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Showing posts with label the gig economy. Show all posts
Showing posts with label the gig economy. Show all posts
Thursday, July 3, 2025
FAKE WORK: How I Began to Suspect Capitalism is a Joke, memoir of life in capitalism's trenches and how they changed her
FAKE WORK: How I Began to Suspect Capitalism is a Joke
LEIGH CLAIRE LaBERGE
Haymarket Books (non-affiliate Bookshop.org link)
$9.99 ebook, available now
Rating: 3.5* of five
The Publisher Says: In this genre-bending memoir, Leigh Claire La Berge reflects on her stint at one of the most prestigious management consulting firms in the country and what it teaches us about the absurdity of work—for readers of Bullshit Jobs and fans of Office Space and Sorry to Bother You
The year is 1999, and the world is about to end. The only thing standing between corporate America and certain annihilation is a freshly employed twenty-two year old and her three-ring binders.
While headlines blazed with doomsaying prophecies about the looming Y2K apocalypse, our protagonist Leigh Claire was quickly introduced to the mysterious workings of The Process—a mythical and ever-changing corporate ethos The Anderson People (her fellow consultants) believe holds world saving powers. Her heroic printing physical copies of spreadsheets and sending them to a secure storage facility somewhere in the bowels of New Jersey. After a series of equally mundane tasks, and one well-timed deployment of an anecdote about a legendary quarterback, she soon found herself jet-setting on the firm's dime to thirty-minute lunch meetings in Johannesburg, giving impromptu lectures to Japanese executives about limiting liability at the end of the world, and leaping from burning vehicles on Mexico City's busiest highway.
As present-day Leigh Claire reflects on the inanity of her former employment, we're introduced to a carousel of characters plucked from a Mike Judge screenplay, and are treated to post-facto theoretical interjections about the nature of financialized capitalism that recall David Graeber at his best.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Best read by those already familiar with Marxism for Cats: A Radical Bestiary. A memoir of being a minor cog in a massive corporate machine, and working on what ended up being an unnecessary task since Y2K's predicted meltdown was averted by a lot of hard-working coders.
It's absolutely clear to me that this nightmarish experience would radicalize anyone with two functioning neurons and a conscience. The memoir aspect of the story is the more powerful to my mind because someone subjected to a vastly successful indoctrination process woke up and rejected it.
That's a take-away I can get behind.
Since leaving the corporate world, Author La Berge has made her career taking down this system's rottenness with academic books and articles all adding their mite to the reconceptualization of our present system. In her second book, Wages Against Artwork, she introduced me to the concept of "decommodified labor," or labor that is not recompensed. Labor being capitalism's lifeblood, this made a big shift in my worldview. Is art rightfully not a wage-earning pursuit? Discuss. I have. (My conclusion is redistribution via UBI is the fair solution.)
As someone who has never fitted into any large system I related to Author La Berge's increasing hostility to meaningless "productivity" goals, pointless groupthink reinforcement sessions (aka meetings), and supremely extravagant playthings, eg expensive, environmentally unjustifiable travel, absurdly an performatively wasteful meals, and the like.
In the face of post-pandemic disillusionment with The Bosses in general, it's time to reassess what The Bosses demand from us for the absolutely insecure, fire-at-will "jobs" that—by design—never quite pay enough. This is someone who can report from the inside and shed light on why The Bosses absolutely go all-in for AI as an alternative to the labor she performed that she's discussing. It's obvious these jobs are going away to anyone who even half-heartedly glances at unemployment statistics. Nothing being proposed to fill that gap in employment, it is clear the war on workers has ratcheted up.
This is a memoir; it's told more or less episodically; that means there's some irritating repetition of key points. I was familiar with the economic vocabulary but those who aren't might simply give up on the read. The insights Author La Berge delivers are important enough that I urge you to use a not-Google search engine to look up the concepts not familiar to you. The heart of this critique, while firmly personal, is...literally everywhere...being borne out as valid. You might or might not share he sense of humor, but Author La Berge is one helluva cicerone through the uselessness of capitalism as an organizing principle. It is not to be trusted, and here is an insider's experience of why.
Monday, July 6, 2020
THE FOUR, even though it's just three years old, is slightly outdated but still trenchant
THE FOUR: The Hidden DNA of Amazon, Apple, Facebook, and Google
SCOTT GALLOWAY
Portfolio
$17.00 trade paper, available now
Rating: 3.5* of five
The Publisher Says: The acclaimed NYU business professor's tour-de-force on the true nature of technology's titans, and what happens next in their struggle to dominate our lives.
Apple, Amazon, Google, and Facebook are in an unprecedented race towards a $1 trillion valuation—and whoever gets there first will exert untold influence over our economy, public policy, and consumer behavior. How did these four become so successful? How high can they continue to rise? Does any other company stand a chance of competing?
