JULIE JOHNSON'S PAGE: The Reign of Remnants romantasy series

THE SEA SPINNER (Reign of Remnants #2)
JULIE JOHNSON
Ace Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25*of five

The Publisher Says: Blazing with reawakened magic, a young woman challenges the tides of fate in this highly anticipated installment of Julie Johnson’s romantasy series.

Everything changed for Rhya Fleetwood in the battle of Fyremas. Her grief is heavy, her rage volatile. Caeldera lies in ruins. Her friends are dead or wounded. And Pendefyre, their newly crowned king, is shutting her out. The Remnant of Fire needs all his focus for his kingdom, his people, and—perhaps more than anything—his insatiable need for revenge.

When a twist of fate leads Rhya to the last place she expected—the Water Court—the novice wind weaver is forced to confront the limitations of her untrained power as well as her increasingly complicated relationships. For enigmatic King Soren of Llŷr is as different from Penn as sparks are from the sea. The more insight he offers into the maegic that binds them together, the more confused Rhya feels—about her future as a Remnant, about her deepest desires, and about her role in the coming war.

Enemies circle close, ready to strike. And if Rhya isn’t careful, she’ll lose more than just her heart.

She’ll lose her life.

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My Review: The geopolitical forces that clashed so inevitably and so violently in The Wind Weaver (review below) are recovering from the ugliness of battles fought but a war as yet unwon. Rhya's got more than just her powers to unleash, though, as she's got her love life to resolve as well as, oh y'know just the fate of the world, so no bigs and no pressure.

Penn continues to be bloody annoying, Soren continues to be my beau ideal of a boyfriend who could turn into a spouse of the most delectable rarity and scrummyness. Hey Rhya, if you want to continue to try that "but I can fix him" shtik with the yutz Penn, can I have Soren please and thank you?

Sadly for me, not only is Soren fictional but Rhya shows more than her usual (from last outing) romantic acuity while battening of Soren's Water Court vibe of collegiality, support, and genuine appreciation for her Wind magic. You go, girl! (Does he have a brother/uncle/cousin?)

The first third of the read was pretty pillar-to-post getting Rhya where she needed to be. I'm glad now that I have a sense that Author Julie Johnson is not going to give me anything all that fast-paced because it allows me to settle my expectations on the accepting it as it comes end of the spectrum.

I also understand now, having read these stories in close time-proximity that the ending of The Wind Weaver was very intentional. I'm ready to bump up my rating on this story despite its ending. That makes it sound like it's bad, but in point of fact it's merely evil-heated and cruel: It's a cliffhanger. Those really need to be outlawed. I should be able to start a class-action human-rights violation suit against Author Julie Johnson. I get it now...the endings are going to be like this in the whole series.

So where's book three, gorramit?! February 2027 is too long to wait!

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THE WIND WEAVER (Reign of Remnants #1)
JULIE JOHNSON
Ace Books (non-affiliate Bookshop.org link)
$12.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: Discover a world where magic isn’t learned. It’s survived. A gritty and intoxicating epic fantasy romance.

Rhya Fleetwood is a healer, an outcast, and like the realm itself—about to die. Or so she thought.

When the ruthless Commander Scythe plucks her from the vile clutches of her executioner there’s no time to feel relief. Her new captor wants Rhya for his own secret ends and they all lead back to the mysterious birthmark which brands her as a Remnant. One of four souls capable of calling forth inconceivable elemental power.

Rhya knows she must master the wind that whispers within her and make an escape. But as she is dragged across treacherous terrain with Scythe’s formidable band of soldiers, something keeps her at his side.

Inside her, a tempest roars—terror and desire. Soon, she knows she must choose.

Follow her magic, or her heart…

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Strap in. This is a very long ride/read. I'm really not much of a romantasy reader because I want my romance between men and my maegickq absent or limited in its narrative use. Neither of those desiderata are delivered (or indeed promised) in this narrative. Still, it's a debut novel and a Sunday Times (UK) bestseller, so my curiosity was definitely piqued. Saying yes to the DRC didn't seem urgent so I did.

