AMERICAN ELEGY: Reflections on 250 Years of the Dis-United States of America, short hits about touchstones of US culture

AMERICAN ELEGY: Reflections on 250 Years of the Dis-United States of America
ED SIMON
Ig Publishing(non-affiliate Bookshop.org link)
$19.95 paperback, available now

Rating: 3.75- of five

The Publisher Says: Before there was the United States, there was America. The former is a country, a nation, a geographic reality, but the latter is an idea. Invented more than discovered, “America” signified a revolutionary ideal of freedom, liberty, equality, and justice, what Tom Paine in Common Sense meant when he wrote that “We have it in our power to begin the world over again.”

Among the greatest expressions of that faith was the Declaration of Independence with its promise to forge a nation dedicated to life, liberty, and the pursuit of happiness. American society and culture have always existed within the gulf of our stated aspirations and the actual reality, which has necessitated the forging of prophetic voices from Walt Whitman to Toni Morrison, Herman Melville to James Baldwin. Now, just as we prepare for the 250th anniversary of the signing of the Declaration of Independence, the United States is succumbing to authoritarianism and the noxious blood-and-soil nationalism which curses the faith in the universal and indispensable America.

In response to this moment, noted cultural critic Ed Simon offers a rejoinder in American Elegy: Reflections on 250 Years of the Dis-United States of America. Compiling an assemblage that’s less a canon than a cultural mixtape, Simon presents fifty short chapters that are asynchronously organized works of flash criticism, meant to draw connections across time periods, which each celebrate an aspect of the “America” that’s larger, deeper, and broader than the mere United States. Here the Great American Novel meets the Great American Songbook; sign language converses with the blues; method acting shares the stage with Afrofuturism, and Superman plays baseball. Defining “literature” as broadly as possible, each of the works profiled critiques the status quo and imagines a better world.

As cynical politicians deny the diversity, complexity, and actual beauty of American culture in favor of myths about the nation being made great again, Simon provides not just an elegy, but a challenge and celebration, as well as a repository, an archive, and a call to start over. In the tradition of Gary Wills and Greil Marcus, American Elegy charts a course to a land still undiscovered.

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My Review: The most valuable concept I came out of this read in possession of is how deeply rooted the fallacy of conflating the term "America" with the United States is. This is a project of lessening urgency as Little Vladdy Pu-Pu's stooge squatting in government housing has wrought havoc on the country's international standing. Most places in the world do not respect the US as much as they did between 1940 and 1990.

Viewing the development of the US cultural identity in the short bursts that he does makes this effort at self-justification for "Americanness" a great browser's book. The brevity of the chapters militates against depths of argument or thoroughness of contextualization. It relies instead on the cumulative effect of tendentious, surface-level prose about the Usual Suspects of US culture...Twain, Walt Whitman, Saul Bellow...to achieve it aim of challenging the monomyth of US manifest destiny in matters societal. Kind of an odd choice, its effectiveness relies on we-the-reader agreeing that the touchstones *are* touchstones....

I enjoyed reading the book, though I wonder if it will succeed in its stated aim of acting as a "call to start over." I was not so called, but I'm a curmudgeonly old man who really needs a nap.

WAR IS A RACKET: And Other Essential Truths from General Smedley Butler, brutal, frank, determined to tell the truth he saw

WAR IS A RACKET: And Other Essential Truths from General Smedley Butler
SMEDLEY BUTLER (foreword by Kristofer Goldsmith)
Steerforth Press (non-affiliate Bookshop.org link)
$11.99 ebook, available now

The Independent Press Top 40 Bestsellers: Non-Fiction For the week ending September 29, 2026

Rating: 5* of five

The Publisher Says: Includes a new introduction by Kristofer Goldsmith, the nation’s most recognized authority on the targeting of American troops and veterans with disinformation and extremist recruiting efforts.

Updated with fresh material, this edition brings the prophetic warnings of the 2-time Medal of Honor recipient to a new generation.

"A short, blunt, and extremely vigorous blast." —The New York Times

Smedley Butler, a retired Marine Corps major general and the most decorated combat veteran of his era, is best known today for War is a Racket (1935), a searing anti-war, anti-imperialism, anti-capitalism critique of U.S. military interventionism that has remained perennially in-print and is as relevant today as ever.

This new collection features additional writings that underscore Butler’s role as a staunch advocate for veterans' rights and a fearless defender of democracy. In addition to his 1933 call-to-action, "You've Got to Get Mad," this volume includes his explosive 1934 testimony before the McCormack-Dickstein Committee. There, Butler exposed "The Business Plot"—a conspiracy by a group of Wall Street and other powerful figures that sought to convince Butler to use his influence over disgruntled veterans to seize control of the federal government and install a fascist regime.

With America’s present day military activity more closely tied to corporate profits and the enrichment of its leaders than ever, Butler’s insightful breakdown of the military-industrial complex remains highly resonant. Featuring a new introduction from combat veteran and advocate Kristofer Goldsmith, this edition is an essential resource for anyone looking to build their antifascist toolkit.

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My Review: War is a racket. It's just true. In these chapters, a career Marine with the most stellar service record, a reputation as a straight-shootin' sunuvabitch tells it like it is:

1. War is a racket
2. Who makes the profits?
3. Who pays the bills?
4. How to smash this racket!
5. To hell with war!

Written after his retiremet from the position as head of US-occupied Haïti's police force as a speech, turned into a bestselling, Reader's Digest-distributed short book...isn't it telling that almost a hundred years ago peace was a right-wing talking point?...and renowned until the US joined the hugely profitable-for-business world war made its message...awkward.

This new edition of the book is contextualized for modern audiences by Iraq veteran, military-family-descended Kristofer Goldsmith. His clarity and honesty about the personal costs, most of a century after this book's appearance, and thus the consequences of the war machine were know and deliberately ignored.
Smedley Darlington Butler was also the whistleblower that saved the US from the success of the Wall Street Putsch in 1933. The fascists who made that attempt chose the wrong figurehead. They've been quietly designing the next one since then. We're living through it.

Read a moral man's account of what "They" want. It should tell you why it is imperative to #Resist.

AMERICAN CAESAR: How Theocrats and Tech Lords Are Turning America into a Monarchy, sobering and timely

AMERICAN CAESAR: How Theocrats and Tech Lords Are Turning America into a Monarchy
BRADLEY B. ONISHI
St. Martin's Essentials (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: A chilling and urgently needed exposé on the forces pushing American politics and religion toward a post-constitutional autocracy

From Silicon Valley boardrooms to rural pulpits, from Catholic monasteries to Beltway think tanks and Project 2025, a convergence is underway. Reactionary Catholics dream of a new Christendom. Protestant pastors invoke divine right over democratic rule. Tech billionaires, led by the likes of Peter Thiel and Elon Musk, argue that freedom and democracy are incompatible. Their solution? A singular ruler to bring “order” out of what they see as liberal chaos.

With a theologian’s sensibility, a journalist’s touch, and a historian’s eye for how movements evolve and adapt, Dr. Bradley B. Onishi traces the strange alliance between spiritual warfare and Silicon Valley libertarianism. At the center of it all is the desire for an unbound executive—one man, beyond checks, beyond balance, beyond democracy. This isn’t nostalgia for the 1950s. It’s an organized attempt to abandon the American experiment altogether. A former insider turned academic expert, Onishi brings unmatched depth to this investigation—tracing his own path from evangelical pastor to co-host of Straight White American Jesus, the nation’s leading religion and politics podcast.

