Showing posts with label Louisiana True series. Show all posts
Showing posts with label Louisiana True series. Show all posts

Monday, December 11, 2023

BROWN PELICAN, strongly Louisiana-centered story of saving...and protecting...an iconic bird



BROWN PELICAN
RIEN FERTEL

LSU Press/Louisiana True series
$21.95 trade paper, available now

Rating: 4.5* of five

The Publisher Says: In this compelling book, Rien Fertel tells the story of humanity’s complicated and often brutal relationship with the brown pelican over the past century. This beloved bird with the mythically bottomless belly—to say nothing of its prodigious pouch—has been deemed a living fossil and the most dinosaur-like of creatures. The pelican adorns the Louisiana state flag, serves as a religious icon of sacrifice, and stars in the famous parting shot of Jurassic Park, but, most significantly, spotlights our tenuous connection with the environment in which it flies, feeds, and roosts—the coastal United States.

In 1903, Theodore Roosevelt inaugurated the first national wildlife refuge at Pelican Island, Florida, in order to rescue the brown pelican, among other species, from the plume trade. Despite such protections, the ubiquity of synthetic “agents of death,” most notably DDT, in the mid-twentieth century sent the brown pelican to the list of endangered species. By the mid-1960s, not one viable pelican nest remained in all of Louisiana. Authorities declared the state bird locally extinct.

Conservation efforts—including an outlandish but well-planned birdnapping—saved the brown pelican, generating one of the great success stories in animal preservation. However, the brown pelican is once again under threat, particularly along Louisiana’s coast, due to land loss and rising seas. For centuries, artists and writers have portrayed the pelican as a bird that pierces its breast to feed its young, symbolizing saintly piety. Today, the brown pelican gives itself in other ways, sacrificed both by and for the environment as a bellwether bird—an indicator species portending potential disasters that await.

Brown Pelican combines history and first-person narrative to complicate, deconstruct, and reassemble our vision of the bird, the natural world, and ourselves.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: I can't think of too many things that more clearly say "Louisiana" to me than the sight of pelicans coming back to their nests from a long day's fishing over the Gulf of Mexico. The unbelieveably narrow brush these big, beautiful bird had with complete, species-level extinction...actually going locally extinct during the rampant mosquito-killing applications of dDT back in the 1960s. That being when I was first aware of the environment of the Gulf Coast and its multivarious bird species, I felt very invested in reading that part especially. (My part of the coast, in South Texas, had more roseate spoonbills over pelicans but they did show up.)

The natural world of Louisiana and of the Gulf Coast more broadly is cramjam full of fascinating creatures very much still threatened by the ongoing actvities of mankind, and the legacy of the petrochemical industry. Climate change won't do that finely balanced system a particle of good, either.
No, this is NOT me. I'm not that old.

While it is an academic book, a good story is a good story! How this species, a bellweather for the overall environmental health of its native region, was and is being protected is worth reading. This book's a great one for your birder friend, your environmentalist grandchild, your Louisiana-loving nephew who's discovered there's more to the place than the French Quarter...also anyone who just loves that there are still these beauties in the world:
I myownself think this is the face your giftee will make when this book comes out of the wrapping paper:
I know it is what my face did as I read about the past and present efforts to protect these marvelous dinosaurs.

MARDI GRAS INDIANS, a fascinating introduction to a culture too few know about



MARDI GRAS INDIANS
NIKESHA ELISE WILLIAMS

LSU Press/Louisiana True series
$21.95 trade paper, available now

Rating: 4* of five

The Publisher Says: Mardi Gras Indians explores how sacred and secular expressions of Carnival throughout the African diaspora came together in a gumbo-sized melting pot to birth one of the most unique traditions celebrating African culture, Indigenous peoples, and Black Americans. Williams ties together the fragments of the ancient traditions with the expressed experiences of the contemporary. From the sangamentos of the Kongolese and the calumets of the various tribes of the lower Mississippi River valley to one-on-one interviews with today’s Black masking tribe members, this book highlights the spirit of resistance and rebellion upon which this culture was built.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: Mardi Gras, on the American continent, started in Mobile, Alabama, before it was celebrated in New Orleans. That being said, New Orleans marketed it more tenaciously and is now the continent's premier destination for those seeking a more vivid, intense party experience than the Yuletide fun we're having now. I don't image too many who haven't been to, or been around, the Krewes that make the parades up know much about the venerable institution of the Mardi Gras Indians.
This book's métier is to explain the what and the why of this tradition, to bring you into the whens and the hows of the tradition's celebrants making this part of their lives:
Many, many generations of Bulbacha (New Orleans to us white people)'s inhabitants have been of mixed heritage, now an entire heritage group of its own: Afro-Indigenous people have been part of the Louisiana landscape sic slaver traders brought the African peoples to these shores in bondage. The author is our cicerone as this culture most white people, and lots of mixed heritage people (my own dear Young Gentleman Caller) had no idea they had no idea existed.

Her prose is illustrative and elucidative. It is not extensively footnoted, as I would've hoped. It reads well; it is, after all, the story of a people whose cultural identity was born of rebellion against the strictures, the customs, and the laws of their enslavers.

While the history of these good folk is deeply involving, it is not just a sweet celebration of all things Afro-Indigenous:
A careful look at this photo of Cherice Harrison Nelson by Arthur Severi will show you the "MeToo" painted onto her left shoulder facing us. Women in this cultural sphere, while leaders and maintainers of history, are also heirs to the ills of our patriarchal society.

The author has given you an entrée into the society of colorful, passionate, playful costume-wearing rebels against the status quo. She has done so with admirable clarity, with great aplomb, without making grandiose claims for the completeness and inerrancy of her work. Any of your Mardi-Gras loving lefty friends will appreciate both the subject and the execution of this book.