DREAMS OF AYN ARA, never to forgive! never to forget!

DREAMS OF AYN ARA
SARA ABOU GHAZAL (tr. Katharine Halls)
The Feminist Press (non-affiliate Bookshop.org link)
$17.95 ebook, available now

Rating: 4* of five

The Publisher Says: In Stockholm, Zein al-Abedin shivers, far from the warmth of simmering revolt years ago in Shatila. In Paris, his son Nidal toils in solitude, ignoring his father’s phone calls and dousing his desire for Bassam back in Lebanon. Salwa, refusing to leave Beirut for Sweden, digs backward in time through Facebook and discovers an unlikely channel to the one place in the world she can’t go: Ayn Ara, the Abu Sukkar family’s ancestral home in Palestine.

Invoking the long wake of the 1948 Nakba and its displacement of 750,000 Palestinians from their homes, Sara Abou Ghazal webs the worldwide, timewide scatter of the Abu Sukkar family. At every turn, Ayn Ara disrupts their otherwise “normal” days in new terrains through memory, pain, and strange magic—culminating with a journey into both the past and a parallel present of Zionist settler violence.

Be it through a ghostly return to the brutal event of the Nakba, or grandmother Nijmeh’s psychic drift from land to no-land and back, Dreams of Ayn Ara portrays time as a false phenomenon for people ripped from their rightful place—and points to fissures in the fragile reality that denies Palestine to Palestinians.

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My Review: Chilling, sobering, appalling, revolting.

Under 150pp telling most of a hundred years of historical dispossession, repression, genocide sounds...and is...ambitious, requiring time-jumps and dreaming visitations and other such narrative flummery that distracts from the core of the story: My home was forcibly taken from me. I do not have access to my family's source of identity. I live in a world without my roots, epiphytically resting on the place I am without a way to reach into it and root myself in welcoming soil.

It is ever and always the problem of the Othered. It is the reason ghettos exist, for the inhabitants; the sounds and smells of home plopped atop foreign soil. For the foreign-soil owners, it's crowd control, easy honeytrapping concentration without the bad optics of the word "camp." Not like this Palestinian family in these pages escaped the spaces where the word "camp" was le mot juste for what they were confined to. It's appalling that those confining them there were themselves the survivors or children of survivors of the same treatment....

Stories like this are proof that generational trauma is real. Damage done in malice survives and thrives and metastasizes and entumors its poisons like the body does when protecting itself. Stories like this are the pearl versions of the tumor-forming process, wrapping severed bits of essence in layer upon layer of nacreous story.

It's not long, it's not exhaustively researched and fact-checked. It's the living memory of a family victimized to redress wrongs done by others, done to strangers, and made into their problem by colonizers. Tale as old as time, then.

EVERY MOMENT IS A LIFE: Gaza in the Time of Genocide, the title says it all

EVERY MOMENT IS A LIFE: Gaza in the Time of Genocide
SUSAN ABULHAWA (ed.) with Palestine Writes Literature Festival
Atria Books/One Signal Publishers (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 5* of five for existing when so many want it not to

The Publisher Says: Compiled by bestselling author susan abulhawa, an Arabic-English bilingual anthology of essays from eighteen young Palestinian writers trying to survive the genocide in Gaza.

In early 2024, writer and activist susan abulhawa managed to enter Gaza twice through the Rafah crossing. There, at the Culture and Free Thought Association, susan held a series of workshops for young people who had been displaced to tent encampments. The lives of all participants were marked by unrelenting Israeli violence and extraordinary loss—of home, family, safety, education, electricity, and all the structures of life. They’d fled from place to place as Israel’s colonial violence swirled around them, complete with food and water insecurity and constant threat. Still, despite the bitterness of life in tents and the dangers of travel, they came together to share in the refuge of writing and community.

Samya recounts a tender moment with an old man mending shoes in the street, while her cousin Saja hides books in her closet, hoping they and her home will still be there when she returns. Ghassan is haunted by the baby he rescued from the rubble, who for a time became his son. Fatima risks it all retrieve her clothes from a danger zone buzzing with drones and warplanes. Maram’s loving aunt is gone, and chaos inhabits Amr’s mind. Samah, Lubna, Rizq, and Nebal take us by the hand through raining death, trails of tears, classroom shelters, and shared clothes in crowded tents.

