UNTRACEABLE, ex-Soviet thriller author slyly pokes powerful people in the ribs..."I saw that!" with deniability

UNTRACEABLE
SERGEI LEBEDEV (tr. Antonina W. Bouis)
New Vessel Press (non-affiliate Bookshop.org link)
$22.95 all editions, available now

Rating: 4.5* of five

The Publisher Says: In 2018, a former Russian secret agent and his daughter were poisoned with a lethal neurotoxin that left them slumped over on a British park bench in critical condition. The story of who did it, and how these horrendous contaminants were developed, captivates and terrifies in equal measure. It has inspired acclaimed author Sergei Lebedev’s latest page-turning novel.

At its center is a scheming chemist named Professor Kalitin, obsessed with developing an absolutely deadly, undetectable and untraceable poison for which there is no antidote. He becomes consumed by guilt over the death of his wife, the first accidental victim of his Faustian pact to create the ultimate venom, and the deaths of hundreds of test subjects. After he defects from the Soviet Union to spend his “retirement” years in the West, two Russian secret agents are dispatched to assassinate him.

In this fast-paced, genre-bending novel, Lebedev weaves tension-filled pages of stunningly beautiful prose exploring the historical trajectories of evil. From Nazi labs, Stalinist plots, the Chechen Wars, to present-day Russia, Lebedev probes the ethical responsibilities of scientists supplying modern tyrants and autocrats with ever newer instruments of retribution, destruction and control. Lebedev, one of Russia’s most important and exciting writers, has never been better.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I do not know why this story did not sell a million copies on release, or why so many highly respected outlets' praise (The New York Times, Library Journal, CrimeReads) did not result in bestsellerdom and a residency on top of the lists. It couldn't be the quiet discouragement of Powerful People, of course not...but somehow y'all slept on this well-told, excitingly plotted, extremely timely thriller.

What do you mean, "so did you"? No of course I didn't! I had...COVID...oh yeah...forgot about that.

Time to rectify that.

Let's start with the prose:

Kalitan felt uncomfortable. The pushy women, the noisy, grumbling line, the obnoxious kids annoyed him. The boys suddenly ran off and whispered to the adults pointing at the car. Kalitin turned around and saw that the bouncing ride had loosened the tarp. The sun shone on the monkey's dead face, yellow teeth bared in the pink mouth; shiny chrome-green flies crawled over the black fur.

A Goodreads friend, herself a novelist, used this passage to illustrate why the story did not work for her. I'm the opposite, in this case. As a reader of thrillers I want to see, to get into my eyes, the scenes; it's the m.o. of the thriller to be cinematic and evoke a response with urgency not build-up in most situations. I got my cues...yellow, pink interiors of vulnerability; metallic green, black, shiny exteriors of impermeability. My eyes are there.

It isn't going to work for everyone, but what does? Translator Bouis did not overcomplicate or undersell at any turn the intent of a thriller. I really got involved, as a result, in the way the story presents the conflict of guilt and culpability as reluctant internalization of results in physical reality.

Poisoning someone by premeditated action would come across as depraved, indifferent, if done in this framework. Instead this story is about creating conditions by one's curiosity and labor to resolve that curiosity in physical form that result in...entirely without one's own involvement...the greatest possible harm to a stranger. Think it's implausible? Go watch Oppenheimer, and/or read American Prometheus.

What works best in this way of presenting the story is (for me) the sheer number of SNAFUs and FUMTUs that plague attempts to "neutralize the threat" that is Kalitin's continued existence, after his creation is revealed to be the cause of death of politically inconvenient people. While he is not-really trying to deal with knowledge that processing would render horrifyingly painful, those trying to make their orders from on high real get more and more tripped up, screwed up, and outright thwarted by...well, everything.

It is always the case that ability to act outpaces ability to reflect. Kalitin is now reflecting, reluctantly, on his actions. We are not, thank goodness, subjected to his self-justifications. We see actions and results, we perceive probable responses, but we are never in the muck that is this morally compromised, no bankrupt, man's head. I think listening to a human's self-exculpatory inner chatter is pointless and painful.

A reckoning is a cathartic experience in life and in reading. Very, very seldom do reckonings come cleanly defined, with sharp edges and self-evident results. Fiction tries for that completeness at its peril, as this is fantasy fulfillment. Would you expect a Russian author, in the time of Little Vladdy Pu-Pu, to attempt that kind of blame assignment?

THE LADY OF THE MINE, bitter take-down of imperialism's Silent Majority

THE LADY OF THE MINE
SERGEI LEBEDEV (tr. Antonina W. Bouis)
New Vessel Press (non-affiliate Bookshop.org link)
$17.95 Kindle edition, available now

Rating: 4.25* of five

The Publisher Says: The mystical laundress at the center of this novel is obsessed with purity. Her task is formidable as she stands guard over a sealed shaft at a Ukrainian coal mine that hides terrible truths.

The bodies of dead Jews lying in its depths seem to attract still more present-day crimes. Acclaimed Russian author Sergei Lebedev portrays a ghostly realm riven by lust and fear just as the Kremlin invades the same part of Ukraine occupied by the Wehrmacht in World War Two.

Then corpses rain from the sky when a jet liner is shot down overhead, scattering luxury goods along with the mortal remains. Eerie coincidences and gruesome discoveries fill this riveting exploration of an uncanny place where the geography exudes violence, and where the sins of the past are never all that in the past.

Lebedev, who has won international praise for his soul-searching prose and unflinching examination of history’s evils, shines light on the fault line where Nazism met Soviet communism, evolving into the new fascism of today’s Russia.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: When someone sets out to write about how truly vilely humans treat, and think about, each other, they get...pushback. Unsurprisingly a man from Moscow known to support anti-Russian causes gets review-bombed for this bitterly anti-imperialist examination and take-down of the memory hole people put their dark collusions into on Goodreads. 82% of all the reviews are one-star Cyrillic alphabet ones. I don't speak or read Russian so I can't comment on what those reviewers say. The few among the one-starrers who wrote in English don't seem to me like real people based on their profiles, which fits.

I wish nothing but the best for Ukraine. This book is set there because it's the place most in the news; because it's clear the Russian Army is there to forcibly reintegrate Ukraine into whatever Little Vladdy Pu-Pu plans to call the new Soviet Union. The entire thrust in the guts of this book is aimed at imperialism and conquest, using the silently collusive's various ways of justifying their collusion against them, in service of the downtrodden. Simply not doing something active in support of evil is not enough to remain a decent human being. The mine in this story has no bottom, has no end, it never closes or runs out of its resource: Victims who were not saved by those who could have.

If you, cishet white person reading this, are feeling a wee bit uncomfortable about now, you should pay attention to that feeling. It's as fresh as the headlines: we're reading everywhere about disasters, and doing the "easy" to do; about how our nature as humans is to go along to get along, to survive, to be small targets. That will only gain force in the coming years as duck-and-cover feels safe, feels good.

There is no safe.

Stand up whatever way you can. Not doing so will not keep you safe. Ask those people in this novel's crashed airplane...they weren't safe.

I assume I don't need to explain the metaphors used by Levedev, they're not very subtle. I hope I don't need to say "not getting this book and reading it isn't anything but denial of your humane duty." Listen to the people who know what they're talking about, like exiled writers; plan your resistance with their examples. Help them keep the message going, keep the help spreading.

Or sit and wait for it to happen to you. It will.

Not quite five stars for me, because as mentioned above the metaphors aren't terribly subtle. The story deserves your time and treasure.