THE KEY TO A KILLER, third Ruby and Cordelia Mysteries #Deathtober treat

THE KEY TO A KILLER (Ruby and Cordelia Mysteries #3)
OLIVIA BLACKE
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: A woman and her ghost roommate investigate their most personal case yet in Olivia Blacke’s The Key to a Killer, the next book in the Anthony Award winning Ruby and Cordelia Mysteries.

When Ruby Young discovered that her Boston apartment was haunted, she did what any reasonable person would do: befriend the ghost. Their relationship overcame a shaky start—Cordelia Graves never wanted a roommate in life, she certainly didn’t want one in death. After working together to solve a few murders, the two are close friends, but there’s a lingering question neither of them have been able to answer: what led to Cordelia’s death?

Lately things have been adding up that suggest foul play. And when Cordelia’s memories of that day start to come back, the roommates can’t ignore it anymore: Cordelia was murdered. Ruby and Cordelia are going to have to piece together what Cordelia’s final days looked like—otherwise a killer could go free.

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My Review: Every #Deathtober I get a lovely present from Minotaur Books: a funny, fun mystery about two poorly-assorted roommates who solve crimes together. Their skill sets mesh well. They do far better together than either does apart.

Oh, and one's alive. The other isn't.

This time around the spin cycle of Life, which even the dead have, they're going after the solution to Cordelia's death. This is not a drill, this is the big one, y'all. Cordelia, in life, would've completely rejected Ruby and her youth with a curt dismissal. Now the dirtnapped fortysomething has, over two previous investigations, learned to respect and value Ruby, who returns the sentiments. As Cordelia's memories of her death are absent and as Ruby's learned more about her, she's become sure Cordelia was killed.

Cordelia can't remember if anyone wanted to murder her, or think of a reason anyone might. With fridge-magnet letters, the two go over the facts and Ruby gets a twinge of an idea. She's going to get a job at Cordelia's old firm.

Now here's where I say The Formula℠: Don't start here, or a lot of the really strange established-relationship stuff will feel arbitrary and weird instead of cute and endearing. Ruby gets UGS (United Ghost Service) delivery service of things she needs but can't afford by means I'd just rather not look into so I can keep thinking Cordelia's a mensch. I know she's a mensch because Ruby's arachnophobia means Cordelia's just assumed the role of de-spidering their environment. And Ruby's become convinced foul play that needs addressing took her pal's life before she was through living it.

See how one hand washes the other here? Then, as is reasonable and customary in our US lives in this year of our lord twenty twenty six, Cordelia's newly-released brother Ian, formerly imprisoned for, well never mind, begins breaking into the apartments in their building to search for clues to Cordelia's death.

I boggled a bit at this. As the story flowed on smoothly I allowed my hackles to relax. Ian discovers that he, oddly enough, still has his dead sister's number on a weird kind of speed dial. All us mystery series readers know the scoobygroup is most of the fun of a story in that particular storyverse and Ian is one of the most interesting ones in Ruby and Cordelia's. I'm hoping as time goes on Ian will learn from his oddly ameliorated loss to be a more mature character...I typed and erased "person" a couple times, so you see how my idea of the series is heading.

As a resolution to Cordelia's present unaliveness impends, I was struck by an uncomfortable realization: Cordelia, with her fragments of memory returning, was getting the absolute most abysmal exit interview conceivable. Ruby at her side she was going through hard-to-stomach realizations about the life she thought she was living not matching the one that was really happening. Cordelia has a lot to think about. Luckily she has a lot of leisure time to do it in. And a close supportive friend, maybe also brother, to be there as she does it.

I was a bit...um...the ending had an impact on me. That's IT? I asked my Kindle screen. No matter what the lady next door says I did NOT scream, and who asked her anyway. It's resolved, it makes sense, and I will be hornswoggled if I buy for one instant that this is the last we will hear about this.

Spending a few hours alternating between Cordelia and Ruby's PoVs gave me a real feeling that I was in the room with them as the investigations made progress. I was always happy to see Ian, I think Tosh the neighbor's a sweet nebbishy guy on course to get his heart broken, and truly enjoy the slightly edgier-than-before banter between the now more equal friends. It's been more and more fun to get to know them.