As the 2024 election fades into history and a new political order takes shape, American Caesar is not just a warning. It’s a map of how we got here—and a call to act before the Republic as we know it becomes just another chapter in a forgotten history book.

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My Review: I'm highly suspicious of the notion that "order" is a Good Thing because who decides this for other people is generally who wants to control those other people's lives in close detail. Those kinds of people are almost always puritans of one or another sort, who believe "They" should not be thinking those thoughts/doing those things (usually, though not always, sexual) because *eeewww*.

Author Onishi adds in the tech industry's "thinkers" to the usual suspects but stops short of using the slurs I myownself hurl at them. Author Onishi is tendentious as hell, shouting and waving his arms at the public, determinedly pointing the fingers of both hands at sometimes strained parallels with a past distant enough to make comparisons very very broad. Human nature does not change from what I can see; the same playbooks are still effective because our psychology is much the same.

"Much the same" does not mean we're always going to succumb to the same ruses. Look at the demonization of immigrants that's largely limited to haters and shouters, who are always in every era a minority; how many more people did what Minneapolis did and showed up to disrupt ICEstapo raids? California's honking warners of imminent danger are not getting hate outside the small bubble of the haters and screamers or there would be giant crowds of people helping ICE instead of huge shortages of recruits.

I'm not trying to put you off the read, it says what I think and explains what I fear; it brings the receipts for its bases of argument; it's going a bit further into the "it's inevitable, prepare to suffer" direction than I suspect is fully supported by developments. I think its tone is alarmist in a time when alarm is not only justified, but required; however presenting the grim facts ought to serve, not presenting deterministic conclusions. Those tend to dishearten the ordinary person, not rile them into the resistance and non-compliance we so urgently need to support and spread as a mindset.

Flawed by an overly emotional tone or not, this book can and should be part of your pre-election reading.

THE CORONER'S SILENCE: Death Records and the Hidden Victims of Police Violence, damning indictment using evidence seldom seen by the public

THE CORONER'S SILENCE: Death Records and the Hidden Victims of Police Violence
TERENCE KEEL
Beacon Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: For readers of His Name Is George Floyd and Under the Skin

A landmark investigation into forensic medicine that exposes the systematic concealment of state-sanctioned violence through death investigations

Each year, police officers kill over 1,000 people they've sworn to protect and serve. While some cases, like George Floyd's and Sandra Bland's, capture national attention, most victims remain nameless, their stories untold. The Coroner's Silence reveals a disturbing truth about these coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.

Through rigorous research—including critical records analysis, public health studies, and interviews with victims' families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.

The Coroner’s Silence uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.

True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. The Coroner's Silence is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence.

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My Review: Starting with an acknowledgment of the demands we place on the police, "...we have asked police in America to maintain law and order in addition to managing the problems of poverty, the unhoused, the mentally unwell, and people suffering with substance abuse," Author Keel peels back the layers of denial, obfuscation, and lying that enshroud the deaths of people in law-enforcement custody. Coroners, tasked with the responsibility of reporting on the condition of the deceased's body after their death, often use terminology that clouds what would be interpreted as signs of violence lest police be accused of criminal conduct.

The obvious problem arises when there has been criminal police conduct. It is not always the case, nor is it unknown; the system is intended to hold bad actors accountable for their actions; so how are victims' families, members of the public, to feel confident when principal figures are left to perform their role largely under the radar and so in practical terms unaccountably?

Author Keel studied the problem, saw the tensions in the system up close, and presents us this honest report with all its uneasy conclusions. I'm particularly taken with the concept of "second death," the erasure of the deceased's violent death at the hands of public safety professionals; men and women who collude to prevent the truth of the deceased's time in custody leading to their death is enacting a different sort of violence on them and their survivors, whether family or society at large, by shielding violent offenders from responsibility because they are the police.

It should surprise no one that racialized and marginalized victims disproportionately suffer fatal consequences on entering police custody. It is almost impossible for members of those groups to receive posthumous justice due to the bureaucratic sleight-of-hand defeating open and transparent accountability for deaths in custody. Medical jargon, grammatical skulduggery...much can be hidden by using bureaucracy's beloved passive voice, and ameliorative jargon eg, "shots were fired" by anyone in particular, or just impelled by hard breezes?, or "an officer-involved conflict" of what sort? initiated by whom?, etc etc.

Narratives constructed in this pettifogging fashion are not rigorous, and should be challenged at every turn. That they are not indicates the true purpose of coroners' reports by whatever name: exculpation by obfuscation.

It is infuriating that this is widespread, nay ubiquitous, and goes largely unchallenged. In bringing the abuse of public trust this behavior represents, Author Keel does his best to prevent as many "second death"s as he possibly can. I pray for his ongoing success and for this cultural poltroonery to be held up for public ridicule.

A RESISTANCE HISTORY OF THE UNITED STATES, from Bookshop.org's Independent Press Top 40 Bestsellers: Non-Fiction list all summer long

A RESISTANCE HISTORY OF THE UNITED STATES
TAD STOERMER
Steerforth Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

The Independent Press Top 40 Bestsellers: Non-Fiction For the week ending October 27, 2026

Rating: 3.5* of five

The Publisher Says: An urgent, bracing new look at American history that Ava DuVernay calls "deeply necessary for this moment."

Revisit the Salem Witch Trials, the Underground Railroad, and other resistance movements of American history to get a bold new understanding of how resistance shaped our past—and how its principles can change our future.

The United States was shaped by resistance—but not in the way we’ve been taught. The Revolution did not secure liberty; it opened the door to either liberty or oppression, where only white men enjoyed all of the benefits and protections of citizenship.

In A Resistance History of the United States, public historian Tad Stoermer shows how from the very beginning, that tension—between the ideals of resistance and the realities of power—has defined America more than the Enlightenment ideals enshrined in the Declaration of Independence and the Constitution.

Utililizing powerful storytelling to focus on key—and often lesser-known—moments in American history, this book reveals the truth of how resistance movements from Colonial times have opposed the powers that be. Stoermer covers an impressive roster of pivotal movements, with each chapter identifying a key resistance movement and principle meant to inspire contemporary readers, including:

Bacon’s Rebellion/Metacomet’s War (1676)

Salem Witch Trials (1692)

The Black Loyalists (1783)

The Underground Railroad (1850)

Through these and many more examples, Stoermer dismantles the mythologies that pass for American history—exposing the curated nostalgia, moral evasions, and institutional silences that have long protected abusive power. What emerges is an essential look at how we can take lessons from the past to understand, and effectively respond to, the injustices we face today.

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My Review: There's a reason this story has been on the Bookshop.org non-fiction bestseller list since who-kicked-the-cat. It's organized like the podcast-a-holics like it, event by event. More like a podcast script collection than a narrative history, it is nonetheless a nevessary document of how *structural* change can get made.

I myownself don't think that's the only kind that counts, where the author does.

