May 2026's Burgoine and Pearl-Rule reviews

Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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Screen People: How We Entertained Ourselves into a State of Emergency by Megan Garber

Rating: 3.25* of five

The Publisher Says: From the popular and award-winning staff writer for The Atlantic, an eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back against this phenomenon.

Whether it’s our reality-television-star President or our expertly curated Instagram feeds, the line between fact and fiction—between what’s real and what’s fabricated for entertainment—has never been more blurred. Screen People explores what happens when we cede our reality to spectacle. Megan Garber explains how today’s internet-inflected culture conditions us to see one another not as people but as characters in an ongoing show, and how some of our most chronic and harmful social conditions—loneliness, depression, mistrust, misinformation, cynicism—stem from our demand for diversion.

In ten chapters, each themed around an element of stagecraft—from “The Producers,” who edit our reality, to “The Props,” the strangers we turn into objects of our amusement, to “the Haters,” the worshipful Qanon-types who expect the prophecies of their anonymous leader to play out on live television—Garber argues that this comedy of our daily lives is quickly becoming tragedy. And we can’t understand our politics without first understanding our culture.

Like The Anxious Generation but about our media diet, Screen People shows why Megan Garber is one of the most respected and widely-read journalists of our day. It is an urgent, page-turning, and dazzling look at how we entertained ourselves into our current predicament, and how we might find our way out of the maze of misinformation and chaos.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: My key take-away from this read was the new-to-me framing of social media as "two-way screens." I find that idea very useful in understanding the intense and very recent driver of our twentieth-century discovery of the joys of staring at things coupled with our ancient desire to be heard.

It's an important text but I felt it might just end my life as a sentient being from the numbing effect of too many wrong examples that don't amplify the argument (or even sometimes make sense to me) coupled to no examples of things that badly need explication.

HarperOne (non-affiliate Bookshop.org link) wants $14.99 for an ebook. Borrow it from the library.

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The Wasting of Borneo: Dispatches from a Vanishing World by Alex Shoumatoff

Rating: 3.75* of five

The Publisher Says: Acclaimed naturalist Alex Shoumatoff issues a worldwide call to protect the drastically endangered rainforests of Borneo

In his eleventh book, but his first in almost two decades, seasoned travel writer Alex Shoumatoff takes readers on a journey from the woods of rural New York to the rain forests of the Amazon and Borneo, documenting both the abundance of life and the threats to these vanishing Edens in a wide-ranging narrative.

Alex and his best friend, Davie, spent their formative years in the forest of Bedford, New York. As adults they grew apart, but bonded by the "imaginary jungle" of their childhood, Alex and Davie reunited fifty years later for a trip to a real jungle, in the heart of Borneo. During the intervening years, Alex had become an author and literary journalist, traveling the world to bring to light places, animals, and indigenous cultures in peril. The two reconnect and spend three weeks together on Borneo, one of the most imperiled ecosystems on earth. Insatiable demand for the palm oil ubiquitous in consumer goods is wiping out the world's most ancient and species-rich rain forest, home to the orangutan and countless other life-forms, including the Penan people, with whom Alex and Davie camp. The Penan have been living in Borneo's rain forest for millennia, but 90 percent of the lowland rain forest has already been logged and burned to make way for vast oil-palm plantations. Among the most endangered tribal people on earth, the Penan are fighting for their right to exist.

Shoumatoff condenses a lifetime of learning about what binds humans to animals, nature, and each other, culminating in a celebration of the Penan and a call for Westerners to address the palm-oil crisis and protect the biodiversity that sustains us all.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Author Shoumatoff's eightieth birthday is in about six months. This book, a long-form journalism piece written ten years or so ago, is typical of his non-fiction hobbyhorse of the roots of climate change in human activity.

He'd like us to stop fucking the planet over. Now, thank you and please. Happen I agree, so here's my plug for his eloquent plea-cum-demand.

Beacon Press (non-affiliate Bookshop.org link) will use their share of the $13.99 you spend on the ebook well.

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The Age of Walls: How Barriers Between Nations Are Changing Our World by Tim Marshall

Rating: 3.5* of five

The Publisher Says: Tim Marshall, the New York Times bestselling author of Prisoners of Geography , analyzes the most urgent and tenacious topics in global politics and international relations by examining the borders, walls, and boundaries that divide countries and their populations.

The globe has always been a world of walls, from the Great Wall of China to Hadrian’s Wall to the Berlin Wall. But a new age of isolationism and economic nationalism is upon us, visible not just in Trump’s obsession with building a wall on the Mexico border or in Britain’s Brexit vote but in many other places as well. China has the great Firewall, holding back Western culture. Europe’s countries are walling themselves against immigrants, terrorism, and currency issues. South Africa has heavily gated communities, and massive walls or fences separate people in the Middle East, Korea, Sudan, India, and other places around the world.

In fact, at least sixty-five countries, more than a third of the world’s nation-states, have barriers along their borders. There are many reasons why walls go up, because we are divided in many ways: wealth, race, religion, and politics, to name a few. Understanding what is behind these divisions is essential to understanding much of what’s going on in the world today.

As with Marshall’s first two books, The Age of Walls is a brisk read, divided by geographic region. He provides an engaging context that is often missing from political discussion and draws on his real life experiences as a reporter from hotspots around the globe. He examines how walls (which Marshall calls “monuments to the failure of politics”), borders, and barriers have been shaping our political landscape for hundreds of years, and especially since 2001, and how they figure in the diplomatic relations and geo-political events of today.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Decent read, very outdated but I got interesting insights into conflicts still going on in 2026. It's time for a second edition!

I like the guy's style; it's footnoted well enough but again, it's an older book of more historical contextualizing utility than up-to-the-minute political analysis.

Scribner (non-affiliate Bookshop.org link) thinks $13.99 is fair. I agree on reading merit, but think the library's even better for an 8-year-old title that could use a second edition.

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Immersions by Kyle McCarthy

Rating: 3.5* of five

The Publisher Says: Taut and spellbinding, Immersions follows the aftermath of a celebrated dancer’s abrupt decision to quit her company and join an enclosed convent in France, and her younger sister’s obsessive conviction that her sister’s ex-husband is responsible.

Frances’s older sister Charley was a star of the modern dance world. But just as she was ascending, she fell in love with Johnny, an enigmatic trust fund artist, and married him. A few years into their turbulent marriage, Charley mysteriously leaves her dance company and joins an enclosed convent in Provence. Much to the shock of her family, she changes her name to Sister Anne and cuts off contact with the outside world.

Frances, a dancer herself, grew up in the shadow of her brilliant sister and is suddenly unmoored without her. From their first uneasy meeting, Frances has distrusted Johnny. Now, she is certain he had something to do with her sister’s abrupt abandonment of her art and family. When Frances discovers that Johnny has returned to New York, she reaches out to him, looking for answers and seeking confrontation. The two plunge into an ambiguous intimacy—diving ever deeper, as each tries to unlock the other's secrets. A slender and twisted tale of sexual coming-of-age and of the deep bonds of lust and loyalty, Immersions asks how we are made—and unmade—by desire.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Toxic straight people in obsessive tidally-locked orbit around their barycenter, obsessiveness; Charley and Johnny plus Frances among them all are incapable of not acting impulsively, breaking things that can't be repaired, then replacing them with poor copies.

Your pleasure in the read will vary in strength in direct proportion to how much you enjoy the prose style. Satanic-second person is an unfavorite of mine.

