Showing posts with label reviewing. Show all posts
Showing posts with label reviewing. Show all posts

Wednesday, November 16, 2016

A COLLAPSE OF HORSES, latest Brian Evenson horror-by-surreality collection


A COLLAPSE OF HORSES
BRIAN EVENSON
Coffee House Press
$16.95 trade paper, available now

Rating: 4* of five

The Publisher Says: A stuffed bear's heart beats with the rhythm of a dead baby; Reno keeps receding to the east no matter how far you drive; and in a mine on another planet, the dust won't stop seeping in.

In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

I RECEIVED AN ARC FROM THE PUBLISHER AT MY REQUEST. THANK YOU.

My Review:



My accustomed use of the Bryce Method should, at this point, surprise no one.

Black Bark


A Report


The Punish


A Collapse of Horses


Three Indignities


Cult


Seaside Town


The Dust


BearHeart™


Scour


Torpor


Past Reno


Any Corpse


The Moans


The Window


Click


The Blood Drip sucked. Sorry to say it so bluntly. Yes, it's in the same family as "Black Bark" but it's streets away stylistically. Not every story is perfect, but wow. 2.5 stars

So there it is. How I got to my overall rating of 4 stars, laid out story by story.

Monday, January 20, 2014

A conversation on reviewing



One of the 800-plus reviews I have left on Goodreads drew an interesting conversation about the process of reviewing books. I rated the first Gervase Fen mystery as a 2.5* read, reviewing it with this (full review reproduced here):

My Review: Tedious, fusty, and supercilious.

Well, that about sums that up.

Then along comes someone with a made-up Goodreads username:

PERSON: I agree {with your review of this book}, mostly. Why rate "ok" if not? I'm debating between 1* or 2* myself right now, so question is serious.

I've been trolled an awful lot by nastygrams from sock puppets, by people wanting to "engage in debate" (aka make me see how wrong I am to have my particular opinion), by former friends making an effort to assure me I'm the world's least worthwhile reviewer, so as often as not I ignore this kind of leading post. This time, I didn't.

ME: I rated it 2.5* because it's not a *bad* book, just tediously predictable for me. I found the style annoyingly arch, but that's a matter of taste. On my own scale, a 1* book is one that is truly just *bad* and people need to be warned away from it. I don't feel that way about this book.

That would, for most trolls, be enough to get the flames burning. So then whoever it is sent this:

PERSON: Good point put me back pondering dithering all over again.

Hmmm. So I've just posted this response, and look forward to seeing what comes next:

ME: It's all subjective, this rating dodge. It's never really easy to justify putting a judgment on a book, or a TV show, or a work of art; after all, who cares what another person thinks of them when what counts is what we ourownselves think of them?

Plenty of people, myself included, don't have unlimited time to devote to enjoying the many wonderful things there are to enjoy in this life. I use reviews by review sources I've got reason to trust to narrow down my field of operation.

I learn to trust them by comparing our opinions on things we've both reviewed. At about 70-75% similar, I learn the most from a person's opinions, by making interesting discoveries or getting my own opinions challenged by a new and intriguing perspective.

Above that, it's all about having fun reading that person's take...not too many of those. But I treasure them when I find them.

But that going back and forth, debating with yourself about what to say, what to tell people, why you think a particular thing about a book, a movie, a play, a painting...that's the part that makes writing about what others have done so satisfying and such a worthwhile exercise.

And that's where we stand.

Monday, September 23, 2013

It's Banned Books Week! Yay!

It's that happy-clappy time again! Banned Books Week draws attention to the many and various attempts to censor what kind of reading material is available to you, me, our kids, our grandkids, and the banning parties hope, posterity. Books that talk about S-E-X or the right of women to walk down all the streets of the world without fearing rape or the existence of this little thing called "science" that rejects your religion's once-upon-a-time version of Creation.

"Ban it! Don't talk about it! NO!! Someone must be WRONG and it can't be ME!!"

In the long run, it doesn't work. In the short run, it's hideously costly in human emotional terms, titanically wasteful of time, effort, and resources to police and enforce, and morally repugnant to right-thinking people.

But it doesn't stop at formal banning of a book, governmental or religious anathema pronounced upon a writer, a press, a book...those things, while reprehensible, are formal, out there for the public to see and hear and (theoretically) obey. More insidious is a behavior that's meant to fly under the radar, and when discovered, covered up by (factually correct, morally wrong) justifications like "Oh look how few people are actually affected!" and "Most of you will never know it's even there!" and "It's my {concrete noun} and I'll do as I goddamned well please with it."

