LAND OF MY FATHERS, West African historical fiction

LAND OF MY FATHERS
VAMBA SHERIF
HopeRoad Publishing
$22.95 hardcover, available now

Rating: 4.5* of five

The Publisher Says: The proud Republic of Liberia was founded in the 19th century with the triumphant return of the freed slaves from America to Africa.

Once back 'home', however, these Americo-Liberians had to integrate with the resident tribes—who did not want or welcome them. Against a background of French and British colonialists busily carving up Mother Africa, while local tribes were still unashamedly trading in slaves . . . the vulnerable newcomers felt trapped and out of place.

Land of My Fathers plunges us into this world. But in the midst of turmoil, there is friendship. Edward Richard, a man born into slavery and a preacher by profession, is convinced that the future of Liberia lies in bringing peace amongst the tribes. His mission takes him to the far north, where he meets an extraordinary man, Halay. Edward's new and dearest friend is ready to sacrifice his own life to protect his country; for the Liberians believe that with Halay's death, no war will ever threaten their land. A century later, this belief is crushed when war engulfs the land, bearing away with it the descendants of both Edward and Halay. The story of Halay is the untold story of Liberia. What he did would come to stand as symbol of man's ability to defy the odds, to face the inevitable head on.

Where men should have stood shoulder to shoulder, they turned on each other instead.

I RECEIVED AN ARC FROM THE PUBLISHER. THANK YOU.

My Review: Human beings are vile. They are irredeemable. Sweeping statements, condemnatory and accusatory, all-inclusive, and deeply heartfelt. Want to know why? Read this novel about Liberia's history.

I'd wager big money against most people in the US being able to find Liberia on a map, or identify its flag correctly. This one:

...clearly modeled after the US flag, meant to align the new nation with the US principles of equality and freedom. Well...in a curious way it did. The native inhabitants of the country now called Liberia weren't in any great hurry to welcome these dark-skinned colonizers.

To tell his story as a story, not a sermon, Author Vamba Sherif uses a multigenerational structure tracking the developments of Liberian history. It's pretty much all new to me. I was interested in all the details salted through the story. I was always glad to return to the read. I'm deaccessioning my lovely hardcover but I can't say enough about the beautiful design and quality execution of the hardcover.

The story being told is of the same level of craft. It was deeply involving, it presented the disasters of human history in humane terms, giving the reader people to invest in and then giving those people the fates suffered by many millions like them.

I can't say I feel uplifted by this tale of venality, of carefully fanned hatreds overtaking the weakest of human emotions: Kindness.

I recommend the read to all who need a primer on the West African historical disaster that is Liberia.

THE PRICE FOR THEIR POUND OF FLESH: The Value of the Enslaved, from Womb to Grave, in the Building of a Nation, capitalism has a lot to answer for

THE PRICE FOR THEIR POUND OF FLESH: The Value of the Enslaved, from Womb to Grave, in the Building of a Nation
DAINA RAMEY BERRY
Beacon Press (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: Groundbreaking look at slaves as commodities through every phase of life, from birth to death and beyond, in early America

In life and in death, slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. The Price for Their Pound of Flesh is the first book to explore the economic value of enslaved people through every phase of their lives—including preconception, infancy, childhood, adolescence, adulthood, the senior years, and death—in the early American domestic slave trade. Covering the full "life cycle," historian Daina Ramey Berry shows the lengths to which enslavers would go to maximize profits and protect their investments. Illuminating "ghost values" or the prices placed on dead enslaved people, Berry explores the little-known domestic cadaver trade and traces the illicit sales of dead bodies to medical schools.

This book is the culmination of more than ten years of Berry's exhaustive research on enslaved values, drawing on data unearthed from sources such as slave-trading records, insurance policies, cemetery records, and life insurance policies. Writing with sensitivity and depth, she resurrects the voices of the enslaved and provides a rare window into enslaved peoples' experiences and thoughts, revealing how enslaved people recalled and responded to being appraised, bartered, and sold throughout the course of their lives. Reaching out from these pages, they compel the reader to bear witness to their stories, to see them as human beings, not merely commodities.

A profoundly humane look at an inhumane institution, The Price for Their Pound of Flesh will have a major impact how we think about slavery, reparations, capitalism, nineteenth-century medical education, and the value of life and death.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Almost ten years ago, I read this appalling chronicle of the profit-and-loss mentality as applied to human beings.

It horrified and appalled me.