Tin House/Zando Projects (non-affiliate Bookshop.org link) asks you to pass over $12.99 for an ebook. It's all second person. You decide.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:

People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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Storming the Wall: Climate Change, Migration, and Homeland Security (34%) by Todd Miller

Rating: 4* of five

The Publisher Says: As global warming accelerates, droughts last longer, floods rise higher, and super-storms become more frequent. With increasing numbers of people on the move as a result, the business of containing them—border fortification—is booming.

In Storming the Wall, Todd Miller travels around the world to connect the dots between climate-ravaged communities, the corporations cashing in on border militarization, and emerging movements for environmental justice and sustainability. Reporting from the flashpoints of climate clashes, and from likely sites of futures battles, Miller chronicles a growing system of militarized divisions between the rich and the poor, the environmentally secure and the environmentally exposed. Stories of crisis, greed and violence are juxtaposed with powerful examples of solidarity and hope in this urgent and timely message from the frontlines of the post-Paris Agreement era.

Todd Miller's writings about the border have appeared in the New York Times, Tom Dispatch, and many other places.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: At 34%, when Author Miller quoted Joseph Nevins' Dying to Live about borders being conceptually related to apartheid, I started having chest pains. I was scolded for trying to fix the world, told to go lie down and watch a stupid movie, and stop scaring the staff.

Uncharacteristically, I obeyed because I didn't want another weekend-eating hospital trip.

City Lights Publishers (non-affiliate Bookshop.org link) wants $17.95 for any edition. Well worth it if you're stout of heart and hale of constitution.

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Our Bodies, Our Data: How Companies Make Billions Selling Our Medical Records (51%) by Adam Tanner

Rating: 3.5* of five

The Publisher Says: How the hidden trade in our sensitive medical information became a multibillion-dollar business, but has done little to improve our health-care outcomes.

Hidden from consumers, patient medical data has become a multibillion-dollar worldwide trade between our health-care providers, drug companies, and a complex web of middlemen. This great medical-data bazaar sells copies of our prescriptions, hospital records, insurance claims, blood-test results, and more, stripped of names but still containing identifiers such as year of birth, gender, and doctor s name. As computing grows ever more sophisticated, these patient dossiers are increasingly vulnerable to re-identification, which could make them a target for identity thieves or hackers.

Paradoxically, comprehensive electronic files for patient treatment a key reason medical data exists in the first place remain an elusive goal. Even today, patients and their doctors rarely have easy access to full records that could improve care. In the evolution of medical data, the instinct for profit has outstripped patient needs. This book reveals the previously hidden story of how such a system evolved internationally.

This investigative narrative seeks to spark debate on how we can best balance the promise big data offers to advance medicine and improve lives, while preserving the rights and interests of every patients. We, the patients, deserve a say in this discussion. After all, it's our data.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: At the beginning of chapter 11, "The Patient's Data Tower of Babel," I realized how much has changed in the 10 years since this book was published. It needs a second edition.

Not at all poorly written, and still *very* useful for orienting newbies to the scope and scale of this disaster; just check it out of the library, and keep in mind how much worse it's gotten.

Beacon Press (non-affiliate Bookshop.org link) says "$17.95 please" for an ebook to get on your device. Library it...it's out of date, but still urgent to know about.

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DARK ECHOES OF THE PAST, (Heredia Detective #13) is first one to make it into English

DARK ECHOES OF THE PAST (Heredia Detective #13)
RAMÓ DÍAZ ETEROVIC (tr. Patrick Blaine)
AmazonCrossing (non-affiliate Amazon.com link)
$3.99 ebook, available now

Rating: 4* of five

The Publisher Says: The first novel by multiple-award-winning Chilean author Ramón Díaz Eterovic to be translated into English―a landmark event for fans of crime fiction.

Private investigator Heredia spends his days reading detective novels; commiserating with his cat, Simenon; and peering out over the Mapocho River from his Santiago apartment. The city he loves may be changing, but Heredia can’t stop chasing the ghosts of the past. This time, they’ve come to him…

Virginia Reyes’s brother, an ex–political prisoner of dictator Augusto Pinochet, was killed in an apparent robbery. Yet nothing of value was taken. The police have declared the case closed, but Virginia suspects that things aren’t quite as they appear and turns to Heredia for help. Heredia couldn’t agree more―but he can’t shake the feeling that there’s something Virginia’s not telling him.

Heredia knows this is not a simple crime. His investigation proves it. Drawn back into a world where murderers nest, secrets are to kill and die for, and Pinochet’s legacy still casts a long, dark, and very threatening shadow, it’s all Heredia can do to crawl out of it alive.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I love a late-life career change story. I love a PI who drinks whiskey, takes mysterious women's troubles seriously, and reads books in the book I'm reading.

I'm annoyed that book thirteen is the first book to be translated from this long-running series. I'm still more annoyed that, after then translating book four, AmazonCrossing abandoned the project. "I guess they didn't sell enough of them" is an idiotic statement when referrering to a "they" that controls over half the US book-sales market and is part of a multi-billion dollar company. Define "enough" please.

Okay, the story itself: Dark as a black kidnapper's hood on a moonless night. Dark as a victim locked in a car trunk on a one-way trip to torture and death's mood. That's what it's about, after all. What happened in Chile under the US-backed Pinochet regime was full of stories like Virginia Reyes' and of course like her dead brother's.

Oh wait...maybe I have a glimmer as to why this series wasn't continued, and even maybe why the translator chose this one to start the Englishing with. Some glimmers of why I never heard much about the series crease my brain at last.

There is darkness at the heart of every empire. Look a millimeter under the shiny surface that's there to dazzle and entertain you and stories like this one are common as pig tracks. Kudos to Translator Blaine for using the dazzle to be a magnifying lens for the ugly, horrifying acts you're dazzled into not seeing. Have none of us really understood "The Lottery"? Or "The Ones Who Walk Away from Omelas"? And those two, going back fifty, seventy-five, years weren't the first in their "look past the surface" genre.

A tense, intense, dark and twisty ride through the ugliest parts of an imperial project we still operate today. The definition of extraordinary rendition exists because of this story's well-explored historical roots. It should disgust and shame us all.

Authorial styles arise from decisions on how to present ugly facts. I found Author Eterovic's style, as ably translated by Patrick Blaine...you can feel a op-flight translation just like you can top-flight prose in your own language, and this is the stuff...right up my alley.

Recreational stress with a side order of ugly history, anyone?

SHAKESPEARE IN SOUTH FLORIDA, good story I feel is being misunderstood by not-targeted readers

SHAKESPEARE IN SOUTH FLORIDA
CHRISTOPH PAUL & CAROLINE MACON FLEISCHER
CLASH Books (non-affiliate Bookshop.org link)
$5.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: In this coming-of-age romantic comedy, a 17-year-old virgin film nerd, Joseph Caldo, who sees himself as a real-life art film, experiences first love, first sex, and first heartbreak in the surreal setting of South Florida while trying to make sense of Shakespeare’s stupid plays.

Caldo has no real social life, unless arguing about film online counts. Having seen so many films while struggling romantically, he has formed a theory that women pick romantic partners the way they pick which movie to watch. He’s definitely not a blockbuster, a rom com, or even a horror film, he’s more of an indie art film that is unfortunately funny. He worries he’ll never find the person who will accept and love him, the way that he accepts and loves his favorite obscure films.

That is until he meets Alexia at his grandmother's retirement home. Alexia was court-ordered to do volunteer work for her DUI but it's cool, Caldo has issues too, and it feels like they have a real connection. But there's also Valerie. The new girl at Caldo's awkwardly small school. She's a straight-A student who is attending on scholarship and is assigned the difficult task to mentor him in Shakespeare's plays. The two opposites have nothing in common except for being romantics who do nothing but fail at romance.

