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Showing posts with label investigative journalism. Show all posts
Showing posts with label investigative journalism. Show all posts
Friday, February 6, 2026
THE FAMILY SNITCH: A Daughter’s Memoir of Truth and Lies, or "how to reintegrate after surviving a toxic system"
THE FAMILY SNITCH: A Daughter’s Memoir of Truth and Lies
FRANCESCA FONTANA
Steerforth Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now
Rating: 4* of five
The Publisher Says: A journalist’s relentless, unsparing interrogation of family ties, the ways we deceive ourselves and others, and how we live with what we’ve done
A stunning debut, perfect for fans of Nicole Chung, Ashley C. Ford, and David Carr's The Night of the Gun
Francesca's parents represented opposing world-views. Her mother always slid her way out of questions about the past, saying only “My life started when you were born.” Her dad, an absent bodybuilder, loved telling stories about his seemingly larger-than-life past. He said he would tell her anything she wanted to know. But more often than not, it was a total lie. When Francesa was 9, he went to prison, and her mother, the grounding center of Francesca's world, moved her half a continent away...
The Family Snitch started as a youthful experiment in journalistic investigation. Francesca began to uncover her father's secret criminal past. But in her increasingly dogged pursuit of the truth at any cost, was she just selling everybody out?
In her thought-provoking exploration, Francesca also interrogates her own relationship to the truth, finding that she trusts almost no one and refuses to believe anything that can’t be backed by hard evidence. She turns to experts on memory and psychology, in search of someone to help explain the secrets kept between parents and children, and the inheritances they leave us in the fallout of their choices. She pulls on the threads that lead her back through the forms that came before this theater and film, Greek tragedy and myth.
The result is a page-turning memoir that is also an artful work of literature with enduring appeal.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Confronting your past is a big part of the job of growing up. Learning the realities of your origins can be discomfiting. Myths that take root are rooted in misunderstandings, lies believed, facts spun...it's astounding how much looking for official records can teach you. If, of course, you know where to look...and that the records exist. Absence of evidence is not evidence of absence, after all.
Frankie, as the author chooses to be known in the book, grows up in a very troubled system. Her family is riven by silent elisions, careful misdirections; she comes to develop a full-blown case of OCD that becomes the giant power source for her journalism. Talk about making lemonade from life's lemons!
Lemonade is sour under the sweet, though. I read this book thinking how much expectation Frankie was leaving aside as she told this brutally painful story of the betrayal she felt as she discovered how little truth there was in her family in a reportorial style. Most memoir readers...I think we're past the peak of the memoir craze, it's solidified into a market with expectations...want to experience catharsis, weep buckets, feel the hollow burn of referred rage...not really available here. I thought Frankie's choice to narrate events was more affecting for its restraint. I'm not necessarily going to resonate to messy, splashy, look-at-me pyrotechnics. It's true the narrative switches from first to third person at seemingly unprompted intervals, but I came to realize this was Frankie's way of inserting her self into the narrative at the times it felt safe to her to do so.
For me, then, realizing the roots of Frankie's control in her demonstrated inability to trust anything or anyone in her family of origin made her decision to write the story at all an act of generous-spirited bravery, so the relatively matter-of-fact prose heightened my own experience of the read. It won't be to everyone's taste but I'd encourage you to look at the actual details before dismissing the style: A big, warm, largely absent daddy who tells you "anything you want to know" but in such a self-aggrandizing tone even your kid-self wonders, a mother who's a fogbank, impossible to pin down, so evasive she tells you the reason she's alive at all is you.
No pressure, child, just know your mother's *entire*life*is*your*reponsibility.
How Frankie made it to adulthood and used the gargantuan burdens heaped on her to become Author Fontana is astonishing. By rights no one would criticize her if she just huddled in a corner gibbering quietly to herself to try to make sense of her life. Instead we got this remarkable account of facing up to a past rife with stressors, replete with bad parenting, and lived in an unshareable bubble. How many friends do you have who could hang with you as you process your father's criminal history?
It's the main story, of course. Frankie has, that bloody OCD demands it, to dig in and determine the facts at last. What happened, when, who did he harm, why was it done. I'm always just a bit squicked out by true-crime entertainment. The victim (if alive) realizing strangers are judging them, harshly or not, is...distressing...to me; the family of the perpetrator likewise. It's both justice (if legal results are obtained) and not, re-experiencing traumas and having them made public property. Ask a writer who's had a really bad review how it affects one's emotional well-being to be exposed to every irritating twidgee with a keyboard and an opinion. Now blow it up ten times because it's not anything you asked for.
So I'm in two minds. Brava to Frankie for doing the work; has Author Fontana really thought this through? I dunno, nothing in the story or the later discussions tells me. I don't know how that would be accomplished without *major* spoilers; I get why it isn't done, but it leaves me ambivalent about the story's purpose not necessarily being one I can get all the way behind. Missing star thus explained.
I've seen many indifferent-to-poor memoirs burn up the sales charts. I'd like to see this brave, kind, generous soul join them. She deserves the worldly success.
Monday, September 8, 2025
A THOUSAND WAYS TO DIE: The True Cost of Violence on Black Life in America, proof the personal is political...again
A THOUSAND WAYS TO DIE: The True Cost of Violence on Black Life in America
TRYMAINE LEE
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now
Rating: 4.5* of five
The Publisher Says: A deeply personal exploration of the generational impact of guns on the Black experience in America
A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.