Cliometrics, the science of statistical analysis applied to databases of historical origin (eg, census data, tax rolls), is a discipline we've only developed in the past half-century or so. The wealth of data regarding enslaved people collected by different governments and organizations has made tracing the stark outlines of how the property impacted the economy; Author Daina Ramey Berry had to come along before someone got up the support and the courage...it definitely took a lot to do this work in a post-Ferguson/George Floyd world...to merge the statistical analysis of the past with the stories of the people who lived it.

No, it's not a breezy little bagatelle to read. It is a work of solid, enduring value to historians, and to historical researchers in economics and medicine and sociology and anthropology. I'm not going to apply the "a-word" to it, you know the one; it sends all y'all's wallets into torpor. Instead I'll note that the style's readable, there's flashes...rare, but there...of humor; and for the non-fiction snobs, there's no getting away from the fact that it's got deep roots in the primary and secondary sources.

There are quite a number of period illustrations to, um, liven things up. I found them somewhat distracting, which could be good when I was in a darker passage, or bad, if the illustration was cheerless. I'm glad on balance to have them included.

SIDDHARTH KARA'S PAGE: THE ZORG: A Tale of Greed and Murder That Inspired the Abolition of Slavery; & COBALT RED: How the Blood of the Congo Powers Our Lives

COBALT RED: How the Blood of the Congo Powers Our Lives
SIDDHARTH KARA
St. Martin's Press (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 5* of five

The Publisher Says: The revelatory New York Times and Publishers Weekly bestseller, shortlisted for the Financial Times Best Business Book of the Year Award.

An unflinching investigation reveals the human rights abuses behind the Congo’s cobalt mining operation―and the moral implications that affect us all.

Cobalt Red is the searing, first-ever exposé of the immense toll taken on the people and environment of the Democratic Republic of the Congo by cobalt mining, as told through the testimonies of the Congolese people themselves. Activist and researcher Siddharth Kara has traveled deep into cobalt territory to document the testimonies of the people living, working, and dying for cobalt. To uncover the truth about brutal mining practices, Kara investigated militia-controlled mining areas, traced the supply chain of child-mined cobalt from toxic pit to consumer-facing tech giants, and gathered shocking testimonies of people who endure immense suffering and even die mining cobalt.

Cobalt is an essential component to every lithium-ion rechargeable battery made today, the batteries that power our smartphones, tablets, laptops, and electric vehicles. Roughly 75 percent of the world’s supply of cobalt is mined in the Congo, often by peasants and children in sub-human conditions. Billions of people in the world cannot conduct their daily lives without participating in a human rights and environmental catastrophe in the Congo. In this stark and crucial book, Kara argues that we must all care about what is happening in the Congo―because we are all implicated.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Remember King Leopold's Ghost: A Story of Greed, Terror and Heroism in Colonial Africa? More than a quarter-century later, that story of exploitation and abuse of human beings from the vilest era of European colonialism had no effect on the world. Handwringing and smug self-assurance that we would never, it can't happen again, are herewith disproved. We did; it did.

And not many of "us" care, or act like we care, or say or do anything to indicate to our corporate masters that we disapprove. After reading this book, maybe a few will take some time to hunt up contact details for their pad/laptop/cellphone manufacturer and let them know...

...

...well, it's pretty much useless to finish that sentence. Siddharth Kara writes his fingers to the bone, he goes hot miserable places, and he comes and tells us the impassioned truth about how our "clean" energy devices depend on the slave labor of millions...so does every plateful of food you eat...and we go full Joker mode...

...and move on.

After reading Author Kara's interviewee who interrupts him to finish the sentence, "...you work in horrible conditions..." with

"No, we work in our graves."

And you and I sit here and stare at our cobalt-powered screens.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE ZORG: A Tale of Greed and Murder That Inspired the Abolition of Slavery
SIDDHARTH KARA
St. Martin's Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 5* of five

FINALIST for the 2026 PEN/John Kenneth Galbraith Award for Nonfiction! Winner announced 31 March 2026.

Time's The 100 Must-Read Books of 2025 selection

A New York Times 100 Notable Books of 2025 selection

The Publisher Says: From Pulitzer finalist and New York Times bestselling author of Cobalt Red: A notorious slave ship incident that led to the abolition of slavery in the UK and sparked the US abolitionist movement

In late October 1780, a slave ship set sail from the Netherlands, bound for Africa’s Windward and Gold Coasts, where it would take on its human cargo. The Zorg (a Dutch word meaning “care”) was one of thousands of such ships, but the harrowing events that ensued on its doomed journey were unique.