With first jobs that go very wrong, untimely food poisoning, and fake prom dates, Caldo unintentionally reenacts Shakespearian tropes in the heart of South Florida. Humor award-winning author, Christoph Paul, and Caroline Macon Fleischer's Shakespeare in South Florida is a quirky romantic comedy about being 17 and falling in love.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: "Unless you're rich, a model, athlete, or a cocaine dealer, South Florida is not as glamorous as people think. It's somewhere between Hell and Purgatory."

Word.

It could be just me, but a lot of people who've read this book and weren't thrilled by it seemed to me, as I was surveying the opinion landscape around the rewad, to be fundamentally off the mark in interpreting the read. Maybe it's me that's wrong, but what I saw in the very things the reader-response reviewers took issue with and exception to, was deliberate, calculated stylistic choices.

I myownself read this as Caldo's book, the way a seventeen-year-old would write a book with maybe some stuff that isn't necessarily *correct usage* but says what he needs to say. I can't say the typos were deliberate...I only possess a DRC not a finished copy...but it gave me the feeling I was right there, in that moment, with Caldo while he figures out what the hell all these feelings are by reaching for what he's been told are Humanity's most relatable romantic thoughts and expressions (Shakespeare) and mixing it up with the cultural zeitgeist-bearers he hears and his peers accept as authoritative on love (Billie Eilish).

Author Christoph's over thirty, so I've no authentic clue as to whether he got it right for the seventeen-year-olds I want to read this book; but I grew up being told Holden Caulfield spoke to my generation of boys, which he didn't, so I'll hold off on that conversation. I'm old enough to be Caldo's grandpa. I see what I think Author Christoph's tryig to do, and I approve, like my mother approved of what Salinger was trying to do in Catcher in the Rye. I saw how different the twenty years between Salinger's book and my reading of it had made the world, yet still *got* the story and liked it a lot. No such time-gap exists here, so I hope it will be even more intimately relatable.

In a slightly muddled way I'm trying to get across the fact that I think most who rated this story lower than my four stars did so out of a misreading of what was being done in the book. I saw the same words but from a different, more immediate and more personal angle, framed by authorial intent to speak to an audience that only peripherally includes me.

If I had a late-adolescent grandson I'd give him this book. I think we'd have a grand time reading it and talking about it.

It's not a costly ebook, so maybe read a sample through my proffered lens and see if you don't put it on your ereader for real.

THE MADNESS PILL: One Doctor's Quest to Understand Schizophrenia, can be a tough read but has a hopeful ending

THE MADNESS PILL: One Doctor's Quest to Understand Schizophrenia
JUSTIN GARSON
St. Martin's Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A rollicking history of the life and work of an unheralded genius: Dr. Solomon Snyder, whose experiments with mind-altering drugs helped change the way we think about the causes and treatments of schizophrenia.

In the 1950s, the field of psychiatry had nothing to show for itself. While polio was being cured, antibiotics were being discovered, and cancer research was developing, the mental health world had no wins. Asylums were full and nobody had figured out how to fix insanity—specifically schizophrenia, the severest mental illness. Scientists became convinced that if they could engineer a pill to create madness, then they could cure it.

Centered around Solomon Snyder, the psychiatrist who ultimately did identify the madness pill, and the community of doctors and researchers he worked with, THE MADNESS PILL recounts the drug-fueled quest to cure schizophrenia. A wunderkind who started medical school at 19, Snyder worked steadily for decades to replicate the illness, ultimately finding in 1970 that amphetamines could trigger a schizophrenia-like state by flooding the brain with dopamine. Five years later, he went on to discover the dopamine receptor and proved that antipsychotic drugs work by disabling dopamine neurons. Snyder’s dopamine hypothesis inspired a generation of researchers to part ways with psychoanalysis and look for the biological basis of schizophrenia and other mental disorders.

Using first-hand research and interviews, THE MADNESS PILL is at once a raucous history and insightful portrait of a remarkable scientist who turned psychiatry into a respected science by transforming how mental illness is treated.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I did not think I'd review this book all that politely. The publicists who wrote the synopsis above used two words in particular that felt...off, odd, even a smidge dishonest, in my mental ear: "rollicking" and "raucous." A scientist's life's work decribed in storytelling superlatives, not scientific ones like "groundbreaking" or "paradigm-shifting"? ::side-eye::

One victory for y'all, publicists. This story as told by Author Garson does indeed rollick raucously through Solomon Snyder's life's work in neurochemistry. I'm a big proponent of talk therapy for those able to benefit from it. Those who can benefit include me (happily) when, after a major crisis that was stabilized by antidepressants, aka neurochemicals, I entered another phase of talk therapy that has presented me with ongoing benefits that I remain deeply grateful for.

Schizoaffective disorder and the multitude of brain-chemistry malfunctions related to it is not adequately addressed by talk therapy. Until Solomon Snyder got to pokin' around because there was zero progress towards curing this life-ruining disorder, there was no good outcome for its sufferers on offer anywhere. It's still a horrendously difficult condition to manage even with neurochemical models explaining some root causes of its symptoms, and chemical therapies helping manage some of devastatingly painful results of its symptoms.

Author Garson is chatty in his presentation of the facts uncovered by Sol, as Dr. Snyder seems to be universally referred to after a time, and his collaborators and even enemies. (No one who changes paradigms is going to be without enemies, detractors, and ill-wishers.) The chattiness and the organizing principle of Sol's personality and perspicacity leads to the strange sense that we're getting to know *about* Sol, getting to know how he affected people and worked with them...or didn't...but not to *know* him. The research, the systems of conducting it, aren't glossed over or lingered on. It's very uncomfortable stuff to our twenty-first century eyes. Sol was in the thick of it. He did wonders for people who previously had little to hope for; getting there, he caused harm and suffering. Those who suffer with experimental animals are strongly cautioned not to read this story; those who feel raw about issues of consent are not going to find this subject matter at all easy to contend with.

There truly is no light without shadow.

Light there is, all in despite of the dark tunnel traversed to get to it. I have known eople suffering with schizophrenia who, when medicated, felt worlds better than without these hard-won treatments. Some have not felt the positive effects outweigh the frustrations of the side-effects that come from altering one's brain chemistry long term. My sample size might not be huge but is exactly in line with the results reported, and analyzed, in Author Garson's story. The names of the chemicals, the names of the drugs, the explication of the functions of them...all of that's a lot, and be ready to use Google often. But the reason to keep your attention on the page is that this detailed information is the foundation of the genuine miracle that is the help offered to previously unhelpable sufferers.

I was so buoyed up by this end result that I was able to consider the abusive and unethical (by today's standards) actions committed and/or not opposed at any point in the process as distasteful, but not disqualifying of the results as very much positive. I do not feel that way about, say, watching a Weinstein-produced film now that I know the crimes he committed, or the awfulness of that transphobic conversion-therapy supporter whose wizard books I once enjoyed.

I offer my ethical calibration for your reference only. Your decision about learning the good with the unpleasant in search of help for the mentally ill is not for me to do more than inform. I felt all the way through the read that I'd've been even happier had Author Garson discussed ethics in specific and open terms as we went along but the way he chose to address the issues passed my muster. Barely...more would've been better.

Again I strongly caution those sensitive to animal suffering to avoid this entire topic. It will not reward you commensurate with your own distress.

HOW TO SELL A GENOCIDE: The Media's Complicity in the Destruction of Gaza

HOW TO SELL A GENOCIDE: The Media's Complicity in the Destruction of Gaza
ADAM H. JOHNSON
Pluto Press (non-affiliate Bookshop.org link)
$17.95 ebook, available now

Rating: 4* of five

The Publisher Says: As bombs rained down on Gaza in October 2023, images of mass death and destruction gripped the world, and openly genocidal statements from Israeli leaders foretold the magnitude of horrors to come. But the US media was quick to downplay, obscure, and repackage an emerging campaign of extermination into a slick “war on terror” framework.

