NEEDLEMOUTH, latest K-Ming Chang women's wrongs weirdness

NEEDLEMOUTH
K-MING CHANG
Simon & Schuster (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: From the award-winning author of Bestiary, three cousins are forced to complete an impossible and violent task set by a vengeful demon.

Cousins Cindy, Yangyang, and Mandy’s hot, tedious summer unfolds in their grandmother’s hauntingly familiar house. Mandy, the eldest, seeks connection online and exchanges emails with a stranger. Yangyang, the youngest, retreats into her own imagination in search of meaning. But every morning Cindy wakes with strange objects in her mouth: a button, a berry, a coin.

One night, a starved figure with a mouth the size of a needle-tip appears at Cindy’s bedside. She is hunger-afflicted, a demon with no descendants to feed from: she is Needlemouth. Part vampire, part hungry ghost, Needlemouth forces the girls into a grim task to end a man’s life.

Cindy, Yangyang, and Mindy are plunged in and out of the demon realm, where they are called to break out of the indifference and numbness of their claustrophobic worlds, and where they are met with the most rageful and resistant parts of themselves. In a quest to satisfy the demon’s hunger, they unravel their shared grief and reckon with the cyclical violence that shaped their family. For readers of Akwaeke Emezi and Carmen Maria Machado, K-Ming Chang has crafted a reimagined coming of age novel that asks: what does it mean to become the monster instead of slaying it?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Cecilia was my intro to the...earthy, primal...fascinations of K-Ming Chang. A writer with a strangely lyrical way of presenting yucky realities of having a female body goes right into the lifeblood (!) of blood in menstruating females and vampires.

Needlemouth wants the cousins who are her targets to figure out a major problem for her: Daddy Dearest is a horrible, abusive, misogynistic, etc etc world without end, bastard who's cursed her...see title...and thus end her pain. Oh, and theirs, because he's involved in their family's losses somehow. (It was explained, I *think* anyway; either poorly or incredibly in the literal sense. I retain no sense of it.) It's your fates, women, to either rebel or collaborate. Passive little Yangyang already collaborates that way. The other two? Ready to ride and/or die to strike a blow for Womankind! Passively Yangyang goes with. Astounding, no? (Why is it Needlemouth, an actual demon {if female-presenting} can't do this herself, exactly?)

To accomplish their task the cousins are transported (disorientingly and that uncertainty I can say with certainty is deliberate) between mudanity and the demon world of the vampires. It is a beautiful virtuoso performance by K-Ming Chang, noticeably, lyrically lovely in sound...I read it aloud at times...and very effectively indicating our frame of reference has shifted. Author Chang does not write workmanlike prose at any time in the two books of hers I've read; this perspective shift still stands out as graceful and intense.

The young women are, as I am learning is usual with Author Chang, aware of the living human body. It is very, very, very present. I'm beginning to wonder if "K-Ming Chang" is not simply Chinese for "Joe Abercrombie" or, at the very least, if she is not his descendant. I thought The Devils was a shitty, as in "shit-filled," story. Hold my beer, says K-Ming Chang. It can, at times, overwhelm my sense of the complexities I'm needing to track in the story. It is a fine balance to get right. It's not always calibrated properly for even my pretty strong stomach.

You will not clutch your pearls upon learning Needlemouth is not always a reliable narrator. She might've left some details about consequences out of her stirring pitch to the cousins. I'll say this about how it all turns out: I was shocked, repulsed, and downright irked at how very much of the human body's workings were made plain, laid bare, and how intense and viscaeral the poetice prose-hallucination was; but the ending was unexpected, was so balanced on a kinfetip let alone edge, that I reattached the full fourth star that slipped off after a particular...facial, let's call it.

My squeamish sensitive souls should not come within hailing distance of the story. All the female rage, all the smoldering hatred of petty tyranny all the shrieking outrage at the tyrannical, unfair patriarchy will not make up for that...facial.

