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Showing posts with label Afrofuturism. Show all posts
Showing posts with label Afrofuturism. Show all posts
Wednesday, February 7, 2024
MAGE OF FOOLS, SF novel by Black woman creator tha SLAPS
MAGE OF FOOLS
EUGEN BACON
Meerkat Press
$15.95 trade paper, available now
Rating: 4* of five
The Publisher Says: In the dystopian world of Mafinga, Jasmin must contend with a dictator’s sorcerer to cleanse the socialist state of its deadly pollution.
Mafinga's malevolent king dislikes books and, together with his sorcerer Atari, has collapsed the environment to almost uninhabitable. The sun has killed all the able men, including Jasmin’s husband Godi. But Jasmin has Godi’s secret story machine that tells of a better world, far different from the wastelands of Mafinga. Jasmin’s crime for possessing the machine and its forbidden literature filled with subversive text is punishable by death. Fate grants a cruel reprieve in the service of a childless queen who claims Jasmin’s children as her own. Jasmin is powerless—until she discovers secrets behind the king and his sorcerer.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Lyrical prose...maybe sometimes too lyrical for its own good...telling a tale of monopoly, abuse of power, an apartheid of haves and have-nots, that not coincidentally resembles the modern technological world metastasizing across the agrarian peasantry of Africa and keeping its fruits entirely apart from those who feed them.
The worldbuilding is *stellar*, the narrative drive does not let up, and the plot speaks to my Social Justice Warrior soul. So what happened to that fifth star, you wonder. The story is told in eight parts, each of many chapters, and in almost as many viewpoints. I get that this is a choice made to facilitate the slightly seasick sense of the story’s walled-off world, where nothing is shared, nothing is given away, and the walls that enclose you form strict limits that are transgressed at the greatest possible risk to life and limb. When we learn that technology emanates from actual aliens, it comes less as a surprise than as a peek over a wall...not, for this reader, the best way to induce full investment. The upside of the structure for me was that I was always in a state of readiness for the next shift, the next magical revelation, and the horrors that always lurk where magic and technology collide. But I was always riding along, moving forward, keeping up...never getting to know anyone well enough to feel deeply with them in their tragedies, not even Jasmin.
In a time where the tsunami of Information is drowning the wisdom and the guidance humans need by replacing stories with infotainment, this book’s lushness of both imagination and prose, its demand for you to pay attention to where you are, who is speaking to you, and what they want you to know, is very evocative. It summons darkness, it rings the feeding bell for the monsters implicit...even inherent...in totalitarian systems. Learn what those who least want you to resist least want you to know if you plan to live instead of exist.
Resistance is not, in fact, futile.
Costly. Dreadfully painful. But never futile. Villains can, and must be, fought at every level and with every atom of one’s being. The price is awful, but the price of submission is even worse.
Friday, February 4, 2022
DESTROYER OF LIGHT, second novel from Afrofuturist monadnock Brissett & SORROWLAND, sad, powerful, painful read
DESTROYER OF LIGHT
JENNIFER MARIE BRISSETT
Tor Books
$25.99 hardcover, available now
Rating: 4.75* of five
The Publisher Says: The Matrix meets an Afro-futuristic retelling of Persephone set in a science fiction underworld of aliens, refugees, and genetic engineering in Jennifer Marie Brissett's Destroyer of Light
20 Must Read Space Fantasy Books for 2021—BookRiot
Most Anticipated Fall 2021 Sci-fi, Fantasy & Horror—BiblioLifestyle
Having destroyed Earth, the alien conquerors resettle the remains of humanity on the planet of Eleusis. In the four habitable areas of the planet—Day, Dusk, Dawn, and Night—the haves and have nots, criminals and dissidents, and former alien conquerors irrevocably bind three stories:
*A violent warlord abducts a young girl from the agrarian outskirts of Dusk leaving her mother searching and grieving.
*Genetically modified twin brothers desperately search for the lost son of a human/alien couple in a criminal underground trafficking children for unknown purposes.
*A young woman with inhuman powers rises through the insurgent ranks of soldiers in the borderlands of Night.