How to Sell a Genocide is a thorough indictment of US corporate media's role in enabling—and, at times, directly inciting—one of the most devastating campaigns of mass killing in modern memory. Johnson unpacks how major news outlets like The New York Times, CNN, and MSNBC systematically sanitised Israel's war crimes, hid the US’s central role, and dehumanised the Palestinian people.

Drawing from deep, original data-driven analysis, Johnson dissects the mechanics of propaganda, from the selective empathy, strategic omissions, overt racism and repetition of state-sanctioned falsehoods, to the demonisation of humanitarian workers and dishonest coverage of campus protests. With clarity and moral force, Johnson argues that the genocide could not have been sustained without the active, sustained complicity of the US media.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: When I read "deep, original data-driven analysis" in the book's synopsis, I realized the read was going to be tendentious, probably ill-sourced, and reflective of the need to marshal supporters of anti-war, pro-Palestine leanings into willingness to take action. That's exactly what I got.

Since I am all those things I find it hard to fault this read for being what it's supposed to be. If you are not all those things, or are anti-all those things, you'll be very unpset by this read. I myownself think you might should read it anyway.

War crimes are committed when there are wars. Both sides commit them. But do not lose sight of the fact that one side started this war. They're looking for you to believe they didn't start it, the other side did by doing something terrible. That terrible something did not suddenly occur in an otherwise peaceful and ordinary world, though. And that terrible something did not involve bombing runs by sophisticated jet aircraft, advanced anti-personnel drone attacks, destruction of thousands of homes, missile attacks on hospitals...in other words, we're being fed false equivalences to disguise a long-term and intentional act of ethnic cleansing, perhaps rising to the standard of genocide set after the Holocaust. I'm not a lawyer so I can't speak authoritatively on that. I'll say that my reading of the bloviations from each side of the conflict leads me to think there is a case to answer and a darn compelling body of evidence to compel the case to be brought in the court of public opinion.

That's why this book exists. It's a highly emotional read. It's a highly emotional subject. It's part of an effort to break through the saturation-bombing of the pro-Israel lobby's PR firms.

Are there angels in this conflict, the pure and unsullied victims of hateful demonic criminals?

No.

There are only ordinary human beings who need, but don't have, the basics you and I walk outside our intact homes to access: streets we can use easily, food stores with the planet's abundance piled up for us to choose from, water pipes to quench our thirst, sewer pipes to take our waste away to keep us healthy, hospitals to care for frail bodies' failure points, living parents and children and loved ones who, when they leave our sight, are statistically likely return to us alive and as well as they left.

War is wrong. Always and eternally wrong. It is war that created this oongoing crisis. War is a decision, a set of decisions, made by people who want *something* so much they're willing to trade your life for it. Never theirs, or the wars would be short.

I don't think for a single second that Humankind will ever be free of war. If reading words could stop war there wouldn't still be any of them.

Reading words is a slow process, thinking about them slower still. Changing minds, firing up action in people who don't like doing hard things, that kind of thing that words *can* do, all has to start somewhere.

I ask you, please, for the sake of people you have never met and will never meet: Start the process in yourself now. Pay it forward, to the best of your ability, and know from the beginning that you won't "win" or "succeed" or "finish the job" because the work is never, can never be, complete as long as there are human beings.

But let's make sure the greatest possible number of people live out their "one wild and precious life" as poet Mary Oliver taught us to think of it.

VILLAIN (Hench #2) is Author NATALIE ZINA WALSCHOTS long-awaited and worth the wait sequel

VILLAIN (Hench #2)
NATALIE ZINA WALSCHOTS
Watch the inimitable Nancy Pearl interview Author Walschots here!
William Morrow (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.75* of five

The Publisher Says: The Boys meets Starter Villain and Assistant to the Villain in Natalie Zina Walschots’s electrifying, sharp, violent, and hilarious sequel to the highly acclaimed novel, Hench, in which the Auditor must confront the near-impossible in order to right the many wrongs in the superhuman industry…or cause more of them. She’s not picky.

Anna, better known to superheroes as the Auditor, has carved out a name for herself. Any hero unlucky enough to cross her path knows her potential and powers. Surely, success should taste she has an incredible job with lots of perks, and her boss will literally annihilate anyone who crosses her, and her greatest enemy, the former hero Supercollider, has been utterly defeated and literally ground to a pulp.

But Anna still has her sights set on a greater destroying the Draft, the organization that makes, trains, and manages the world’s most powerful superheroes. These “heroes” have shown time and time again that they do more harm than good, and now is the time to stop the damage at its source.

Yet all is not well for the Auditor and her fellow evildoers. Her employer, Leviathan—the world’s most feared supervillain—is not coping well with Supercollider’s defeat at someone else’s hands. Moreover, her unlikely ally and unexpected friend, Quantum Entanglement, has vanished without a trace, leaving Anna to examine all the ways they deceived each other. Tension and uncertainty fill the air, and fear that this moment of triumph is about to crumble looms over all of them.

Anna soon finds herself facing down an opponent unlike any she’s taken on before—not another superhero, but someone like her…someone much more the Draft’s Chief Marketing Officer. This isn’t a test of physical prowess, but ideas, and as the fight spirals deeper and deeper, with new foes popping up every day—she’ll need more than just her superpower—data research—to keep ascending through the supervillain ranks.

It’s guerrilla ad warfare, and the Auditor might have finally met her match.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: It took five years, but the sequel I've quietly pined for has arrived. I downloaded the DRC in February, started reading it in late March, and finished a final pre-review skim last night. I treated this read as a reward, an experience to be savored, because Hench was such a completely fresh experience that it made me rethink the messaging of superhero crap, made me consider how subversion can in fact look like participation or even celebration. I liked The Boys because it's taken that idea to its logical end-point; but it came after Hench had prepared me psychologically for its storytelling mode.

The Department of Superheroic Affairs, aka "the Draft," is the organization that's responsible for everything involving superheroes. They do the recruiting, training, and funding...who ever stops to think about the accounting and expenditures that enable superheroes to blow apart entire city blocks? can you even imagine the insurance bills?!...and they create the most compelling backstories for them that they can. It means only certain tropes survive time-testing as superheroes wreak havoc in order to "save" people from supervillains.

Who also have an organizational structure centered around Leviathan, for whom our dear Anna...formerly Electric Eel's hench, now known as the supervillain "The Auditor" (if that yclepture doesn't provoke horripilation you've never filled out an accounting reimbursement justification)...serves as right-hand person. Leviathan, after the end of Hench sees the biggest rival he has (Supercollider) fall to richly deserved intimate betrayal orchestrated by Anna/The Auditor, is too depressed by the newly unchallenging world he lives in to be effective in supervillainy. Anna/The Auditor needs to snap him out of it but, in a truly tropey twist, The Draft hires a new marketing manager. One who is Anna/The Auditor's equal or possibly superior in data analytics and statistical modeling...the secret superpowers that brought Supercollider down. Now Supercollider is permanently damaged, and dies as the Draft's medics are trying to "untangle him from himself," and the Draft's new marketer finds enough dirt to plausibly, if inaccurately, pin responsibility for his death on Leviathan.

Hijinks ensue.

