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Showing posts with label intersex representation. Show all posts
Showing posts with label intersex representation. Show all posts
Monday, November 10, 2025
L.R. LAM's Micah Grey series: SHADOWPLAY, & PANTOMIME
SHADOWPLAY (Micah Grey #2)
L.R. LAM
DAW Books (non-affiliate Bookshop.org link)
$15.99 ebook, preorder for delivery tomorrow
Rating: 4* of five
The Publisher Says: In the second installment of the Micah Grey Trilogy from the award-winning, USA Today-bestselling author of Dragonfall, Micah must learn two types of magic—one for the stage, and one with deadlier consequences—while navigating a tender new love.
Old magics are waking. Will the world survive their return?
Micah Grey almost died when he fled the circus with Drystan. Now he and the ex-clown must use Glamours to disguise themselves and hide in the once-grand Kymri Theatre, run by a once-renowned magician, Jasper Maske. Drystan claims Maske’s stage magic is all smoke and mirrors, but where’s the line between trickery and real power?
Micah and Drystan will soon learn the answer, when Maske's arch-nemesis challenges them all to a duel that will seal all their fates.
Meanwhile, the Shadow still haunts Micah’s steps, and as the duel draws near, Micah increasingly suffers from dark visions. Events that destroyed the ancient world are being replayed. Can Micah's latent powers break this deadly pattern?
In this rich and evocative second novel of the Micah Grey series, L.R. Lam blends a coming-of-age story, queer romance, and magical powers into a charming and original fantasy world, inspired by Victorian Scotland.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Second book in a trilogy about Gene/Micah and his path to fully inhabiting an intersex identity, this YA novel, as revised, comes out tomorrow.
Much interesting information about Micah's heritage, intersex being, and magical ability is revealed in this story. While I was often reminded forcefully of Erin Morgenstern's The Night Circus, I was more than ever pleased by the exploration beyond heteronormative boundaries as Micah, Drystan (I always read this as Dristan, an old allergy medication).
We're out of the circus now for Reasons (read the first one!), and into a theater where Drystan's old...connection Jasper takes the two in, agrees to educate them in magic, and...well...the story takes off. I confess I'd've liked staying in the circus permaybehaps a bit more, but the change allows the story's stakes to change in some fun ways. Restricting the secondary characters was a help to my focus, I quit wondering about people we hadn't seen in a while, but conversely I felt like Micah was flatter now that the high-wire was replaced by seances and illusions. I get it...I am not unclear on what's being said, down off the wire and in people's faces it takes more than physical skill it takes training and planning and cunning to achieve the goal of getting along as an Other.
Because we're in a less hectic setting we also get to hear and think more about the world outside. That bonus comes with some unpleasant realizations. It's never very nice to learn that humans are rotten, but it comes at quite a cost this time. I further confess I was a little worried that there would be a love triangle when a new character, Cyan, showed up; happily there is no sign of that yet.
I would've become the biggest Potterhead-level stan of these stories as a teen! They're aimed right at the sweet spot of self-discovery, self-acceptance, and learning to form deep bonds. I'll hope to get volume three, Masquerade, before it comes out in March 2026.
Four more solid stars!
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
PANTOMIME (Micah Grey #1)
L.R. LAM
DAW Books (non-affiliate Bookshop.org link)
$15.99 ebook, available now
Rating: 4* of five
The Publisher Says: From the USA Today-bestselling author of Dragonfall comes a fantasy trilogy about a circus aerialist's quest to escape his past and decipher the magical prophecy that will shape his future
In a land of lost wonders, the past is stirring once more . . .
Micah runs away from a debutante’s life at home and joins the circus, harboring two secrets–one: he was born between male and female, and two: he may have powers last seen in mysterious beings from an almost-forgotten age. Micah discovers the joy of flight as an aerialist, courting his trapeze partner, Aenea, and confiding in the mysterious white clown, Drystan. He finally feels free. But the circus has a dark side, and Micah’s past isn’t done with him.
Meanwhile, the strange 'ghost' of a woman with damselfly wings whispers to Micah that only he can help magic return to the realm, and he fears she may be right...Micah has much to learn, and he must do it quickly—before his past and future collide, with catastrophic consequences.