It's been a year since then, a second book (review above) has come out, and I'm quite surprised to report that I thoroughly enjoyed this read. Author Julie Johnson is not pushing any envelopes, nor was she touted by her publisher as doing so. I entered the reading experience hoping for a diverting low-steam, finding love and purpose at the same time, story trope-fest. I was expecting to need to skim past sex scenes disagreeable to my preferences.

Well...yeah...about that. Rhya has two possible love-matches. Penn's the main one, and goddesses below us is he tedious to read about. He's curiously unimaginitive for someone of his elevated station. Soren's more interesting because he's irreverent and funny with it, lightens Rhya's apparent bipolar-disorder moods, and generally feels like he's got main-character energy. In its most nuanced meaning. I'm happy enough to report there was pretty minimal scene skimming until we get to the topic of violence.

This story is violent.

Intentionally, carefully so; it still has a LOT of violent scenes that were almost...very, very nearly...gratuitously and salaciously, visceral pornographic gore. In a story intended as, marketed to appeal to, romantasy reading folk. These folk lean towards female identity. The violence is preponderently involving females. That felt like an odd choice, but it was not the only odd choice (see my opinion of Rhya's romantic options above): the pacing, or "how slow can you go" too.

I'm really, really drawn to the idea of being a Chosen One whose status is an ambivalent-leaning-bad one. I'm used to the social/societal trials and tribulations part of the Chosen Ones narrative but this world offers a story of the powers themselves being kind of awful and using them being a chore. (I'm a fan of KJ Charles's Simon Feximal for this reason.) A great deal more could've been done to explore this as opposed to the two skabillion words wasted on Rhya's experiences once she gets to the royal court.

In case my opinion on this authorial choice is not clear: I am not a fan of Rhya's tremendously long non-magical maladjustment to the court.

I hope you now understand my star rating above. It assorts oddly with my surprised pleasure with this debut romantasy that had few of my desiderata in that genre, has a very, very promising world to build out, and unusually powerful good fortune to find a paying audience in sizable numbers.

On to book two I now go with hope in my heart, and a (slightly strained) smile on my face!

HOLLYWOOD HUSTLE, entertaining debut novel/thriller from veteran Actor Jon Lindstrom

HOLLYWOOD HUSTLE
JON LINDSTROM
Crooked Lane Books (non-affiliate Amazon link)
$14.99 Kindle edition, available now

Rating: 4* of five

The Publisher Says: From 4-time Emmy-nominated actor Jon Lindstrom of General Hospital, Bosch, and True Detective fame, comes a gripping debut thriller.

Set in the dark underbelly of the LA film industry, Hollywood Hustle is the perfect read for fans of Alex Finlay and Jeffrey Deaver.

Winston Greene, a has-been film star, wakes one morning to find his six-year-old granddaughter at his bedside—traumatized, unattended, and gripping onto a thumb drive. She comes bearing video proof that her mother, Win’s troubled adult daughter, has been kidnapped by a murderous gang demanding all his “movie money” for her safe return. But what they don’t know is…his movie money is long gone.

Unable to go to the police for fear the kidnappers will make good on their promise to kill his daughter, Winston turns to two close friends—a legendary Hollywood stuntman and a disgraced former LAPD detective.

There’s no easy way out for Winston or his daughter—the gang is violent and willing to do anything to get the money they’re after, and Winston begins to realize that to get his daughter back, he’ll have to beat the kidnappers at their own game.

This propulsive and tense thriller will transport readers to the seedier side of LA, depicted in bold prose by a Hollywood insider.

I RECEIVED A DRC FROM THE LIBRARYTHING EARLY REVIEWERS PROGRAM. THANK YOU.

My Review: Thrillers starring grandfathers are uncommon. Grandfathers aren't. The fact we have a man who failed on multiple axes in his life rising to the challenge that, in part, stems from those failures feels to me both just and condign.

