidently, however, still down with this. Not only does her narrative voice convey very significant pleasure in the underwater world, she's at her sharpest while observing the wreck off Cairnroch. The eerie shadow? That's not an object, that's a being and no being not suited up like her belongs down there. Anyone would get the hell away as fast as possible!

Returning to the surface, badly shaken but with her inventory of the salvage to be collected, there occur things to prevent her from going down to begin salvage right away. On the return trip, she discovers there are very significant items missing...she inventoried them, now they're not there. (Listing them would be spoilery, so no on that.) What's happened? It's not like deep salvage diving is something just anyone can do, nor is it obvious how the heck the stuff was removed, or where it could've gone.

It makes the cold reception of the (quite Calvinist) Cairnroch people more pronounced...the treasure belonged to a very revered local hero, whose family has commissioned the recovery of material to fill a museum on the island. The extreme cold of that winter, the greatly heated up Cold War (this was the year of the Cuban Missile Crisis), and the weird behavior of the islanders towards her make Marta...uneasy...plus, after the artifacts she was to salvage got disappeared, things got no better. Worse, in fact as now she can't shake the sense of being followed...since the Presence on the wreck gave her a scare.

With all the troubles piling up, Marta needs backup. Her husband isn't there, wouldn't be likely to help if he was...he's still angry over some stuff...though he is still her boss. Anyway a local will be more help because things are weird in this place she's isolated inside by weather, world events, and the job she still needs to pull off in order to get paid.

Enter Elsie. She's so local she works at Cairnroch's only hotel. She and Marta are...eyeing each other up...so maybe she will act as Marta's go-between to see what the hell's happening here. And on this super religious rock, Elsie's probably never had a better opportunity for a hook-up. And I do not think anyone on the island's at all fooled by their sneakin' ways. It's another layer of Other in a world obsessed, in that terrible, cruel Calvinist way, with Us-v-Them. I was pretty unconvinced by the way the "special friendship" developed considering Marta's dramatically obvious Otherness and Elsie's being One of Us to the islanders.

The resolution to the different situations arrives as one would hope it would, arising from the events Author Salam's created; but honestly it was waaay later than it would ideally have been. Marta and Elsie aren't any closer at the end than is decorous. It felt to me that, for three-quarters of the book, I was hoping Marta's husband would show up and stir the pot, or something equally dramatic.

This is not a dramatic book. It's all vibes. Really, really good vibes...I put my cardigan on half a dozen times despite it being seventy degrees in here...but short on the stuff of drama. Fights? Not even verbal ones. Hauntings? Self-inflicted ones galore. All very interesting to me. Not terribly exciting.

As someone who appreciates a narrator who isn't seeing what's really happening but instead what her shadows let her see, I was fine with this. Marta, Syrian/Scot like the author is, is a woman out of every place she's ever been put. Check. Marta's really sure she Knows the Score, despite not seeing the hoop half the time. Check. Marta's never let her defenses down, not for anyone; too risky. Check. The list goes on.

Reading diary entries is a very gothic way to build suspense. I myownself don't think it works in favor of low-conflict, high vibes stories so that seems like a miss to me. It would be a five-star read as an only-vibes novella; it only gets to four stars as a heavy-vibes gothic eerie haunted-house novel, with too little (and too incredibly uncritically unexamined) sapphic stuff to really get past the gate into the churchyard.

So I can't recommend it unreservedly but can definitely say there's a pleasurable red here for a vibes reader seeking wintertime chills; anyone who likes underwater scenes is going to purr happily, as they're some of the most effective writing in the story; and those in love with a ghost story for Yule.

THE VATICAN CHRONICLES SERIES: The Mystery of Julia Episcopa; The Anonymous Scribe; Silent Mistresses

THE MYSTERY OF JULIA EPISCOPA (The Vatican Chronicles #1)
JOHN I. RIGOLI & DIANE CUMMINGS
Kindle edition (non-affiliate Amazon link)
$5.99 available now

Rating: 4* of five

The Publisher Says: In ancient Rome, a woman flees for her life. Her enemies are those she once called 'brother'.

Hidden beneath her blue cloak are secrets men will kill for—forgeries that prove the newly self-appointed bishops are not followers of the way, but pretenders who have seized power and will stop at nothing to shape this new religion to their own ends. Now, Julia—a woman who had once walked with Mary Magdalene and taught alongside Paul must preserve the legacy of the apostles in the face of terrifying danger.

Two thousand years later, classical archaeologists Valentina Vella and Erika Simone are tasked with advising the newly-elected Pope on the historical legacy of women in the early Christian period.

The women stumble across an ancient parchment buried deep in the Vatican archives, a document that has clearly been altered. They find themselves on the trail of a woman who may have been the first woman Bishop in the Catholic faith. To reveal Julia's legacy will put them in the cross-hairs of a venomous Vatican battle for power and supremacy; to stay silent would make them complicit in an ancient heresy and would betray the teachings that Julia sacrificed her life to defend.