After reaching Africa, the Zorg was captured by a privateer and came under British command. With a new captain and crew, the ship was crammed with 442 slaves and departed in 1781 for Jamaica. But a series of unpredictable weather events and mistakes in navigation left the ship drastically off course and running out of water. So a proposition was put forth: Save the crew and the most valuable of the slaves—by throwing dozens of people, starting with women and children, overboard.

What followed was a fascinating legal drama in England’s highest court that turned the brutal calculus of slavery into front-page news. The case of the Zorg catapulted the nascent anti-slavery movement from a minor evangelical cause to one of the most consequential moral campaigns in history—sparking the abolitionist movement in both England and the young United States.

Siddharth Kara utilizes primary-source research, gripping storytelling, and painstaking investigation to uncover the Zorg’s journey, the lives and fates of the slaves on board, and the mysterious identity of the abolitionist who finally revealed the truth of what happened on the ship.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Whistleblowers are reviled by the greedy capitalists because they interfere with the satiation of the actually evil levels of greed that propel acts like these in the book.

There is a reason y'all's religions, one and all, condemn greed. Not that it ever has the tiniest effect on most "religious" people's behavior, nor the behavior of those who claim they work for the common good, nor really any other human being I've ever known. Yes, before some annoying twidgee says it, I include myself.

Like Cobalt Red (q.v.), Author Kara knows exactly what will give you nightmares, and deploys that thing in search of your conscience. It's history, not current events, I hear you echoing my bleat of self-justification. Back to Cobalt Red you should go.

The relief from guilt is the sheer outrageousness of the court case fought over this murderous event. It's something that I definitely see making a huge splash in the press of the day. It would be a Frontline documentary today. In any event, it is historical record, so there is no escaping the ugly truth:
We have known the facts of slavery for generations and done the bare minimum to end it, more to ameliorate our feelings of greed and guilt than because we see the enslaved as real people.

Sleep tight.

PROFESSOR SCHIFF'S GUILT, humor is hard, but better when hard-edged

PROFESSOR SCHIFF'S GUILT
AGUR SCHIFF (tr. Jessica Cohen)
New Vessel Press (non-affiliate Bookshop.org link)
$17.95 all editions, available now

Rating: 4* of five

The Publisher Says: A stellar novel rendered into a darkly comic, unforgettable narrative by Booker International Prize winning translator Jessica Cohen.

An Israeli professor travels to a fictitious West African nation to trace a slave-trading ancestor, only to be imprisoned under a new law barring successive generations from profiting off the proceeds of slavery. But before departing from Tel Aviv, the protagonist falls in love with Lucile, a mysterious African migrant worker who cleans his house.

Entertaining and thought-provoking, this satire of contemporary attitudes toward racism and the legacy of colonialism examines economic inequality and the global refugee crisis, as well as the memory of transatlantic chattel slavery and the Holocaust. Is the professor’s passion for Africa merely a fashionable pose and the book he's secretly writing about his experience there nothing but a modern version of the slave trade?

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I'm willing to bet that most people squirm just reading the synopsis. It's a reckoning with the long shadow of chattel slavery and its ties to Jewish merchants.

I think the best choice Author Schiff made was to tell the story in a comedic register, relying on farcical coincidences of crime and punishment to acknowledge past harms while lampooning present ones caused by some clumsy, bureaucratic attempt at balancing cosmic scales.

The far more interesting point Author Schiff makes, to me at least, is the sheer ubiquity of the mental construct of Africa as lesser, as broken and needing "us" to fix it. The way Professor Schiff approaches his putative project in the narrative begs the question "why are you doing this?"

As a meditation on white guilt versus White Guilt, I think it's a great contribution to necessary conversations about Jewish complicity in the crimes of chattel slavery. As a novel about an individual man's coming to self-awareness, it felt...off.

The parallels drawn between Ancestor Schiff and his appropriation of the slavegirl, and Storyteller Schiff and his relationship to his cleaner, weren't that successful in my reading eyes. They felt as performative as the arrest and legal proceedings of Storyteller Schiff did, without the sharp edge of satire to make them cut my tough hide of willful ignorance. As a result, I was more squicked out than I was challenged to contemplate the real meaning of these sexual crimes. In fact I felt less sympathy for Ancestor Schiff before Storyteller Schiff's peccadillo was brought in. I think the opposite was intended.