Pantomime is a gorgeous and inventive fantasy with queer elements, inspired by Victorian Scotland. L.R. Lam weaves a coming-of-age tale, stirrings of first love, and prophetic whispers into this unforgettable first installment of the Micah Grey series.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: Raised female as Iphiginia Laurus, PoV character Micah is always aware that the life of a privileged debutante is not just uninteresting to contemplate, it's also a violation of the essential self...recreated as Micah, then adds another identity called Gene...that's never going to fit into a world of binaries.
Major spoiler? When the publisher markets these revised and rereleased stories as "the Micah Grey series," I don't think it applies. Intersex people presenting themselves openly are vanishingly rare in both literary and real-life culture. Micah moving from female-presenting to male-presenting might not be ideal, but considering we live in an obsessed-by-binaries culture, it's honest.
Coming to terms with one's essential being's Otherness, coming of age in a world with Procrustean expectations and draconian penalties for failing to meet them, and falling in love while not falling off the highwire, as Micah navigates...enough for ten volumes of story. Author Lam packs a lot into a modest page count.
Revised (I am reliably informed extensively) more than a decade after bowing as an indie-published title, the DAW Books edition was my introduction to the circus world and its denizens. I like stories set in circuses, while disliking circuses themselves. (I will not knowingly go to a place where there are clowns and/or mimes.) The opportunities for honest exploration of self, of identities that make the normies cringe (like I do around clowns/mimes) are perfection for addressing YA audiences who are in their questing and questioning years. In this case, the protagonist knows, has powerful physical evidence for knowing, that the world demands too much when it insists there is no fluidity in our gender presentation. The protagonist falls in love, for the first time, and realizes that's really what matters...connection, caring, the desire to know and be known...all presented as worthy, ordinary quests for one to engage in. All this is set in a fantasy secondary world, one base on Scotland it would seem; one that's got elements of urban fantasy, steampunk-lite, and high fantasy.
Why choose is Author Lam's message as well as praxis. Much is discovered about this world, despite very little being directly said. It becomes a bit troublesome. While Micah's flashbacks to the past as Iphiginia are crystal-clear, with very sharp lines of conflict, the present-day Micah/Gene is not clearly in conflict with the circus's other oddballs and misfits yet lives in fear of being "outed" as intersex to them. Why? Never explained.
A few other things felt odd, like Aenea's oddly-pitched response to Micah's evident falling in love. So the read isn't perfect, but honestly I'm not mad about it. I'm happy to see someone making real and substantive excursions from the tediously heteronormative blob of YA publishing's masses of pages.
A solid four stars for the 2025 revisions!
Thursday, June 30, 2022
ARCADIA, rare intersex representation & THE WASTELAND, London life of gay poet/literary ikon T.S. Eliot
THE WASTELAND
HARPER JAMESON
Level 4 Press (non-affiliate Amazon link)
$3.99 Kindle edition, available now
Rating: 3.75* of five
The Publisher Says: The extraordinary career and devastating life of T.S. Eliot.
T.S. Eliot is a hollow man trapped in a dreary world. He works at a bank, a slave to the clock, the same routine, day after day. While London’s elite enjoy a Great Gatsby lifestyle and poets like Robert Frost are rock stars, attracting thousands of fans to each reading, Mr. Eliot walks past life, peering at it through cracks or around corners. Only in his imagination does the world drip with color.
Then one day he comes across Jack, an out and proud gay man being badly beaten, and something compels him to intervene. Life will never be the same.
Jack introduces Mr. Eliot to the gay underground of early twentieth-century London and to feelings Mr. Eliot had crammed down and locked away. And with freedom comes poetry. Extraordinary poetry that takes London by storm. But as Mr. Eliot’s fame increases, pressure for conformity does as well. Religious intolerance, fascism’s increasingly popular message of traditional values, and the allure of untold success present him with a decision that could have devastating consequences.
The Wasteland is the untold story of T.S. Eliot, his secret struggle with being gay, the people left in the wake of his meteoric career trajectory, and the madness that helped produce his greatest work.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Sadness. Grey, enveloping sadness. That's the take-away I had from this technically adept reinvention of poet T.S Eliot's early-1920s life in London.
Even if there were no light on the bank, Mr. Eliot would still know it was there. It's always there, waiting to welcome him with open arms, more than willing to take more tocks from his clock.