I'm not joking, though. This book's the reward for investing eyeblinks into Ruby and Cordelia. Taking a shortcut to get here won't make it more exciting to be here but less. And it really is worth it for these evolved versions of good people.

DEATH AT THE DOOR (Ruby and Cordelia Mysteries #2), just plain ol' fun!

DEATH AT THE DOOR (Ruby and Cordelia Mysteries #2)
OLIVIA BLACKE
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, preorder for delivery tomorrow

Rating: 3.75* of five

The Publisher Says: The odd couple of crime-solving returns in Olivia Blacke’s Death at the Door, where a ghost and her living roommate find another mystery on their doorstep.

Ruby Young is slowly adjusting to her new life in Boston. A big part of that is her unexpected roommate—the ghost of the woman who lived there before. For Cordelia Graves, she may no longer be breathing, but it’s still her apartment and Ruby is the somewhat unwanted houseguest. They’re both happy they’ve managed to become friends, which is a miracle considering they struggle to communicate with each other. Cordelia even set Ruby up with her old job.

When Ruby discovers the body of a delivery guy at work, the new life she’s been building hangs in the balance. The last time Cordelia dragged Ruby into a murder investigation, it was almost two ghosts living in the apartment, not one. Determined to protect Ruby, Cordelia tries to shield her from the investigation, but Ruby has other ideas. It will take both of them working together to navigate the fine line between the dead and the living to bring a killer to light.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I read the first one last #Deathtober and was amused and entertained. When this one swam past me, I gill-netted it for an amusing afternoon's reading.

Ghost partners make crime solving funny. How Ruby, a pretty naïve "breather" in the first place tries to explain how she knows things she shouldn't is kind of funny but often devolves into absurdity. Cordelia's taken the child under her, um, wing shall we say so keeps trying to get her up to Cordelia's speed. It's not going great, it does sometimes grate on my nerve, but really...don't pick up a comedy cozy and expect to solve a fair-play puzzle.

Ruby as comic relief seems too un-self aware to get away with the gag for another book. Holmes' Watson got the fact that Holmes was talking down to him. It doesn't feel to me like Ruby's got that in regard to her striking off on her own during the part of the investigation into Marty the dead guy's last hours...Cordelia's got a different idea, conveyed by their usual Etch-A-Sketch avenue of communication (one of the main reasons I come back, honestly, it just tickles me so hard!) and, as Ruby's learning, Cordelia will just up and leave if she's pissed off and "there's nothing worse than being ghosted by an actual ghost."

Don't put Denise Mina-level expectations on the story, stay light of accusatory-finger, twiddle your Etch-A-Sketch softly and this is fun. It's silly, it doesn't take it's premise either seriously enough to make it embarrassing or so condescendingly it's irritating...finding a pitch and singing in it is a rare enough gift it should be celebrated.

I needed chuckles and a grin or two. I'm really happy that I got them here. (Please...stop telling me breathers can't hear ghosts' chats. I got it.)

GLORIOUS EXPLOITS, and glorious they are! Humor, pathos, sharp observation...all in this compact true tale

GLORIOUS EXPLOITS
FERDIA LENNON
Henry Holt and Co.
$26.99 hardcover, available now

Longlisted for the 2025 Walter Scott Prize for Historical Fiction! "A Shortlist will be chosen by the judges and announced on April 15th, and the winner will be announced at the Borders Book Festival and at Abbotsford between 12th and 15th June."

Ferdia Lennon: "I was tired of ancient Greek or Roman characters sounding as if they’ve stepped out of a Merchant Ivory production"

Rating: 5* SIX (6)* of five

The Publisher Says: An utterly original celebration of that which binds humanity across battle lines and history.

