SEVEN DAYS IN TOKYO, emotionally intense yet affectively distanced

SEVEN DAYS IN TOKYO
JOSÉ DANIEL ALVIOR
Unbound Firsts (non-affiliate Bookshop.org link)
$13.90 trade paper, pre-order for 1 July 2025 shipping

Rating: 4.25* of five

The Publisher Says: Two strangers meet in Manhattan and spend a perfect night together. In Tokyo, they have seven days to see if that one night might mean something more.

Landon’s living alone in Tokyo as a British ‘expat’, Louie’s visiting while he anxiously waits for approval on his US visa. Against the backdrop of a misty Tokyo Spring, their precious time together is spent wandering into side streets and coffee shops, sharing unmade beds and plates of food. But as the days tick by, Louie’s expectations start to overtake reality and he falls too deeply for a life that’s not yet his.

Breathtakingly tender, Seven Days in Tokyo is an astonishing debut about the intricacies of desire and a search for belonging. It is a lyrical, immersive portrait of how some things, however beautiful and profound, are destined to be as short-lived as the cherry blossoms.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: There are some moments in life that are perfect: sounds, colors, smells, companions...everything is perfect. They live forever in one's mind. They have in mine anyway, and I hope they do in yours as well.

Problems are created, then multiplied, when one or more of those involved stay in that moment long past the time it has ceased to exist. Clinging to a beautiful bygone image of something that, for whatever concatenation of causes, could not be. I've done that; it's a greedy response to a cosmic gift, but I'm pretty sure if one's never tried it the futility and the stunning destructive energy of it simply don't become part of one's usable experience.

This is the story of that one Perfect Moment℠ and of how horribly the effort to cling to it, to summon it back, hurts all involved and all who are around those involved.

The story is indeed tender, and it (at times) took my breath away with the mannered, distanced-from-disaster way it told the hard parts. I can only say that every story beat, every emotional trigger, every exhausted introspection, matched exactly what I'm familiar with. “How many lives are we allowed in a lifetime? I’m given a peek of this other world and feel a great sense of gratitude.” Gratitude without common sense, I fear, is what sets the painful reckoning with the incalculably precious gift of A Perfect Moment℠. Falling in love with a one-night stand? A bad misuse of the enormous gift of perspective the event gave you.

Details aren't mine to reveal, the Spoiler Stasi has agents in each and every nook of the bookish world. I'll say that Louie is more than a little spoiled as the (stochastic) trip through his past shows. I might've preferred a very slightly more linear look into his past, but that would be a different book, one less immersive in its ease of scansion, used in its archaic climbing sense. There is effort required to get this story into your head. It's rich and evocative, but not the way ice cream is rich and cloying; more like the way lobster is rich and evokes its home the sea.

I suspect many hoping for salaciousness will leave the read not fully satisfied. Intimacy is the focus here: accidental; granted; withheld; refused. One important note is the Japanese trait of wearing masks in public strikes Louie pretty forcefully, as he mentions it though without ever bringing up COVID. I think, in the absence of explicit dating, that places the action in 2019 or before, or else the editor was uncharacteristically sloppy with that detail. I doubt this because the masks were so perfectly symbolic.

You'll see. Or I hope you will. I can't offer all five stars but that's because I wanted more Landon in Louie's book. It's not instantly obvious to me that Landon remaining more or less a screen to project onto was an enriching authorial choice. I was aware that I knew little enough about Landon as a man to get where Louie's fantasies mapped onto the real man.

They're not fatal flaws to me, just points where I expected a more polished performance from a writer with these chops. And what chops! I was transported to Tokyo. I don't mean a native's Tokyo. I mean the one a man truly and deeply in love would notice from the ten million things bombarding his senses. Louie is Christopher Isherwood's camera: "I am a camera with its shutter open, quite passive, recording, not thinking."

Evoking that state of utterly aware passivity is a huge feat. It's a deeply moving story told well...but perfection is wihin Author Alvior's grasp. I want him to reach it.

#PrideMonth 2025 wrap-up; second-half plans; celebrating milestones

The first five months of the year saw 139,334 blog views; this month, not over yet, almost matches that total! I was fully satisfied, pleased even, with those first-half totals so this month is mind-blowing to me. For the first half of 2025, my thirteen-year odyssey writing over 3700 reviews and achieving over 1,000,000 blog-views has been satisfying, exciting, and deeply enriching.

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I'm amazed...June's blog-views were excellent, today they stopped 100,000 (101,165 as of now) for the 29 days of the month so far. That's five times my usual 20,000—30,000 total! Much to my surprise Bluesky and Tumblr more than replace Twitter as drivers of eyeballs, and that's from back before Edolph Twitler had enshittified the place. I still refuse to engage with that traitorous fuck Zuck's properties, so Threadbookgram is not in my social mix.

I wrote forty-eight reviews in total this month. I'm using the remaining two days of the month to get some ideas for what to do with July. The realization has been reinforced that I'm tired of thrillers for now, mysteries need to be queer to break through my genre fatigue, and honestly I just do not know how much more enshittification of Life I can endure without going nuts. Reading is my best escape, writing helps me think through the way the reading hits me and why, but it's asking a lot to watch my country turn into dystopia in front of my eyes.

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About my #PrideMonth (link is to all hashtagged #PrideMonth on the blog) reviews: I'm satisfied with my thirty-six reviews written for 2025. I had one more I wanted to finish, a short-story collection called Amplitudes, but there are twenty-two stories; eight I haven't read. I just can't. So this is it on 2025's Pride Month review-fest.

My internal stretch goal was to get forty-eight reviews written but that was simply too much of one subject matter to get done in thirty days. I think I can get there with a bit better planning in 2026. I need to remember that there must be room for off-hashtag reviews in the schedule too. We shall see how much I can improve on 2025's success.

I read several excellent books. I fell in love with one. Stories from the Edge of the Sea had two perfect moments in its fourteen good-to-fine stories. "October Lament" will break the isolation of those for whom Grief is a guest who won't go home. "A Good Broth Takes Its Time" has more packed into its pho bowl than you expected; it is the apotheosis of immigrant stories I'm growing to understand in a new way as I adjust to having immigrated against my will into a different and worse country.

I've recommended books for a long time now. I hope some of y'all will stay on the trek behind me; if the views you've seen have pleased once in a while, please trust me one more time and try Andrew Lam's collection of meditations on grief and grieving as constants.