I do love a redemption arc. This one's a doozy.

The key to a solid, entertaining thriller, then, is turned: I'm invested in the set-up and the characters. I care about the stakes...a child's life is precious to a father, doubly so to a grandfather, and these are real relatable emotional states for Winston to occupy.

The next hurdle for a thriller to make a good impact, as opposed to a stinky splat, on me is the storytelling. The voice of the PoV character, or the use of an omniscient narrator; the pacing, the setting's depth, the blend of familiar and novel elements in this; and crucially the organization...how long are the paragraphs? the chapters?...all must reinforce each other for the trick of suspension of disbelief to work. Someone writing sentences as long as mine isn't writing a thriller, they're writing a mystery. Happily, Author Lindstrom is the veteran of many scripts read and enacted, so he grasps with a sureness born of experience the need for dialogue to serve a purpose or be left on the cutting-room floor.

I am unsurprised therefore to give him full marks on the craft of writing dialogue. I take away a star, paradoxically, for not listening to the effect of all the swearing. There are a few people reading this who are howling with laughter at my statement. I'm "foul-mouthed" as many a pursey-lipped prude has told me over the years.

Reinforcing the horror trope "the call is coming from inside the house."

If *I* noticed this facet of the dialogue, many others did too, and either checked out or gave up and Pearl-Ruled the book.

A thing I felt was...underdeveloped? glossed over? not explored to the extent needed to justify its centrality?...was the pervasive illicit-drug use. Winston passed the curse of addiction to his child. That is the igniting incident of the entire plot. I expect that to be more of a topic of either reflection or regret rather than a background taken for granted. If a character's failings are the reason they are in enough hot water to justify a thriller, it feels careless for the author not to offer more than passing acknowledgment of that reality.

While I know Author Lindsrom has portrayed a LOT of flawed characters in his acting career, that shows in this case. Scripts do not ever have room for exploration comparable to that in a novel, so I'm observing the need for a good storyteller to shift gears, not develop a missing skill.

I really hope this is not the last novel I'll read from Author Lindstrom. I liked Winston, and wouldn't pass up a second book featuring him. I think the thriller world can use some older men doing their best to offer amends for past wrongs, errors, and omissions.

I MAKE ENVY ON YOUR DISCO, solid debut of a strong storytelling voice

I MAKE ENVY ON YOUR DISCO
ERIC SCHNALL
Zero Street Fiction/University of Nebraska Press
$21.95 trade paper, available now

Rating: 4* of five

The Publisher Says: It’s the new millennium and the anxiety of midlife is creeping up on Sam Singer, a thirty-seven-year-old art advisor. Fed up with his partner and his life in New York, Sam flies to Berlin to attend a gallery opening. There he finds a once-divided city facing an identity crisis of its own. In Berlin the past is everywhere: the graffiti-stained streets, the candlelit cafés and techno clubs, the astonishing mash-up of architecture, monuments, and memorials.

A trip that begins in isolation evolves into one of deep connection and possibility. In an intensely concentrated series of days, Sam finds himself awash in the city, stretched in limbo between his own past and future—in nightclubs with Jeremy, a lonely wannabe DJ; navigating a flirtation with Kaspar, an East Berlin artist he meets at a café; and engaged in a budding relationship with Magda, the enigmatic and icy manager of Sam’s hotel, whom Sam finds himself drawn to, and determined to thaw. I Make Envy on Your Disco is at once a tribute to Berlin, a novel of longing and connection, and a coming-of-middle-age story about confronting the person you were and becoming the person you want to be.

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My Review: Sam's got a problem. He doesn't like his life much, right now at least, in no small part because his husband's got an itchy zipper, his career's reached the same-ol' same-ol' stage, and he's nudging forty...gay man's death. What better idea could a man in these dire straits have than to run away from home?