Their stories, often containing disturbing physical and sexual violence, skate across years, building to a single confrontation when the fate of all—human and alien—balances upon a knife’s-edge.
I RECEIVED MY DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: ↡↡↡ HEED. THE. CONTENT. WARNINGS. BELOW. ↡↡↡
Humanity is clinging to existence on the tidally locked planet called "Eleusis." Their enemies, the krestge, have destroyed Earth (no one knows why) and evacuated them to Eleusis without doing anything more to complete the extermination (no one knows why). But life must go on. Being humanity, you know what this means: infighting, resource grabs, atrocities, all the usual stuff.
We follow the entire nightmarish fight between people, used in the sense of "humans," who would do better to question the hows and whys of the aliens who exist among them, as the entire planet careens towards some climactic cathartic cleansing of...of...of what, exactly? Is it time for Humanity to finish its extinction at the hands of its squabbling selves? Or is it just barely possible that this awful mirror is held up to make Humanity confront its worst and most enraging aspects?
You don't know Author Brissett's work if you think she provides an answer to that question.
Intricately interconnected strands of Eleusis's enhanced and unenhanced human remnants, violently abusing themselves and each other, aliens with the demonstrated capacity to end the entire human lineage sitting still and doing nothing are some of the mainstays of this book's architecture. The manner in which Author Brissett makes one care about the architecture is, in common with the subtle and unjustly undercelebrated Elysium, left for you to discern. The clues are there. The point of the read is to get out of it what you put into it. While I myownself am indifferent to spoilers, having watched The Crying Game decades ago and thinking The Big Reveal was...kinda obvious...but in any event anticlimactic, I still think you'll enjoy the read more if you're left to mull over the roles of the krestge, the enhanced humans, the nature of the need for child soldiers, and the book's title. Hang on until the ending, and you will feel so very rewarded for your efforts.
There is MUCH to unearth. The pleasures in these words are very significant.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
SORROWLAND
RIVERS SOLOMON
MCDxFSG
$27.00 hardcover, available now
Rating: 4.75* of five
A 2021 NPR BEST BOOK OF THE YEAR!
FINALIST FOR THE 2022 LOCUS AWARD—BEST HORROR NOVEL! Winners announced 25 June 2022.
The Publisher Says: Vern—seven months pregnant and desperate to escape the strict religious compound where she was raised—flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world.
But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.
To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future - outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.
I RECEIVED MY DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: ↡↡↡ HEED. THE. CONTENT. WARNINGS. BELOW. ↡↡↡
There are almost no good people in this world, and Vern meets the worst of them. What makes this a deeply satisfying read is that teenaged Vern, in their unbelievable indomitable drive to thrive not just survive, manages to do exactly that. Overcoming all-too-real obstacles? Check. Guiding new lives through a terrible world, explaining how to be better? Check. Vern raising their children is the single brightest take-away I have from this unhappy story.
Loving, worshipping, and bowing down to folks who harmed you was written into the genes of all animal creatures. To be alive meant to lust after connection, and better to have one with the enemy than with no one at all. A baby's fingers and mouth grasp on instinct.
If I were to seek my mental filing system's catalog for closest comparables, I'd have to go with Toni Morrison's deathless Beloved admixed with Octavia E. Butler's more trenchant Kindred, as written for Quentin Tarantino to film. Yes...violence and menace are imbued in every scene. No, it isn't a splatterfest. Yes, every single thing that happens evokes an emotional response. No, there are no "answers" or fancy nostrums to help us deal with the underlying hate, like the lava in a volcano, erupting for as long as it erupts.
Going against tended to end more rightly, more justly, than going with. People were wrong. Rules, most of the time, favored not what was right, but what was convenient or preferable to those in charge.
If you've read 2017's An Unkindness of Ghosts or 2019's Blood is Another Word for Hunger, you're ahead of me in this realization. If you haven't, read this book. You will not regret your introduction to the magical prose that Author Solomon uses being this story. I'm willing to bet you'll get on to their back catalog after finishing the read. If not, if this is just all too much for your sensibilities at the present, read their free online short work that's part of The Verge's "Better Worlds" project: St. Juju.
This writer is a Talent in a world that needs more of them.
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