On the island of Sicily amid the Peloponnesian War, the Syracusans have figured out what to do with the surviving Athenians who had the gall to invade their city: they’ve herded the sorry prisoners of war into a rock quarry and left them to rot. Looking for a way to pass the time, Lampo and Gelon, two unemployed potters with a soft spot for poetry and drink, head down into the quarry to feed the Athenians if, and only if, they can manage a few choice lines from their great playwright Euripides. Before long, the two mates hatch a plan to direct a full-blown production of Medea. After all, you can hate the people but love their art. But as opening night approaches, what started as a lark quickly sets in motion a series of extraordinary events, and our wayward heroes begin to realize that staging a play can be as dangerous as fighting a war, with all sorts of risks to life, limb, and friendship.

Told in a contemporary Irish voice and as riotously funny as it is deeply moving, Glorious Exploits is an unforgettable ode to the power of art in a time of war, brotherhood in a time of enmity, and human will throughout the ages.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Graft Irish brogue onto ancient Syracusan and Athenian combatants, set the story in the aftermath of the Athenian defeat at Syracuse with its famously weird resolution to the problem the Syracusans had with what to do with the POWs, and make a buddy comedy out of it.

Of COURSE I asked for this book!

The titanic tragedies unfolding in today’s world are nothing new. The sheer number of us alive on Earth compared to three thousand...heck, three hundred...years ago means there are higher head counts in the disasters, but not greater or even equal proportions of the population. The scale of Athens’s humiliation, and her losses, in the failed imperial project that included her attempt at conquering Syracuse, rivals the British losses in World War I. An entire generation gone. The scale of democracy’s failings, and this imperial expansionist war was directly down to a democratic vote in Athens, has always been epic. After all, no government is one tiny bit better than its people force it to be.

So Gelon and Lampo get the historically accurate job of dealing with the horribly immiserated prisoners chucked down into the quarry to die. The solution has not changed. We get to see it all from the viewpoints of the two men who more or less came up with the solution, though. Gelon is sort of a sad soul, a man who is aware of and burdened by awareness of, the pointlessness of existence. Does any of this really matter, on can hear Gelon wondering inside himself. He finds no joy in the deaths the Athenians are doomed to, especially since it means he...and the world, of course...won’t get to hear the latest Euripides hit The Trojan Women. Because of course Gelon is all about the tragedian Euripides.

Lampo...get it?...finds light gleaming in all darknesses, Lampo thinks the Athenians must be good for something...and entertaining the Syracusans with the latest and greatest plays from cultural hub Athens is just the ticket. The men overhear the Athenians lightening ther last hours with dialogue from the current Athenian version of the West End/Broadway season, and hey presto a solution to the awful moral conundrum of just letting human beings die in misery comes. Lampo is the instigator of the full cast revival of the play, and convinces the angry Syracusans...even the guy with the club who’s taking revenge for his lost sons by killing every Athenian he possibly can...to set aside their hatred and listen to this brand-new play from the cultural capital of the world.

Setting aside the utter weirdness of this story’s factual reality...we know it really happened...this could have been a retelling of the events that went heavy on Message, bearing down hard on whichever piece caught Author Ferdia’s fancy. Instead he lets the reader select the message they want from the many on offer. Start with an Irish voice telling, in English, a tale of a violently failed colonial enterprise. I trust I do not need to go too far on that one to bring it into focus for you. Move to the unemployed potters, those craftworkers whose job it is to take dirt and turn it into useful and often beautiful things for people to benefit from, who see the utility and the necessity for using these aggressors for some kind of benefit to those they harmed. A tale, then, of restitution, never a bad thing to bring into the modern world. But then look again: the actors are there, able and ready to do their jobs, but unnoticed until summoned into being as actors by capitalist producers, who in case this parallel to the modern world slid past you, make no effort whatever to compensate the creator of the play they are producing. And the actors making the play are, it should not go unremarked on, living below the poverty level and thus are ready to do anything to stay alive.

And, should all that be more than you want to deal with in your present mood, this short novel can simply and pleasurably entertain you with its surreal blend of fact, fiction, and Aristophanes-level multilayered comedy.

Laugh along. Think deeply. Enjoy the music. You pick, you are the one who makes this read...all Author Ferdia did was find the story for you. I can’t recommend it highly enough.