PIGEONS!: A Fable For Our Times, and many others throughout history

PIGEONS!: A Fable For Our Times
MARC CHALVIN
Street Noise Books (non-affiliate Bookshop.org link)
$25.99, available now

Rating: 4.5* of five

The Publisher Says: A contemporary political allegory of power, to remind us of the dangers of following a dictator and surrendering your freedom.

Life is simple for the pigeons. They have no desire to contemplate their future or take control of it. Free from responsibility, they are all too willing to submit to a strong authority. This is precisely what a cruel and power-hungry crow was waiting for—a perfect opportunity to wield his natural talents as a tyrant. The crow enforces law and order, but also terror and arbitrary rules. Everyone seems to accept this situation—or maybe, they are too scared to resist. Until an idealistic seagull steps in, determined to challenge the system through debate and free elections.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I really think everything I could say would be superfluous...if you wonder, like me, WHY people choose authoritarian social orders with such alacrity and frequency, this is your answer. Only told with sequential artwork, featuring pigeons.

Now look at the art.

I could go on, the publisher's been very generous with art for publicity, but I feel my point is made. Wisecracking birds in thrall to an authoritarian bird might make some of this make some sense.

Mostly I think the graphic-novel medium will let some messages slide through your at-risk young male giftee's defenses. It sure as hell can't hurt, it's cheap as a psychic inoculation against authoritarian/fascist bullshit goes.

APSARA ENGINE, South Asian graphic story collection

APSARA ENGINE
Bishakh Kumar Som
The Feminist Press (non-affiliate Bookshop.org link)
$24.95 paperback, available now

Rating: 4* of five

The Publisher Says: By turns fantastical and familiar, this graphic short story collection with South Asian roots is immersed in questions of gender, the body, and existential conformity.

Winner of the 2020 Los Angeles Times Book Prize for Graphic Novel/Comics

Winner of the 2021 Lambda Literary Award for LGBTQ Comics

Finalist for the 2021 Ferro-Grumley Literary Award for LGBTQ Fiction

The eight delightfully eerie stories in Apsara Engine are a subtle intervention into everyday reality. A woman drowns herself in a past affair, a tourist chases another guest into an unforeseen past, and a nonbinary academic researches postcolonial cartography. Imagining diverse futures and rewriting old mythologies, these comics delve into strange architectures, fetishism, and heartbreak.

Painted in rich, sepia-toned watercolors, Apsara Engine is Bishakh Som's highly anticipated debut work of fiction. Showcasing a series of fraught, darkly humorous, and seemingly alien worlds—which ring all too familiar—Som captures the weight of twenty-first-century life as we hurl ourselves forward into the unknown.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: A beautiful work of South Asian-set and -themed mostly queer stories. All take place in elegantly, cleanly rendered spaces, involve women in transitional times and relationships, and stress the pleasures and/or complexities of being in the midst of Life.

these are the spreads provided for publicity use

The author's website contains much more varied artwork from the book. It is very much worth you time to view.
The stories themselves are not really interlinked, though all feel like they're meant to form something greater than the sum of their parts. If there's more than the thinnest connective tissue, though, I didn't find it. Straight people on a shoreline are surprised by merfolk accosting them; differing degrees of queer/trans people in their cells...apartments really, but cells in all the confinement senses...are the focus of the title story, one that fascinated me but never paid off in the way I was built up to expect. I think my personal favorite story was "Swandive," in which Onima...a "cartographer of trans realities" who uses her own blood to make maps, thus create art, that explains other Desi trans people to themselves.

It's not hard to see this opening a young trans person's eyes to the welcome reality that others feel the same way they do. No one in the 21st century, with all its stunning technological advances in medicine, psychology, communication should ever again feel isolated. A work like this that was created by someone deeply marginalized yet extending her hand to others, is a lifeline for a struggling trans person.

"You, as you are right now, are not alone and do not need to change to be loved" is still the most intensely powerful message you can send with this gift.

THE AWL, Korean Manha of labor trouble like we're having

THE AWL Vol. 1
CHOI GYU-SEOK (tr. Lynn Eskow)
Ablaze Publishing (non-affiliate Bookshop.org link)
$14.99 all editions, available now

Rating: 3.75* of five

The Publisher Says: The Awl is a story of ordinary folks struggling to be treated as humans.