–and–
"We return you now to our regular broadcast," the announcer drones.
"Clair de Lune." Claude Debussy. Relaxation. Baloney.
Baloney indeed, and more than just that in a penitential dry sandwich consumed in a lonely penitentiary. With the aplomb of a dab hand at this fantastical-reimaging stuff, Eliot's life is peopled with the souls embodied and conjured on a magical-realist visit with the great poet. We even see him conjuring Mr. J. Alfred Prufrock (whose peaches are uneaten and coffee spoons resolutely empty) on the day he learns his new crush, Jack, is no longer with the bank. But Mr. Eliot is in for a major surprise in this case....
...as are the readers of this historical fantasia on themes of gay men's circumscribed lives. Mr. Eliot, for I cannot bear to call him Tom, is a creative and passionate soul in the body of a Puritan. He is deformed and damaged by a world he despises as he obeys it. Mr. Eliot will get his revenge. He blares forth a trumpet of poetic passion that has stood its ground atop English-language poetry. Its creator is given, here, by Author Jameson, a life that commingles reality and fantasy as only a poet could merit, warrant, summon forth from beyond the grave's creative silence.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
ARCADIA
EMMANUELLE BAYAMACK-TAM (tr. Ruth Diver)
Seven Stories Press
$13.96 trade paper, available now
Rating: 3.5* of five
25% OFF DIRECT PURCHASES OF #WITMONTH TITLES HERE: https://sevenstories.com/blogs/385-celebrate-women-in-translation-month-2025
The Publisher Says: An English-language debut that reveals and subverts contemporary conceptions of normative sexuality, capitalist culture, and environmental degradation.
Winner, Prix du Livre Inter, 2019
Farah moves into Liberty House–an arcadia, a community in harmony with nature–at the tender age of six, with her family. The commune’s spiritual leader, Arcady, preaches equality, non-violence, anti-speciesism, free love, and uninhibited desire for all, regardless of gender, age, looks, or ability. On her fifteenth birthday, Farah learns she is intersex, and begins to question the confines of gender, and the hypocritical principles those within and outside the confraternity live by. What, Farah asks, is a man or a woman? What is it to be part of a community? What is the endgame for a utopia that exists alongside refugees seeking shelter by the millions and in a society moving ever farther away from nature and its protections. As Liberty House devolves into a dystopia amidst charges of sexual abuse, it starts to look a lot like the larger world, confused in its fears and selfish hedonism.
Emmanuelle Bayamack-Tam delivers a magisterial novel, a scathing critique of innocence in the contemporary world.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Really, really squicked out by what I see as a borderline-coercive sexual relationship between a fifteen-year-old who's just discovered they're intersex and the much-older leader of the cult that they and their family now belong to. I took a long break from the read because I was not sure I wanted to finish this entire story. It brought up my mother's sexually abusive power-plays against me. That was not comfortable at all.
So I'm unusually alert to sexual undertones in relationships between kids and adults. I felt Arcady, the cult/commune leader, was less grooming Farah than responding to Farah's burgeoning sense of themself as a sexual, intersex person. While that doesn't lessen my personal discomfort with Arcady's power imbalance with Farah, it does show that Author Bayamack-Tam possesses a clear sense of the need to keep the power dynamic in balance. Add to that Farah's rare and possibly genetically-heritable anatomical anomaly resulting in an indeterminate sex and gender presentation.
Prime candidate for a charismatic cult leader's sexual manipulation. Which, it must be said, is present; but the clear and repeated caveat from older Arcady is that they reach maturity before he will sexually engage with them. Farah, quite understandably, is not willing to wait some indeterminate amount of time for someone not her to decide they're capable of offering informed consent and, mirabile dictu, pushes the schedule to meet their burgeoning sexual desires.
Totally understand that. But great-grandfather does not think with a teen's hormones, and holds Arcady to a higher standard. But anyway, this was not anything Farah regrets or has doubts about; and again, the stage was set for this to be as unrevolting as possible because we know what Farah is thinking and feeling.
I've gone on about the subject and left out the nudist free-spirit grandmother, the cypher parents who really are affectless, the communards whose existence is merely suggested not explored in even the slightest depth...in general, this is a decent novel by a hippie-wannabe, a French-lady Brautigan, with an agenda and an axe being ground noisily in the background. Also a fun story to read.
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