In this powerful narrative, Lee weaves three the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story—from almost being caught up in gun violence as a young man, to exploring the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, and navigating the challenges of representing his people accurately in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.
In A Thousand Ways to Die, Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Nothing is free. All actions have reactions, consequences. A causal chain has a beginning. Identifying that beginning is a challenge when the subjects are human beings.
Author Trymaine had a near-fatal heart attack at 38. There's a dramatic effect for you...but the cause...? How does a man tease out the causes of poor health outcomes like a heart attack in very early middle age? His five-year old crystallizes the question with the clarity of a child: Why? Why did your heart attack you?
If you're a Pulitzer Prize-winning journalist like Author Trymaine, you look into the stressors of a life led in a high-intensity job, and start digging the roots now that you see the stems...and hope to grow the leaves. The heart attack made a lot more sense as the stress of life reporting on the truly terrible things people do to each other daily, without resting between awfulnesses, led him into the eternal source of human misery: Why? Why does a journalist always have an inexhaustible well of misery and cruelty and callousness to draw from? As Author Trymaine focuses on the Black community he lives in, why does that well so very often have a gun at the bottom of it?
Thinking of his own morality, he naturally thinks of those dead before him, those whose lives were cut short by gun violence. There are members of his own family dead too young because of guns. So answering why for himself means looking at the thing all of them have in common.
They live in a violent country rife with systemic racism. Watch your local news, notice the times there's a violent crime, the photos they choose to show. The criminal's a Black man? Picture of him, mugshot if possible. Perp's a white guy? Picture of the victim. Of course it's impacted all of us, but where is the hatred and the violence aimed? At minorities. The fields sown with hatred and violence are the places it grows. There's a lot of personal pain in this book, but none of it is paraded for the reader's sympathy or judgment. It tells of a system designed to oppress and Other those of a certain skin color that is "working" in that the targets have internalized the nastiness. It's no wonder Author Trymaine is a busy reporter with the amount of rage and hate there is heaped on Black people from outside bubbling and erupting.
The central problem is that systemic rage and hatred; it's the root of many, many evils, though, so if religion can't fix it neither can secular measures. What simple and effective tool is there to address the hideous societal and personal cost of this fact of human existence? What tried and tested means is there to prevent the incompetent, ill-intentioned, sociopathic from acting out their hatred?
Controlling access to the means to kill. Licenses for driving cars are harder to get than licenses to own guns.
Very simple, really.
In exploring the fact of his too-early heart attack with a journalist's training, a seeker's mind, and a father's heart, Author Trymaine lays bare the real, personal, intimate costs of failure. We've all failed. This world of 2025 was not inevitable. Author Trymaine shows us the ways we failed.
But while we are still alive, we can...and should...choose not to fail any longer.
Friday, August 4, 2023
SECRET POWER: WikiLeaks and Its Enemies, investigative journalism from the other side of the WikiLeaks issue
SECRET POWER: WikiLeaks and Its Enemies
STEFANIA MAURIZI (tr. Lesli Cavanaugh-Bardelli), Foreword by Ken Loach
Pluto Press
$19.95 trade paper, available now
Rating: 4* of five
The Publisher Says: An uncovering of the terrifying depths of authoritarian power that hide behind the infamous story of WikiLeaks.
*Winner of the European Award for Investigative And Judicial Journalism in 2021 and Premio Alessandro Leogrande Award 2022*
'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.'
It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power.
Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks.
With complex and disturbing insights, Maurizi's tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups.
At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: I dislike what I know of Julian Assange as a human being. That doesn't make what's been happening to him acceptable, still less justifiable. WikiLeaks has been a force internationally for sixteen years now; it's got a pretty spotty record, but that's not a huge surprise given its antipathy to Authority...that kind of puritanism leads the best-intentioned and most honestly passionate defenders of individual liberty down some deep, dark rabbit holes. This is not accidental, or without outside baiting. The use of agents provocateurs and disinformation is an old, effective means to hide actual, factual embarrassments in loud, distracting noise (see: the lives and work of Paul Linebarger and Edward Bernays).
The author is an established investigative journalist. She's won major European awards for her work in this often thankless, always risky role. All this as well as her undeniable personal drive to take on Power on behalf of the ordinary person's right to dictate what they will and won't tolerate from their governing institutions is what made this retelling of the events surrounding the scandals they've caused trustworthy to me. The mass media have, at best, glossed over and/or slanted their coverage uniformly negatively against Assange and WikiLeaks. Books like this are welcome correctives to that kind of Authority-supporting heavily biased coverage.
What matters in the world at large is that people like Assange and Edward Snowden and Chelsea Manning and Reality Winner are punished, not for being bad people, but for refusing to be silent and complicit in crimes committed by terrible people for vile aims and in service of reprehensible purposes. Author Maurizi makes this crystal clear, which is why the book appeared via Pluto Press not, eg, Random House. Big Business and Big Government are symbiotes.
I still think Assange, the man, is a creep. After eading this book, I am more convinced than ever that he will be made to pay and pay and pay for daring to reveal what the blandly evil rulers are really getting up to. As will, eventually, Author Maurizi and Bill Browder and Jessikka Aro the other people who hold the powerful's crimes up for the public to see clearly and judge.
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