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The third quarter of 2025 has several fun hashtaggie projects to direct my readerly attention. August is the next big one, as it is every year, Women In Translation (#WITMonth, link to the blog's full list) so much of my July reading is settled. (I don't read one book at a time, beginning to end, because I bore too easily; my way lets me mood-read, and still finish more books of focused reading than the one-at-a-time way does.) I'll review for July posting an eclectic mix of stuff I completed in the first half of the year, and some I finished years ago but never wrote up (sinful wicked shame on me!). I'll try my best to get most of the July publishing date books I received from the DRC aggregators I frequent posted. I don't have any plans to change the way I post, or to alter the frequency or content of posts on my socials. We'll see if June 2025 was an outlier or a harbinger.

June 2025's Burgoine and Pearl-Rule reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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Knife Skills (Shadows of Chicago mysteries #1) by Wendy Church

Rating: 3.5* of five

The Publisher Says: "Dizzying . . . Audiences who wished the TV series The Bear had made room for Russian mobsters are in for a treat" Kirkus Reviews Starred Review

Sagarine Pfister is a great cook but has been blacklisted by almost every restaurant in Chicago. She gets her chance at Louie's, a below-average restaurant, the only place that will give her a job.

Things change when she finds head chef Louie Ferrar dead in the walk-in freezer of his restaurant. But instead of closing the place down, the owner, Russian gang boss Anatoly Morzov, not only offers her Louie's job, but also the position as his personal chef. Sagarine agrees, and while she knows she's playing with fire, the chance to turn out extraordinary food at both the restaurant and for Morzov's extravagant private parties is just too tempting.

While the Chicago P.D. searches for Louie's killer, the FBI pressures Sagarine to inform on the gang. She has no choice, but things take another dangerous turn when she falls for one of Morzov's lieutenants. As Sagarine becomes more deeply involved with the gang and with her lover, the FBI's demands put her at increased risk of discovery. She has to make a decision about where her loyalties lie as she finds herself running for her life.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Don't read it hungry! The beautiful food descriptions will send you to the fridge, the store, or the computer, there to drop a lot of money. The plot's familiar, the mob boss is a foodie so obviously Sagarine and I are infatuated with him...she picks Ekaterina (the only woman on his team...why? the mystery tempts Sagarine), though, where I'd be all over Anatoly. The murder victim comes under my heading of "some folk just need killin'" so the police solving the crime wasn't interesting to me.

Time with the FBI, exerting pressure on Sagarine to betray Anatoly (and Ekaterina) has her in a swivet. Maude, her sassy BFF/roommate, listens like we do...and there's a resolution, but I'm not tellin'.

Severn House (non-affiliate Bookshop.org link) wants $14.99 for an ebook. That's steep to me, but the story is tempting...maybe the library....

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Next to Heaven by James Frey

Rating: 2.5* of five

The Publisher Says: New Bethlehem, Connecticut is a town of picture-perfect lawns, manicured hedges, and multi-million-dollar homes, but beneath the designer yoga gear and country club memberships lies a darker reality.

In this world of excess Devon and Belle have it all—beauty, money, status—but they want something more. Something dangerous. Something that makes them feel alive. Their solution? A party—a meticulously curated gathering of New Bethlehem’s elite, from a desperate ex-NFL quarterback to a hockey coach with a penchant for married women to a ruthless Wall Street “closer” who wields his wealth like a weapon. One night. Multiple betrayals. And a murder that will shatter New Bethlehem’s carefully constructed facade.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: "New Bethlehem"'s bible-coded name explains the heteronormativity. The sulphrous waftings of Sodom are replaced by the brimstone bouquet of Gomorrah as straight people lie like rugs, cheat on their spouses, and steal in white-collar ways. Updike would be proud. No tinge of Cheever's erotic questioning, nor any humor like Peter deVries.

Comparisons to Fitzgerald are lèse-majesté. While sharp enough, Frey lacks pole position over the century-old tale of Gatsby. Tale as old as time, lacking beauty while having too many beasts.

Authors Equity (non-affiliate Bookshop.org link) requests a $29 donation to receive a hardcover.

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The Reflecting Pool (Marko Zorn #1) by Otho Eskin

Rating: 3.25* of five

The Publisher Says: Murder leads to the White House

Marko Zorn, a Washington, D.C. homicide detective with expensive tastes in art, classic cars, and women, must take on extra work—not always strictly legal, often unorthodox and usually dangerous—to supplement his income—work which requires his special combination of skill and steel nerves. Although he’s adept at navigating the corridors of law enforcement and the world of criminal gangs, he’d prefer to stay home and watch old movies, enjoy his art collection, and listen to cool jazz.

When Zorn discovers the body of a Secret Service agent—a supposed drowning victim—it leads him to a domestic terrorist group with tentacles in the White House—a White House that does not want this death investigated. As the demands of his professional life escalate, Zorn’s alternate career heats up, placing him in the middle of competing D.C. crime bosses feuding over a shipment of illegal arms—making Zorn the hunted and the hunter. He needs to avoid becoming the victim as he navigates the twin forces of evil closing in on him from his legitimate job—facing down political power—and his secret side job.

Perfect for Grisham and Patterson fans.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: The publisher's comps are precisely correct: You like the thrillers that pit one man against a corrupt system? You'll like this iteration of it. I did. Marko Zorn is a character blessed with the familiarity of long establishment, while offering the solid pleasures of the genre he inhabits.

I'm wearing thin on political thrillers. They don't appall me, but I don't necessarily want to read about the world I feel I'm living in quite this on-the-nose much.

Oceanview Publishing offers a trade paper edition but it's on backorder; there are used copies available from Bookshop.org (non-affiliate link above).

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Head Shot (Marko Zorn #2) by Otho Eskin

Rating: 3.25* of five

The Publisher Says: The Most Elusive Assassin in the World Versus D.C. Homicide Detective Marko Zorn

Washington, D.C. homicide detective Marko Zorn is investigating the murder of an actress—an old love—when he is assigned to protect the visiting prime minister of Montenegro, the beautiful Nina Voychek.

Political enemies are planning her assassination—this, he knows—but now it’s apparent that he, too, is a target. As he foils the initial attempts on his life, he pulls out all stops—deploying his sometimes nefarious resources—to hunt whoever is targeting him and prevent an international tragedy on American soil.

Decoded messages, Supermax prisoner interviews, mafia lawyers, and an ancient Black Mountain curse swirl among the icons of D.C. Marko and his young partner, Lucy, face down what may be multiple assassins with diverging agendas. Or are they facing one assassin—the deadliest and most elusive on the international stage?

Perfect for fans of David Baldacci and Daniel Silva.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: It tells you a lot that I read these back-to-back. I enjoyed more time with Marko Zorn that much; but as noted elsewhere, my thriller-reading time is steadily decreasing as my stress levels rise.