Every Moment Is a Life delivers rare, unfiltered portraits of life under genocide, platforming the emerging voices struggling to survive in Gaza today. These essays are raw and real, capturing human moments—buying bread, going to the bathroom, sharing a meal, drinking coffee—all set against the backdrop of history’s first livestreamed ethnic cleansing. With courage, anger, love, agony, and—impossibly—hope, these achingly tender voices from Gaza will stay with us, captured in these pages, forever.

*All proceeds go to the contributors in Gaza and to Palestine Writes Literature Festival

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My Review: The strongly anti-Israel...not anti-semitic, none of this is directed at Jews only at the State of Israel as a political actor...indictment of the genocide in Gaza is going to make a lot of y'all really mad that anyone dares criticize Israel.

There is zero difference between that criticism and the MAGA scum who insist it's un-American to criticize ICE for its brutality.

That is a hill I will plant my flag on. If criticism is not allowed freedom is not present.

The stories, personal ones, told in these essays are deeply affecting. It is the memory-book of a people beinng erased by power structures that simply do not want to accept their existence. I, and I think many of y'all, believe that is immoral. If you don't, then accept that it is explicitly illegal. If that fails to convince you this activity should stop, the course should be reversed, and improvements made in the lives of Palestinians, I think you should be held up to shame and not allowed to forget your complicity in the same crime that gave birth to Israel in the aftermath of the Holocaust.

Enough said.

PALESTINE IN A WORLD ON FIRE, aptly titled interviews with eminent thinkers

PALESTINE IN A WORLD ON FIRE
KATHERINE NATANEL & ILAN PAPPÉ
Haymarket Books (non-affiliate Amazon link)
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: A collection of interviews with some of the world’s leading progressive thinkers on the movement for Palestinian liberation and its connections to struggles for justice across the globe.

As more and more people align themselves with the Palestinian people, Palestine in a World on Fire provides the global perspective and analysis needed to inform how we forge ahead on this path of newfound solidarity. Editors Ilan Pappé and Katherine Natanel have gathered a collection of interviews that are intimate, challenging, and rigorous—many of them conducted before October 7th but still startlingly prescient. The interviewees connect the struggle for Palestinian liberation to various liberatory movements around the world, simultaneously interrogating and recontextualizing their own positions given the ongoing aggression in Palestine. This incredible group includes Angela Y. Davis, Noam Chomsky, Judith Butler, Nadine El-Enany, Gabor Mate, Mustafa Barghouti, Yanis Varoufakis, Paul Gilroy, Elias Khoury, Gayatri Spivak, and Nadera Shalhoub-Kevorkian.

Palestine in a World on Fire highlights the centrality of Palestine in struggles shared across the capitalism, imperialism, misogyny, neo-colonialism, racism, and more. Each conversation tackles urgent events and unfolding dynamics, and the scholar-activists interviewed here provide invaluable perspectives and insights, illuminating the richness and relevance of recent scholarship on Palestine.

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My Review: Ask yourself why the US media does't have any, or not many, pro-Palestinian voices featured as speakers about the ongoing genocide Israel is perpetrating against the Palestinians. An answer comes when you're ready to look at the roots of bias in a hypercapitalist world undergoing a multi-front fascist takeover across multiple countries. Populist values, such as they are, burn brightly when people are afraid and abused. Tech scum are in charge of huge pots of wealth and using it to forward the abusive, hypercapitalist agenda...the luckiest thing that has happened yet is the dopes from DOGE coming after the data and the money of the jerkoffs who voted the scumbags who can't even run a group chat properly.

Waking up to the threat to yourselves, at last, means we all have a small chance of making some of them see the pattern of abuse being used. It certainly also includes the murder and the eradication of people and cultures "They" do not like.

Palestinians are on the sharp edge of the sword. "They" do not plan to stop swinging it. If you and yours are not in its path, you will be.

Essentially this collection of softball interviews of Progressive figures across multiple scholarly disciplines is evidence that the reason libraries, universities, and "lower" schools are all under attack. The way to stop an idea is not to ban it, but to render it incomprehensible and unrelatable. Physics is doing that very handily and entirely to itself by getting really, really deeply up its own ass. Economics and social sciences are having it done to them by "Them" demanding their supply of new thinkers and believers be cut off from resources to learn about the disciplines. Stupid people are easier to lie to than educated ones.