"Home" in New York City; he runs to Berlin on the rather flimsy pretext of an art opening...has this yutz heard of climate change and carbon footprints?!...in search of a path to the future. This reminded me of a very common trope in fiction, middlescence I call it in tribute to my old friend Juanice. She took the old-fashioned view that her husband was going to stray because he was reliving his adolescent horniness stage one last time, this time knowing what he was doing. Sam's a classic example of that middlescent man.

So was Less in the eponymous novel. I really disliked that novel.

The idea that one should run away from problems that absolutely won't fix themselves is an evergreen for novelists because it makes the narrative structure obvious and the stakes unambiguous. Your fish is out of water, your side characters write themselves. And the metaphorical journey/quest will never run out of steam. Okay, then there's the debut novel bit: Wise novelists spring from the acorns of the successful tropes past topiaried to order for their garden of prose.

This iteration of all the above uses the material to do what we hope for when we buy a relationship novel. It convinces the reader to invest in the characters, it affords us room to look at the ways and means Sam uses to escape as markers of solution, resolution, completion. Interestingly to me, this novel eschews the easy answers and instead makes us live in a real-life space of ambiguity.

Things end. Sometimes cleanly, without edges that could be kintsugi'd together. Mostly not, though. Mostly the Sam Singers and Lesses of the world do not get clean, fresh starts because that is exceedingly rare in life. There's a lot of charm in the kind of ending that spawns new beginnings. This book's stuffed full of those...though in my experience the new beginnings learned from travel are, of themselves, ephemeral. Their main value in my life has been to prove to me that new beginnings are possible. The intensity of Sam's connections to Jeremy the straight poet and Magda the stuck concierge bid fair to be short-lived; Kaspar the love interest, though, might be different. Might be.

The irony of seeking one's way forward in Berlin, that city resolutely planted in its pasts, isn't commented on in some arch or knowing way. That facet of the story's quietly acknowledged by Sam's attendance at the art opening that has as its topic what Germans now call "Östalgie", or nostalgia for the dear, dead days of two Berlins, two Germanys. The switch to capitalism was not smooth, and is not smoother now it seems. Culturally anyway that all collides hardest in the place that was defined by The Wall. My one and only trip to Berlin was pre-Wall fall, so I actually kind of get it. Nostalgia for how things were definitely communicates itself to those who were NOT there. Humans are weird and define "coolness" in very exlusionary ways. Sam, whose career is in the arts, gets this in his bones, since it's part and parcel of that world to exclude all but the wealthiest and most sophisticated. Those are overlapping but not identical groups; they are each quite exclusive, in every sense of the word, though not of each other.

So that's why I don't give the book five stars. I enjoyed the read. I like the characters. I really like the ambiguous ending. I don't care for the run-away-from-home trope. I ended up, mostly, not resonating with the way Sam drifted through Berlin "Östalgie" with what felt to me like very little curiosity. When an adult travels, but doesn't question the place and its history, I don't see why the author set the travel destination where they did. Author Schnall gave me a decent day's reading. That's great.

I would've liked to have been given an awakening of curiosity about Berlin, akin to the effect of The Sheltering Sky or even Death in Venice. Not, I hasten to assure you, a fault of craft on Schnall's part. More a lacuna between my expectation of a novel about a traveler to a place and what I got about the place.

I hope you'll try this debut novel out.

THE STORMLESS SERIES: Stormless #1 & The Fire King #2

STORMLESS (Stormless #1)
NICK STITLE
Blazecrest Publishing (non-affiliate Amazon link)
$6.99 Kindle edition,available now

Rating: 3.5* of five

The Publisher Says: The world you are about to enter is very different from the one you know.

Auris is a place of storms and chaos where seven violent Tempests rule the land, wreaking havoc across the continent. Only the Summoners, bearers of powers not unlike those of the divine Tempests themselves, have the strength to stand against the tyranny of the storms. Society depends upon the enigmatic Summoner-empowering Crystals for survival... Yet when a Summoner bearing powers that should not exist appears on Arvendon’s doorstep, the world begins spiraling into chaos.