To quote a religious figure of great renown, "Truly I tell you, whatever you did not do for one of the least of these, you did not do for me." (Matthew 31:45) You didn't speak up for the safety or the happiness of those piddling few? You didn't worry because it wasn't you?

Next time it will be. Or the time after that. Or the one after that. Because if I've learned nothing else in 54 years of relatively constant annoyance by earthlings, I've learned that Command and Control NEVER EVER STOP WANTING MORE.

Specifically, I'm completely panitwadulous over the latest Goodreads self-inflicted PR wound. Last Friday, after the world has gone to weekend footing, Goodreads dumped the news of a major change in Terms of Service as they affect what reviewers...the unpaid volunteers who create the value that Amazon paid for the company to get!...can and cannot say to/about authors in their own reviews, and even more troublingly, what the reviewers can and cannot name the shelves or collections they put their books into.

I don't know if anyone on their staff expected the strength and passion of delivery of the vitriol that the sheeple (irony there!) of the site unleashed on this decision. If they did not, they were not paying attention to the titanic kerfuffle when Amazon bought Goodreads. Twenty-five hundred posts (mostly) of outrage and fear didn't make an impact? Not even the Ugly Green Button contretemps, with 2350 posts, made a dent?

Goodreads folk are passionate and committed readers and writers. And the reason they've...we've...invested so much emotional energy in the site is, at base, simple. It's the only one of its kind, the only place where readers connect with other readers by means of reviews, groups, and serendipity. Competitors to Goodreads are a great deal smaller, they're often focused around special interests (eg, LibraryThing, that unparalleled book cataloging site, with a sideline of social activity that's very much not encouraged), or they just haven't got the chops to make the ease and fluidity of opinion discovery on a par with Goodreads.

So naturally change will be resisted and feared by many, and just as naturally the Powers That Be will seek to direct the community's attention to such areas as will benefit the advertisers and/or owners who pay the bills. Some tension is inevitable, some compromise desirable on all sides. But to date, no compromise has been offered on any issue of site governance I've cited here. The policy announced Friday that announces Goodreads can and will delete user-created information at will and without warning is in place. The mea-culpa issued today with a reassurance that they won't delete stuff without warning again isn't, it appears, part of the formal policy yet.

This is put in place, we're told, because Goodreads wants to maintain a TONE, an atmosphere, of respect and tolerance. Because nothing says respect and tolerance like unilaterally changing a community-wide policy with a dump-and-run message on Friday afternoon, in a group that much less than 1% of the user base belongs to, right?

Still, it's their (well, Amazon's) site and they set the rules, right? Right. They do. And they offer the service to us for free, right, so they pretty much deserve to have a completely free hand, right?

Nope.

I tweeted about this today, hoping to get some interest from Big Bloggers. Total response: One dismissive snort that essentially said, paraphrasing here, "suck it up Buttercup, if you're not the paying customer you're the paid-for commodity."

In BANNED BOOKS WEEK an example of censorship gets that kind of response. Wow.

Talking about books freely and without censorship, whether internal or external in origin, is as important an activity as reading the damn things. If no one talks about Mein Kampf, or Man and Superman, or The Nicomachaen Ethics, why kill the trees to print them? Why dedicate the bandwidth to delivering the files to the ereader screens? If people care enough to read even one book a year, shouldn't they be encouraged and supported in a desire to discuss it?

And that's what Goodreads was. Was. I have to use the past tense. It WAS this. It is now a data farm and sales platform for a bookselling entity. (Whose customer I am, by the way, and will continue to be, because I exist on less money per month that most of you make in a week.) And sales are hurt, the conventional wisdom goes, by shouting. Yeah, Paula Deen's racist language hurt her: Sales of her books, what, tripled? It was her publishers who said "ciao" and not the customers.

Which is its own level of icksome. But the point I'm making is simple: Stifling one, twenty-one, a million and one, people's willingness to speak honestly and from the heart about the ideas, the words, the feelings expressed in a book, by an author, is stealing from the rest of us who are unaffected the very necessary challenge of understanding, if never accepting, a different point of view. You may not ever agree, you may even like the opposition less than you did before you understood them better. (This happens to me with religious stuff all the time.)

But you still lose when ANY voice is silenced, out of fear or obedience or...worst of all...despair. How many honest reviews, negative to the author's feelings and even insulting in language, will now not be written? How many conversations will go un-had? (I've learned a lot from arguing my point on my most vitriolic reviews.)

Ray Bradbury said it best: "You don't have to burn books to destroy a culture. Just get people to stop reading them." And talking about them. And now there's no safe place to do that with the size audience, with their wallets ready to spring open.

The decline, it would seem, has accelerated, and the fall is imminent. I'm sad about that.