LAND OF MY FATHERS, West African historical fiction

LAND OF MY FATHERS
VAMBA SHERIF
HopeRoad Publishing
$22.95 hardcover, available now

Rating: 4.5* of five

The Publisher Says: The proud Republic of Liberia was founded in the 19th century with the triumphant return of the freed slaves from America to Africa.

Once back 'home', however, these Americo-Liberians had to integrate with the resident tribes—who did not want or welcome them. Against a background of French and British colonialists busily carving up Mother Africa, while local tribes were still unashamedly trading in slaves . . . the vulnerable newcomers felt trapped and out of place.

Land of My Fathers plunges us into this world. But in the midst of turmoil, there is friendship. Edward Richard, a man born into slavery and a preacher by profession, is convinced that the future of Liberia lies in bringing peace amongst the tribes. His mission takes him to the far north, where he meets an extraordinary man, Halay. Edward's new and dearest friend is ready to sacrifice his own life to protect his country; for the Liberians believe that with Halay's death, no war will ever threaten their land. A century later, this belief is crushed when war engulfs the land, bearing away with it the descendants of both Edward and Halay. The story of Halay is the untold story of Liberia. What he did would come to stand as symbol of man's ability to defy the odds, to face the inevitable head on.

Where men should have stood shoulder to shoulder, they turned on each other instead.

I RECEIVED AN ARC FROM THE PUBLISHER. THANK YOU.

My Review: Human beings are vile. They are irredeemable. Sweeping statements, condemnatory and accusatory, all-inclusive, and deeply heartfelt. Want to know why? Read this novel about Liberia's history.

I'd wager big money against most people in the US being able to find Liberia on a map, or identify its flag correctly. This one:

...clearly modeled after the US flag, meant to align the new nation with the US principles of equality and freedom. Well...in a curious way it did. The native inhabitants of the country now called Liberia weren't in any great hurry to welcome these dark-skinned colonizers.

To tell his story as a story, not a sermon, Author Vamba Sherif uses a multigenerational structure tracking the developments of Liberian history. It's pretty much all new to me. I was interested in all the details salted through the story. I was always glad to return to the read. I'm deaccessioning my lovely hardcover but I can't say enough about the beautiful design and quality execution of the hardcover.

The story being told is of the same level of craft. It was deeply involving, it presented the disasters of human history in humane terms, giving the reader people to invest in and then giving those people the fates suffered by many millions like them.

I can't say I feel uplifted by this tale of venality, of carefully fanned hatreds overtaking the weakest of human emotions: Kindness.

I recommend the read to all who need a primer on the West African historical disaster that is Liberia.

THE NIGHT WILL HAVE ITS SAY, historical fiction about the Muslim Wars of Conquest

THE NIGHT WILL HAVE ITS SAY
IBRAHIM al-KONI (tr. Nancy Roberts)
Hoopoe Books|American University in Cairo Press
$18.95 trade paper, available now

20% Off when ordered on their website (link above)! Just enter promo code: summer24 at checkout. Valid until 10 August 2024 in North America, the UK, Europe, and (naturally) Egypt.

Rating: 4* of five

The Publisher Says: The year is 693 and a tense exchange, mediated by an interpreter, takes place between Berber warrior queen al-Kahina and an emissary from the Umayyad General Hassan ibn Nu'man. Her predecessor had been captured and killed by the Umayyad forces some years earlier, but she will go on to defeat Ibn Nu'man's forces.

The Night Will Have Its Say is a retelling of the Muslim wars of conquest in North Africa during the seventh century CE, narrated from the perspective of the conquered peoples. Written in Ibrahim al-Koni's unique and enchanting voice, his lyrical and deeply poetic prose speaks to themes that are intensely timely. Through the wars and conflicts of this distant, turbulent era, he addresses the futility of war, the privilege of an elite few at the expense of the many, the destruction of natural habitats and indigenous cultures, and questions about literal and fundamentalist interpretations of religious texts.

Al-Koni's masterly account of conquest and resistance is both timeless and timely, infused with a sense of disaster and exile—from language, the desert, and homeland.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I'm kind of an outlier among this book's Anglophone readers: I like the formal, "speechifying" tone. This is historical fiction about the incredibly consequential events surrounding the Arab Wars of Conquest, specifically of the Maghreb. This century-long expansion of Islam and political control by Baghdad's rulers formed the fault lines of our present-day world. It felt appropriate to me that the words they spoke on the page were...heightened...not quotidian, not the same ones you'd use to ask your housekeeper why your nan's vase is suddenly chipped.