Castien Varic, a common soldier, finds himself in the throes of a coming war. He embarks on a mission with the most legendary of Auris’s Summoners, hoping to discover the truth behind the resurfacing of the Ancient Summoner.

Faelyn Titansworn, heir to the largest of Auris’s empires and one of the most powerful Summoners in the world, finds himself lost in his father’s shadow. When a conspiracy threatens to destroy all that he knows and loves, Faelyn takes it upon himself to save not just his kingdom, but all of Auris.

Asteros Silverglade bears the powers of a god. Two years in the past, he, along with five others of his Sect, uncover the hidden secrets that the world has tried to erase. Yet they soon learn that the mysteries of the baffling event known as the Vanishing—the war that somehow caused over half of Auris’s Summoners to disappear without a trace—run far deeper than they could’ve ever imagined.

These three heroes walk the threads of fate, together weaving an epic tale of magic, war, love, and loss. Together these individuals will forever change Auris’s future. Empires will shatter, Tempests will be Unbound, but destiny will prevail as these heroes face their fated ends.

This is Stormless.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: First novels usually have issues...this one has mostly fantasy-novel ones. Male characters predominate, and they are the ones we get to know. The female characters, therefore, are there to dress the stage up for the males...sadly all too typical in most genres, especially Chosen One fantasy narratives like this. The author, as a counterweight to this, understands pacing quite well. He uses the templates of fantasy that are well known and well developed. This is not a knock, since there really is little reason to mess with a generations-old template unless you have to. Many others do not bother to do so, and they have far less command of their material than Author Stitle does.

And now a word about our author: He is all of seventeen. For someone that age to have the fluency and the grasp of the mechanics of storytelling that he does is *remarkable*. If you need a good reason to read this particular fantasy novel, there it is. Will you come away from the read enlightened and changed by the power of the storytelling? No. Will you be entertained for the trip you take with these dudebros through Auris?

Fantasy fans surely will. I came to this read expecting to be annoyed and frustrated, but willing to try because someone seventeen does not lightly just write a novel. I was ready to applaud him for doing this difficult task, but criticize his output. Here I am, not his natural reader, saying you should give this book your time.

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THE FIRE KING (Stormless #2)
NICK STITLE
Blazecrest Publishing (non-affiliate Amazon link)
$6.99 Kindle edition, available now

Rating: 3.5* of five

The Publisher Says: Immediately following the shocking events of the Solstice, Castien Varic finds himself forced to leave his home city for good. With an unlikely team, Castien sets off for the city of Celes, hoping to find an explanation for Ilyana’s betrayal.

Arvendon’s crown falls to a grieving Faelyn Titansworn as the young king grapples with his father’s death. At the guidance of the treacherous Illusomancer Eithor, Faelyn travels to Cyfalion in a misguided attempt at revenge.

Finally, the Emissary shows Asteros Silverglade the secret histories of Auris, revealing that there is far more to the continent’s past than Asteros had believed.

The Fire King brings the Stormless Series to new heights, elevating the stakes and bringing Auris to life like never before. Surprising twists and riveting action sequences build toward two spectacular battles involving all of Auris’s greatest forces. The world of Stormless will evolve in unimaginable ways, forever changing the rest of the series.

This is The Fire King

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Literally picks up where the previous book leaves off. Feels more like one long book simply cut in half, in which case I say good decision! This afforded me the chance to rest between battles. This is a thing that the characters get little chance to do.

We are still within the male-dominated narrative of Western European high fantasys Chosen One plot. Betrayal, sadness, and loss are the dominant modes for most of the book. I think it bears repeating that Author Stitle is a seventeen-year-old writing sensitively and well about heavy, hard topics that many much older can do less with than he does. This is very impressive inner-directed writing, given the general trope of fantasy for tormented heroes. These men grieve realistically.

Still fully within genre conventions, though. Nothing breaks the mold...but it does not need to when it is molded so well.

A new fantasy author is born. Try him out.