Set in the latter half of the 2000s, against the backdrop of “Pureumi”, a fictional superstore chain in South Korea, the work unfolds with a focus on two protagonists: Yi Su-in, who has been instructed by the corporation to dismiss workers unjustly; and Gu Go-sin, a labor activist.

A man of principles, Su-in is someone who cannot restrain outspoken criticism and is constantly at odds with the world. Though he has quit a career in the armed forces to live quietly and chosen an ordinary job, he once again clashes against the world because the company has ordered him to drive out employees by force.

Aiding Su-in is Go-sin, a cool-headed and deft labor activist who runs a labor counseling center near the Pureumi chain. Unlike Su-in, who has difficulty getting along with people and sternly sticks to rules, he approaches others without hesitation and even resorts to extreme measures at times to accomplish goals.

Together, Su-in and Go-sin will oppose the manipulation and moral harassment to which the employees are cynically subjected. The process through which these two figures remind ordinary, diligent workers of their rights and bring change together will fire up readers.

Remarkable in mastery and brilliance, author Choi Gyu-seok (The Hellbound) depicts with finesse all the adventures of this shock of two worlds, and at the same time offers an amazing portrait of a complex Korean society, crossed by multiple tensions.

Proof that popular works can also be created based on social topics, The Awl has left an indelible mark on South Korean comics. Entertaining and moving at the same time, The Awl remains a monumental work in the nation’s comics, consummate in its artistry, while conveying an important social message.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I'm the target audience for this story. I had a hard time following it because my sequential-art skills are pretty poor. I'm working to get myself past that barrier, but this story challenged my determination hard. I can't get to a full four stars because if I, fully on the side of these union guys, can't keep focused, what's the less-convinced reader going to do?

It seems odd to provide the US-market reviewers with Korean language artwork.

Nonetheless, I found the story of a man in corporate slavery, I mean work, with a functional conscience and a powerful moral compass, refreshing; I appreciated the PoV of the street-tough union organizer being humanized, as well.

It's not for everyone, but the ones it's for should know it exists.

DON'T CALL ME DIRTY, manga I didn't hate!

DON'T CALL ME DIRTY (Don't Call Me Dirty #1)
GOROU KANBE
Tokyopop (non-affiliate Bookshop.org link)
$12.99 paperback, available now

Rating: 4* of five

The Publisher Says: After some time in a long distance sort-of-relationship with his crush, Shouji is crestfallen when weeks of getting ghosted finally result in a confession: his boyfriend just isn't gay.

Having struggled with his sexuality for years, Shouji throws himself into his work to distract himself from the rejection—but when a young homeless man called Hama shows up at the shop, Shouji finds himself curious to learn more about him and, hopefully, befriend him. Attempting to make their way in a society that labels each of them as 'outcasts' and 'dirty,' the two men grow closer.

Together, they begin to find they have more in common than either of them could have anticipated.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: When you're Other in your very bones, you know it early. Othering either becomes your ugly secret, your curse to bear, or your identity. The way some people are Othered for external things over which they have no, or little, control might be crueler...hard to say. In this tale of Othered men coming together in large part because of their shared Otherness, they each learn a wonderful lesson about authenticity.

Becoming your real self is the project of post-adolescent adulthood. Many stay in the imposed selves, accept identities that aren't a great fit because they lack the resources of identity-example to alter what isn't working.

Stories like this one might hit hardest in Japan, although homelessness in the US is pretty marginalized. When Hama receives Shouji's overtures of friendly connection, he's stunned...he's homeless! He's like a stray pet, afraid every caress will turn into a kick. Shouji's need not to be rejected is pretty easy for Hama to meet, albeit with trepidation. Can this turn into more?

Not rushing into powerful emotions, not having sex right away, not following The Tropes℠ of romantic fiction, are all very appealing ways to build a story between Othered people who each crave similar connections. The artwork is standard manga:

...so you like it already, or you don't. Me, I'm lukewarm. I got past my impatience with sequential-rt storytelling because I very much like the story, and the narrative mode, used here. I know this begins a series. I hope you'll think about it for your young manga-reading queer kid. The message is genuinely positive, without the hypersexualization of many, if not most queer stories.