I quibble slightly with the comp to Daniel Silva's thrillers, as in my memory, those reads are closer to James Rollins technothrillers, and this story is light-years away from that.

Oceanview Publishing offers a trade paper edition but it's on backorder; there are used copies available from Bookshop.org (non-affiliate link above).

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Black Sun Rising (Marko Zorn #4) by Otho Eskin

Rating: 3.5* of five

The Publisher Says: A long-buried Nazi weapon resurfaces. America stands on the brink of destruction. One man must stop history's darkest nightmare from happening again.

When Washington, DC, homicide detective Marko Zorn's partner is murdered, his search for justice leads him deep into Black Sun, a violent neo-Nazi movement built from the ruins of WWII's most sinister forces. Their goal: unleash a catastrophic attack that will plunge the nation into chaos.

To stop them, Marko must outwit a woman known as the Bride of the Apocalypse, navigate the treacherous ambitions of two of the world's richest-and most ruthless-men, and confront a conspiracy stretching from Washington's corridors of power to the shadows of the city's underworld.

Can Marko save the country from annihilation?

A pulse-pounding thriller in the tradition of Baldacci, Clancy, and Patterson, Black Sun Rising delivers relentless suspense, razor-sharp political intrigue, and a chillingly timely story of unchecked hatred—and the one man willing to risk everything to stop it.

Black Sun Rising is the fourth Marko Zorn novel.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Somehow, in the shift between publishers, I missed book three in the series. The publisher assures you this is fine, that all the books can stand alone; inadvertently testing the hypothesis, I report success.

I'm already on record about thrillers and me needing some time apart. Nothing in this decently-executed example of the genre convinced me otherwise. Topical to a fault, I was unable to dismiss the feeling that Author Eskin has actually predicted the future. This story *will* unfold, and this way. That should disgust you.

Meridian Editions (non-affiliate Bookshop.org link) offers a trade paper edition for $19.95.

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A Novel Murder: A Mystery by E.C. Nevin

Rating: 3.3* of five

The Publisher Says: Welcome to the Killer Lines Crime Fiction Festival, the place for stars of the genre to meet their adoring fans . . . but be careful, this year the murders aren't just on the page.

Author Jane Hepburn is determined to make her time at the Killer Lines festival worthwhile. This is her chance to change her fortunes and make her fictional Detective Baker a household name. And if she has to resort to sneaking into the book tent after hours to rearrange some books so hers are front and center, so be it.

But when Jane encounters the dead body of renowned (and reviled) literary agent Carrie Marks, the festival takes on a decidedly different tone. Joined by Carrie's newest client, debut novelist Natasha Martez, and the agency's hapless intern, Daniel Thurston, Jane decides to put her fictional sleuthing skills to use in the real world—she's going to solve the murder. But the list of suspects is seemingly everyone at the festival has a motive to kill Carrie, and the more Jane and her new friends investigate, the closer they come to a dangerous truth—one that’s stranger than fiction.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Nice writing with a good balance of description and action. Fun, silly, cozy plot. Enough touches from the publishing world to make me feel a tiny wisp of nostalgic longing.

Slower pace than I prefer. Not really invested in the sleuth...she doesn't have "It" for me, whatever that "It" might be. Side characters just fine but pretty predictable.

Knopf (non-affiliate Bookshop.org link) asks you to spend $14.99 for an ebook. Might be worth it if you really enjoy books about books and publishing.

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The Bachelorette Party by Camilla Sten

Rating: 3* of five

The Publisher Says: Scream meets The Guest List in this wickedly compelling and compulsively page-turning thriller of friendship and murder from the author of The Lost Village, Camilla Sten.

On a remote island nestled off the coast of Sweden, four friends—Tilly, Anna, Linnea and Evelina—meet every year. Best friends since childhood, the idea is to drink beer, dance by the water, and shake off the weight of life's expectations. The location of the island is a secret to everyone but them. One night of reckless fun and secret-sharing, and then they return to their normal lives.

Ten Years Later. Ever since she was a teenager, Tessa Nilsson has been consumed by the story of four friends who disappeared. As her true crime fervor turned into a wildly popular podcast, Tessa covered Sweden’s most gruesome cases, but could never find the answers behind what happened to these women who disappeared. Now Tessa’s podcast has crashed and burned, any chance she had at uncovering the truth vanishing with it.

Anneliese is Tessa’s best friend, and before she walks down the aisle, she wants to have a bachelorette party. The destination: Baltic Vinyasa, a sleek, sophisticated yoga retreat on a small island off the coast—one with such similar characteristics to the tragedy years ago that it raises the hair on Tessa’s neck. The idea is to drink gallons of cava, do sunrise yoga, and get in their last chance to bond with the bride. Tessa will not pass this up. It’s her last chance to find out what happened to the four women, once and for all.

And it’s someone else’s last chance to get revenge.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I really liked the first two books I read by this Swedish phenom, most especially the sense of place they so fully evoked for me. Still true...just no longer novel; talk about a victim of her own success...! It's also the case that this plot, girl-group grows up hiding secrets worth killing for, does not compel me as much as it once did.

“Sometimes there’s no such thing as okay. Sometimes all there is, is good enough.” It's prophetic that this line is in this book.

Minotaur Books (non-affiliate Bookshop.org link) wants $28.00 for a hardcover.

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Smile for the Cameras by Miranda Smith

Rating: 3.5* of five

The Publisher Says: An actress desperate to reclaim her fame must survive the real-life plot of the horror movie that made her famous in this psychologically twisted locked-room thriller influenced by '90s slasher films.

Twenty years ago, Ella Winters was the it girl. She made a name for herself in Hollywood and throughout America as the final survivor in the cult-classic slasher Grad Night. But the real horror is what happened when the cameras weren’t rolling—something terrible that Ella and her co-stars agreed never to speak of again. Shortly after the movie's premiere, Ella disappeared from the acting scene under the pretense of caring for her ailing mother, hoping for a quiet life out of the spotlight to ease her guilty mind.

Now, after her mother’s passing, Ella has decided to return to the silver screen. And with the cast and crew of Grad Night in the process of filming a reunion documentary, Ella has the perfect ticket back into Hollywood's good graces. Weighed down by the secret she’s been keeping all these years, Ella apprehensively makes the trip to the original set—a cabin in rural Tennessee—to reunite with her castmates for the first time in over a decade. But when the actors begin to meet the exact gruesome fates of the characters they originally played, falling victim to someone dressed as the Grad Night villain, it's clear their secret is out.