I'm far more annoyed by the absence of footnotes/inline citations in a serious work of non-fiction. Surely in the Age of AI it would be the work of but a moment to get that done! By itself, that was one star gone. I'm not convinced the choice of political changes enshrined in law was as restrictive as the author's use of it requires. To use my own pet peeve, where's the gay-marriage part? Where's the Homestead Strike?

So not perfect but way way better, more corrective, than the triumphalist claptrap that's extruded by the yard from more mainstram publishers. Steerforth Press does interesting work all the time even when I quibble with it. This is a fine example of that reality.

I think most readers would prefer to ear-read the book, as it plays into the podcasting ethos of it.

SHADOWS OF THE REPUBLIC: The Rebirth of Fascism in America and How to Defeat It for Good, spot-on and well thought through if light on action items

SHADOWS OF THE REPUBLIC: The Rebirth of Fascism in America and How to Defeat It for Good
OMER AZIZ
Broadleaf Books (non-affiliate Bookshop.org link)
$32.99 hardcover, available now

Rating: 4.25* of five

The Publisher Says: What is driving the rise of fascism—and how can we stop it?

In this singular investigation into the sinister realms of fascism and its many guises, Omer Aziz, author of the acclaimed Brown Boy and contributing writer for the Boston Globe, sets out to answer the Why are so many young people like him drifting to the ultranationalist right? Shadows of the Republic offers a haunting portrait of American fascism, how it began, and why it is now focused on immigration, technology, and the purification of society.

Fascism is not coming to America; it has been here for a long time. With astringent clarity, Aziz traces the flaring up of fascist ideas in both American history and our current moment.

From the dominance of the KKK, to the Nazi rally in New York in 1939, to the alliances between U.S. elites and European fascists, Aziz examines the long shadows of fascism. Traveling across the United States and Europe, he illuminates connections between street fascists and the ones in suits, between Hitler and the country across the ocean he so admired. Aziz examines culture in Germany and Italy in the 1930s, where propaganda ministers made people believe both everything and nothing, and he examines the apppeal of the far right among the very group it targets. Using interviews with experts and his own experience, he also offers an anti-fascist playbook to reinvigorate democracy and our civic life.

Fascism is a precise term, cheapened by overuse. Yet when a word describes reality, we can't afford to ignore it. From the pulsing power of an ideology of the past to its comeback among even those with the most to lose, Shadows of the Republic offers the definitive story of American fascism—and what we can do to salvage democracy for years to come.

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My Review: From the publisher's blurbs:

"A comprehensive work on fascism and America's democracy."—BOB WOODWARD
"An alarm bell announcing that the American house is on fire."—STEPHEN KING
"A provocative and passionate reminder that democracies don't collapse overnight."—CALEB GAYLE

Not bad, as a group of famous names lending a book their luster. It helps that Brown Boy already proved Author Omer's literary cred to all and sundry. (If you've never read it, your library has a decent chance of having a copy on their shelves.) A man with multiple degrees from good schools who happens to be from a Pakistani-Canadian immigrant family knows exclusion and profiling intimately. It's why he speaks with the passion for his antifascist beliefs that clearly powers his writing of this book.

What will likely open the reader's eyes is the depth and age of fascism's roots in the US. It's really easy to say "it's this regime's doing" but it ain't the whole truth, or even close to it. In doing the reporting for this book, Author Omer delved into the different identities in modern fascism, from street-level grievance-led prejudice to boardroom media-trained corporatism. Each branch of the shrub has its own genesis, its own (perverse) virtue-signaling, and its own class systems to go with its origins.

A serious problem we're watching play out in real time is the anti-intellectual fervor of fascists. Ultimately, Author Omer decries the harms being done to all of us now, but points out we can use this same reality against the fascists. It's heartening to read a book that doesn't just ring the tocsin for the republic for which we stand, but shows us who's resisting (or resisted before) and how.

I'm sad there was not *more* of that in the read, but understand the reasoning of focusing on presenting the system so we can stop making the fumblimg foolery that's led us to this dark passage in our country's existence. It's widely applicable to many places, of course, but wow are the people of the US led carefully away from thinking critically about what's happening around us. Author Omer explains how effectively and helpfully but maybe a bit too often.

Author Omer is a fine, approachable guide to the perpetrators and the resisters. It's clear whose side he's on but he doesn't fall into the trap where I live my life, ie vilifying The Others and treating them as unworthy shitty beings. I admire this character trait. I have never in my rising-seventy years on Earth been able to emulate it. Would that I could, but at least Author Omer provides example and encouragement to try, try again.

As a read, this is a fine experience; as a guide to resistance, this is an inspiring collection of ideas; as a way to support people who are doing good work in the world, buying a copy of this book is a good investment.

KILLING BABY HITLER, time-travel/alt-hist fantasy of Changing History...derailed by the Butterfly Effect

KILLING BABY HITLER
MICHAEL TOMASKY
O/R Books (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: In the year 2141, the planet is ruled by billionaires, democracy is a relic, the environment is collapsing, and Illinois is home to thirty-foot alligators.

When a ragtag team of scientists discovers the secret to time travel, they set their sights on history’s most infamous villain: baby Adolf Hitler. The mission doesn’t go quite as planned.

Because rewriting history is never simple. Instead of preventing the rise of fascism, they trigger a bizarre new timeline in which Hitler grows up in America, editing one of the country’s most hateful newspapers, and history warps in strange and unsettling ways. What begins as a darkly funny scheme to fix the past spirals into a mind-bending journey across centuries, as the time travelers confront unintended consequences, shifting timelines, and a future that may be even worse than the one they left behind.

Part sci-fi thriller, part biting satire, Killing Baby Hitler is Michael Tomasky’s first work of fiction—a wildly original novel that skewers power, questions the logic of hindsight, and reminds us that the present may be the hardest time of all to change. Bold, provocative, and disturbingly plausible, it’s a time-travel tale like no other.

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My Review: I like my silly sci-fi delivered with humor, so I'm your boy for this story's topic and style. I'm also a fan of time-travel (purest of fantasies) and alternate history (I dunno if we'll ever science our way into certainty that other timelines are real, but I think they can't NOT be), so bring your killing Hitler story unto mine eyes.

O/R is a leftist purveyor of tendentious reads mostly non-fiction; I approve of this, so seeing this novel become available I downloaded it immediately. I'm a fan of the wish-fulfillment inherent in stories of changing history, though the pop-culture "butterfly effect" is pretty inaccurate to the real subset of chaos theory. Doesn't mean I don't love to read about it. I was really hoping to love this read, too.

I enjoyed and liked it. I'd've loved it if it'd kept on with the initial tone. It's honest, abrasive, truthful about human nature; it's holding up our faults as people to us in this low-real life stakes fictional tale. It's always safe to look at existential crisis in the mirror of practical impossibility. To be able say humanity does not come off unscathed is pretty much my minimum standard for this kind of srory. Happy to say scathing is done. Pulling the punch at the end...well...I get it, I really do, and I can't tell you I thought the ending was incongruous, or tacked on to the story it was finishing off. It fit fine.

I wasn't expecting the tonal shift, so it popped me in the mouth for a minute. I don't think others who're less pessimistic, or permaybehaps don't see things through my Darkling eye. Without reservation a recommended read for summer in particular among the "if only" fantasists seeking to refashion the world. A well-paced story that makes its points without sacrificing the exuberant fun of reinvention, no matter how implausible.