To these questions and more, acclaimed NYU / Stern professor Scott Galloway brings bracing answers. In his highly provocative first book, he pulls back the curtain on exactly how Amazon, Apple, Facebook, and Google built their massive empires. While the media spins tales about superior products and designs, and the power of technological innovation, Galloway exposes the truth about these "Four Horsemen":
- None of these four are first movers technologically; they've either copied, stolen, or acquired their ideas.
- Each company uses evolutionary psychology to appeal to our basest instincts: Amazon, our need to hunt and gather; Apple, our need to procreate; Facebook, our need for love; and Google, our need for a God.
- These companies are uniquely successful at leveraging competitive advantage built by digital and then protected by analog moats, from an empire of retail stores (Apple) to the world's most efficient physical distribution network (Amazon.)
Through analysis that's both rigorous and entertaining, Galloway outlines the path for the next trillion-dollar company (the Fifth Horseman) and points to which companies are in the running. (Uber, sure; less obvious, Microsoft and Starbucks.) As with Peter Thiel's Zero to One, readers will come away with fresh, game-changing insights about what it takes to win in today's economy.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: There is no spectacle more repugnant, even repulsive, than naked greed being slaked without shame or even modesty. That is where we are now, as a society, in large part because these four corporations have enabled this behavior in their minions as well as demonstrated it in themselves. A trillion-dollar valuation as a business? It's the avowed goal of all four of these metastatic money pits.
Go watch this explainer on the difference between a million somethings and a billion somethings. It's sobering. Even chilling. And a trillion is yet another order of magnitude greater!
Now think about what this represents...what staggering greed it represents to pursue this goal of creating that much excess at the expense of any and all other goals or principles. Author Galloway has done that thinking. He does not like the principles The Four have utterly abandoned, flouted, or subverted. It is incredible to me that this naked greed, this pathology of psychological orientation, is so celebrated. To the point that the business news cycles are dominated by the horse-race between these bloated-bank-account barons of bad business practice.
I confess that Author Galloway isn't a cicerone I enjoyed being led by. I suspect I'd deeply dislike him if we met in person because he is, while intelligent and savvy, nowhere near as witty or insightful as he seems to think he is. He's boastful and he's arrogant. What he isn't is wrong. He is quite clear that the way these corporate scum (my term, not his) are in fact harming the very economy that they rely on for their income. In the end, that will be their challenge and he (like me) is dubious about their ability to change their course: Change, or die in a welter of your own hemorrhaging money.
Schadenfreude leads me to laugh a hearty bray of triumph. Except I won't fail to suffer in their gargantuan collapse.
On Wednesday, 29 July 2020, and days forward, the four horse-manuremen of the datapocalypse testified before Congress about their insane, untrammeled greed and its deleterious effect on Society. I presupposed a more condign end result of the hearing here because I am under no obligation to hide my own opinion of these nauseating monopolists...but now, in May 2022, Congress is looking beadily at them again with an eye to figuring out how much their greed has fueled our present 8%-plus annual rate of inflation.
Tuesday, October 23, 2018
NOMADLAND: Don't sit down yet, old folks, the table's got no place for you
NOMADLAND: SURVIVING AMERICA IN THE 21ST CENTURY
JESSICA BRUDER
W.W. Norton
$16.95 trade paper, available now
Rating: 3.5* of five
WINNER, BEST PICTURE ACADEMY AWARD!
TORONTO INTERNATIONAL FILM FESTIVAL PEOPLE'S CHOICE AWARD WINNER! Is an Academy Award next?
SEPTEMBER 2020 UPDATE Read all about the Toronto International Film Festival premiere of the film based on this book! FRANCES MCDORMAND STARS!! There is a link in the CBC article on how to watch the Festival offerings via web from 10 to 20 September.
The Publisher Says: From the beet fields of North Dakota to the wilderness campgrounds of California to an Amazon warehouse in Texas, people who once might have kicked back to enjoy their sunset years are hard at work. Underwater on mortgages or finding that Social Security comes up short, they're hitting the road in astonishing numbers, forming a new community of nomads: RV and van-dwelling migrant laborers, or "workampers." Building on her groundbreaking Harper's cover story, "The End of Retirement," which brought attention to these formerly settled members of the middle class, Jessica Bruder follows one such RVer, Linda, between physically taxing seasonal jobs and reunions of her new van-dweller family, or "vanily." Bruder tells a compelling, eye-opening tale of both the economy's dark underbelly and the extraordinary resilience, creativity, and hope of these hardworking, quintessential Americans—many of them single women—who have traded rootedness for the dream of a better life.
My Review: I'm not sure how this happened: A talented writer with a well-regarded agent sells a book to an established and deeply experienced editor at a very good publishing house; the net result is a series of magazine articles, good ones mind you, strung into chapters with some basic tarting-up transitions stuffed in the cracks.