I know that could really be a "me" thing, but I bring it up to alert readers who find sexual exploitation deeply unpleasant that this could decrease their reading pleasure.

I'm not as delighted by the read as others were but I am happy to have read a reckoning with an underrepresented crime of historical complicity.

MUTINY ON THE RISING SUN: A Tragic Tale of Slavery, Smuggling, and Chocolate, what happens when greed is unbound

MUTINY ON THE RISING SUN: A Tragic Tale of Slavery, Smuggling, and Chocolate
JARED ROSS HARDESTY
NYU Press
$28.00 hardcover, available now; $20.00 trade paper, available in April

Rating: 4* of five

The Publisher Says: On the night of June 1, 1743, terror struck the schooner Rising Sun. After completing a routine smuggling voyage where the crew sold enslaved Africans in exchange for chocolate, sugar, and coffee in the Dutch colony of Suriname, the ship traveled eastward along the South American coast.

Believing there was an opportunity to steal the lucrative cargo and make a new life for themselves, three sailors snuck below deck, murdered four people, and seized control of the vessel. Mutiny on the Rising Sun recounts the origins, events, and eventual fate of the Rising Sun's final smuggling voyage in vivid detail.

Starting from that night in June 1743, it narrates a history of smuggling, providing an incredible story of those caught in the webs spun by illicit commerce. The case generated a rich documentary record that illuminates an international chocolate smuggling ring, the lives of the crew and mutineers, and the harrowing experience of the enslaved people trafficked by the Rising Sun.

Smuggling stood at the center of the lives of everyone involved with the business of the schooner. Larger forces, such as imperial trade restrictions, created the conditions for smuggling, but individual actors, often driven by raw ambition and with little regard for the consequences of their actions, designed, refined, and perpetuated this illicit commerce.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The first third of the book is explaining the mutineers, their lives, and their society to us; it is not the swiftest or most action-packed start. This was not a negative for this reader, as I was more than a little appalled and repulsed by the details of the lives chosen by dramatis personae in their access of greed.

The mutiny itself is an event that was documented well enough to give the author a lot of detail that he is not reluctant to share with us. As I am interested in the world these men inhabited, and as their actions and motives are so illuminating of the attitudes and the expectations of the time, I was again kept involved. Adequate citations matter to me in history reads and I was almost pleased with them here...could have had more in-line citations at times, but I was not left with the feeling he was making it up.

The last half was more the opinionating, and that was enough in line with my own strongly held opinions that I felt no dragging of my interest in the story of slaving, smuggling, and the awful human cost of people's love for chocolate (which I don't share). The mutineers were men of their time, they had no moral qualm with what was haening on the ship; they wanted more than they were getting of the proceeds from the captain's flouting of the laws of the Empire whose own greed was in conflict with all the men's personal greeds.

Edified, I was not. The so-called justice meted out on the mutineers appalled and disgusted me. It was, to my mind, a bit overplayed...but it was what factually happened to more men than these, and many better than these greedy fucks, whose moral compasses only saw the money that the moral outrage of slavery could bring.

This is a well-written and thoroughly researched (as far as records can go in this time, which is limited in both its completeness and survival). It is not action-packed, so look elsewhere for derring-do. It is a readable cauionary tale about the consequences to real human beings when their greed is untrammelled.

PROPHET AGAINST SLAVERY: Benjamin Lay, A Graphic Novel is a stark work of art about a forgotten radical egalitarian

PROPHET AGAINST SLAVERY: Benjamin Lay, A Graphic Novel
DAVID LESTER (artist); MARCUS REDIKER, PAUL BUHLE (text)
Beacon Press
$15.00 trade paper, available now

Rating: 5* of five

The Publisher Says: The revolutionary life of an 18th-century dwarf activist who was among the first to fight against slavery and animal cruelty.

Prophet Against Slavery is an action-packed chronicle of the remarkable and radical Benjamin Lay, based on the award-winning biography by Marcus Rediker that sparked the Quaker community to re-embrace Lay after 280 years of disownment. Graphic novelist David Lester brings the full scope of Lay’s activism and ideas to life.

Born in 1682 to a humble Quaker family in Essex, England, Lay was a forceful and prescient visionary. Understanding the fundamental evil that slavery represented, he would unflinchingly use guerrilla theatre tactics and direct action to shame slave owners and traders in his community. The prejudice that Lay suffered as a dwarf and a hunchback, as well as his devout faith, informed his passion for human and animal liberation. Exhibiting stamina, fortitude, and integrity in the face of the cruelties practiced against what he called his “fellow creatures,” he was often a lonely voice that spoke truth to power.

