MILENA AND MARGARETE: A Love Story in Ravensbrück, not often you see "love" and a concentration camp in the same sentence

MILENA AND MARGARETE: A Love Story in Ravensbrück
GWEN STRAUSS
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: A profoundly moving celebration of love under the darkest of circumstances

From the moment they met in 1940 in Ravensbrück concentration camp, Milena Jesenska and Margarete Buber-Neumann were inseparable. Czech Milena was Kafka’s first translator and epistolary lover, and a journalist opposed to fascism. A non-conformist, bi-sexual feminist, she was way ahead of her time. With the German occupation of Czechoslovakia, her home became a central meeting place for Jewish refugees. German Margarete, born to a middle-class family, married the son of the Jewish philosopher Martin Buber. But soon swept up in the fervor of the Bolshevik Revolution, she met her second partner, the Communist Heinz Neumann. Called to Moscow for his “political deviations,” he fell victim to Stalin’s purges while Margarete was exiled to the hell of the Soviet gulag. Two years later, traded by Stalin to Hitler, she ended up outside Berlin in Ravensbrück, the only concentration camp built for women.

Milena and Margarete loved each other at the risk of their lives. But in the post-war survivors’ accounts, lesbians were stigmatized, and survivors kept silent. This book explores those silences, and finally celebrates two strong women who never gave up and continue to inspire. As Margarete wrote: “I was thankful for having been sent to Ravensbrück, because it was there I met Milena.”

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Any time anyone, anyone at all, asks, "why can't you just keep quiet about all that queer stuff?" show them this story.

Because people died for being themselves. And the survivors were too afraid to talk about it.

That's down to people, "nice" people, privileged people, simply not wanting to know that some girls like girls and some boys like boys. That culture of silence to avoid making the most privileged, spoiled brats among the world's most privileged, spoiled people...the most privileged the planet has ever produced!...just don't think they should ever have to think uncomfortable thoughts or consider other people's existence and freedom to be themselves as important.

"Alligator Alcatraz" is a concentration camp. If you think it isn't go look at the definition of one.

So think about this: your silence, your uninterest in speaking up for whatever selfish, personal reason, puts someone you know...me...at the very real risk of being treated like these two "passionate friends" (if you imagine there was a way to consummate their love in Ravensbrück, you're wrong). I'm not made of the tough, gritty stuff these women are, so....

We need to stand up to this ever-developing system. Talk about it on social media, post memes, do anything except nothing. Milena and Grete (as she is most often referred to) can't speak to us with their mouths. Author Strauss, in confronting the silence about queer people in Holocaust literature, is pointing the way to a fuller understanding of the Holocaust's horrors and evils, and the vileness of Stalin's mirror of it in the gulag system, as we see the steady slide back into a system that accepts this horror as normal.

It's not a particularly smooth pointing...it's narratively idea-driven, putting the small person's need for linear narratives behind following a thought to its conclusion. One person whose name we learn only to discover she dies, before we hear the rest of her anecdotal appearance, particularly stands out as an infelicity of organization. Another factor that led me to rate the book four stars was the sheer, numbing weight of the horrors inflicted by the Nazis on the inmates. It happened; reasonable people know it happened; but because we are often far afield from Milena and Grete, the weight of horror often outweighs the burden of these two women's joyous discovery of love.

It does a fine job of personalizing the horrors of the Holocaust, but a less stellar job of making Milena and Grete come alive. I don't know that this is avoidable, given time and the destruction of records, but it was something I felt disappointment about.

Good writing and a truly underrepresented subject within Holocaust literature compensated me well: "I am using their beautiful love story to shine a light on sexuality in the camps and how it was seen, hidden, and the important role it played in survival, because to have found love in a concentration camp is extraordinary."

It absolutely is.