Truths are told, honest self-appraisal encouraged, and a vote of confidence I don't entirely agree with is offered to send the entertainment reader away happy.

HOW TO SELL A GENOCIDE: The Media's Complicity in the Destruction of Gaza

HOW TO SELL A GENOCIDE: The Media's Complicity in the Destruction of Gaza
ADAM H. JOHNSON
Pluto Press (non-affiliate Bookshop.org link)
$17.95 ebook, available now

Rating: 4* of five

The Publisher Says: As bombs rained down on Gaza in October 2023, images of mass death and destruction gripped the world, and openly genocidal statements from Israeli leaders foretold the magnitude of horrors to come. But the US media was quick to downplay, obscure, and repackage an emerging campaign of extermination into a slick “war on terror” framework.

How to Sell a Genocide is a thorough indictment of US corporate media's role in enabling—and, at times, directly inciting—one of the most devastating campaigns of mass killing in modern memory. Johnson unpacks how major news outlets like The New York Times, CNN, and MSNBC systematically sanitised Israel's war crimes, hid the US’s central role, and dehumanised the Palestinian people.

Drawing from deep, original data-driven analysis, Johnson dissects the mechanics of propaganda, from the selective empathy, strategic omissions, overt racism and repetition of state-sanctioned falsehoods, to the demonisation of humanitarian workers and dishonest coverage of campus protests. With clarity and moral force, Johnson argues that the genocide could not have been sustained without the active, sustained complicity of the US media.

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My Review: When I read "deep, original data-driven analysis" in the book's synopsis, I realized the read was going to be tendentious, probably ill-sourced, and reflective of the need to marshal supporters of anti-war, pro-Palestine leanings into willingness to take action. That's exactly what I got.

Since I am all those things I find it hard to fault this read for being what it's supposed to be. If you are not all those things, or are anti-all those things, you'll be very unpset by this read. I myownself think you might should read it anyway.

War crimes are committed when there are wars. Both sides commit them. But do not lose sight of the fact that one side started this war. They're looking for you to believe they didn't start it, the other side did by doing something terrible. That terrible something did not suddenly occur in an otherwise peaceful and ordinary world, though. And that terrible something did not involve bombing runs by sophisticated jet aircraft, advanced anti-personnel drone attacks, destruction of thousands of homes, missile attacks on hospitals...in other words, we're being fed false equivalences to disguise a long-term and intentional act of ethnic cleansing, perhaps rising to the standard of genocide set after the Holocaust. I'm not a lawyer so I can't speak authoritatively on that. I'll say that my reading of the bloviations from each side of the conflict leads me to think there is a case to answer and a darn compelling body of evidence to compel the case to be brought in the court of public opinion.

That's why this book exists. It's a highly emotional read. It's a highly emotional subject. It's part of an effort to break through the saturation-bombing of the pro-Israel lobby's PR firms.

Are there angels in this conflict, the pure and unsullied victims of hateful demonic criminals?

No.

There are only ordinary human beings who need, but don't have, the basics you and I walk outside our intact homes to access: streets we can use easily, food stores with the planet's abundance piled up for us to choose from, water pipes to quench our thirst, sewer pipes to take our waste away to keep us healthy, hospitals to care for frail bodies' failure points, living parents and children and loved ones who, when they leave our sight, are statistically likely return to us alive and as well as they left.

War is wrong. Always and eternally wrong. It is war that created this oongoing crisis. War is a decision, a set of decisions, made by people who want *something* so much they're willing to trade your life for it. Never theirs, or the wars would be short.

I don't think for a single second that Humankind will ever be free of war. If reading words could stop war there wouldn't still be any of them.

Reading words is a slow process, thinking about them slower still. Changing minds, firing up action in people who don't like doing hard things, that kind of thing that words *can* do, all has to start somewhere.

I ask you, please, for the sake of people you have never met and will never meet: Start the process in yourself now. Pay it forward, to the best of your ability, and know from the beginning that you won't "win" or "succeed" or "finish the job" because the work is never, can never be, complete as long as there are human beings.

But let's make sure the greatest possible number of people live out their "one wild and precious life" as poet Mary Oliver taught us to think of it.

THE VIOLENCE: My Family's Colombian War, debut memoir/political history

THE VIOLENCE: My Family's Colombian War
ADRIANA E. RAMÍREZ
Scribner (non-affiliate Bookshop.org link)
$30.00 hardcover, available now

Rating: 4.8* of five (no perfect fives for the descendant of vandals!)

The Publisher Says: A powerful chronicle of Colombia’s descent into decades of civil war through the lens of an intimate, multi-generational tale of upheaval and betrayal.

When presumed president-elect Jorge Eliécer Gaitán, champion of the working class and harbinger of a new era of progressive social change, is assassinated on the eve of Colombia’s 1948 presidential election, the capital is plunged into bloodshed. So begins a singularly brutal period of Colombia’s history known simply as la violencia—a bloody civil war that spawned decades of turmoil and splintered the country into ever-shifting factions.

The Violence is an intimate history of this conflict—told not from the political center of the war but from the mountainous finca that Adriana E. Ramírez’s family tended to for generations, and through the eyes of her formidable grandmother, Esther. With startling lyricism, Ramírez illuminates the specter of violence—from guerilla warfare to the brutalities found so often in romantic relationships to the spontaneous and senseless violence steeped into everyday Colombian life during this period—and the threat that it poses to a country, and a family, that is trying to stay whole. Gracefully braiding together macrohistory, family history, and personal narrative, Adriana E. Ramírez traces these parallel stories of upheaval in a sweeping portrait of a country and family in flux.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: First, read this:

A Colombian aphorism says that to understand tomorrow, you need to make sense of yesterday. Like a long line of dominoes, one moment in time topples another, which topples another, until soon nothing stands.

Nothing stands when nothing is anchored, tied down, held in place. Change feels like chaos to those who like the status quo, and no one human likes chaos. Even the ones who cause it do so to achieve a goal, then they try to impose an order they like better than the one they destroyed.

Author Ramírez, whose father-in-law I proudly claim friendship with, tells the violent, chaotic story of the Colombian civil war of (more or less) 1948 to 1954 using the lens of her own family's participation (avoidance is also participation) in the events of the time. It is a dark, terrible one, this story; no one comes out of civil war without a smudge on their personal or familial reputation. I refer to an act of heinous vandalism on the corpus of History that Author Ramírez's family perpetrated...my inner historian was so wounded by it I was forced to lie down for an hour with a cool compress over my eyes. Murder, rape, torture...well, that's war isn't it...but burning records?!? *shudder* Unforgivable.

Fortunately my forgiveness is neither requested nor required. The family survived, the deeds done made the existence of this book possible. Its publication today, the fourteenth of April 2026, launches a writing career into a new literary orbit. The Pittsburgh Post-Gazette has, until now, been Author Ramírez's writing home so this memoir of history and family is her mark on the book-reading world. It is a story only she could tell, told with clarity and a great deal of honesty. If I'd discovered my family had burned records I would not admit it out loud, still less commit it to the permanent record of publishing it! Kudos for bravery, and may the Terminators of the history department that clearly must exist in some weird corner of spacetime choose not to expunge the bloodline.