Now, the question is: Can the final girl survive one last nightmare?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Really fun! In the Stephen Graham Jones territory of making slasher schlock interesting and enjoyable to those who didn't much like it back in the day, though this book is without the same panache. In fact, had I not read Author Stephen's work I would've passed this book by entirely.

The big downside for me was the unanswerable question, "what took you so long?" It dragged a four-star funfest down to a decent three-and-a-half I'm not sorry I read.

Bantam Books says "$13,99 please" for the ebook. I'd go to the library myownself.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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The German Girl: A Novel by Armando Lucas Correa (33%)

Rating: 2.5* of five

The Publisher Says: A young girl flees Nazi-occupied Germany with her family and best friend, only to discover that the overseas refuge they had been promised is an illusion in this “engrossing and heartbreaking” (Library Journal, starred review) debut novel, perfect for fans of The Nightingale, Lilac Girls, and The Tattooist of Auschwitz.

Berlin, 1939. Before everything changed, Hannah Rosenthal lived a charmed life. But now the streets of Berlin are draped in ominous flags; her family’s fine possessions are hauled away; and they are no longer welcome in the places they once considered home. A glimmer of hope appears in the shape of the St. Louis, a transatlantic ocean liner promising Jews safe passage to Cuba. At first, the liner feels like a luxury, but as they travel, the circumstances of war change, and the ship that was to be their salvation seems likely to become their doom.

New York, 2014. On her twelfth birthday, Anna Rosen receives a mysterious package from an unknown relative in Cuba, her great-aunt Hannah. Its contents inspire Anna and her mother to travel to Havana to learn the truth about their family’s mysterious and tragic past.

Weaving dual time frames, and based on a true story, The German Girl is a beautifully written and deeply poignant story about generations of exiles seeking a place to call home.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Between Grandma's Sèvres, Mama's perfume, and meditating on whether or not tulips grow in Cuba, I realized I am not the right reader for this book. I know it's a powerful story to some, a hymn to survival, a way of assuring themselves their identity politics are Right, but I'm really over...as in Over and Out, redundantly repeating myself for emphasis...with plucky Jewish girls escaping/surviving the the Holocaust. Most did not. Find something new to say about it or I'll ignore you henceforth.

Cue the religious nuts calling me either anti-semitic and/or misogynistic for good measure of my doneness with these stories.

Atria Books (non-affiliate Bookshop.org link) asks $12.99 for an ebook, if you're still looking for this kind of story. It's an okay iteration of it, not more.

SHAMPOO UNICORN, nice YA story with a surprisingly successful gimmick

SHAMPOO UNICORN
SAWYER LOVETT
Hyperion (non-affiliate Bookshop.org link)
$18.99 hardcover, available now

Rating: 4* of five

The Publisher Says: Shampoo Unicorn: (noun)
1. A shower hairstyle in which one styles their lathered hair into the fluffiest soapy unicorn horn possible.
2. A podcast by two mysterious hosts exploring rural queer life--the isolation, the microaggressions, the boredom, and occasionally, the sky-shattering joy.

In the small town of Canon, West Virginia, most people care about three things: God, country, and football.

Brian is more into Drag Race, Dolly Parton, and his gig as one of the mystery hosts of his podcast, Shampoo Unicorn.

Greg's life should be perfect as the town's super-masc football star, but his secret is he's just as gay as Brian.

Leslie is a trans girl living in nearby Pennsylvania, searching for reasons to get out of bed every day. Her solace is listening to her favorite podcast. . . .

When a terrible accident occurs, it's Shampoo Unicorn that brings the three teens' lives together. And what begins as a search for answers becomes a story of finding connection.

Sawyer Lovett's powerful and ultimately joyful debut novel is about three teens, one podcast, and carving out a rainbow pocket in an otherwise red state.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Mixing three tenses to mark the three major PoVs...well, not likely to thrill me. I've referred to the "Satanic second" and the chest-pokey 'you'" often enough to set up a serious takedown of a story that mixes first, second, and third persons in one narrative.

I didn't hate it.

Wait! Before you call the butterfly-net-bearers, let me explain. First-person Brian is out, gay, and proud...he gets to tell us his story face-on because it will cost him nothing he isn't used to paying in terms of acceptance of himself and by others. Brian is so fully inhabiting his queerness that he podcasts about it.

Like someone who never quite faces you as you talk to them, studly Greg puts distance between his internalized homophobia and his powerful queer desires every way he can. Using the intimate, yet distancing, second person is a very effective way of starting to own his "shadow" side, the part of himself that he knows is there but has no map in his world for bringing forward. He's learning the secret that hiding something is bringing it to the center of your identity but without honesty.

Poor wee Leslie! She's trans in a culture that fears the mere mention of transness. She, quite logically, speaks in the third person of "Leslie" until she can find her way out of a multiply-locked prison of biological maleness. She is protecting Leslie, nurturing her, bringing her up in a sense until she can be in a place that is less risky to life and limb.

So there is a reason for this initially awkward splitting of tenses. It's also the case that I'm very old, and don't need klaxons to figure stuff like this out...the fifteen-year-olds this book is aimed at could use a nudge like this to think more deeply. Interspersed with direct address come transcripts of podcasts Brian does to reach isolated gay people. It makes the story's stakes feel immediate in this highly mediated age we live in.

I found myself enjoying this read more than I'd feared I would after discovering the unorthodox narrative strategy. It is a book I hope reaches, physically reaches to be explicit, its intended audience. In the prevailing climate of rage and hatred being stoked from so many corners, it could prove a lifeline to some badly in need of one.

Please, if your gaydar pings around a young person, please gift that young soul this story as a lifeline.

A QUEER CASE: The Selby Bigge Mysteries #1, debut mystery in a queer-centered 1920s series

A QUEER CASE: The Selby Bigge Mysteries #1
ROBERT HOLTOM
Titan Books (non-affiliate Bookshop.org link)
$10.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: A gripping 1920s-set whodunnit, this debut features a queer sleuth who must solve a murder in a mansion on London’s Hampstead Heath without revealing his sexuality, lest he be arrested as a criminal.

The Selby Bigge mysteries series debut, it will leave readers eager for the next installment. Perfect for fans of Nicola Upson’s Josephine Tey novels.

London, 1929.

Selby Bigge is a bank clerk by day and a denizen of the capital’s queer underworld by night, but he yearns for a life that will take him away from his ledgers, loveless trysts and dreary bedsit in in which his every move is scrutinised by a nosy landlady. So when he meets Patrick, son of knight of the realm and banking millionaire Sir Lionel Duker, he is delighted to find himself catapulted into a world of dinners at The Ritz and birthday parties at his new friend’s family mansion on Hampstead Heath.