To look into this only-slightly-distorted mirror world is to see 2026 explained without didactic shouting, blaming, and finger-pointing. It's all here, all the guilty parties are lined up for our scorn and contumely to be unloaded on them, and exactly like real life they are everywhere not just on one side. False dichotomies like hero-v-villain aren't allowed to stand; the acts perpetrated are equally awful, are not discernably different in their results. They're not different in their motivations, either; each "side" is only out to do down the other side and then justify the carnage for everyone else later.

It is here that I come fully into my love of Author Natalie's storytelling. The battling sides are not contesting opposing ideas, arguing through competing society-wide organizational plans, they're solely and entirely focused on hurting each other in increasingly horrifying ways. What that means for non-combatants is (yet again) not part of the calculus except insofar as the optics can be used against the other side.

As Leviathan re-awakens to his supervillainous purpose, Anna/The Auditor and her scoobygroup are stretched on practical and emotional levels to achieve Leviathan's purpose and counteract the Draft's new, high-powered team that uses Anna/The Auditor's innovative techniques against them. As in Hench, the emotional costs of violence, loss, betrayal, and fanaticism are personalized while the impersonal systems grind on propelled by the suffering people behind the major players.

I think Author Natalie took her time...I understand she re-wrote this book four times...to very good effect. I got invested again immediately despite the long interval between reads. I was deftly reminded of things necessary to remember instead of infodumped on; I was also shown how time has passed in the storyverse and the changes that has wrought on significant relationships. It's a fine achievement in storytelling craft. The ending is not A Conclusion. There is openness in its action to either another sequel (yes please!) or simply room for you-the-reader to headcanon something you'd like for the characters. It works for soap operas and comic book series, why not for a supervillain's difficult choices and incomplete emotional development?

I recommend the read; it's not utterly necessary to read Hench first, but why wouldn't you want to? It's a series with a lot to say about the world we live in, and what it says I agree with, so I'm recommending it to all y'all, even the superhero/comic book averse.

After all, that described me before this series came my way.

THE TRAITOR, last major novel of Kōbō Abe's to reach Anglophones

THE TRAITOR
KŌBŌ ABE (tr. Mark Gibeau)
Columbia University Press (non-affiliate Bookshop.org link)
$26.40 paperback, available now

Rating: 4* of five

The Publisher Says: In postwar Japan, a writer meets a small-town innkeeper who is obsessed with a tale from the nineteenth century. He relates the saga of Enomoto Takeaki, an admiral in the final years of the Tokugawa shogunate who regained authority under the Meiji government. A former member of imperial Japan's military police, the innkeeper dwells on the question of loyalty even as he struggles with his responsibility for the arrest and murder of his brother-in-law during the war. Later, he sends the writer a mysterious manuscript purporting to be the account of a peddler turned samurai whom Enomoto betrayed.

Part historical fiction, part detective story, The Traitor is a remarkable novel about navigating changing political landscapes by one of the most significant modern Japanese writers. In his only historical novel, Abe Kōbō turns to a pivotal moment in Japan's past to explore profound questions about the nature of loyalty and the choices that people must make when they encounter forces beyond their control or understanding. Published in 1964, when a new generation had begun asking their parents about the war, Abe's tale of betrayal sparked controversy across the political spectrum. The great writer's most important previously untranslated novel, The Traitor displays Abe's literary mastery from a new angle.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: An historical novel from its inception, this read is now itself an historical artifact being sixtyish years old, but is also framed as an historical tale recounted in a period earlier than it was authored. Translator Gibeau is the first to render the historic-historical novel into English. I was initially surprised this was the case; the beginning of the story is that quick to capture one's attention with its immediate postwar framing device. It's a long story, though, with all the pacingissues that can lead to (sadly) being present.

It was an enjoyable read for me, to be sure. I say that despite needing to stop and re-read some of the middle third of the book, where lots of names and dates and cultural touchstones are presented but not explained as they would be in a work of non-fiction. There is an Afterword from Translator Gibeau that provides context and explains some cultural resonances. It's a bit difficult to read that after the confusion of the midsection of the read and relate the information to the proper spots. I found I was curious enough about the Kempetai, for example, to go looking for information on the internet while I was reading.

I'm not really doing a very persuasive job of selling you on the read am I. In truth I think this read is one for the Japanese-culture vultures. I'd love to tell all y'all to get and read it but there would be much throwing of bricks and dropping of gloves if I succeeded and too many of y'all did not want to do that much work. The techniques of surrealist literature aren't overused here, as I sometimes feel they are in his more famous work; but they're present, so the allergic are informed.

The most interesting thing about the read to most people is likely to be the cravenness of the WWII character's motivation for seeking out the truth of the Meiji-era story he discovers, that provides the direct reason for the title. It's a punchy title, isn't it? I was almost put off by its sinplicity because I thought it might be a sign of a reductive storyline. In truth, it's the only possible title for the tale unwound for our pleasure because it provides a powerful pleasure of slow-dawning realization and deepening of the reading experience.

Note to the Spoiler Stasi: you won't spot it until the author wants you to. No I won't say more.

I hope to have piqued the curiosity of enough of y'all to give this not-easy, not-simple, very rewarding effortful read a shot. Please do, it is good exercise for your little grey cells with less than the usual puzzle-like story's obfuscation.

History lessons can be entertaining, and this newly-translated novel from the renowned author of The Woman in the Dunes amply demonstrates. Please give it a try.

SANCTUARY, a talented writer's debut dystopian cli-fi tale of tomorrow's reality

SANCTUARY
JAMES CLEARY
Berkley Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: “The meek shall inherit the Earth, unless the rich get there first.” That’s the reality of the post-apocalyptic world in this electrifying debut thriller.

The near future…

Climate disasters have crippled the United States. With half the country under water and the other half a dust bowl, civil unrest would soon escalate into something darker, something unstoppable. Billionaire John Brandt anticipated this and channeled his money, power, and influence into being prepared for the great unraveling.

Now Brandt, his family, and his security team must retreat to Sanctuary, their underground bunker—a vast luxury mansion beneath the parched earth of the Nebraskan Great Plains. But they are not alone. Above ground a group of raiders are desperate to survive and will use any means possible to accomplish that goal.

As tensions mount both inside and out, battle lines are drawn—between the haves and the have-nots, between decency and expediency, between life and death. In this game, everyone's a loser.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Eco-thriller beginnings as the planet's climate collapses into chaos, the US follows suit, and the civilization we take for granted vanishes. Dystopian survival story post-collapse nightmare comes for us all. The necessary, we-will-have-it conversation of how much is enough, how will you share your excess, if you won't do it voluntarily we will make you. Thhese three storytelling modes co-exist, with highly permeable boundaries, in debut Author Cleary's book.

It's a melange of ideas that turns at times into a melee. The combatants are all possessed of powerful motivation, survival, and thus give it their all. We-the-reader are given a straightforward narrative that propels the story from inception to ending (if just a bit abrupt in our arrival there) interleaved with journal entries that add emotional textures and act as masses that alter the flow of the story's movement. I did not feel this was quite deft enough in its execution for me to offer that fifth star, but it's a hard tick to pull off. So a quarter-star for the right idea not exactly well executed.

None of the above touches on the emotional punch of this story. The coinage of "grey swan" on analogy with "black-swan event" is particularly deft and effective. A grey-swan event is visible, clearly understood to be coming, and yet somehow still ignorable thus ignored. Very like the characterization of bureaucratic pettifoggers being said to "rearrange the deck chairs on the Titanic" as the Depression of 1929-1939 unfolded.

I hope I do not need to belabor this point's relevance to 2026's audiences.