I think I fell asleep watching a movie....

What made this a good read for me was the voice Author Ramírez chose to convey this blend of history and family memoir in. It is a book-length chat with a good raconteuse, a lovely, long chat after dinnner with an interesting friend. It is, as mentioned, dark of subject but not grim or gross of recounting. I do not think anyone's expectations of an involving, emotionally resonant read will be disappointed. I'm very glad I was introduced to the political complexities surrounding La Violencia in such a personal way. Reading about politicians and diplomats and US imperialism is definitely something I enjoy doing; I prefer to approach history with a flexible set of expectations, however, so seek out what more intimate and reflective storytelling I can find to enliven the public facts.

Author Ramírez has received warm reviews in multiple venues, most excitingly to me Time Magazine with its many millions of readers. The praise early readers like Idra Novey and Angie Cruz is praise she earned by careful and attentive wordsmithing. I've known since I began reading her journalism several years ago that Author Ramírez was both talented and skilled at the craft of writing. I am excited for us, the commmunity of readers, that she is also able and confident enough to listen to the muses' whispered inspiration and then to give us deep life-giving drafts of storytelling water.

METROPOLITANS: New York Baseball, Class Struggle, and the People's Team, lefties like sports too!

METROPOLITANS: New York Baseball, Class Struggle, and the People's Team
A.M. GITTLITZ
Astra House (non-affiliate Bookshop.org link)
$17.99 ebook, available now

The Independent Press Top 40 Bestsellers: Non-Fiction For the week ending June 23, 2026

Rating: 5* of five

The Publisher Says: A wide-reaching, revolutionary narrative history of the Team of Destiny (da Mets, for anyone not keeping score), that takes us from their 19th century inception to their 1962 resurrection to the present day.

A love letter to a franchise and a thrilling study of New York City history, Metropolitans brilliantly shows us that sports have long been a site of political struggle, rousing class consciousness, and animating fights for racial equality. From purportedly calming riots in ’69 through the quality of their play to producing some of the greatest chokes in sporting history, from integration to desperate labor struggle against millionaire and billionaire franchise owners, Metropolitans makes a deeply humane and convincing argument for the fascinating singularity of the New York Mets—and why it should be not just the team of the counterculture, the freaks, and the losers, but anyone with a beating heart.

Gittlitz leads us through baseball’s amateur beginnings to the Mets’ first heady World Series on the heels of the Civil Rights and anti-war movements that many Mets players participated in to the bad boy years, the exploitative development of farm academies in developing nations, and their inglorious purchase by a new breed of capitalist—even after which they remained lovable losers.

But this is a book not only for Mets fans, or New York partisans, but anyone interested in the Mobius strip dynamic of sports and politics, the history of the national game, or the beautiful contradiction of baseball a middle-class game owned by billionaires, in which the players—like the spectators—look to traverse the diamond and ultimately safely escape its many dangers.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I'm giving this book five stars because the Miracle Mets defeating the Orioles in 1969 was the first time I understood why my grandmother wanted to live to see the Cubs win the Series again (she didn't), and why my dad took me to freezyfrosty cold Candlestick Park to see the Giants play, and lose.

I can't not love anything about baseball, even as I get more and more uneasy with the concept of these gladiatorial games organized to give people some outlet for their desire to hate that is not threatening to "Them"—the capitalist class that very, very badly does not want you to expend that energy in political action.

Carefully entwined into the history of the US, the story of the Metropolitans and of team sports in general is told here with acuity and concision. It's a purpose and a point expressed best in this quote:

From this communal vantage, the abstractions of statistics and standings are confronted by the reality of what we are really seeing—not a game between two opposing teams, but a common human struggle, within and against the economic, legalistic, and mechanical structure of the game itself, and its role as opiate for the physical and existential pain of wage labor.

I can't really add anything to that statement except to say "+1" to it.

I'm old, so I remember when baseball mattered to lots and lots of Americans, held a real place in our cultural conversation. Football and basketball have that centrality now. But for those of us still loving the sound of a snapped bat connecting on a fastball, this book is catnip. Leftist social critique and economic analysis are seldom more appealingly presented than when entwined with a cultural mainstay of generations-long standing.

I hope I live long enough to see my Mets win the Series again.

BERNIE FOR BURLINGTON: The Rise of the People's Politician, not great not bad

BERNIE FOR BURLINGTON: The Rise of the People's Politician
DAN CHIASSON
Alfred A. Knopf (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: a scant 4* of five

The Publisher Says: The story of Bernie Sanders's quixotic but inexorable rise is told by a son of Burlington on a broad and vivid canvas, depicting the shaping of a people's politics, as he tracks a political signal that traveled from the hard-luck neighborhoods, general stores, traditional businesses, and county fairs to the Town Meetings and the ballot boxes of the last century, predicting much of what has happened to our nation writ large since then.

This utterly captivating symphonic story of city, a visionary, and the way our politics changed forever is told through the very specific people of Burlington, beginning with Dan Chiasson's own mall-punk friends of the 1980 in a video that would go viral decades later in 2020, they engaged with the itinerant carpenter turned socialist mayoral candidate, and there in that food court, the seeds of everything that was Bernie were sown. Dan, uniquely placed to bring a deep insider's perspective, knew all the the conservative French-Canadian Catholics whose great grandparents had worked in the mills (his own); the puppeteers and hippies and NYC transplants looking for land and "authenticity" in Vermont; the developers involved in the era's Robert Moses urban-renewal schemes; the corrupt old-school Dems at their table in the local dive; and even Ben and Jerry who became Ben and Jerry's right there in town. They all made up the mosh pit of the Burlington that Bernie captivated, running on the slogan "Burlington is not for sale," to become the modern era’s first socialist mayor, intimate with his constituents across workers, cops, lefties, and the little old ladies who organized their streets; he also boasted a foreign policy, a sudden national profile, and a bullhorn to speak to Ronald Reagan.

In the tradition of J. Anthony Lukas's Common Ground and the documentary films of Frederick Wiseman, this epic of American city life delves into the gossip—and the exhilaration—around Bernie's unlikely rise, as we watch an American place transformed one diner coffee, one neighborhood door-knock at a time.

Full of Sanders himself, reflecting and raging, hitting his themes, forging alliances with all comers, this is a mesmerizing portrait of a politician, a place, and a movement that would change America.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Poet and academic Chiasson came of age under Mayor Bernie Sanders' Socialist administration in Burlington, Vermont. It's no surprise that he decided to write Senator Sanders' political biography.

The Bernie Bros were never a thing. The likeliest explanation for the chimera was state-sponsored misinformation campaigns led by an authoritarian polity that supports the current administration taking socially divisive cyberaction to help the 2016 campaign waged by the current president succeed. As is the norm in the US, the main supporters of progressivism are young women and people of color. It's a relief in one way...those trolls were obnoxious...and very sad in another, because so much hate and rage has been sown in young white men so successfully for so long it's hard to see a path back from the ugliness for them.

