SORCERY & SMALL MAGICS
MAIGA DOOCY (The Wildersongs Trilogy #1)
Orbit Books
$19.99 trade paper, available now
Rating: 4* of five
The Publisher Says: Desperate to undo the curse binding them to each other, an impulsive sorcerer and his curmudgeonly rival venture deep into a magical forest in search of a counterspell—only to discover that magic might not be the only thing pulling them together.
Leovander Loveage is a master of small magics.
He can summon butterflies with a song, or turn someone’s hair pink by snapping his fingers. Such minor charms don’t earn him much admiration from other sorcerers (or his father), but anything more elaborate always blows up in his face. Which is why Leo vowed years ago to never again write powerful magic.
That is, until a mix-up involving a forbidden spell binds Leo to obey the commands of his longtime nemesis, Sebastian Grimm. Grimm is Leo’s complete opposite—respected, exceptionally talented, and an absolutely insufferable curmudgeon. The only thing they agree on is that getting caught using forbidden magic would mean the end of their careers. They need a counterspell, and fast. But Grimm casts spells, he doesn’t undo them, and Leo doesn’t mess with powerful magic.
Chasing rumors of a powerful sorcerer with a knack for undoing curses, Leo and Grimm enter the Unquiet Wood, a forest infested with murderous monsters and dangerous outlaws alike. To dissolve the curse, they’ll have to uncover the true depths of Leo’s magic, set aside their long-standing rivalry, and—much to their horror—work together.
Even as an odd spark of attraction flares between them.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Forced proximity/mismatched temperaments/social class disparity stories are almost always going to frustrate me. No exception here.
The young men are in that magic bubble of time where all the world's new, fresh, and exciting, the education you're receiving in class is only part of what you're learning, and everything is still possible. Great start, then. Add onto the plus side being queer isn't any kind of issue in this milieu. I'm going to say the quiet part out loud: Magic curses are as good an explanation as any for the reality of human desire. (Which, incidentally, is not consummated...a lot like Lynn Flewelling's Nightrunners series, you're not getting a HEA or even HFN in this story.)
If that's a dealbreaker for you, this isn't your best investment of eyeblinks. I was on the bubble about that aspect of the story, but I'm willing to go with it because I like these boys. Carping, whiny brats that they are, they're also tentatively figuring out the limits of their magical powers (a stand-in for real-life capabilities and drive for success, with the same drawbacks and problems we all face) as they each need the other's innate skill to complete any magical aim. If there's a better metaphor for a successful love relationship, I don't know of it.
Leo, our PoV character, is privileged and gifted beyond his comfort zone in his branch of magic. He's a chatterbox and uses words beautifully. It's a great way for him to distract others from the huge depths of his talent. Grimm is aptly named, as he's learned from a hardscrabble beginning that resolute focus on results is The Way To Succeed. They're excellent complements for each other's strengths.
Why, then, was I frustrated by the story I'm clearly enjoying? I don't like the implications of forced proximity. "Forced" is always going to trouble me. The feelings developed in forced proximity are, well, forced. Like forcing a plant, the result is at best an attenuated version of the unforced thing. I mistrust the trope because life has taught me not to trust forced feelings for long.
I'm sure, though, that others feel differently. I'm also sure that the book's ending is not placed where it is for no reason or simply by chance. Author Doocy understands the material she's working with. Her skills are very much congruent with the material's focus on the communication these young men are learning to give and receive. So I will set aside my unease in the face of my trust in her storytelling skill.
Again I remind romance readers that this is fantasy first, romantic fantasy to be sure, but romance-novel endings are not included. Much to be praised, and much to enjoy, so recommended reading.
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