But money, it seems, can’t buy happiness. Sir Lionel is being slandered in the press, his new young wife Lucinda is being harassed by an embittered journalist and Patrick is worried he’ll lose his inheritance to his gold-digging stepmother. And when someone is found strangled on the billiards room floor after a party it doesn’t take long for Selby to realise everyone has a motive for murder.

Can Selby uncover the truth while keeping his own secrets buried?

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Snobbery is its own worst enemy. Think Saltburn or The Line of Beauty. It never works for long, this charade. You inevitably out yourself one way or another, just like trying to pass as straight when you're not.

"Perverts are prone to all sorts of criminality, especially homicidal mania."
Quite right, I didn't say. There was nothing I enjoyed more after a nice bit of sodomy than a spot of killing.

I felt very squicked out by the period-appropriate homophobia. I expect I was supposed to; but I never quite cottoned on to whether the story was aware of its snobbery in a positive or negative social light. I can see a young gay man delighting in his beauty's ability to open doors of privilege, but few enough are the cases where that works out to the long-term benefit of the youth...think of Jed Johnson and Joe Dallesandro versus Scott Thorson and (for a straight example) Kato Kaelin. Is Selby one of the former two, or among the legions represented by the latter two?

I don't know, but more to the point I don't think Author Holtom knows. If I was meant to pick up on intentional ambiguity, I didn't; it felt more like simple not having thought it through. (A very snobby side note: "me" and "I" are not interchangeable unless the point is to make the character misusing them sound...out of their depth.)

So, kudos for research: the atmo is great, and very much matches what I, a seasoned reader of "Golden Age" (how fraught is that term!) mysteries expect; the snarky little cameo by Dame Agatha in her best self-puncturing Ariadne Oliver vein; Theo/Theodora's delightfully spiky trans rep in this Magnus Hirschfeld-informed era and milieu.

Fewer plaudits for not deciding, then going all in on, an idea of Selby's aims by trying to join this bunch of dreadful snobs, he said snobbishly. There are pacing decisions I didn't entirely vibe with, some scenes of country-house life that overstayed my patience; that's just my taste, though, as others might batten on it. I want to be very clear with modern M/M readers: no joy for y'all here. Period-appropriate zipper-welded-shut longing.

And if Theo/dora does not feature more prominently in the next one, I am firing up my voodoo-dolly creation skills and coming after all y'all who made this series. Individually.

PALM MERIDIAN, Grace Flahive's satisfying lesbian-love in retirement set in 2067

PALM MERIDIAN
GRACE FLAHIVE
Avid Reader Press / Simon & Schuster (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: A rollicking, big-hearted story of long-lost love, friendship, and a life well-lived, set at a Florida retirement resort for queer women, on the last day of resident Hannah Cardin’s life—for readers of Less and The Wedding People.

It’s 2067 and Florida is partially underwater, but even that can’t bring down the residents of Palm Meridian Retirement Resort, a utopian home for queer women who want to revel in their twilight years. Inside, Hula-Hoopers shimmy across the grass, fiercely competitive book clubs nearly come to blows, and the roller-ski team races up and down the winding paths. Everywhere you look, these women are living large.

Hannah Cardin has spent ten happy years under these tropical, technicolor skies, but after receiving a terminal cancer diagnosis, she has decided that tomorrow morning she will close her eyes for the very last time. Tonight, however, Hannah and her raucous band of friends are throwing one hell of an end-of-life party. And with less than twenty-four hours left, Hannah is holding out for one final, impossible thing…

Amongst the guest list is Sophie, the love of Hannah’s life. They haven’t spoken since their devastating breakup over forty years ago, but today, Hannah is hoping for the chance to give her greatest love one last try.

As Hannah anxiously awaits Sophie’s arrival, her mind casts back over the highs and lows of her kaleidoscopic life. But when a shocking secret from the past is revealed, Hannah must reconsider if she can say goodbye after all.

Spanning the course of a single day and seventy-odd years, and bursting with irresistible hope, humor, and wisdom, this one-of-a-kind novel celebrates the unexpected moments that make us feel the most alive.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The idea that people born in the 1990s will be retiring to (surviving) Florida in 2067 feels...exuberantly optimistic...but I'll go with it. More especially I'm thrilled at the notion of the right to die being well established in this future, and the existence of queer elder spaces is just ordinary, and hell! sign me up!

Of course I'd be well into supercentenarianhood in 2067, the year the book's set, which ya know what, maybe not so much, thanks anyway.

The point of this story is satisfying to me, the way at the end pf life one wants to take stock and to see what can be fixed among the innumerable errors we've made. Sophie, our PoV character's "one that got away," is invited to Hannah's end of life celebration. We see their relationship in flashbacks, which does not add suspense in the usual way...we know the relationship collapses...but does make Hannah's desire to see Sophie again before she chooses to escape the awfulness of her end-stage cancer more impactful.

It's really moving in a quiet, contemplative way. Wrenching losses remembered, not lived through in real time...choices muffed, but long ago...people loved and cherished for an entire lifetime who only know the event we're reading about and the actors in this present resolution as names, or as their survivor selves. It's poignant, it's moving, and I think it's done very well indeed.

It is not a Big! Dramatic! Finish!

I wouldn't've liked the read had it been so. I did very much wish I'd felt the flashbacks into Sophie and Hannah's early relationship in the 2020s had somehow sowed seeds for their world of 2067. I get just how spoiled a readerly reaction that is, yet as it is the flashbacks don't do more than tell me how awful the two people were in their youth. It isn't all that interesting, that point, and the net result is to take more away from the effect of the read than add to it.

I'm not at all trying to discourage you from reading the book. I hope you will because the imperfect future ahead of us is so hopefully presented in Hannah's story. It's got lots of problems, but when has the world not had problems? Have you not yet had enough of doomscrolling?

If so, come to Palm Meridian, settle in, and be told that the world will muddle through, that we will manage somehow to love and care for each other, and make it work as best we can.

BLACK, QUEER, AND UNTOLD: A New Archive of Designers, Artists, and Trailblazers, a beautiful object that's very informative

BLACK, QUEER, AND UNTOLD: A New Archive of Designers, Artists, and Trailblazers
JON KEY
Levine Querido (non-affiliate Bookshop.org link)
$35.00 hardcover, available now

Rating: 5* of five

The Publisher Says: Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself, What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer? A Queer graphic designer? Someone from the South? Could his identity be communicated through a poster or a book? How could identity be archived in a design canon that has consistently erased contributions by designers who were not white, straight, and male?