This story is about one of the few remaining Sixties radicals who stayed true to his vision and who made it a point to live out those principles loudly and publicly. A terrific opposition leader, in other words...but not a person of Presidential timber any more than the current occupant of the White House is. (Albeit I'd take Bernie in that office every damn day over felonious yam.)

I wasn't raised in Burlington, saw none of Bernie's achievements, and was not engaged by the nostalgic-bordering-on-elegiac tone of the read. I'm glad to have a blunt, mouthy, principled person in the Senate, and wish Bernie a long, useful life. I don't think anything in this book altered my overall positive opinion of him, I don't find the book a must-read, but am very glad it's out there. Someday we'll need a reminder there *were* idealists in US politics. As it is now, this feels more like a finger wagged in my face for not getting on board with Bernie. Offered the choice between voting for Harris or Sanders, I'd still vote for Harris.

WHERE THE AXE IS BURIED, Ray Nayler gets his Nostradamus on

WHERE THE AXE IS BURIED
RAY NAYLER
MCD x FSG (non-affiliate Bookshop.org link)
$14.99 ebook, available now

FINALIST for the 2026 Locus Award for SCIENCE FICTION NOVEL!

Rating: 4.5* of five

The Publisher Says: All systems fail. All societies crumble. All worlds end.

In the authoritarian Federation, there is a plot to assassinate and replace the President, a man who has downloaded his mind to a succession of new bodies to maintain his grip on power. Meanwhile, on the fringes of a Western Europe that has renounced human governance in favor of ostensibly more efficient, objective, and peaceful AI Prime Ministers, an experimental artificial mind is malfunctioning, threatening to set off a chain of events that may spell the end of the Western world.

As the Federation and the West both start to crumble, Lilia, the brilliant scientist whose invention may be central to bringing down the seemingly immortal President, goes on the run, trying to break out from a near-impenetrable web of Federation surveillance. Her fate is bound up with a worldwide group of others fighting against the global status quo: Palmer, the man Lilia left behind in London, desperate to solve the mystery of her disappearance; Zoya, a veteran activist imprisoned in the taiga, whose book has inspired a revolutionary movement; Nikolai, the President’s personal physician, who has been forced into more and more harrowing decisions as he navigates the Federation’s palace politics; and Nurlan, the hapless parliamentary staffer whose attempt to save his Republic goes terribly awry. And then there is Krotov, head of the Federation’s security services, whose plots, agents, and assassins are everywhere.

Following the success of his debut novel, The Mountain in the Sea, Ray Nayler launches readers into a thrilling near-future world of geopolitical espionage. A cybernetic novel of political intrigue, Where the Axe is Buriedcombines the story of a near-impossible revolutionary operation with a blistering indictment of the many forms of authoritarianism that suffocate human freedom.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Political allegory is risky for authors to indulge themselves by creating. "The irony that haunts our entire history is that we humans have been the ones standing in the way of our own happiness the whole time" is a pithy truism. It's not much to hang a novel on.

Yet hang it does. The near-future techno-dystopia is all too real, all too probable, and dankly depressingly akin to the tech...bros...in charge of the most important functions of infrastructure's clear intentions. Why is "hacking" a crime? Because it interferes with the Aynholes' desires to install ransomware in all societal functions to exert supreme control over all humans. "The question isn’t who is going to let me; it’s who is going to stop me," is Ayn Rand's own deeply evil, greedy, and selfish distillation of the deeply evil, selfish, and destructive soi-disant "philosophy" entrenched in the tech industry, that reaches apotheosis in this story.

There are no good, humane systems in this novel, albeit they are uniformly very human-centered. Control of Humanity has always been at the center of all social and governmental systems throughout time. The eternal tension between the ideal of individual liberty and the safety of others has never, in my opinion can never, be anything more than temporarily balanced. It's the moment of imbalance, the time when the system built is not in equilibrium that makes this a novel not a short story. Looking into a dark and a deep void is courting vertigo. It's vertigo, a sense of the ground deciding it's not going to support one's weight any longer that defined this story to me.

Author Nayler blew past the discomfiting (to me) notion of AI government leaders into nightmare territory with the Federation president whose personality is digitized and downloaded time and time again into fresh bodies. An immortal being, like the Meths in Richard K. Morgan's Altered Carbon, will not in any meaningful way be human. I don't even think the present-day model for this character is human. Well, genetically so but not humane or honorable in human terms. Be that as it may...this is a cautionary tale about ignoring mile-long freight trains barreling towards you. You will get flattened.

“What a world, Nikolai,” the president had said. “no old age, no sickness, and no death. Finally, we can have both our wisdom and our health.”

The president said we—but it was only he who could have those things. It was only he who could escape old age, sickness, and death.”

Like the immense benefits promised to thee and me in the rollout of "AI" there's a very, very low likelihood of anyone under billionaire status deriving more than the tiniest benefits, and as few of those as they can manage, from "AI". Assuming it's ever better than it is at this moment, where the divide is already stark, it will immiserate billions and make greedy oligarchs a scoche richer.

The essence of the story is:

“That was how it was. One day you had your own country. Next day you were a refugee. You were in a line, waiting to be someone again. To be legal again. Not to be nothing.

You could spend your whole life waiting.”

...and you will.

It's a bitter pill of a tale written by Author Naylor from a far greater pool of knowledge than mine on every story axis. It is not me, an old, bitter, angry socialist, shouting at the clouds the tech...bros...float atop. It is one of their own saying, "pay attention now before you pay a very steep price for lazy inattention."

It behooves us without his knowledge, or his storytelling nous, to listen up while we can.

JANUARY 6TH: 24 HOURS AT THE CAPITOL: An Oral History of the January 6th Insurrection; THE CONSPIRACISTS: Women, Extremism, and the Lure of Belonging

24 HOURS AT THE CAPITOL: An Oral History of the January 6th Insurrection
NORA NEUS
Beacon Press (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: The 24 Hours in Charlottesville author offers a minute-by-minute account of the January 6 riots through the never-before-heard stories of those who were there Neus’s progressive lens goes beyond mainstream reporting to reveal important truths about racial justice and the US white nationalist movement

Drawing on the collaboration and support of Tim Heaphy, chief investigator of the U.S. Congress’s January 6 Select Committee; on exclusive access to the United States Capitol Historical Society’s oral history project on the insurrection; and on her personal contacts on the Hill, Nora Neus reconstructs what it was actually like in and around the Capitol during those 24 hours. Her narrators include high-profile politicians and maintenance workers, Capitol Hill residents and White House photographers, police officers who defended the building and insurrectionists who have since disavowed their actions.

Police officers recall the insurrectionists screaming at them and calling them traitors. Staffers remember “walking over pools of blood” as they ran for their lives. A young Asian-American staffer recalls locking herself in a room just feet from the rioters, mentally preparing to be raped. A mostly Black janitorial staff began cleaning the blood of insurrectionists off the marble floor on the Capitol before the building was even officially secured.

January 6 was a well-planned attack coordinated largely right out in the open, the threat of which lawmakers and government officials underestimated in part because it was coming from white people. Neus will examine the underlying racial implications of not only the attack itself, but also in the planning and coordination of the response.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: A deeply, deeply disturbing book about a searing and fateful moment in US history. No one wants to think about it this way but I'll say it openly: J6 was the Fort Sumter of the white supremacist rebellion. It's approaching a new inflection point with midterms threatening to expose the lies that undergirded felonious yam's 2024 election. We can expect more violence, and with a better prepared kakistocracy in place.