BIOS in Search of Zoe: Ecological Graphic Novel, a science graphic novel to fire curiosity

BIOS in Search of Zoe: Ecological Graphic Novel
ASSIA CRAWFORD
Actar Publishers (non-affiliate Bookshop.org link)
$37.95 paperback, available now

Rating: 5* of five

The Publisher Says: In her groundbreaking new publication, Dr. Assia Crawford takes readers on a captivating journey at the intersection of architecture, science, and critical theory.

A distinguished Assistant Professor in Technology with a Ph.D. in Architecture, Crawford pioneers a visionary exploration of bio-design practices, experimental bio-fabrication methods, and the ethical considerations surrounding the manipulation of living organisms. This unique work emerges from Crawford’s creative practice research, which is deeply rooted in the development of biological material alternatives and digital fabrication practices tailored for a post-Anthropocene era. The ecological graphic novel format serves as a dynamic medium for conveying complex ideas about the symbiotic relationship between human and non-human entities, pushing the boundaries of traditional academic discourse.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I am unendingly amazed at the deeply creative minds hiding behind the label "scientist." I shouldn't be; engineers and scientists are all kids who never got the memo that grown-ups don't ask "why" as often as kids do.

why?

The other bit of asking "why?" is not accepting the answer "because I said so." At least those who end up pushing the boundaries don't...and the institutionalization and specialization rampant in today's world militate against boundary-pushers. "What of you're wrong? look how much it cost! we can't reuse any of this!"

It's hogwash; sometimes wrong is only temporary. Look at the Miller-Urey experiment. A failure in 1952...reanalyzed in 2007, much more discovered than technology could record in 1952.

Author Crawford's speculations, or warnings, or predictions...really all three...are not dumbed down for a popular audience. The illustrations do the heavy lifting of explaining hard ideas. I don't think this is one for just everybody. I'm recommending it for your youthful, still flexible-of-mind bioscience nerd.

It's a pricey item so it's going to be for the very special recipient. I still feel it offers enough to think about, enough information and explanation to chew on, to be a really good gift for someone still learning about bioscience and the technology it's going to spawn, to make a clever high-schooler fire up with excited curiosity.

What better gift is there, for them as well as us?

THE NIXIE OF THE MILL-POND and Other European Stories, the Cautionary Fables & Fairytales middle-grade graphic novel

THE NIXIE OF THE MILL-POND and Other European Stories (Cautionary Fables & Fairytales #3)
KEL McDONALD, editor (art by Mary Cagle,K.C. Green,Kate Ashwin,Kate Shanahan,Shaggy Shanahan,Ovens,Carla Speed McNeil,Kory Bing,José Pimienta)
Iron Circus Comics (non-affiliate Bookshop.org link)
$15.00 paperback, available now

Rating: 4* of five

The Publisher Says: "Wait until the full moon rises, sit at the bank and play a beautiful tune. Then you will see what happens."

Giant beanstalks, trickster cats, magic pipers, royal werewolves, marauding trolls, and wooden battle spoons? You may think you know where these are going but take another look; your favorite European folktales are refreshed, rebooted, and totally reimagined in this high-spirited and hilarious comics collection!

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: A collection of folktales, some familiar and some not (I myownself had never heard of the title tale "Tatterhood and the Nixie of the Mill-Pond"), some on a more humorous retelling and others chilling, so there's truly something for every graphic novel palate in these nine tales.

I wasn't as drawn (!) to this iteration of "Rapunzel" or the editor's contribution, "Bisclavret" (an ancient French werewolf tale), so I shaved off a star. I think the intended ten and up audience will find the mix of familiar and unfamiliar, comedic and serious, retellings very much to their liking. The art is uniformly good to look at ("Pied Piper" provided):

"Jack and the Beanstalk" from the publisher's website:

All the stories offer something extra from their older modes of telling/retelling thanks to the artists' contibutions. A book that delights art-loving, story-loving, and folklore-fancying readers.

ROMEO vs. JULIET: A Kill Shakespeare Adventure, cool expansion of Shakespeare's story

ROMEO vs. JULIET: A Kill Shakespeare Adventure
ANTHONY DEL COL (art by Stefan Tosheff)
Gemstone Publishing (non-affiliate Bookshop.org link)
$17.99 paperback, available now

Rating: 4* of five

The Publisher Says: The world's most famous lovers are now sworn enemies dueling to the death!