In Black, Queer, & Untold , acclaimed designer and artist Jon Key answers these questions and manifests the book he and so many others wish they had when they were coming up. He pays tribute to the incredible designers, artists, and people who came before and provides them an enduring, reverential stage—and in doing so, gifts us a book that immediately takes its place among the creative arts canon.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: A man whose way to view the world is through the lens of visual design is a rare soul, one of a tiny brotherhood who embrace this view.

Now imagine knowing this about yourself, then running into a wall erected to exclude you because you're Black. Overcoming that hurdle, if you do, only now to realize you still must jump the huge hurdles placed in both directions for you because you're Queer.

That's Jon Key's life. In putting his experiences as a Black, Queer, creative man into context, he's offered us beautiful images, lovely descriptive words for them that are both evocative and analytical, and details about them, their creators, and the milieu in which they were created.

No matter where you go, there we are.

An example of the page design.

Text from the period, nineteenth century America; illustration of Mary.

What Author Key does with this beautfully designed and carefully considered book is show and tell us, from our variety of privileges, how far we have—and have not—come as a society.

I cannot imagine this performer's act would be possible to present in the 21st century. Loss, or gain?

I don't know if these images will convey to you the visual and cultural richness of the read. As expected for a book by a very visual author, it is a beautiful object. I'm also deeply glad I now know so much more about Queer, and Black Queer, life through the US's history of multiple oppressions.

A book to have on your shelves for inspiration, edification, and uplift.

THE 2nd THOM HARTMANN PAGE: The Hidden History of Big Brother in America; The Hidden History of Monopolies

THE HIDDEN HISTORY OF BIG BROTHER IN AMERICA: How the Death of Privacy and the Rise of Surveillance Threaten Us and Our Democracy
THOM HARTMANN
Berrett-Koehler Publishers (non-affiliate Bookshop.org link)
$17.00 ebook, available now

TAKE NOTE: For just two days—June 26–27 (2025)—we’re giving you 30% off any book in any format at bkconnection.com.

Rating: 4* of five

The Publisher Says: America's most popular progressive radio host Thom Hartmann reveals how the government and corporate America misuse our personal data and shows how we can reclaim our privacy.

Most Americans are worried about how companies like Facebook invade their privacy and harvest their data, but many people don't fully understand the details of how their information is being adapted and misused. In this thought-provoking and accessible book, New York Times bestselling author Thom Hartmann reveals exactly how the government and corporations are tracking our every online move and using our data to buy elections, employ social control, and score and monetize our lives.

Hartmann uses extensive, vivid examples to highlight the consequences of Big Data on all aspects of our lives. Along with tracing the history of surveillance, he shows how we got to where we are today, how China—with its new Social Credit System—serves as a warning, and how we can and must avoid a similarly dystopian future.

By delving into the Constitutional right to privacy, Hartmann reminds us of our civil right and shows how we can restore it.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Not updated yet, I'll be very interested to see what Hartmann has to say about the extreme, upsetting effects of AI on the Body Politic.

While we are indeed starting to engage with the most important factor in this outdated screed against the Felonious Yam and his tech bro scum support/enablers, ie who's doing what with our deepest darkest secrets, it could really be much too late to do anything effective about it. Look at the *massive* data theft done by DOGE on behalf of Edolph Twitler. Why is no one in Congress screeching their fool lungs out about this?

Because, like Hartmann, they do not understand what the problem really is: Us. The userbase wants Big Data to store credit card numbers, passwords...16 billion of which were compromised on 18 June 2025 alone...so we don't have to think. Big Data will use its enormous database, its stunningly effective analytic software, and all the cash we've allowed it to pile up, to defeat any attempts to meaningfully deny it more and more and more data.

This is not to say we should not try. We should, starting right now.

Getting mad is the first stop on this train, so read this book and steam your way to Congress's inbox.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE HIDDEN HISTORY OF MONOPOLIES: How Big Business Destroyed the American Dream
THOM HARTMANN (foreword by Ralph Nader)
Berrett-Koehler Publishers (non-affiliate Bookshop.org link)
$19.95 ebook, available now

TAKE NOTE: For just two days—June 26–27 (2025)—we’re giving you 30% off any book in any format at bkconnection.com.

Rating: 4* of five

The Publisher Says: “This is the most important, dynamic book on the cancers of monopoly by giant corporations written in our generation.”—from the foreword by Ralph Nader

American monopolies dominate, control, and consume most of the energy of our entire economic system; they function the same as cancer does in a body, and, like cancer, they weaken our systems while threatening to crash the entire body economic. American monopolies have also seized massive political power and use it to maintain their obscene profits and CEO salaries while crushing small competitors.

But Thom Hartmann, America's #1 progressive radio host, shows we've broken the control of behemoths like these before, and we can do it again.

Hartmann takes us from the birth of America as a revolt against monopoly (remember the Boston Tea Party?), to the largely successful efforts of both Presidents Theodore and Franklin Roosevelt and other like-minded leaders to restrain corporations' monopolistic urges, to the massive changes in the rules of business starting during the “Reagan Revolution” that have brought us to the cancer stage of capitalism.

He shows the damage monopolies have done to so many industries: agriculture, healthcare, the media, and more. Individuals have taken a hit as well: the average American family pays a $5,000 a year “monopoly tax” in the form of higher prices for everything from pharmaceuticals to airfare to household goods and food. But Hartmann also describes commonsense, historically rooted measures we can take—such as revitalizing antitrust regulation, taxing great wealth, and getting money out of politics—to pry control of our country from the tentacles of the monopolists.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: More finger-pointing and right-wing-bashing than even I, for whom those activities are recreations I savor, found excessive. Nonetheless, as a way to get at the root of a problem not at all new, not uniquely American, and not quickly resolvable, this little ammo pile is good.

I think most of y'all know much of this history but quite likely haven't put it into this context before. That makes it a good, if tendentious (by design!), read for anyone who has a single qualm about greed.

I hope you'll try to get your head around why your wallet is always flat, why politicians say we can never "afford" things other countries have had for decades, and what to do about it.

THE THOM HARTMANN PAGE: Unequal Protection; The Hidden History of American Oligarchy; The Hidden History of American Healthcare

UNEQUAL PROTECTION: How Corporations Became "People" and How You Can Fight Back
THOM HARTMANN
Berrett-Koehler Publishers
$20.95 trade paper, presently backordered...wonder why...

Rating: 4* of five

The Publisher Says: Was the Boston Tea Party the first WTO-style protest against transnational corporations? Did Supreme Court sell out America's citizens in the nineteenth century, with consequences lasting to this day? Is there a way for American citizens to recover democracy of, by, and for the people?

