ROBIN AND HER MISFITS
KELLY ANN JACOBSON
Three Rooms Press
$14.00 trade paper, available now
Rating: 4.5* of five
The Publisher Says: A roving female gang of fun-loving rebel bikers, street racers, and bandits led by Robin agree to give back to queer girls in need of help in this stunning modern reimagining of the Robin Hood legend.
Robin and her four Misfits—Little John, White Rabbit, Daisy Chain, and Skillet—have run away from their families in order to live off the grid on their own terms. For a while, they’re hidden, safe, and happy as they commit petty crimes that provide enough to get by. All that matters is keeping their small clan alive. Then, one mission proposed by an unfriendly associate from their past reminds them of their former lives and motivates the group to a new purpose. The five Misfits develop into a league of strong individuals united by a fresh goal: do whatever it takes to help queer girls rise above oppressive laws and attitudes.
Kelly Ann Jacobson, the author of the award-winning LGBTQ+ young adult novel
Tink and Wendy, is back with another diverse twist on a popular legend.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: I love Daisy Chain the best because her sibylline utterings aren't remotely clear to her listeners, fellow very young women, except by accident; or, I suspect, by her deeply sneaky inner sibyl wishing to make clear messages only occasionally.
The Prologue, by its nature, is a giant spoiler. Even I, deeply indifferent to spoilers, thought as we then moved back in time for the bulk of the novel, "what's suspenseful now that I know what I know?"
"There is nothing either good or bad, but thinking makes it so."
In that Daisy Chain-uttered Shakespearean truism, laddies and gentlewomen, lies the essential truth of this book. Every runaway runs out of steam at last. All lies are signposts aimed directly at the truth. And when eternal runaway Daisy Chain at long last finds herself, she then finds the greatly belovèd carved-granite mass that is Robin right where she left her.
So that Prologue? What does it spoil? Does knowing where mean how has no value? Or is
"Don't waste your love on somebody who doesn't value it" more than one lie told in one sentence? That hand is always pointing its curled fingers directly at the truth of love never being wasted because it is valued...if, perhaps, differently than one would ask for it to be...but still valued.
What's on offer here is this: A story designed to be eaten up by young, questioning women in search of Identities in a world awash with given, never chosen, names. It's going to offer those young women snow chains for the tires on the unchosen, unsuitable dune-buggy that in their ill-suited design keep slipping on the glaciers where they inexplicably find themselves. This story can be their Nottingham of the spirit while their bodies work out how to steer their unstable, utterly unreliable transportation on to as-yet-unseen safer paths.
Highly recommended for those young women among your graduating family who could use a nudge to become Robin Hood not the Pretty, prized-but-powerless Maid Marian.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
TINK AND WENDY
KELLY ANN JACOBSON
Three Rooms Press
$14.00 trade paper, available now
Rating: 4.5* of five
The Publisher Says: What happens when Tinker Bell is in love with both Peter Pan and Wendy? In this sparkling re-imagining of Peter Pan, Peter and Wendy’s granddaughter Hope Darling finds the reclusive Tinker Bell squatting at the Darling mansion in order to care for the graves of her two lost friends after a love triangle gone awry. As Hope wins the fairy’s trust, Tink tells her the truth about Wendy and Peter—and her own role in their ultimate fate. Told in three alternating perspectives—past, present, and excerpts from a book called
Neverland: A History written by Tink’s own fairy godmother—this queer adaptation is for anyone who has ever wondered if there might have been more to the story of Tinker Bell and the rest of the Peter Pan legend.
I RECEIVED AN ARC FROM THE PUBLISHER. THANK YOU.
My Review: Never for a moment have I believed that the story of Peter Pan and Wendy and the Lost Boys was sweet and Innocent and all on the up-and-up. There is a seedy adult-mediated sexuality in the whole concept of the story. The Lost Boys and Peter trapped in that eternal tween-age: where parents can comfortably if mendaciously Not Know that their kids are steadily, stealthily beginning the sad journey into adolescent sexual awakening. They're busily putting together hints and clues, and feeling weird new things without possessing words to explain them yet. Wendy, here as always the odd creature out, has a body the Boy and his boys don't know inside out already. She has a mind they can't fathom and she can't explain, because who can explain how they are built different from you? And because no one really talks to kids about what they want to know regarding sex and sexuality, parents keep giving kids the original deeply subversive story about the tragedy that befalls the innocent when Innocence is finally and forever lost. Never mind that the kids don't want this Innocence we're determined to protect in them. Having no idea of what Innocence means, the Innocent can't
wait to get rid of it.
"It's harmless," goes the reassuring hiss of the lying snake within the well-meaning adult. "After all, it's got a tiny fairy standing between them, so Nothing Can Happen."
That's what this book is about: what happens when the tiny fairy, sick of being Between too many things and having no ground of her own, takes her rightful place in the action. As seasoned readers we know that's the starting gun for tragedy to unfold. This book is about the price that loving one, being in love with the other, exacts on the lover. Also what terrors there lurk within the armor-plated ignorance of being the belovèd. This story rips the dishonesty off the older story of wanting to keep your cake but eat it too...that evergreen source of unhappy resolutions to love triangles. Teach them young that there is no frictionless way to be in love: If you care enough to make it count, like Tink does, you will suffer most when your belovèd suffers. Teach them before they create disaster by refusing to choose, by declining to believe they can, they truly can! have happiness if they bravely reach out for it. It's better done like this than the Innocence-celebrating original.
These readers come away clear about what prolonging Innocence costs. What they probably don't—maybe eevn shouldn't yet— see is the pale and semi-conscious illness-ridden compromised and dishonest simulacrum that will, like here in this story, become the best you can have if you waver betwixt and between, refusing to make a choice.
As stories for youths go, this one is honest, well-told, and contains what looks like a happy ending that is, in fact, a dire warning. I'd time-travel to give this morally complex, intellectually serious retelling of a deeply problematic story told by a very sketchy source I wouldn't let near anyone under twenty-five to every teen I knew when I was one myself.