As hunger, true hunger, bites these people in this world, morality shifts. We in the US have not faced hunger of famine proportions in so long it is not even in living memory. Our insulation will be stripped away. It will bring dark, ugly revelations to individual members of the out group. It's a stark truth, attested for many millennia, that starving people will do anything at all to survive. It is built into us as animals. It changes the people in this story: "The dad. The husband. The carpenter…The murderer? Yes…It hadn’t even been that hard."

It's a lot to take in, but it is a distillation that rises from much documentary evidence.

Start preparing now. The Grey Swan is looming.

LIAR'S CREEK, Matt Goldman's Clay Hawkins mystery series book one

LIAR'S CREEK (Clay Hawkins #1)
MATT GOLDMAN
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: From New York Times bestselling author and Emmy Award-winner Matt Goldman comes Liar's Creek, which asks how far we'll go to protect the people we love.

The small town of Riverwood, Minnesota is true to its name, brimming with beautiful scenes of nature. Its rural landscape is threaded with scenic trout streams, which carve their way through limestone bluffs. But beneath its picturesque facade, danger runs rampant.

Clay Hawkins isn’t a stranger to the secrets of his hometown. After twenty years away, Clay has recently returned home from abroad with his twelve-year-old son Braedon, and his relationship with his father Judd, the recently replaced sheriff, is as strained as ever.

Trouble immediately brews for Clay when his beloved uncle, Teddy, disappears. Together, the three generations of Hawkinses must overturn every stone in Riverwood and confront deep familial wounds to find the one person who brings them together. As danger looms, Clay worries that it might be too late to save Teddy—and that the rest of the family might be next.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Author Goldman clearly invested a lot of mental energy in Clay Hawkins' life trajectory. It's all here: dead mother, grouchy prickly father, adolescent son with all that implies and entails, escapr from then return to Home after a fun, fascinating adulthood elsewhere...it's all here. Coming home has its rewards, these aren't skimped, and its risks. Uncle Teddy, who vanishes without explanation, is going to be found, by Clay, and damned if his family's ugly secrets they do NOT want splashed around will stop Clay from doing it.

Perch that determination on top of his...estranged, unliked...father making a friend of Clay's son, and the differing ways to be a father between the generations add a load of tension between them, among all three of them. The women in the story are all strong, competent people, with their own careers and concerns. They're not little ladies, nor are they ball-busting viragos, they're presented as flawed and imperfect like the stiff-necked men they choose to hang around with.

The mystery's resolved. Copious trout-fishing is done. Football/soccer is discussed. The manly men (and one about to start being a man) all do man-stuff like pointedly not talk, like ignore feelings (their own of course, but each others' too), not talk, lust after women, and not talk. It takes extreme measures to goad them into speech not about sports. When they do talk, shit gets done and in a hurry.

I'm afraid I was not surprised by the big reveal. I really seldom am, and this was not one of those times. I don't fault Author Goldman for that. I fault him a little for apparently losing track of some red-herrings that will stink up the furniture in future installments of the series. There will be future installments because no publisher works this hard to drop a promising premise. I hope the team will make some serious effort to answer young Braedon's quite reasonable questions about his past that he's too young to remember on his own.

A promising debut series that needs a bit of finesse applied as it matures.

FIDELTY, a Belt Revivals series story by forgotten feminist Susan Glaspell

FIDELTY
SUSAN GLASPELL (intro. Sarah Blackwood)
Belt Publishing (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A classic feminist novel originally published in 1915, and set in Iowa in the early years of the 20th century, Susan Glaspell's Fidelity is a surprising, suspenseful work about the strictures that confine women, the risks those who want to flee them take, and the opportunities that await them if they do.

Ruth Holland, bored in her conventional small town, falls in love with a married man and runs off with him, shocking the community. A decade later she returns to cold shoulders and the disapproval of the town: she is seen as "a human being who selfishly—basely—took her own happiness, leaving misery for others. She outraged society as completely as a woman could outrage it ... One who defies it ... must be shut out from it."

What Ruth decides to do next will upend most readers' expectations, as will the cryptic scenes that take place in the doctor's office after Ruth becomes involved with her married lover. Ruth Holland deserves to be placed alongside other heroines such as Emma Bovary and Lily Bart, women who wanted "an enlarged experience" and were "zestful for new things from life." Fidelity will shock and fascinate readers today as its heroine did in her day.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: It will most certainly shock readers today, will this read; not for the same reasons and not to the same degree as the readers of 1915 were shocked. Nowadays we're watching, or y'all're watching because I sure as shootin' ain't, The Real Housewives of {Flyover Country} to get the equivalent shock value. (I sometimes long for the Hays Code when I read about the antics of these surgically altered weirdos that keep so many so entertained.) I too was shocked by Fidelity: How has Susan Glaspell disappeared from the awareness of 2026's readers?

Born on a rural Iowa homestead (this means something important, y'all follow the link) in 1876, by 1894 she was a paid journalist; she later became a college graduate (in philosophy!) at a time when the number of *men* who graduated college was a vanishingly small slice of the population; she was a staffer, full time and paid, at the Des Moines newspaper; then gave it all up...to become a bestselling novelist and short-story writer.

AFTER that, she fell in love with a married guy. He divorced whoever he was married to in order to put a ring on Susan's finger (and who can blame him?), and their union produced...more bestselling novels, as well as the Provincetown Players, Eugene O'Neill's career, several still-produced plays of her own...y'know, all the usual things a woman can expect to have happen to her when she's born into a nineteenth-century farming family. Her life as a radical socialist free-love advocate would shock and startle many in the US today, let alone then.

So Fidelity is probably more faction, or even a roman à clef if one knew the good folk of Davenport, Iowa, circa 1910 which I do not and, if this story is any guide, am delighted not to have done. I'm no small-town fancier in general, but the beady-eyed, small-minded and judgmental folk of the place evoked in this story made me panther-screechingly furious on the regular.

Equally irksome to my twenty-first century self is the lackluster critical reception of the time, doubtless symptomatic of the era's cultural unreadiness to examine its prudishness and misogyny. (I'm appalled to not these same objectively wrongheaded notions are being trumpeted as in the ascendant again. Well-timed, Belt Publishing!) I suspect some of the resistance then also stemmed from the multiple narrators whose ideas about "fidelity," that inherently coercive concept applied far more to women than men in marriage as we constitute it in the West, being rather transparently intended to counterpoint each other and reinforce the validity of protagonist Ruth's choice to elope with a married man.

Pace University Professor Sarah Blackwood's introduction alone might repay the cost of procuring the book. So much of Author Glaspell's life is footnoted in relation to the Provincetown Players' enduring legacy, despite her 1932 Pulitzer Prize for Drama meriting more than a simple "oh, by the way" footnote. Professor Blackwood makes a good case for why we should look for, and at, Susan Glaspell as a visionary life-liver and writer.

I don't really think this story of "infidelity" and sexual liberation despite its consequences will ever go out of relevance and ability to illuminate and elucidate how willful and calricious a thing the human heart is. It's more out of fashion in twenty-first century storytelling when its focus is not on the guilt and the transgression angles of attack. It might feel less minatory because there's no emphasis on punishment for the behavior, but to my mind this story is more honest about reality than modern salacious takes on the topic. There are consequences to the choices we make. They aren't always easy to endure. If you knowingly transgress your community's norms be ready to find a new community.

I think a lot of people, married or not, can relate to, resonate with, find fellowship in, that message.

NEWCOMERS: The Story of Anthony and Grietje and the Founding of New York, or "Why I ❤NY"

NEWCOMERS: The Story of Anthony and Grietje and the Founding of New York
ALAN MIKHAIL
Liveright / W.w. Norton (non-affiliate Bookshop.org link)
$28.45 ebook, available now

Rating: 4.5* of five

The Publisher Says: The exceptional tale of an unorthodox, seventeenth–century married couple whose rags-to-riches story fundamentally rewrites our knowledge of American history at its very beginnings.