Thom Hartmann takes on these most difficult questions and tells a startling story that will forever change your understanding of American history. He begins by uncovering an original eyewitness account of the Boston Tea Party and demonstrates that it was provoked not by "taxation without representation" as is commonly suggested but by the specific actions of the East India Company, which represented the commercial interests of the British elite.

Hartmann then describes the history of the Fourteenth Amendment—created at the end of the Civil War to grant basic rights to freed slaves—and how it has been used by lawyers representing corporate interests to extend additional rights to businesses far more frequently than to freed slaves. Prior to 1886, corporations were referred to in U.S. law as "artificial persons." but in 1886, after a series of cases brought by lawyers representing the expanding railroad interests, the Supreme Court ruled that corporations were "persons" and entitled to the same rights granted to people under the Bill of Rights. Since this ruling, America has lost the legal structures that allowed for people to control corporate behavior.

As a result, the largest transnational corporations fill a role today that has historically been filled by kings. They control most of the world's wealth and exert power over the lives of most of the world's citizens. Their CEOs are unapproachable and live lives of nearly unimaginable wealth and luxury. They've become the rudder that steers the ship of much human experience, and they're steering it by their prime value—growth and profit and any expense—a value that has become destructive for life on Earth. This new feudalism was not what our Founders—Federalists and Democratic Republicans alike—envisioned for America.

It's time for "we, the people" to take back our lives. Hartmann proposes specific legal remedies that could truly save the world from political, economic, and ecological disaster.

I CHECKED THIS BOOK OUT FROM THE PRIME LENDING SERVICE. USE THEM OFTEN, THEY PAY AUTHORS FOR OUR USE.

My Review: If I need to spell out why this book's subject, fifteen years on, is still relevant...nay, even moreso, please accept my congratulations for your recent recovery from the coma.

Citizens United v. FEC is one of the most direct causes of the horrible politiscape of 2025. It is an outgrowth of the central argument of this book, that "corporate personhood" is the legal equal of natural personhood (ie being a human being, though even that isn't enough anymore) and therefore endows corporations with broad civil rights including First Amendment rights to free speech.

The lawyers are, of course, thrilled because this means their clients need hugely profitable PAC-running, fee-generating help. The rest of us? Totally screwed, you can have the justice you can pay for... Hartmann, to the political left in the US, argues this is absurd. It is. He goes on to ramble about stuff from history that isn't really well-supported by facts, and his anti-corporate bias goes a lot further than the nonsensical "personhood". It's a shame on some levels because the problems and abuses he rails against are real. Distracting from them by arguing the Boston Tea Party (of 1773!) was the first salvo of resistance to multinational corporations screwing over We-the-People is fanciful at best.

Had he stopped with noting that the notion of "corporate personhood" is explicitly NOT INCLUDED in the decision of Santa Clara County v. Southern Pacific Railroad Co. but is present only in a headnote written by a clerk. Headnotes do not form part of the judgment in Supreme Court decisions; this was ruled on in separate decisions on other cases, and acknowledged in this decision.

There is no Constitutional basis for "corporate personhood" as now constituted. I wish Hartmann had played less to his audience and stuck more closely to what I perceive to be his strong, central thesis. I'd rate this tendentious mash-up of political grievance (which I share!) with historical research into legal history higher had he done so.

Still it's a hugely important topic and a book whose emotional register will propel most who really don't care much for argument and prefer conclusions to finish the read.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE HIDDEN HISTORY OF AMERICAN HEALTHCARE: Why Sickness Bankrupts You and Makes Others Insanely Rich
THOM HARTMANN
Berrett-Koehler Publishers (non-affiliate Bookshop.org link)
$19.95 ebook, available now

TAKE NOTE: For just two days—June 26–27 (2025)—we’re giving you 30% off any book in any format at bkconnection.com.

Rating: 4* of five

The Publisher Says: Popular progressive radio host and New York Times bestselling author Thom Hartmann reveals how and why attempts to implement affordable universal healthcare in the United States have been thwarted and what we can do to finally make it a reality.

"For-profit health insurance is the largest con job ever perpetrated on the American people—one that has cost trillions of dollars and millions of lives since the 1940s,” says Thom Hartmann.

Other countries have shown us that affordable universal healthcare is not only possible but also effective and efficient. Taiwan's single-payer system saved the country a fortune as well as saving lives during the coronavirus pandemic, enabling the country to implement a nationwide coronavirus test-and-contact-trace program without shutting down the economy. This resulted in just ten deaths, while more than 500,000 people have died in the United States.

Hartmann offers a deep dive into the shameful history of American healthcare, showing how greed, racism, and oligarchic corruption led to the current “sickness for profit” system. Modern attempts to create versions of government healthcare have been hobbled at every turn, including Obamacare.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: This book is for you if you've ever wondered why Luigi Mangione is being treated like a terrorist for allegedly killing a very rich "insurance" company executive, and why when we-the-people failed to rise in our millions against his heinous murderous act, he suddenly vanished from our media landscape.

Creating a martyr, a face that can act as a rallying image for people against the horrible system that delivers the worst results for the great majority of its consumers yet fattens wallets at an obscene clip, is not what "They" want.

What this book does is delve into the ways, the compromises, the roots of capitalist seizure of healthcare delivery. It's definitely not going to convert anyone on the political right. It is unabashedly tendentious. It makes no serious effort to come up with any idea to persuade the capitalists to loosen, still less release, their grip on the public purse.

In preaching to the choir, Hartmann is mostly issuing a rallying cry. The reason to read the book is to become motivated, to pick up a few bits and bobs to hurl at the enemy within. If you're tired of arguing, this is not your best investment of time and treasure.

If like me you're in search of fuel for the possibly-wavering fires of battle, here's you a book.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE HIDDEN HISTORY OF AMERICAN OLIGARCHY: Reclaiming Our Democracy from the Ruling Class
THOM HARTMANN
Berrett-Koehler Publishers (non-affiliate Bookshop.org link)
$19.95 ebook, available now

TAKE NOTE: For just two days—June 26–27 (2025)—we’re giving you 30% off any book in any format at bkconnection.com.

Rating: 4* of five

The Publisher Says: Thom Hartmann, the most popular progressive radio host in America and a New York Times bestselling author, looks at the history of the battle against oligarchy in America—and how we can win the latest round.

Billionaire oligarchs want to own our republic, and they're nearly there thanks to legislation and Supreme Court decisions that they have essentially bought. They put Trump and his political allies into office and support a vast network of think tanks, publications, and social media that every day push our nation closer and closer to police-state tyranny.

