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Friday, January 17, 2025
STRANGE PICTURES, aptly titled off-kilter murder-mystery narrative translated from Japanese
STRANGE PICTURES
UKETSU (tr. Jim Rion)
HarperVia (non-affiliate Amazon link)
$13.99 Kindle edition, available now
Rating: 4* of five
The Publisher Says: The spine-tingling bestseller that has taken Japan by storm—an eerie fresh take on horror for fans of Hidden Pictures and Junji Ito, in which a series of seemingly innocent pictures draws you into a disturbing web of unsolved mysteries and shattered psyches.
An exploration of the macabre, where the seemingly mundane takes on a terrifying significance. . . .
A pregnant woman's sketches on a seemingly innocuous blog conceal a chilling warning.
A child's picture of his home contains a dark secret message.
A sketch made by a murder victim in his final moments leads an amateur sleuth down a rabbithole that will reveal a horrifying reality.
Structured around these nine childlike drawings, each holding a disturbing clue, Uketsu invites readers to piece together the mystery behind each and the over-arching backstory that connects them all. Strange Pictures is the internationally bestselling debut from mystery horror YouTube sensation Uketsu—an enigmatic masked figure who has become one of Japan's most talked about contemporary authors.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Visual horror...sequential art, film, artworks...isn't very effective on me. My idea of horror is Wrongness, and that's deeply individual in its iconography, therefore effective representation. I'm more afraid of people than Supernatural Forces because the Supernatural, by definition, can't be identified until we know all the laws of nature, and know that we know all of them. Until then, everything that happens, including things that break the known laws of physics, are simply unexplainable but still not supernatural.
Reality stinks, mono- or a-theistic religious nuts. Miracles and superheroic gods are improbable but not impossible because nature is not even a billionth of a percent explained yet. Stay agnostic, it's the only defensible stance.
This effort at image-enhanced horror is very interesting, though I'm pretty convinced it's one of that most Japanese of stories, the eerie murder mystery. I've reviewed plenty of those. This is another one. It's...fine, perfectly readable (as a mystery), and in spots enjoyable. It's a complex puzzle, not at all easy or simple to solve. It defeated me. I was sure one particular thing was true, and it explicitly wasn't. That made the read much more interesting to me than it would've been if I'd been correct.
Like so many mysteries from Japan, the characters are more gesturally indicated than developed. Mystery-genre readers in the US are less tolerant of this than they could be; we tend to look for people to invest emotional energy in, not just puzzles that rake place in a brooding ill-defined space. I think the ideal reader for this story, among my Anglophone audience, is likely to be someone who really enjoys Julio Cortázar or Umberto Eco.
I was not particularly enraptured by the read until after I finished it. This was more akin to a storyboard pitch to investors about an idea for a horror story connecting some...suspicious deaths that were or could've been Influenced From Beyond than itself a horror story. Thinking about the read, which I finished last night after taking a week to read (in my habitual scattershot way interspersed with other books), I realized I was very, very successfully manipulated from the off. A child psychologist explaining how a little murderer's artwork provided clues to the reality that child operated within initially felt a bit In Cold Bloody to me. Should I believe the narrative? Should I be interested in *how* or why? Or permaybehaps what....
That's top-quality misdirection for that to work on a reader with sixty years' experience.
Will you love it? I doubt it; I didn't. Will you enjoy reading it? See my comps, if you love them you might get a charge out of this off-kilter, well-crafted read.
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