A man thought to be Muslim from Morocco and a German barmaid are hardly the image we have of America’s founders. In Newcomers, Alan Mikhail upends the traditional story of American beginnings through the tale of Anthony “the Turk” and Grietje Reyniers.

Married in Amsterdam, they arrived in 1630s Dutch New Amsterdam, hoping to forge a new life. Always outsiders in the young colony, they battled Dutch authorities, brawled with neighbors, and seized land from Native Americans. In this revisionist portrait of the early American family, we learn of anti-Muslim sentiment through Anthony and of female defiance through Grietje.

Eventually banished from Manhattan to Long Island, Anthony and Grietje farmed, prospered, and raised a family whose descendants included the Vanderbilts and President Harding. Promising “to change the way we understand Colonial Gotham’s formative first years” (Susanah Shaw Romney), Alan Mikhail’s Newcomers provides revelatory insights into the seventeenth-century origins of New York.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: The New World was always a frontier where European countries saw the utility of sending its misfits, its non-conforming people, its "undesirables" to make their own way. It was better that way, really...these were the people who gave someone powerful some kind of uncomfortable trouble, and as we're all quite clear even unto today that is simply not to be borne. By them. By you? Troublesome peasant, it is your fault and you must pay the price of being obstreperous and too difficult for {whoever}'s comfort by leaving everything you've ever known or owned to begin again in an utterly alien place. Survive or not, it's up to you.

Anthony and Grietje Jansen van Salee were the survivor types. They stood up for themselves, mixed-race man of ambition and drive and mouthy broad with a gift for invective that they were. Quintessential New Yorkers, in fact; though there was no such identity in the late seventeenth century. They left a restrictive, stifling life of economic precarity and social exclusion for the possibilities of the edge of the map, as it was then. I'm glad Dr. Mikhail introduced me to Anthony and Grietje because I think they're my (spiritual) ancestors. They set the pattern for people like me who don't think or act the way our peers and neighbors do because we don't like their ways and see no reason to pretend otherwise, who find our home here in New York.

The legal records that Dr. Mikhail draws from, and they're extensive (as well as footnoted to a fare-thee-well), show that Anthony and Grietje totally never stopped being difficult. Their neighbors in Dutch colonial Manhattan didn't much like having a "Turk" (mixed-race Anthony, always suspected of being Muslim despite no evidence existing to support that idea) and a mouthy whore (grit-loaded survivor Grietje) in their midst. Off to the wilds of Brooklyn with you, aggressive and non-conformist folk that you are! Even non-conforming people don't like non-conformists.

Is this ringing any bells, Islamophobic sex-negative leftist political types who apply purity tests to each other? Who exile their leaders for not being "perfect" and thus lose elections but win at the Pure Ideology game?

Anthony and Grietje prospered in their next exile as much as in their first. Their energy was tremendous so when it could be directed mostly at their real goals...prosperity for themselves...it was a great benefit for the colonials as well as themselves. The people it cost the most were not their colonist neighbors but the Native Americans the entire settler-colonial enterprise harmed the most. Anthony and Grietje left marks there as well, so truly set the pattern for all us New Yorkers to come by their darker, less benign actions as well as their courageous, trailblazing ones.

I felt very seen in reading this very well-presented story. It's true that Anthony, after Grietje's death, returned to Manhattan...the quintessential Manhattanite, move to Long Island to raise the kids and come home when they're grown! these two are perfect twenty-first century stereotypes!...it's also true that Anthony did things that look terrible to our eyes like have Native slaves-in-fact if not name to work lands he stole from them, but were part of the entire settler-colonial enterprise that white people like me are the beneficiaries of. There are few black-and-white actions in this our life.

Dr. Mikhail is very clear that people are not pure, that actions in context look different as the context changes over time, and that this partial and compromised record of two ordinary peoples' extraordinary choices and actions can never be considered complete or definitive. Defining people long-dead by the records they leave behind is always an act of interpretation. That does not mean it is not also an act of truth-telling, only that the truths so told must be viewed as contingent.

Maps and illustrations completed my happy journey through the lives of two remarkable spiritual ancestors I'm glad I got to know.

DEATH OF THE SOCCER GOD, fact-based fiction about race, love, and soccer

DEATH OF THE SOCCER GOD
DIMITRY ELIAS LÉGER
MCD x FSG (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4.75* of five

The Publisher Says: A global soccer star’s epic ride to the 1950 World Cup places him in shooting distance of his dreams and his own death.

Gilbert Chevalier is a lover of life in a close and constant flirtation with death. His charms and big ambitions flood him with the sense that the world is, in fact, his. Despite his immense talents on the soccer field, his father makes him swear off the sport, a game he sees as unbecoming of a refined Haitian gentleman with a bright future ahead of him in the business sector. Gil promptly breaks this promise when he leaves the bourgeois comforts of Port-au-Prince high society and moves to the vibrant, jazz-soaked streets of Harlem to attend college. Scrimmaging in Central Park, he’s spotted by the US National Team’s coach and is recruited to play for the Americans in the 1950 World Cup in Minas Gerais, Brazil. What unravels next is the stuff of myth. Chance exchanges; secret messages smuggled across continents; lovers shuffled, scorned, and reclaimed; and a journey past the veil between our world and the afterlife. From the Caribbean, to the States, to South America and back, Gil’s journey is lush and lurid, and infused with a breathless, breakneck thrill synonymous with the world’s most popular game.

Death of the Soccer God by Dimitry Elias Legér is a roaring Pan American adventure about the unattainability of the dreams that govern our lives. Energized with the high-voltage fervor of a packed stadium, this is a story of fame and fate bursting with the vivid excitement and thrill of watching world-class athletes perform at their very best.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I'll give Author Léger many points for really *getting* the novel as a form's best use: novelty. Starting a story with the titular event and working back from there, we-the-readers aren't left without something novel occurring for very long at all. The factual 1950 1–0 US men's soccer victory over England, whose goal was scored by a Haitian player on the US team (a FIFA investigation determined there was no wrongdoing as all non-citizens on the US team had declared they sought citizenship though only one ever got it), has been immortalized on film and in a non-fiction book before. Author Léger's novel is the first to treat it in fiction, that a ten-minute internet search turns up anyway. I'd be interested to know if any not-Anglophone attention has ever been paid to this unusual occurrence, so please advise if you have any knowledge of the same.

But fictional Gil's life was not begun in 1950, nor did it end there. Along the way from his homeland and the privileged upbringing he had there, handsome athlete Gil falls for a firebrand who bears his child despite being his boring half-brother's fiancée, marries the daughter of a Nazi war criminal hiding in Haiti, goes to Columbia in New York City where his life-altering selection for US soccer team occurs, bums around Europe trading on his looks and his educated wit for food and lodging; rescues Miles Davis from an enraged lover's murderous intentions; and for some reason ends up in front of one of Papa Doc the dictator's firing squads. He reflects, in extremis, on this awful ending so very soom to come for him: "Given the misery and injustice around us, we cannot be indifferent. Believe me, I tried. But evil won’t let you be blissfully ignorant. Or be blissful, period. Evil means hating another person’s peace. Trust me on that one."

Gil is a great, entertaining guide through the world of 1950. He's privileged, but broke; he's mixed race but accepted into segregated high society; he's a reprobate with the self-knowledge to outrun its worst consequences. Until his luck runs out. We aren't vouchsafed the reason that happens. I suspect the cuckolded half-brother had some hand in it, but that's all my own headcanon.

