AFTER THE FALL, latest Edward Ashton outing

AFTER THE FALL
EDWARD ASHTON
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: Would humans really make great pets?

Humans must be silent.
Humans must be obedient.
Humans must be good.

All his life, John has tried to live by those rules. Most days, it’s not too difficult. A hundred and twenty years after The Fall, and a hundred years after the grays swept in to pick the last dregs of humanity out of the wreckage of a ruined world, John has found himself bonded to Martok Barden nee Black Hand, one of the "good" grays. Sure, Martok is broke, homeless, and borderline manic, but he’s always treated John like an actual person, and sometimes like a friend. It’s a better deal than most humans get.

But when Martok puts John’s bond up as collateral against an abandoned house in the woods that he hopes to turn into a wilderness retreat for wealthy grays, John learns that there are limits to Martok’s friendship. Soon he finds himself caught between an underworld boss who thinks Martok is something that he very much is not, a girl who was raised by feral humans and has nothing but contempt for pets like John, and Martok himself, whose delusions of grandeur seem to be finally catching up with him.

Also, not for nothing, something in the woods has been killing people.

John has sixty days before Martok’s loan comes due to unravel the mystery of how humans wound up holding the wrong end of the domestication stick and find a way to turn Martok’s half-baked plans into profit enough to buy back his life, all while avoiding getting butchered by feral humans or having his head crushed by an angry gray. Easy peasy, right?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I really hope y'all're catching on to Author Ashton. I confess I don't *get* why people weren't excited by Mickey17, because I thought it was a decent adaptation of Mickey7 as well as a good movie on its own; but mostly I'm a bit bumfuzzled as to how all Author Ashton's books aren't on the bestseller list. Every one I've read has been good-plus. I enjoy them, I spend time after reading them pondering about this bit that's really made me think, or that character who's so awful it must've been a big hoot to write them (specifically thinking of the one in The Fourth Consort of whom I said "'kindness and acceptance' sounds better than 'craven lickspittle sycophancy' doesn't it.") In a lot of ways this novel feels like Author Ashton taking a crack at some of the ideas not fully explored in that story.

I'm really thinking mostly of the ownership angle we delve into in this story, the ethics of cannibalism are unambiguous in The Fourth Consort whereas the Grays in this book are arguably the more vicious in their treatment of humans because they see us, say "aww how cute" and then go right on looking at us like there is nothing else to say or think. Someone who slaughters and eats you regards you as valuable; someone who views you as fungible, as a pet, does not. In a lot of ways it feels like the plays from the Roman Republic and early empire where the clever slave runs master's business better than master, saving the day and earning master's gratitude but never respect.

Like all Author Ashton's work, you're going to get some funny lines, and you'll never have any trouble remembering who said what to whom...I think that's why I like the Mickey series and why I think Director Bong did too, there's such a clear sense of the main characters' identity. What there isn't is a clear path towards resolving the conundrum the story orbits around: Is the condition of the humans going to change for the better? John and Martok are coming out of these events in a different state than they entered them but...well...is there a larger point to this larger story? If not, why bear down on it?

I enjoyed this stand-alone read, I thought it raised interesting points and gave me some good pondering to do. I was not convinced this was the best place to end the story, but it wasn't like it was poor on a craft level. It just could've leveled the read up, but chose not to.

Not the worst, or least forgivable, authorial peccadillo. I'll definitely await the next Ashton book with attentive eagerness.

PROVIDENCE, first novel of gay psychological suspense

PROVIDENCE
CRAIG WILLSE
Union Square & Co.
$18.99 trade paper, available now

Rating: 4* of five

The Publisher Says: An introverted English professor falls for an enigmatic sophomore and is lured into a web of chaos and deceit.

Mark Lausson, a professor stuck in the middle of Ohio, is smart enough to get a job at an elite liberal arts college but not smart enough to know better when he meets charismatic sophomore Tyler Cunningham. In Tyler, Mark sees another way of being in the world—he finds Tyler’s self-possession both compelling and unsettling. Caught in the rush of sex and secrets, Mark ignores the increasing evidence that Tyler can’t be trusted. But by the time Mark comes to his senses, the irreparable damage is done. Providence shows how feeling trapped in our own lives can lead us to make choices we otherwise would not and the ways in which sexual desire can distort our senses of self and other, right and wrong.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: A slow, suspenseful read that takes on gay intergenerational relationships. It does it in a very squicky way, as the power dynamic between teachers and students is (even when inverted as here) very, very fraught. There is a lot of pornography in the gay-male pornosphere that centers on incest...a thing that causes me no little discomfort for obvious reasons...and then, one step lower on the transgression ladder, a fair bit of teacher/student porn.

I'm not going to label this read as a one-handed reading story, but a few judicious pacing changes and a bit more descriptive instead of allusive language et voilà!

Mark gets tangled up in his history...not fully explored or explained...and Tyler uses his youthful beauty to make that history come alive; the results are predictable. The story isn't groundbreaking, the pacing isn't thrilling, so it sounds like my hatchet's about to come out, doesn't it? Nope. No hatchet job, this.

I'd label this a psychological suspense novel not a mystery or a thriller. The crime doesn't need solving; the pace is not thrilling. There is a lot of suspense, however, in the psychology of the developing relationship between Mark and Tyler; what is this kid after, and why did her target Mark, for starters. Had Author Willse and/or his editors developed Tyler and his motivations more, I'd be five-star hollerin' about this book. Tyler is the weakest part of the narrative: A kind of ambulatory "why, how come". Tyler's calculating nature is seen solely in its results and that leaves me thinking only about the nasty results of his manipulations for those he doesn't notice or even care about. Mark's perfectly nice, if boring, life gets upended and ruined from the outside. His boyfriend, whose name utterly escapes me, gets his world crashed by the narrative equivalent of a rock from space...for what? I'm not advocating for an excuse for Tyler's actions. Just a reason.

That said, this is a first novel and so gets most of a pass on some structural issues. I recommend the read to fellow old gay men who have much younger men in their lives; to those seeking a weekend's immersion into the consequences of a disastrous affair; and psychological suspense readers needing a fresh angle on their preferred genre.