The subject is the source of my upthrusting the earned three-star rating. I'm amazed and appalled that "the world is such a cruel place for the US middle class" needs shouting about. Yet it does. I read Methland not so long ago; its tale of towns being eaten alive by the desperate need to Make It even if it means going against the law of the land like Lori Arnold (sister of Tom Arnold, ex-husband of loudmouth Roseanne the Racist) did seems almost quaint. Making It isn't a viable option for the unemployed older worker. Keeping up a house has been replaced in the older homeowner's worrywarting with plain old keeping the house they scrimped and saved to buy. Pensions are no more; 401(k) plans are flattened; Social Security is under attack from greedyass politicos and banksters. What in the hell does someone who can't make her (most likely medical) bills going to do?
That medical-bill thing is an underplayed thread constant throughout the narrative Author Bruder spins. Person after person, story after story, has its starting point with the medical issues that beset all of us and are particularly prevalent among us oldsters. Author Bruder never fails to elucidate the nature of the medical issues. She's letting you know without doing the teller and the told the insulting condescension of saying outright, "this is due to the insane US medical system, and yes these are people with genuine conditions and diseases who need treatment not shirkers." The mostly older workampers (a word coined by the owners of Workamper dot com in 1987 for the growing legions of mobile, seasonal workers) do jobs that stress their already taxed and aging bodies; then they go "home" to a space most of y'all would sneer at. But it's their own. And so they remain houseless but not homeless.
The people houseless after the 2008 implosion are, in significant numbers, taking to the road. They've traded real estate for wheel estate. They have no choice. It's a simple truth that women are the major sufferers, since they've historically earned less than men and now, in older years, are in line to receive lower Social Security payouts. And the hiring bias for permanent, professional jobs (that we're told doesn't exist) discriminates against women and then, insult to injury, against older workers. Takin' it to the streets has changed meaning in the forty-plus years since the Doobie Brothers sang it. (That was only partially ironic.)
The unbearable whiteness of the mobile homeless is another sad commentary on how the inequality of the US system plays out. People of Color don't follow the nomadic way. Why? When one is at risk of DEATH in a goddamned traffic stop why do you even ask the fucking question?! So the meager assistance and illusory control offered to whites as they take to the road is denied to darker-skinned citizens.
I'm seriously irked by the disjointed nature of the book. Many things are excellent. Author Bruder is a quality storyteller. I'm a smidge uncomfortable about the smacks-of-disaster-tourism nature of a three-year research project into a subject that has no real relevance to the life of a Boerum Hill-dwelling Columbia University professor. I'm willing to skip past that for the light her work shines on those of us thrown away by our sacred US system...absent timely and generous help from friends, this story could be my very own...but then I smack into the disorganization problem.
I don't doubt that there is an organizing principle at work here. The author's a journalist. The editor's an experienced pro. But I can't follow it in any kind of satisfying, narrative-building way. My failing? Permaybehaps...but from the first chapter I got the idea that a narrative would unfold that included two people as my focus. That didn't happen because one person, Linda, whose story really is the backbone of the tale, disappears and reappears at different times doing different things at various stages of her life, while Silvianne vanishes for the length of a Bible before sprouting back into view near the end, and what I assumed was a close friendship kinda wasn't but there's another closer friend who doesn't appear that much in Linda's narrative. I'm left wondering if the reason might not be that LaVonne (the aforementioned friend) called out Author Bruder's motives early on (which we're not told early on, another chronological lapse).
Whatever my quibbles about structure, the information in the piece is grounded in solid reporting. You'll have to look at the endnotes to know this. There are a few footnotes, but these are parenthetical asides. The absence of inline citations is, in my view, not a good decision. Howsomever I can at least see the point of it: Inline citations in a popular social history will scare off the punters, and the slenderness of the proffered analysis of a section of the homelessness epidemic will cause derisory snortings and contemptuous pooh-poohings from Academia.
I hope this book achieves a wide readership among those most in need of its blend of qualities: The comfortable and clueless six-figurers who infest our gentrifying coastal cities. It can happen to you, kids, and it becomes a very great deal more likely to the less likely you are to vote in November 2018.
SEPTEMBER 2020 UPDATE Read all about the Toronto International Film Festival premiere of the film based on this book! FRANCES MCDORMAND STARS!! There is a link in the CBC article on how to watch the Festival offerings via web from 10 to 20 September.