Take my word for it: Revenge and vengeance are only cousins, not siblings, and their goals are not always compatible.

Vengeance is a nobler victor.

SPEAK EZ, clever, endearingly endowed with dog energy, paranormal lesbian romantic suspense

SPEAK EZ
ELLE E. IRE
Bywater Books (non-affiliate Amazon link)
$20.95 trade paper, available now

Rating: 4* of five

The Publisher Says: When a mysterious dog shows up during the renovation of the Big City Little Theatre, one woman falls in love with the victim of a century-old homicide who might not be as dead as she seems. And now it's a race against time to ensure she stays that way.


On New Year's Eve, in 1923, someone walked into Michelle "Mickey" McFadden's queer speakeasy hidden beneath the Big City Little Theater and shot her and her dog, EZ, dead. Or . . . sort of, mostly, kind of dead, maybe? Because instead of crossing over, they become trapped within the bar's cinderblock walls. And though EZ eventually manages to wriggle his way free, Mickey remains, her spirit frozen in time.

In 2022, employees of the Big City Little Theater begin encountering a stray dog sneaking in and around the premises. When Ciara, the theater's bookkeeper, saves the dog from being hit by a truck, she begins to suspect there's something odd about the mysterious canine and makes it her mission to catch him and either return him to his owners or keep him as her own.

That is until Ciara and her friends happen upon the sealed-up speakeasy in the theater's subbasement --and find the dog inside. But how did he get in there when the door was locked? And why are there bullet holes in the otherwise beautifully preserved bar? Their discovery launches them on the investigation of a lifetime, complete with an ancient murder to solve, strange occurrences to explain, and a missing person to find.

When Mickey's spirit, which has been trapped in the mysterious in-between for the past hundred years, begins to find her way out, she and Ciara finally come face-to-face. And it's more than the speakeasy's old wiring that makes sparks fly. Ciara's falling hard for Mickey and Mickey for her. Can they solve the murder and figure out how EZ returned to the world of the living before the clock strikes midnight on the next New Year's Eve?

Because if they don't, they're pretty certain Mickey's time will finally be up—this time for good.

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My Review: EZ the dog better be coming back. The women, well...if that's how I get EZ back, okay.

I had a lot of fun with this read because I'm all about ghostly love, and even lovin'. It's very clear these women would smoke up a train station with their chemistry. Any author who can get me to invest in the love of two women is an author whose chops as a storyteller are superior. Developing Mickey into someone I was interested in seeing get justice for her century-old murder took some doing. Her post-death time in the walled-up speakeasy in the basement of the theater where Ciara works isn't detailed...in fact the way Mickey's existence gets handled is mostly with believable "I don't know"s and much pondering without a lot of resolution, which is fine by me.

All the characters are fun to listen to. Mickey's not all that different from the others, something I'd usually frown over, but the four in the group are witty enough that I let it go. What counts in a crime novel is solving the crime, right? Not to me, though I'll admit the pleasure of reading a series mystery is a satisfying solution to the crime and the crew around the sleuth. I don't know the author's plans, but it seems to me that, after this story, she's likely to stop. As long as she brings back EZ somehow, okay by me.

So the murder does have a solution that we are given adequate means to think through. I won't talk about it because the Spoiler Stasi is ever-vigilant, but it makes sense and it works. It's also part of the reason I think this could be a satisfying standalone story. I like the idea of this story existing in and for itself, not needing to carry forward baggage.

What cost a half-star off perfect-fivedom was my sense that Ciara needed too little time to adjust to Mickey's...unorthodox...existence. How does Ciara just buy into this decidedly offbeat mode of being? No obvious anxiety around any of it, which I'm not really prepared to accept all the way; so a measly half-star off instead of a whole one, because once they get to bantering, well, it's just utterly clear why they love one another.

Very much a story to keep the #PrideMonth reader involved, entertained, amused, and invested.