So, please understand that I'm aware of the formality, the speech-giving style, the focus on the characters as actors on the world's stage, and am okay with and invested in that. The consequentiality of the events in this book very definitely merit it. The author is telling this story from the PoV of the conquered, not the triumphal and celebratory version preferred (see the linked Wikipedia article) by the conquerors. In many ways the story is so very astonishing that it feels a bit like a fantasy epic. This story's The Lord of the Rings, only for real...and y'all lap up that deep-purple prose.

Give this a shot.

About the story itself I am so ignorant that I can point to no departures from History's pages. The North African civilizations were very old indeed. Pharaonic Egypt had diplomatic ties and cultural interchanges with the Libyan cultures millennia ago; the Berbers are, I think, their descendants. Roman, Byzantine, and then Arab Muslim conquests have overlaid rulers and rules and religion on the enduring people. The book's assumption of the conquered ones' voices is delightful to me, who daily bumps against the heterohegemony and religious restrictiveness on my right to exist. To have a woman assering her and her people's right to exist as they are and have always been, against a man sent to chnage them on a basic level, seems like a story you're going to want to read just now. It's not like it's got any modern resonances, is it? A woman standing up for freedom to exist unchanged against an overbearing, bloviating hypocrite of a man?

I'm suddenly seeing an orange haze between me and the screen....

However much I want you to read this story, I feel there's a resistance inside my mostly Anglophone and largely American readers. It's about people you know (most likely) nothing about. It takes the side of the powerless, to induce you to get over that hurdle. It's negatively focused on religion. The main character is a woman asserting herself, to get you over that hurdle. The prose is...well...I said above it's heightened, and really, given the stuff I see y'all reading, I don't think that's a hurdle you need much help getting over in and of itself. I suspect most objections like that are more about resisting the unfamiliarity of the subject matter. I strongly encourage you to get over that hurdle. This story is deeply rooted in an entire ancient civilization's resistance to being restyled and remade to suit the opinions of powerful men with an arsenal of weapons superior to its own and fueled by rage and the lust for Control.

These stakes should resonate with all y'all in the Anglophone world, and I hope inspire you to resist what we see around us from becoming normal.

Again.

THE EMPEROR'S SON, immersive historical fiction

THE EMPEROR'S SON
VAMBA SHERIF
Iskanchi Press
$25.00 trade paper, available now

Rating: 4.5* of five

The Publisher Says: Vamba Sherif’s The Emperor’s Son tells the story of Zaiwulo, a young boy sent off to the ancient city of Musadu to study under Talata, a great scholar and head of the legendary Haidarah family. The boy soon notices that there is more to the story of his presence among the Haidarahs, and as he grows older and becomes a soldier fighting alongside Emperor Samori whom the French nicknamed “the Black Napoleon”, his resolve to unravel the mysteries of his childhood propels him into an adventure that leads him back home in the forests where there awaits a revelation with far-reaching consequences.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Historical fiction set in Africa, written by an African author? Sign me up...I love Marlon James's and Kai Ashante Wilson's African-set and -themed fantasy novels, Tade Thompson's Rosewater SF series, and on and on...the genres I read are populated with African writers, and I seek them out.

Until now, historical fiction has not been populated. I have hopes that this will change because this story is awesome. I won't go through a book report because I hate that in a review, but I will say that "the Black Napoleon" as Samori Touré, a Mandinka Muslim cleric, military strategist, and founder of the Wassoulou Empire, is called in this book, was a fascinating character indeed. Start with the Wikipedia article linked and keep going...look up the events in the book...don't stint on the research!

Or do none, that won't harm your pleasure in the story of a young man caught up in the heady slipsteam of a leader who wants, plans for, and wages an effective war to gain independence and self-determination. The people of Western Africa then incorporated into France's colonial empire were working with him, and that kind of personality is fascinating to read about.

The story is deeply immersive, impressively involving, and a delight to read. Any younger reader, say from sixteen up, will not find anything in the story that hasn't passed before their eyes many times before. The violence is not overplayed, or lingered on in a prurient way. It is a fact of war. The balancing factors are the immense amount of cultural knowledge that Author Sherif puts in logical and necessary places. I felt the way he placed them, the level of detail he provided, gave me a deeper picture of the world I was reading about.

At over 500 pages, this is the best kind of immersive, dense, textured read for an adolescent or older person to get as a #Booksgiving gift. What better way to escape the family closeness so many readers dread, in such a pleasant and acceptable way?

Strongly recommended.