You're a citizen. If you're not, you still have a stake in what happens in the country that holds the planet's future habitability in it silos and missiles. Inform youself so you will know what to pressure your government officials to oppose, prevent if possible, and agitate for serious effort to neutralize.

It was, and is, possible for angry white men to plan and execute a coup attempt and get away with it because unexamined privilege, unacknowledged dominance, is finally being challenged. At this moment, the allies at the top are fumbling issues important to the aptly-named "base" so there is a window of opportunity we can not afford to bungle our handling of.

I encourage you, since you were not there on the grounds of the United States Capitol building on the sixth of January in 2021, to read these first-hand accounts from those who were. Calling this event a riot is inaccurate, diminishing both the intent of the perpetrators and the severity of the impact of their actions. Read about the planning...took place in the open, remember...the execution of this failed Putsch, the actions of the traitors. The awful things done, the horrifying behavior.

Now realize the sitting president, in his last Constitutionally sanctioned term, has issued many pardons for these men.

Do not assume the midterm elections will proceed as usual. Sound the alarm in your community for poll-watchers to be defended...and defended against. Do not sit it out because you're tired, because you don't think "They" would dare to do that.

Did you imagine "They" would dare stage a coup attempt? Because "They" did.

Openly. Without consequences.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE CONSPIRACISTS: Women, Extremism, and the Lure of Belonging
NOELLE COOK
Broadleaf Books (non-affiliate Bookshop.org link)
$28.99 hardcover, available now

Rating: 5* of five

The Publisher Says: How do ordinary women become extremists?

Leafing through photos from the January 6 insurrection, extremist researcher Noelle Cook was struck by how many women looked like her: middle-aged white women in puffy coats. Women were not on the fringes of the extreme right, she realized. They were radicalizing each other, and the pandemic was changing them. So who were the women of J6? And why did some of them believe in shape-shifting reptilians and the health benefits of colloidal silver?

This is the world scholars call conspirituality, in which New Age religion, online wellness culture, and extremism blend and become laced with antisemitic and racist theories. With acute attention to the emotional lives of women and research on conspiracism, Cook introduces us to Tammy, who believed storming the Capitol would help take down a global cabal of pedophiles. We also meet Yvonne, convinced she is a starseed destined to lead others into the fifth dimension. We visit a trade show where vendors hawk everything from quantum healing devices to government cover-ups, and trace the movement's roots to a nineteenth-century mystical philosophy.

With arresting detail, The Conspiracists draws us into the lives of conspiratorial women to explore how and why women are becoming radicalized. Women are crafting entire worlds, Cook argues, and we ignore these worlds at our own peril. As misinformation spreads and extremism intensifies, The Conspiracists does not seek to excuse women's conspiracism but rather to understand it. Otherwise, we have no hope of countering its force.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I am quite openly an atheist. In a world where how you pray and to whom can get you murdered, that is not the safe option.

One of the most powerful repulsive forces in my eyes against all religions, everywhere and of every stripe, is that this book's subjects are not unique to any one tradition...apart from the socially acceptable psychotic break that is labeled religion.

That statement will offend many. I've had a psychotic break recently, a reaction known to occur to people who take Levaquin (albeit very, very few of them, lucky me) as I did for pneumonia, so I speak from my own experience: If inanimate/invisible things are speaking to you, are counseling you about Reality, are imbued with consciousness or intelligence or both, you are experiencing a psychotic break...not a divine visitation or revelatory vision.

I'd treat the women profiled in these pages with the care and concern I received during my own psychotic break, gently attempting to lead them back to consensus reality. It's not always effective but it's worth trying. In profiling these women, Author Cook is not demeaning them, not saying (as I have) they are experiencing a mental-health crisis, not presenting value judgments outright...again, like I have done. She traces the women's sense of being abandoned, unconsidered, as they travel further and further into what most of us see as conspiracy-theory aberrations. It is a truth we as a society do not want to face head-on that huge swaths of our population are in the grips of this factually supported idea of themselves as abandoned, hard done by. In the face of that existential crisis what else is there to do but reach for some explanation, some reason? They already know there is no justification or excuse for their situation. There must be a "why," because there always is.

It's facing up to the vile, selfish cause of the nightmarish cruelty enacted on them that makes conspiracy theories so appealing and so successful. As these ordinary women's descent (as I see it) into aberrant thinking and acceptance of "alternative facts" demonstrates, the need to have a "why" is the most powerful inducement of conspiracies and delusions...of all sorts, in all times.

The absence of trust in what I see as trustworthy authority structures, eg science, has been carefully cultivated for more than a generation. (You can look up the research on your own.) It's led many people into a more general mistrust of what was once mainstream information economies that we relied on to build our consensus about the polity we live in. That vacuum, as the women profiled demonstrate in their adherence to beliefs not demonstrably truthful, is filled by the Othered communities they've chosen to fill the void. In those Othered communities there is stability, there is fellowship, there is belonging and validation the unempathetic outsiders do not offer.

I certainly don't offer empathy and understanding to people who believe they're messiahs, or that there are lizard people secretly controlling the world. Scorn and contumely by the dumpsterload, yes; understanding and empathy, not a smidgin. Hence my need to engage with this book: being Right is being part of the problem that's led to these fractures developing during the time of immense societal stress we're experiencing. In a quest not to unknowingly respond to others' delusional thinking, as I see it, with behaviors that will only worsen the problem I've identified, I seek my usual trusted source of advice: Experts who share my vision of the world more than they don't.

January 6th looms. It is a midterm election year, and there is widespread opposition to the current regime. A foreign war has been launched.

The omens do not portend a smooth course ahead. Conspiracists, you aunties, cousins, and grandmas, are likely going to support a radical alteration of the country's governance...despite the signs pointing to that course leading to repression and violence and immiseration. Beliefs that "They" are the ones who will suffer and be punished for "Their" misdeeds, that this horror will lead into a glorious Golden Age of Truth and Rewards for those who believed, are going to be dashed...are being dashed by the entire Epstein files debacle. Marjorie Taylor Greene, with whom I share nothing except the Constitutionally-guaranteed right to trial by a jury of my peers, has admitted she was wrong to hold her conspiracist beliefs.

It's a process we cannot hasten and widen in scope without understanding its roots. That was the point of Author Cook writing this book. Stand ready to escort the conspiracists back into consensus reality by learning how and why they left it.

ROBBIE CONAL: STREETWISE: 35 Years of Politically Charged Guerrilla Art, visual proof you are not alone

ROBBIE CONAL: STREETWISE: 35 Years of Politically Charged Guerrilla Art
G. JAMES DAICHENDT (Foreword by Shepard Fairey)
Schiffer Publishing (non-affiliate Bookshop.org link)
$45.00 hardcover, available now

Rating: 5* of five

The Publisher Says: With a foreword by Shepard Fairey, this is the definitive history of "America's foremost street artist" (Washington Post).