The Publisher Says: From the beet fields of North Dakota to the wilderness campgrounds of California to an Amazon warehouse in Texas, people who once might have kicked back to enjoy their sunset years are hard at work. Underwater on mortgages or finding that Social Security comes up short, they're hitting the road in astonishing numbers, forming a new community of nomads: RV and van-dwelling migrant laborers, or "workampers." Building on her groundbreaking Harper's cover story, "The End of Retirement," which brought attention to these formerly settled members of the middle class, Jessica Bruder follows one such RVer, Linda, between physically taxing seasonal jobs and reunions of her new van-dweller family, or "vanily." Bruder tells a compelling, eye-opening tale of both the economy's dark underbelly and the extraordinary resilience, creativity, and hope of these hardworking, quintessential Americans—many of them single women—who have traded rootedness for the dream of a better life.
My Review: I'm not sure how this happened: A talented writer with a well-regarded agent sells a book to an established and deeply experienced editor at a very good publishing house; the net result is a series of magazine articles, good ones mind you, strung into chapters with some basic tarting-up transitions stuffed in the cracks.
The subject is the source of my upthrusting the earned three-star rating. I'm amazed and appalled that "the world is such a cruel place for the US middle class" needs shouting about. Yet it does. I read Methland not so long ago; its tale of towns being eaten alive by the desperate need to Make It even if it means going against the law of the land like Lori Arnold (sister of Tom Arnold, ex-husband of loudmouth Roseanne the Racist) did seems almost quaint. Making It isn't a viable option for the unemployed older worker. Keeping up a house has been replaced in the older homeowner's worrywarting with plain old keeping the house they scrimped and saved to buy. Pensions are no more; 401(k) plans are flattened; Social Security is under attack from greedyass politicos and banksters. What in the hell does someone who can't make her (most likely medical) bills going to do?
That medical-bill thing is an underplayed thread constant throughout the narrative Author Bruder spins. Person after person, story after story, has its starting point with the medical issues that beset all of us and are particularly prevalent among us oldsters. Author Bruder never fails to elucidate the nature of the medical issues. She's letting you know without doing the teller and the told the insulting condescension of saying outright, "this is due to the insane US medical system, and yes these are people with genuine conditions and diseases who need treatment not shirkers." The mostly older workampers (a word coined by the owners of Workamper dot com in 1987 for the growing legions of mobile, seasonal workers) do jobs that stress their already taxed and aging bodies; then they go "home" to a space most of y'all would sneer at. But it's their own. And so they remain houseless but not homeless.
The people houseless after the 2008 implosion are, in significant numbers, taking to the road. They've traded real estate for wheel estate. They have no choice. It's a simple truth that women are the major sufferers, since they've historically earned less than men and now, in older years, are in line to receive lower Social Security payouts. And the hiring bias for permanent, professional jobs (that we're told doesn't exist) discriminates against women and then, insult to injury, against older workers. Takin' it to the streets has changed meaning in the forty-plus years since the Doobie Brothers sang it. (That was only partially ironic.)
The unbearable whiteness of the mobile homeless is another sad commentary on how the inequality of the US system plays out. People of Color don't follow the nomadic way. Why? When one is at risk of DEATH in a goddamned traffic stop why do you even ask the fucking question?! So the meager assistance and illusory control offered to whites as they take to the road is denied to darker-skinned citizens.
I'm seriously irked by the disjointed nature of the book. Many things are excellent. Author Bruder is a quality storyteller. I'm a smidge uncomfortable about the smacks-of-disaster-tourism nature of a three-year research project into a subject that has no real relevance to the life of a Boerum Hill-dwelling Columbia University professor. I'm willing to skip past that for the light her work shines on those of us thrown away by our sacred US system...absent timely and generous help from friends, this story could be my very own...but then I smack into the disorganization problem.
I don't doubt that there is an organizing principle at work here. The author's a journalist. The editor's an experienced pro. But I can't follow it in any kind of satisfying, narrative-building way. My failing? Permaybehaps...but from the first chapter I got the idea that a narrative would unfold that included two people as my focus. That didn't happen because one person, Linda, whose story really is the backbone of the tale, disappears and reappears at different times doing different things at various stages of her life, while Silvianne vanishes for the length of a Bible before sprouting back into view near the end, and what I assumed was a close friendship kinda wasn't but there's another closer friend who doesn't appear that much in Linda's narrative. I'm left wondering if the reason might not be that LaVonne (the aforementioned friend) called out Author Bruder's motives early on (which we're not told early on, another chronological lapse).
Whatever my quibbles about structure, the information in the piece is grounded in solid reporting. You'll have to look at the endnotes to know this. There are a few footnotes, but these are parenthetical asides. The absence of inline citations is, in my view, not a good decision. Howsomever I can at least see the point of it: Inline citations in a popular social history will scare off the punters, and the slenderness of the proffered analysis of a section of the homelessness epidemic will cause derisory snortings and contemptuous pooh-poohings from Academia.
I hope this book achieves a wide readership among those most in need of its blend of qualities: The comfortable and clueless six-figurers who infest our gentrifying coastal cities. It can happen to you, kids, and it becomes a very great deal more likely to the less likely you are to vote in November 2018.
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