It is a book that's been overtaken by events in some ways. It's a shame that many who could best benefit from its focus are likely not to read it as "the news" is hard enough to contend with, still less launch on a deep dive into how the Palestinian genocide is part of a larger playbook.

The terrible truth is it is working as it always has. Critics of the machinery of totalitarianism, like Alexei Navalny and Primo Levi, suffer awful fates if they're high enough profile to be threatening. The rest if us, the insignificant ones, are left alone to chatter amongst ourselves, as we can't do "Them" much inconvenience still less harm.

So take this as my considered advice: Learn more about what atrocities are going on right now; think about what will keep happening; get angry and resist. However small it is, act against "Them."

POWER BORN OF DREAMS: My Story is Palestine, a graphic novel of the bitterness of Home-lessness

POWER BORN OF DREAMS: My Story is Palestine
MOHAMMED SABAANEH
Street Noise Books
$15.99 trade paper, available now

Rating: 4.5* of five

The Publisher Says: What does freedom look like from inside an Israeli prison?

A bird perches on the cell window and offers a deal: “You bring the pencil, and I will bring the stories,” stories of family, of community, of Gaza, of the West Bank, of Jerusalem, of Palestine. The two collect threads of memory and intergenerational trauma from ongoing settler-colonialism. Helping us to see that the prison is much larger than a building, far wider than a cell; it stretches through towns and villages, past military checkpoints and borders. But hope and solidarity can stretch farther, deeper, once strength is drawn of stories and power is born of dreams. Translating headlines into authentic lived experiences, these stories come to life in the striking linocut artwork of Mohammad Sabaaneh, helping us to see Palestinians not as political symbols, but as people.

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My Review: The author/artist, whose lived experience this graphic novel is born out of, made a beautiful work of art out of suffering.

The linocuts used to create the illustrations are truly brutal, absolutely unsparingly blocky and confining, and that is the essence of the story he is telling us in his words and images. It's my worst nightmare, claustrophobia, made in art. There's nothing worse than the feeling of being TRAPPED, of having no agency in the workings of your own world...you exist that way, you don't live. In the beginning of the book, you're not told what happened to bring the author/artist into an Israeli prison. We're just...in there. We are, like him, forced to experience imprisonment, though we're unaware of why and presumably he is...there's a line that a guard shouts at him about wanting to become a martyr, so I can deduce from that there is a violent act in the man's past. Or the planning of one, or just the suspicion of the planning of one...societies that exist inside a conflict paradigm are noticeably more paranoid than ones that don't.

The flights of the bird the author/artist creates to make the stories of others come alive are beautifully imagined. The linocut technique carries through the sense of enclosure, of stasis within a field; the bird's flights aren't escapes but reminders of the nature of imprisonment, confinement. It is this essential feature of the story that I found least convincing, though. I wasn't sold on the narrative device providing an urgently needed contrast to the overall looming, enclosed tone of the book.

The awful entanglement of the body in the emotional and mental space of imprisonment, confinement, comes through more clearly than ever as the author presents us with the stories of other Palestinians, those not imprisoned with him, as they navigate the awfulness of never being allowed a sense of Home or even of safety in this place they, and their ancestors before them, once were masters of their own fates within.

The entire experience of this artwork, this passionately lived experience of being disempowered, unhomed, dehumanized for wanting what someone else has simply...taken...as their right, their just compensation for a world that you didn't agree with or agree to be identified with's abuse of them...there is no right? There is no Right? Who says? Why do you say there's no solution, because you don't want the one the other side wants? Then when will stories like this one ever cease? Can they ever become history, when they aren't even acknowledged as History?

This Yuletide, pick up a piece of Art, a fragment of story, that you really don't know how much you don't know about. A book like this, with its personal tales as well as a more scholarly, factual end-story, will give you the personal perspective of people you don't know or know about.

Then realize: The issues in this book are not solely Over There. They apply right here on your doorstep. So take a moment to recognize and realize that everything you possess, everything you take for granted, has a cost. And not solely to you.