The politically charged art of Robbie Conal is gnarled, gut retching, and emotionally laden. Featuring every image in Robbie Conal’s storied poster campaigns, this is the definitive history of “America’s foremost street artist” (Washington Post). A foreword by Shepard Fairey, American contemporary street artist, graphic designer, and activist, sets the scene. Conal's satirical posters of political figures are given richer context as his life story is insightfully joined with art criticism by expert Daichendt. Today honored by museums and arts organizations around the world, Conal hit high speed during the Reagan administration in 1986, when he began turning his grotesque portraits into street posters. We see Conal's life come together at a critical moment to attack issues of censorship, war, social injustice, and the environment.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Do I need to explain why this book is on my #Booksgiving list? Look at the art.

You tell me why a book like this is a worthy gift item for your lefty giftee in need of heartening proof they are not alone in seeing the world this way.

No one's career starts out in high gear. We're tracing Conal's development in this book.

...but even as an ornamental object, not a subject of art-world interest to the recipient, this will gladden the heart of anyone saddened, enraged, or simply ground down by 2025's world.

"You are not alone" and "It's happened before and we made it through" are empowering and important messages to send, and to receive.

PIGEONS!: A Fable For Our Times, and many others throughout history

PIGEONS!: A Fable For Our Times
MARC CHALVIN
Street Noise Books (non-affiliate Bookshop.org link)
$25.99, available now

Rating: 4.5* of five

The Publisher Says: A contemporary political allegory of power, to remind us of the dangers of following a dictator and surrendering your freedom.

Life is simple for the pigeons. They have no desire to contemplate their future or take control of it. Free from responsibility, they are all too willing to submit to a strong authority. This is precisely what a cruel and power-hungry crow was waiting for—a perfect opportunity to wield his natural talents as a tyrant. The crow enforces law and order, but also terror and arbitrary rules. Everyone seems to accept this situation—or maybe, they are too scared to resist. Until an idealistic seagull steps in, determined to challenge the system through debate and free elections.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I really think everything I could say would be superfluous...if you wonder, like me, WHY people choose authoritarian social orders with such alacrity and frequency, this is your answer. Only told with sequential artwork, featuring pigeons.

Now look at the art.

I could go on, the publisher's been very generous with art for publicity, but I feel my point is made. Wisecracking birds in thrall to an authoritarian bird might make some of this make some sense.

Mostly I think the graphic-novel medium will let some messages slide through your at-risk young male giftee's defenses. It sure as hell can't hurt, it's cheap as a psychic inoculation against authoritarian/fascist bullshit goes.

THE AWL, Korean Manha of labor trouble like we're having

THE AWL Vol. 1
CHOI GYU-SEOK (tr. Lynn Eskow)
Ablaze Publishing (non-affiliate Bookshop.org link)
$14.99 all editions, available now

Rating: 3.75* of five

The Publisher Says: The Awl is a story of ordinary folks struggling to be treated as humans.

Set in the latter half of the 2000s, against the backdrop of “Pureumi”, a fictional superstore chain in South Korea, the work unfolds with a focus on two protagonists: Yi Su-in, who has been instructed by the corporation to dismiss workers unjustly; and Gu Go-sin, a labor activist.

A man of principles, Su-in is someone who cannot restrain outspoken criticism and is constantly at odds with the world. Though he has quit a career in the armed forces to live quietly and chosen an ordinary job, he once again clashes against the world because the company has ordered him to drive out employees by force.

Aiding Su-in is Go-sin, a cool-headed and deft labor activist who runs a labor counseling center near the Pureumi chain. Unlike Su-in, who has difficulty getting along with people and sternly sticks to rules, he approaches others without hesitation and even resorts to extreme measures at times to accomplish goals.

Together, Su-in and Go-sin will oppose the manipulation and moral harassment to which the employees are cynically subjected. The process through which these two figures remind ordinary, diligent workers of their rights and bring change together will fire up readers.

Remarkable in mastery and brilliance, author Choi Gyu-seok (The Hellbound) depicts with finesse all the adventures of this shock of two worlds, and at the same time offers an amazing portrait of a complex Korean society, crossed by multiple tensions.

Proof that popular works can also be created based on social topics, The Awl has left an indelible mark on South Korean comics. Entertaining and moving at the same time, The Awl remains a monumental work in the nation’s comics, consummate in its artistry, while conveying an important social message.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I'm the target audience for this story. I had a hard time following it because my sequential-art skills are pretty poor. I'm working to get myself past that barrier, but this story challenged my determination hard. I can't get to a full four stars because if I, fully on the side of these union guys, can't keep focused, what's the less-convinced reader going to do?

It seems odd to provide the US-market reviewers with Korean language artwork.

Nonetheless, I found the story of a man in corporate slavery, I mean work, with a functional conscience and a powerful moral compass, refreshing; I appreciated the PoV of the street-tough union organizer being humanized, as well.

It's not for everyone, but the ones it's for should know it exists.

HYBRED: A Graphic Novel, meditating on how bad the world will get set to *gorgeous* artwork

HYBRED: A Graphic Novel
JAMIE MUSTARD (illus. Francesca Filomena)
Street Noise Books (non-affiliate Bookshop.org link)
$20.99 paperback, available now

Rating: 5* of five

The Publisher Says: Set in a future-adjacent, alternative Los Angeles, this is a story of staggering poverty, drugs, and violence and of an artistic child who finds beauty in the ugly and sublime hope in our conflicts.

HYBRED shows us how in our most marginalized communities lies an astonishing amount of genius which goes unnoticed and is so often tragically wasted.

Nine-year-old Johnny James lives in The Casque, the poorest neighborhood in Greater Angeles, where he shares a one-room apartment with his mother, stepfather, two brothers, and an army of cockroaches. He spends his days in the sweltering heat of the neighborhood, at the movie theaters, playing tackleball, or drawing—but there’s no money for him to go to school.

As death, addiction, and violence swirl through the neighborhood, Johnny grows up with friends, adventures, and magic around him. And he discovers how to use art, beauty, and personal strength to transcend the forces destined to hold him back.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: This graphic story is a heightened, fictionalized alternate-history version of Author Mustard's real-life memoir Child X, recently published by BenBella Books. Added fantastical moments...levitating while in a flow state from making art, conjuring rain to ease "the Long Drought" afflicting his alternate LA...Author Mustard works within the world-view of a kid with no memories of brighter days, who can't conjure a brighter future.

we set our scene; Johnny exhibits powers

It comes to pass that, even in the direst, most terrible poverty, living with his four-person family in one room and unable (due to lack of money) to attend school, Johnny is capable of seeing true beauty, of creating from the drabness around him glimpses of a world imbued with the hope inherent in beauty.

Johnny's home is his world

I don't think you'll be surprised to learn that Johnny is magical, like so many trapped in his terrible circumstances...without hope, without prospects, paths to escape.

There is inside him the wellspring of beauty and art, and this story paired with the gorgeous artwork, does its best to show that anyone, no matter how deeply oppressed and neglected, can escape.

I don't know that Author Mustard really turned the trick of proving this point; in the end, I was more uplifted by the gestalt of the artwork and the story's points of view on the world Author Mustard created to hold his only mildly distorting mirror to our complacent, privileged faces.

Hold the image of the beautiful inside and out Johnny in your mind's eye; he will shine beauty back at you, nourish you with his goodness.

A treasure indeed.