We're addressed directly by Gil throughout the story. It's the reason we get gems like these: "You hate my arrogance, right? I’m among the most arrogant people you ever created. All professional athletes and artists are. Don’t you see how stubborn we have to be to make our dreams and talents come true?" and "All relationships come with asterisks. Life is an asterisk, I would soon learn." Learn he does; not much time alloted to applying his knowledge: "Even today, this dreaded day, Gil remembers with freshly boiled rage all those decisions that weren’t his, but were necessary for the family."

It's a fast-paced two hundred fortyish pages. It's never slack or slow. It's got a lot to say and it says it clearly. Well, mostly clearly, because this twenty-first century guy's eyes look at Gil's unremarked and unremarkable for the time dismissive misogyny and thinks, "well aren't *you* a caddish laddish cheater?" unlike the other people around him. Self-awareness fails us all at some point.

Knowing Joe Gaetjens, the model for Gil in this novel, met his exact end, made this fiction feel very immediate. I was fully in Gil's corner, rooting for him to get what he wanted throughout the story. I glossed over or justified his caddish treatment of the women in his life. It's a weird thing to watch one's self do, while feeling surprised displeasure at the very behavior I'd condemn in another character or real person. That's how I know Author Léger's made a fine work of art. I sought ways to excuse bad behavior and explain away what I could not excuse.

I will note with wistfulness the fact that this is among the very last books that will appear under the MCD x FSG imprint. I have had a good amount of happy reading time with the books from MCD x FSG that I've read. It was a great run, so farewell great kings of biblioholics' hearts.

JULIE JOHNSON'S PAGE: The Reign of Remnants romantasy series

THE SEA SPINNER (Reign of Remnants #2)
JULIE JOHNSON
Ace Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25*of five

The Publisher Says: Blazing with reawakened magic, a young woman challenges the tides of fate in this highly anticipated installment of Julie Johnson’s romantasy series.

Everything changed for Rhya Fleetwood in the battle of Fyremas. Her grief is heavy, her rage volatile. Caeldera lies in ruins. Her friends are dead or wounded. And Pendefyre, their newly crowned king, is shutting her out. The Remnant of Fire needs all his focus for his kingdom, his people, and—perhaps more than anything—his insatiable need for revenge.

When a twist of fate leads Rhya to the last place she expected—the Water Court—the novice wind weaver is forced to confront the limitations of her untrained power as well as her increasingly complicated relationships. For enigmatic King Soren of Llŷr is as different from Penn as sparks are from the sea. The more insight he offers into the maegic that binds them together, the more confused Rhya feels—about her future as a Remnant, about her deepest desires, and about her role in the coming war.

Enemies circle close, ready to strike. And if Rhya isn’t careful, she’ll lose more than just her heart.

She’ll lose her life.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The geopolitical forces that clashed so inevitably and so violently in The Wind Weaver (review below) are recovering from the ugliness of battles fought but a war as yet unwon. Rhya's got more than just her powers to unleash, though, as she's got her love life to resolve as well as, oh y'know just the fate of the world, so no bigs and no pressure.

Penn continues to be bloody annoying, Soren continues to be my beau ideal of a boyfriend who could turn into a spouse of the most delectable rarity and scrummyness. Hey Rhya, if you want to continue to try that "but I can fix him" shtik with the yutz Penn, can I have Soren please and thank you?

Sadly for me, not only is Soren fictional but Rhya shows more than her usual (from last outing) romantic acuity while battening of Soren's Water Court vibe of collegiality, support, and genuine appreciation for her Wind magic. You go, girl! (Does he have a brother/uncle/cousin?)

The first third of the read was pretty pillar-to-post getting Rhya where she needed to be. I'm glad now that I have a sense that Author Julie Johnson is not going to give me anything all that fast-paced because it allows me to settle my expectations on the accepting it as it comes end of the spectrum.

I also understand now, having read these stories in close time-proximity that the ending of The Wind Weaver was very intentional. I'm ready to bump up my rating on this story despite its ending. That makes it sound like it's bad, but in point of fact it's merely evil-heated and cruel: It's a cliffhanger. Those really need to be outlawed. I should be able to start a class-action human-rights violation suit against Author Julie Johnson. I get it now...the endings are going to be like this in the whole series.

So where's book three, gorramit?! February 2027 is too long to wait!

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THE WIND WEAVER (Reign of Remnants #1)
JULIE JOHNSON
Ace Books (non-affiliate Bookshop.org link)
$12.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: Discover a world where magic isn’t learned. It’s survived. A gritty and intoxicating epic fantasy romance.

Rhya Fleetwood is a healer, an outcast, and like the realm itself—about to die. Or so she thought.

When the ruthless Commander Scythe plucks her from the vile clutches of her executioner there’s no time to feel relief. Her new captor wants Rhya for his own secret ends and they all lead back to the mysterious birthmark which brands her as a Remnant. One of four souls capable of calling forth inconceivable elemental power.

Rhya knows she must master the wind that whispers within her and make an escape. But as she is dragged across treacherous terrain with Scythe’s formidable band of soldiers, something keeps her at his side.

Inside her, a tempest roars—terror and desire. Soon, she knows she must choose.

Follow her magic, or her heart…

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Strap in. This is a very long ride/read. I'm really not much of a romantasy reader because I want my romance between men and my maegickq absent or limited in its narrative use. Neither of those desiderata are delivered (or indeed promised) in this narrative. Still, it's a debut novel and a Sunday Times (UK) bestseller, so my curiosity was definitely piqued. Saying yes to the DRC didn't seem urgent so I did.

It's been a year since then, a second book (review above) has come out, and I'm quite surprised to report that I thoroughly enjoyed this read. Author Julie Johnson is not pushing any envelopes, nor was she touted by her publisher as doing so. I entered the reading experience hoping for a diverting low-steam, finding love and purpose at the same time, story trope-fest. I was expecting to need to skim past sex scenes disagreeable to my preferences.

Well...yeah...about that. Rhya has two possible love-matches. Penn's the main one, and goddesses below us is he tedious to read about. He's curiously unimaginitive for someone of his elevated station. Soren's more interesting because he's irreverent and funny with it, lightens Rhya's apparent bipolar-disorder moods, and generally feels like he's got main-character energy. In its most nuanced meaning. I'm happy enough to report there was pretty minimal scene skimming until we get to the topic of violence.

This story is violent.

Intentionally, carefully so; it still has a LOT of violent scenes that were almost...very, very nearly...gratuitously and salaciously, visceral pornographic gore. In a story intended as, marketed to appeal to, romantasy reading folk. These folk lean towards female identity. The violence is preponderently involving females. That felt like an odd choice, but it was not the only odd choice (see my opinion of Rhya's romantic options above): the pacing, or "how slow can you go" too.

I'm really, really drawn to the idea of being a Chosen One whose status is an ambivalent-leaning-bad one. I'm used to the social/societal trials and tribulations part of the Chosen Ones narrative but this world offers a story of the powers themselves being kind of awful and using them being a chore. (I'm a fan of KJ Charles's Simon Feximal for this reason.) A great deal more could've been done to explore this as opposed to the two skabillion words wasted on Rhya's experiences once she gets to the royal court.

In case my opinion on this authorial choice is not clear: I am not a fan of Rhya's tremendously long non-magical maladjustment to the court.

I hope you now understand my star rating above. It assorts oddly with my surprised pleasure with this debut romantasy that had few of my desiderata in that genre, has a very, very promising world to build out, and unusually powerful good fortune to find a paying audience in sizable numbers.

On to book two I now go with hope in my heart, and a (slightly strained) smile on my face!