Lester’s beautiful imagery and storytelling, accompanied by afterwords from Rediker and Paul Buhle, capture the radicalism, the humor, and the humanity of this truly modern figure. A testament to the impact each of us can make, Prophet Against Slavery brings Lay’s prophetic vision to a new generation of young activists who today echo his call of 300 years ago: “No justice, no peace!”

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: In today's world, Benjamin Lay woud be a firebrand and a demanding moral force. IMAGINE how he came across in the slave-owning times of the early eighteenth century. A dwarf...an iconoclast...an uncompromising, flinty, arrogantly sure of himself and his rightness, public speaker with a real gift for propaganda.

He would be literally inescapable in this media landscape.

We are the poorer for the absence of someone like him, taking on the horrors of international capitalism. The export of jobs has meant the export of problems like labor relations and environmental regulations, which no one can ever convince me was serendipity. Author and Artist Lester (The Listener and The Gruesome Acts of Capitalism are some of the other titles he's created) clearly understands the value of theater and public perception in the winning of the culture wars:

He's got the entire subject of the Quaker dwarf with an outsider's grasp of the social and moral corruption around him in the economical monochrome of these spreads. Things *are* black-and-white when one reduces them to lines drawn in the sand. Using the palette he chose makes the starkness of Benjamin Lay's moral universe simply part of the experience of learning about him.

It is unsurprising that, in this twenty-first century of information overload, we're needing to learn about Benjamin Lay. His brand of vegan, animal-rights activism, his uncompromising adherence to his moral understanding of the world, reminds me of Greta Thunberg. Only louder. While he had less command of the broader public's attention than she does, he used his voice, his mind's single focus on The Greatest Good, and his unique viewpoint as she has. His unswerving opposition to slavery was so broad in its intellectual base that he refused to ride horses or eat slaughtered animals. In the eighteenth century.

After the Confederacy won the US Civil War in the courts, and gifted us with the Jim Crow laws and the voter suppression laws that they're succeeding in re-installing, the life of a man like Lay would've been deeply threatening to their agenda. A shining moral example? And one who took it to the extremes that Lay did...throwing fake blood on slave owners?! writing angry screeds filled with passion and yet based on reason?! blasphemy to the Capitalist Elite!...well, best to bury him again.

They did; it worked. I'd never heard of him before I was granted this graphic novel's DRC by Beacon Press, that monadnock of Unitarian probity in publishing. The graphic-novel format has never been my favorite among publishing choices. I'd say that, despite this one's five-star rating, it still isn't. I've also given the full five stars to Nationalist Love, and the same reason obtains here: The only effective tool to use in bringing this story to a broad audience is the one used here. There's no way most people would pick up an all-text biography of Benjamin Lay, eighteenth-century dwarf; marry it to this format, they're more likely give it a shot.

What Lay accomplished, in practical terms, was to change the hearts and minds of younger people...which is what the Ruling Elite did in the 1970s and 1980s with rampant consumerism and cheap, disposable goods. This long-buried story will make the effectiveness of that trick very obvious. Ray Bradbury, a true autodidact, famously said, "You don't have to burn books to destroy a culture. Just get people to stop reading them." The books by and about Benjamin Lay aren't widely read today, and there's a good reason for that: Their message is still resonant, and still damaging to the System's actions and inactions.

Before anyone says it to me, let me say now that I am no Benjamin Lay. I'm a meat-eating cheap-goods-buying 21st-century consumer. That does not make me insensible to the man's message; it merely means that my inner struggle, to reconcile the way I live with the way I understand the world, is apparently endless. It's never a comfortable place to be. I exist because modern exploitive capitalism created medicines that prevent me from dying. I eat because of factory farming and cheap electricity. I am not naked because the supply chain includes vast quantities of cotton goods. The chemical industry has gifted me power, shoes, soaps and shampoos and tooth-cleaning goop.

I am the problem Benjamin Lay railed against: I exist inside a system that requires others to be outside its benefits in order to function. He chose the morally superior course of opting out. He chose a lifetime of rejection and excoriation and outrage heaped upon him, in the name of standing up to be counted for his beliefs. I admit: I lack that courage.

That does not impair my ability to see his message and know its rightness. It makes me more willing to shout and point and wave my arms at this simple, beautiful expression of a simple, beautiful soul's purpose on this Earth. We can all aspire to be celebrated Home as was Benjamin Lay.