In this Shakespearean Western, warrior-for-hire (and pregnant) Juliet Capulet is hired to protect a border town nunnery from the evil forces led by her ex Romeo. As they prepare, she reluctantly reunites with her old allies, including Hamlet, Othello, Puck (a “Magnificent Shakespeare Seven”) but they soon discover something rotten in the state of the nunnery and a magical force that dreams are made on… all while Juliet must determine if the father of her child is Hamlet… or the man she must kill, Romeo.

Pulitzer Prize-winner writer Anthony Del Col (Luke Cage: Everyman, I Escaped a Chinese Internment Camp) and artist Stefan Tosheff bring reboot Kill Shakespeare with this fantasy Western that's tailor-made for fans of Neil Gaiman, Fables and Lore Olympus.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Rebooting a comics series, that was itself a riff on the works of Shakespeare? These guys got big brass ones! I'm not the most dedicated fan of comic-book art (stop laughing) so I wasn't expecting much when, on a whim, I downloaded this murderous, vengeful Juliet out to kill Romeo (whose child she's bearing), in sequential art form.

That's some kinetic, powerful art. I will admit freely that I don't feel I *get* what y'all do when looking at this art, but it was clear enough for me to follow the storyline, and I really enjoyed the read.

Since Turkey Day requires us to really dig deep into our memories of Love and Kindness to survive the onslaught of togetherness, the narcissism of small differences in Freud's pithy formulation, do a bit of relief-valving by reading what could on this day of total excess feel like wish fulfillment.

I can't get past something to offer a perfect score: Juliet looks very blunt, very not-noble to my eyes. YMMV of course. I really enjoy retellings, more often than not, and Shakespeare's ripe for the retelling and reimagining. His plays were a chore to read for me...don't like plays as reading material too much...but what stories he told! Reusing the ideas of the greatest storytellers seems an excellent idea to me. Enjoy the ride!

HYBRED: A Graphic Novel, meditating on how bad the world will get set to *gorgeous* artwork

HYBRED: A Graphic Novel
JAMIE MUSTARD (illus. Francesca Filomena)
Street Noise Books (non-affiliate Bookshop.org link)
$20.99 paperback, available now

Rating: 5* of five

The Publisher Says: Set in a future-adjacent, alternative Los Angeles, this is a story of staggering poverty, drugs, and violence and of an artistic child who finds beauty in the ugly and sublime hope in our conflicts.

HYBRED shows us how in our most marginalized communities lies an astonishing amount of genius which goes unnoticed and is so often tragically wasted.

Nine-year-old Johnny James lives in The Casque, the poorest neighborhood in Greater Angeles, where he shares a one-room apartment with his mother, stepfather, two brothers, and an army of cockroaches. He spends his days in the sweltering heat of the neighborhood, at the movie theaters, playing tackleball, or drawing—but there’s no money for him to go to school.

As death, addiction, and violence swirl through the neighborhood, Johnny grows up with friends, adventures, and magic around him. And he discovers how to use art, beauty, and personal strength to transcend the forces destined to hold him back.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: This graphic story is a heightened, fictionalized alternate-history version of Author Mustard's real-life memoir Child X, recently published by BenBella Books. Added fantastical moments...levitating while in a flow state from making art, conjuring rain to ease "the Long Drought" afflicting his alternate LA...Author Mustard works within the world-view of a kid with no memories of brighter days, who can't conjure a brighter future.

we set our scene; Johnny exhibits powers

It comes to pass that, even in the direst, most terrible poverty, living with his four-person family in one room and unable (due to lack of money) to attend school, Johnny is capable of seeing true beauty, of creating from the drabness around him glimpses of a world imbued with the hope inherent in beauty.

Johnny's home is his world

I don't think you'll be surprised to learn that Johnny is magical, like so many trapped in his terrible circumstances...without hope, without prospects, paths to escape.

There is inside him the wellspring of beauty and art, and this story paired with the gorgeous artwork, does its best to show that anyone, no matter how deeply oppressed and neglected, can escape.

I don't know that Author Mustard really turned the trick of proving this point; in the end, I was more uplifted by the gestalt of the artwork and the story's points of view on the world Author Mustard created to hold his only mildly distorting mirror to our complacent, privileged faces.

Hold the image of the beautiful inside and out Johnny in your mind's eye; he will shine beauty back at you, nourish you with his goodness.

A treasure indeed.