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Thursday, September 5, 2024
HOLLYWOOD HUSTLE, entertaining debut novel/thriller from veteran Actor Jon Lindstrom
HOLLYWOOD HUSTLE
JON LINDSTROM
Crooked Lane Books (non-affiliate Amazon link)
$14.99 Kindle edition, available now
Rating: 4* of five
The Publisher Says: From 4-time Emmy-nominated actor Jon Lindstrom of General Hospital, Bosch, and True Detective fame, comes a gripping debut thriller.
Set in the dark underbelly of the LA film industry, Hollywood Hustle is the perfect read for fans of Alex Finlay and Jeffrey Deaver.
Winston Greene, a has-been film star, wakes one morning to find his six-year-old granddaughter at his bedside—traumatized, unattended, and gripping onto a thumb drive. She comes bearing video proof that her mother, Win’s troubled adult daughter, has been kidnapped by a murderous gang demanding all his “movie money” for her safe return. But what they don’t know is…his movie money is long gone.
Unable to go to the police for fear the kidnappers will make good on their promise to kill his daughter, Winston turns to two close friends—a legendary Hollywood stuntman and a disgraced former LAPD detective.
There’s no easy way out for Winston or his daughter—the gang is violent and willing to do anything to get the money they’re after, and Winston begins to realize that to get his daughter back, he’ll have to beat the kidnappers at their own game.
This propulsive and tense thriller will transport readers to the seedier side of LA, depicted in bold prose by a Hollywood insider.
I RECEIVED A DRC FROM THE LIBRARYTHING EARLY REVIEWERS PROGRAM. THANK YOU.
My Review: Thrillers starring grandfathers are uncommon. Grandfathers aren't. The fact we have a man who failed on multiple axes in his life rising to the challenge that, in part, stems from those failures feels to me both just and condign.
I do love a redemption arc. This one's a doozy.
The key to a solid, entertaining thriller, then, is turned: I'm invested in the set-up and the characters. I care about the stakes...a child's life is precious to a father, doubly so to a grandfather, and these are real relatable emotional states for Winston to occupy.
The next hurdle for a thriller to make a good impact, as opposed to a stinky splat, on me is the storytelling. The voice of the PoV character, or the use of an omniscient narrator; the pacing, the setting's depth, the blend of familiar and novel elements in this; and crucially the organization...how long are the paragraphs? the chapters?...all must reinforce each other for the trick of suspension of disbelief to work. Someone writing sentences as long as mine isn't writing a thriller, they're writing a mystery. Happily, Author Lindstrom is the veteran of many scripts read and enacted, so he grasps with a sureness born of experience the need for dialogue to serve a purpose or be left on the cutting-room floor.
I am unsurprised therefore to give him full marks on the craft of writing dialogue. I take away a star, paradoxically, for not listening to the effect of all the swearing. There are a few people reading this who are howling with laughter at my statement. I'm "foul-mouthed" as many a pursey-lipped prude has told me over the years.
Reinforcing the horror trope "the call is coming from inside the house."
If *I* noticed this facet of the dialogue, many others did too, and either checked out or gave up and Pearl-Ruled the book.
A thing I felt was...underdeveloped? glossed over? not explored to the extent needed to justify its centrality?...was the pervasive illicit-drug use. Winston passed the curse of addiction to his child. That is the igniting incident of the entire plot. I expect that to be more of a topic of either reflection or regret rather than a background taken for granted. If a character's failings are the reason they are in enough hot water to justify a thriller, it feels careless for the author not to offer more than passing acknowledgment of that reality.
While I know Author Lindsrom has portrayed a LOT of flawed characters in his acting career, that shows in this case. Scripts do not ever have room for exploration comparable to that in a novel, so I'm observing the need for a good storyteller to shift gears, not develop a missing skill.
I really hope this is not the last novel I'll read from Author Lindstrom. I liked Winston, and wouldn't pass up a second book featuring him. I think the thriller world can use some older men doing their best to offer amends for past wrongs, errors, and omissions.
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