GLORIOUS EXPLOITS, and glorious they are! Humor, pathos, sharp observation...all in this compact true tale

GLORIOUS EXPLOITS
FERDIA LENNON
Henry Holt and Co.
$26.99 hardcover, available now

Ferdia Lennon: "I was tired of ancient Greek or Roman characters sounding as if they’ve stepped out of a Merchant Ivory production"

Rating: 5* SIX (6)* of five

The Publisher Says: An utterly original celebration of that which binds humanity across battle lines and history.

On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea. After all, you can hate the people but love their art. But as opening night approaches, what started as a lark quickly sets in motion a series of extraordinary events, and our wayward heroes begin to realize that staging a play can be as dangerous as fighting a war, with all sorts of risks to life, limb, and friendship.

Told in a contemporary Irish voice and as riotously funny as it is deeply moving, Glorious Exploits is an unforgettable ode to the power of art in a time of war, brotherhood in a time of enmity, and human will throughout the ages.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Graft Irish brogue onto ancient Syracusan and Athenian combatants, set the story in the aftermath of the Athenian defeat at Syracuse with its famously weird resolution to the problem the Syracusans had with what to do with the POWs, and make a buddy comedy out of it.

Of COURSE I asked for this book!

The titanic tragedies unfolding in today’s world are nothing new. The sheer number of us alive on Earth compared to three thousand...heck, three hundred...years ago means there are higher head counts in the disasters, but not greater or even equal proportions of the population. The scale of Athens’s humiliation, and her losses, in the failed imperial project that included her attempt at conquering Syracuse, rivals the British losses in World War I. An entire generation gone. The scale of democracy’s failings, and this imperial expansionist war was directly down to a democratic vote in Athens, has always been epic. After all, no government is one tiny bit better than its people force it to be.

So Gelon and Lampo get the historically accurate job of dealing with the horribly immiserated prisoners chucked down into the quarry to die. The solution has not changed. We get to see it all from the viewpoints of the two men who more or less came up with the solution, though. Gelon is sort of a sad soul, a man who is aware of and burdened by awareness of, the pointlessness of existence. Does any of this really matter, on can hear Gelon wondering inside himself. He finds no joy in the deaths the Athenians are doomed to, especially since it means he...and the world, of course...won’t get to hear the latest Euripides hit The Trojan Women. Because of course Gelon is all about the tragedian Euripides.

Lampo...get it?...finds light gleaming in all darknesses, Lampo thinks the Athenians must be good for something...and entertaining the Syracusans with the latest and greatest plays from cultural hub Athens is just the ticket. The men overhear the Athenians lightening ther last hours with dialogue from the current Athenian version of the West End/Broadway season, and hey presto a solution to the awful moral conundrum of just letting human beings die in misery comes. Lampo is the instigator of the full cast revival of the play, and convinces the angry Syracusans...even the guy with the club who’s taking revenge for his lost sons by killing every Athenian he possibly can...to set aside their hatred and listen to this brand-new play from the cultural capital of the world.

Setting aside the utter weirdness of this story’s factual reality...we know it really happened...this could have been a retelling of the events that went heavy on Message, bearing down hard on whichever piece caught Author Ferdia’s fancy. Instead he lets the reader select the message they want from the many on offer. Start with an Irish voice telling, in English, a tale of a violently failed colonial enterprise. I trust I do not need to go too far on that one to bring it into focus for you. Move to the unemployed potters, those craftworkers whose job it is to take dirt and turn it into useful and often beautiful things for people to benefit from, who see the utility and the necessity for using these aggressors for some kind of benefit to those they harmed. A tale, then, of restitution, never a bad thing to bring into the modern world. But then look again: the actors are there, able and ready to do their jobs, but unnoticed until summoned into being as actors by capitalist producers, who in case this parallel to the modern world slid past you, make no effort whatever to compensate the creator of the play they are producing. And the actors making the play are, it should not go unremarked on, living below the poverty level and thus are ready to do anything to stay alive.

And, should all that be more than you want to deal with in your present mood, this short novel can simply and pleasurably entertain you with its surreal blend of fact, fiction, and Aristophanes-level multilayered comedy.

Laugh along. Think deeply. Enjoy the music. You pick, you are the one who makes this read...all Author Ferdia did was find the story for you. I can’t recommend it highly enough.