SLAUGHTERHOUSE-FIVE, ironic choice for Independence Day

SLAUGHTERHOUSE-FIVE]
KURT VONNEGUT
The Dial Press
$15.00 trade paper, available since 1969

Rating: 4.5* of five

The Publisher Says: Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.

Don't let the ease of reading fool you - Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters."

Slaughterhouse-Five is not only Vonnegut's most powerful book, it is also as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy - and humor.

My Review: The Doubleday UK meme, a book a day for July 2014, is the goad I'm using to get through my snit-based unwritten reviews. Today's prompt is to select your very favorite American novel in honor of the Fourth of July. Well! That would take a few zillion hours of internal debate, creation of endless lists, rebellious actions like breaking things down into genre lists, muttering over who counts as American (Teju Cole is, but Henry James isn't: Discuss), etc. etc.

Decision made for me, in this case, by the fact that I'm trying to strong-arm myself into making a dent in the embarrassingly long list of things I've read, re-read, or abandoned since I got all grumpus. And here we are!

If anyone has not read this book, and is under the age of 90 while over the age of 17/senior year of high school, go immediately forth, procure this book, and read it.

Why? Beacuse:

“America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register.

Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.”

That is all.


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AND SO IT GOES, A Life of Vonnegut--warts and all

AND SO IT GOES: Kurt Vonnegut: A Life
CHARLES J. SHIELDS
Henry Holt & Co. (non-affiliate Amazon link)
$11.99 Kindle edition, available now

Rating: 4.25* of five

The Publisher Says: The first authoritative biography of Kurt Vonnegut Jr., a writer who changed the conversation of American literature

In 2006, Charles Shields reached out to Kurt Vonnegut in a letter, asking for his endorsement for a planned biography. The first response was no ("A most respectful demurring by me for the excellent writer Charles J. Shields, who offered to be my biographer"). Unwilling to take no for an answer, propelled by a passion for his subject, and already deep into his research, Shields wrote again and this time, to his delight, the answer came back: "O.K." For the next year—a year that ended up being Vonnegut's last—Shields had access to Vonnegut and his letters.

And So It Goes is the culmination of five years of research and writing—the first-ever biography of the life of Kurt Vonnegut. Vonnegut resonates with readers of all generations from the baby boomers who grew up with him to high-school and college students who are discovering his work for the first time. Vonnegut's concise collection of personal essays, Man Without a Country, published in 2006, spent fifteen weeks on the New York Times bestseller list and has sold more than 300,000 copies to date. The twenty-first century has seen interest in and scholarship about Vonnegut's works grow even stronger, and this is the first book to examine in full the life of one of the most influential iconoclasts of his time.

My Review: Shields, whose biography of Harper Lee was a New York Times bestseller, is set to do it again with this life of the ineffable Kurt Vonnegut, father to Kilgore Trout, Billy Pilgrim, and the unforgettable Montana Wildhack. If any of these names fails to ring a bell with you, please exit the room via the door marked “DUH”. Anyone sixty-five or under should recognize failed SF writer Kilgore Trout as the real hero of Breakfast of Champions (and Vonnegut’s ironic alter ego). Anyone of any age who fails to recognize Billy Pilgrim or Montana Wildhack as the forces in Slaughterhouse-Five hasn’t read the book. Shame! Shame!

Shields began this project with Vonnegut’s blessing. While he was a very short way into the project, Vonnegut suffered the fatal accident (in exactly the way he predicted he would, more than thirty years before it happened) that silenced his curmudgeonly trumpetings from the marshes of sanity, where he spent a forty-year career attempting to bring the rest of us into awareness of the fact that we’re heading the wrong damn way down the shaggy, overgrown path of conformity and unquestioning obedience to Authority. Vonnegut himself wasn’t a willing follower of much of anything, be it a rule or a custom or an order. He did what was expected of him as a husband and a father, in his day and time, but the book illuminates the unspoken reluctance of his participation in any life that wasn’t of, and in, the mind. Writing was Vonnegut’s ruling passion. It trumped all things corporeal. It gave him, as Shields brings out without beating us over the head with the knowledge, a sense of himself as an actor in the world and not just a spectator.

After Vonnegut’s death, his widow and his oldest son pulled back from full participation in the preparation of this life. I think that was not a good decision, myownself, because a more appreciative and less tendentious biography I have yet to read. I think the author’s intent was to write a real life of the man, not to grind an axe to a sharp edge in order to slice and dice the reputation of anyone. That’s rare. And it’s a delight to see it done so well.

I don’t know about you, but this Boomer cut his literary teeth on Vonnegut. No one can claim full citizenship in the USA without reading Slaughterhouse-Five. It’s in the Constitution, it just has to be. The experience of the firebombing of Dresden, firsthand, from an emotional standpoint and by a man who lived through it, is something that all of us in this self-satisfied, we’re always right, country need to experience. It’s not an anti-war novel. It’s not a screaming polemic. It’s a man’s attempt to put his life into perspective, and that life includes one experience…the firebombing…that renders perspective forever out of reach. And Vonnegut was always looking for perspective in his work. The author of this life seeks out the actors in his life, and then more or less gets out of the way while they fill him in on what it was like to know Kurt Vonnegut.

In a strange way, I think this book would have appealed to the negative, curmudgeonly, perpetual victim that was Vonnegut, because he would have at last seen his own life in perspective.

Perfect he was not. He stank as a father. He wasn’t a good husband to his first wife, insulting her, cheating on her, demanding she be his servant girl (though it’s never put this way in the book, it was really really clear to me that this was so); he was a crap friend to some very deserving people, eg Knox Burger, whose editorial support Vonnegut repaid by pusillanimously giving then withdrawing his very significant business dealings from Burger, who had founded a literary agency on the strength of Vonnegut’s being his client. But his talent was in storytelling, in distilling the life he wasn’t good at living into thought-provoking and very trenchant morality tales.

Even if you haven’t read Vonnegut before now (!), read this life. It is a great roadmap to the 20th century’s preoccupations. And, I will just bet, it will make the previously unexposed curious enough about this mordant, tendentious, ironical storyteller to pick up one of his books.