The United States was born in a struggle against the oligarchs of the British aristocracy, and ever since then the history of America has been one of dynamic tension between democracy and oligarchy. And much like the shock of the 1929 crash woke America up to glaring inequality and the ongoing theft of democracy by that generation's oligarchs, the coronavirus pandemic of 2020 has laid bare how extensively oligarchs have looted our nation's economic system, gutted governmental institutions, and stolen the wealth of the former middle class.

Thom Hartmann traces the history of this struggle against oligarchy from America's founding to the United States' war with the feudal Confederacy to President Franklin Roosevelt's struggle against “economic royalists,” who wanted to block the New Deal. In each of those cases, the oligarchs lost the battle. But with increasing right-wing control of the media, unlimited campaign contributions, and a conservative takeover of the judicial system, we're at a crisis point.

Now is the time for action, before we flip into tyranny. We've beaten the oligarchs before, and we can do it again. Hartmann lays out practical measures we can take to break up media monopolies, limit the influence of money in politics, reclaim the wealth stolen over decades by the oligarchy, and build a movement that will return control of America to We the People.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: This is another provocatively unapologetic takedown of the right-wing slow coup that's been ongoing since "They" installed that fatuous old actor in the White House after manipulating the media into reporting insanity as facts.

Not gonna work to deradicalize your MAGAt relative, but definitely can offer you some armor against joining them for even a second. Staying alert to what their end game is will keep your from getting too far off the line "They" don't want you to draw. It's blatantly partisan and at times on the overkill side, but better that than playing nice with nasty people.

To fight intolerance, you must learn to be intolerant of it. Paradoxically that works for all topics in public life.

WEARING THE LION, sophomore novel from 2024 Nebula Award-winner AND Best First-Novel Locus Award winner John Wiswell

WEARING THE LION
JOHN WISWELL
DAW Books (non-affiliate Bookshop.org link)
$16.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: This second novel from Nebula Award-winning John Wiswell brings a humanizing, redemptive touch to the Hercules story in this mythological fantasy for fans of Jennifer Saint and Elodie Harper

Heracles, hero of Greece, dedicates all his feats to Hera, goddess of family. Heracles’ mother raised him to revere Hera, as her attempt to avoid the goddess’ wrath. Unbeknownst to Heracles, he is yet another child Hera’s husband, Zeus, had out of wedlock.

Hera loathes every minute of Heracles’ devotion. She finally snaps and sends the Furies to make Heracles kill himself. But the moment Heracles goes mad, his children playfully ambush him, and he slays them instead. When the madness fades, Heracles’s wife, Megara, convinces him to seek revenge. Together they’ll hunt the Furies and learn which god did this.

Believing Hera is the only god he can still trust, Heracles prays to Hera, who is wracked with guilt over killing his children. To mislead Heracles, Hera sends him on monster-slaying quests, but he is too traumatized to enact more violence. Instead, Heracles cares for the Nemean lion, cures the illness of the Lernaean hydra, and bonds with Crete’s giant bull.

Hera struggles with her role in Heracles life as Heracles begins to heal psychologically by connecting with the monsters—while also amassing an army that could lay siege to Olympos.

Nebula Award-winning author John Wiswell brings his signature humanizing touch to the Hercules story, forever changing the way we understand the man behind the myth—and the goddess reluctantly bound to him.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: "Mythology" might be one of the English language's biggest mistakes or disservices or just downright screw-ups of all time. It has a lot of competition, to be sure...you'll have your own ideas about that, I don't need to elaborate...but walling off the best possible way to understand human nature's thorniest problems behind this etymological fence:

mythology(n.) early 15c., "exposition of myths, the investigation and interpretation of myths," from Late Latin mythologia, from Greek mythologia "legendary lore, a telling of mythic legends; a legend, story, tale," from mythos "myth" (a word of unknown origin; see myth) + -logia (see -logy "study"). Meaning "a body or system of myths" is recorded by 1781. (etymonline)

...is wasteful, even dangerous. Thank goodness we're embracing retellings, modernizations, again. And even more praises be sung to the Divine that John Wiswell joined the chorus.

What Author Wiswell excels at in this story is upending your expectations...seems to be a trope in this case, go read my review of Someone to Build a Nest In, 2024 Nebula Award-winner AND Best First-Novel Locus Award winner that it is...of what love, grief, trust, and faith mean, require, and offer to you. Hera and Herakles, the Fury, the monsters, all get bound in unquestioned roles, then get jailbroken by Author Wiswell's perspective shift. It's a great way to de-mythologize a violent and triumphalist myth, putting it into a twenty-first centurian's comfort zone while making its subtexts very sharp. That contrast between the meaning we've learned to associate with the multiple millennia of unacknowledged retellings of Heracles' story and what Author Wiswell does with it is *chef's kiss* piquant.

Introducing a goddess to the idea of accountability is permaybehaps the most satisfying part of Author Wiswell's reimaging of the tale. That a being who was, until now, entirely untouched by any sense that her actions having consequences in others' lives was in any way a cause for her own emotional involvement is so in keeping with this #MeToo moment. It's also in sharp contrast...I'd even say rebuke...to the rising tide of publicly-flaunted bigotry and intolerance. Hera never faces up to the devastation her setting of the Furies on Herakles for something simply not his (Zeus's infidelity that resulted in his birth) doing caused in the original. Of course not! Divine beings aren't subject to rules like mere mortals are, say the myths of a culture that contended their royals are divine.

The entire story revolves around that most current of cultural concerns, accountability. Herakles facing up to his murderous rampage's consequences, then his puruit of revenge's limitations; Hera to her misuse of power and her misplaced anger; "Granny" the Fury's, well...existence; all in the end are changed in some very relatable, and pretty satisfying, ways. How that happens with Hera and Herakles as equally unreliable narrators is predictably sort-of stop-and-start in effect on the pacing. It becomes a bit more choppy than I as a reader prefer. My one other complaint, more of a whine actually, is that including all twelve canonical Labors made the read slower than was optimal for a humorous tale. Brevity is the soul of wit became a maxim instead of a truism because its self-evidence is actionable.

So the missing half-star is explained. The four-and-a-half remaining are slathered in the cream-cheese-and-pecan frosting of contentment. The happiness I felt at Herakles loving the Nemean Lion...the way every act of violence (after the inciting act) results in Hera, and Heracles, figuring out their wounds and their capacity to endure and even recover from them...the sly, quiet side-eye humor...I was badly in need of them all.

Dunno about y'all, but fiction that transmutes an ancient tale of violence and rage and hate into one of healing and chuckles feels damn close to miraculously soothing in my 2025 world.

Author Wiswell, thank you. I needed this story at this moment and you made it so good to read I couldn't stop.