The Mystery of Julia Episcopa weaves seamlessly between modern day Rome and the politics of the Catholic church, and the times and life of a 1st century Roman noblewoman who rose to be a dominant force in the early Christian movement.

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My Review: I wonder if I'll ever get tired of Vatican-skulduggery stories. I hope not. Archaeology plus ancient history equaling a black eye for one of the greatest forces for evil ever devised by man...christianity as a whole is what I mean...in a present hag-ridden by its rotting zombie corpse never palls.

Two modern archaeologists, Erika and Valentina, discover suppressed evidence of a woman bishop's existence in early christian days. Setting out to discover what they can about her is obviously going to be fraught...the catholic church is hostile to the merest whisper of women in positions of power, triply so in its own hierarchy...and more dangerous than even that baseline because their funding comes from a mustachio-twirling baddie in the form of Cardinal Ricci, a Central Casting Villain of the most amusingly OTT sort.

The generally christian-positive message of Julia Lucinia Aquiliana coming to be Julia Episcopa is tied up with the most famous moment in Roman history: Vesuvius erupting and burying Pompeii in 79CE. It acts as the major, defining moment of the past timeline in the novel, and in the present as the moment these two woman archaeologists understand what they have on their hands: The literal smoking...gun, you should forgive, in the quest to prove women have been calculatedly written out of church history.

This being my own assumption about history more broadly, I'm all invested and on board.

Still and all, this is a literary pleasure for me, and its positive religious overtones put me off.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++



THE ANONYMOUS SCRIBE (The Vatican Chronicles #2)
JOHN I. RIGOLI & DIANE CUMMINGS
Kindle edition (non-affiliate Amazon link)
$5.99, available now

Rating: 3* of five

The Publisher Says: When the lie is two thousand years old, who, exactly, will the truth set free?

While analyzing parchment fragments from the Dead Sea Scrolls, grad student Susan Bauer pieces together text that indicates the existence of a stolen Secret Temple Scroll that was penned decades before the gospels. If discovered, this document could free the Jewish people from the centuries’-long blemish that they are responsible for Yeshua’s death.

It could also turn Christianity on its head.

From the basement of the Israeli Museum to a basilica in a picturesque French village to the ruins of Herculaneum, ex-Mossad Yigael Dorian and blacklisted archaeologists Valentina Vella and Erika Simone journey on a transcontinental chase, dodging thieves, kidnappers, cardinals, and enlisting mobsters to uncover the truth behind this rumored scroll.

It is the writer of this document, however, who has the final word in a mesmerizing depiction of life in the Galilee alongside Yeshua.

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My Review: I got a lot less invested in the Intrepid Sleuths' archaeological skulduggery when we moved into territory that presumes the figure at the center of the lunatic belief system we call christianity was a living breathing human being.

There exists no shred of evidence of this. Inventing one for this story was a step past my personal suspension-of-disbelief line.

It is a testament to the writing chops of the authorial duo that I was compelled to keep reading, and that I give this story three whole stars. I am mightily opposed to everything this entry in the series is presenting, and irked by the certainty that some will think it's probable it represents some kind of truth. No matter; honesty insists that I rate it on its storytelling merits. Three stars.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++



SILENT MISTRESSES (The Vatican Chronicles #3)
JOHN I. RIGOLI & DIANE CUMMINGS with Lisa Cerasoli
Kindle edition (non-affiliate Amazon link)
$5.99, available now

Rating: 3* of five

The Publisher Says: A Vatican Bank cover-up. A devout whistleblower. A Church with everything to lose.

Sister Maria Caruso was sent to the Vatican Bank to modernize its systems—not to unearth secrets worth killing for. But when a €30 million discrepancy leads her to a web of hidden accounts, she stumbles onto something far more dangerous than embezzlement.

The money was only the surface. What it concealed runs far deeper. For decades, powerful men within the Church have used secret funds to protect private sins—names that must never be named, affairs that break more than vows—a history the Vatican is willing to bury—along with anyone who gets too close.

As Maria begins to pull on the thread, she becomes a target. Trapped inside the very institution she once trusted, her only weapon is the technology the Church has long dismissed. Her only choice? Stay silent and survive—or expose the truth and risk everything.

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My Review: Okay. We're switching gears. No more archaeology, now we're in computer forensics and accountancy.

I quit caring. The Banco Ambrosiano scandal took place in my adulthood and, as I thought then, represented an iceberg's tip of the real story.

While nice enough to read as a mystery, the topic was not what I expected it to be or wanted to read about. The authors, as assisted, turned out a run-of-the-mill crime story with stakes I just could not invest in. Three stars for competency. None for my personal enjoyment.