THE LOOM TREE, a title I enjoy more after the read than I did before the read

THE LOOM TREE
ANGELA MI YOUNG HUR
Erewhon Books (non-affiliate Bookshop.org link)
$23.80 ebook, available now

Rating: 4.25* of five

The Publisher Says: Ninth House meets Babel for fans of myth and folklore in this contemporary fantasy about a Korean-American college student at a magical university where fairy tales intersect with family heritage to unleash powers beyond imagining.“

You always wanted magic to be real.”

Sharon and her daughter V’s points of origin hold common threads—both Korean American teenagers, raised by single mothers and searching for identity in the California suburbs. But during a Finals week celebration, high schooler V, compelled by strange impulses, crawls into a hollow tree trunk. That night in a fever haze, she sees gleaming strands of illegible text hovering over her body—flowing between her and her mother, leading to a long-forgotten diary.

With the aid of a luminous quill, a fountainhead of Sharon’s memories spill onto the faded pages. V witnesses her mother map out her past through drawings, diagrams, and reclaimed histories of her brief time at Alvsdahl, an exclusive East Coast college. Here, legacies and heiresses claimed descent from Bluebeard or Cinderella, grappling for control over family stories that could grant them terrifying abilities or burn them to ash. An Asian girl with an unknown inheritance was no one—until her discoveries cracked open Alvsdahl’s secrets.

Sharon’s rewritten narrative—of classroom rivalries, animal professors, debauchery in the woods, threatening Godmothers, and world-shattering powers—unfolds line by line as V desperately tries to help her mother, ultimately learning how to wield Sharon’s story to transform them both.

Lyrical and tender, Angela Mi Young Hur’s The Loom Tree is a magical campus novel centering two young women walking the thorny path toward adulthood, the fractures between parents and their children, and the global mythologies connecting us all.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Folklore, fairy tales, and fiction all contributed DNA to the central storytelling spine of Author Hur's tale told here. It was fascinating because the matter-of-fact presentation, and response within the story, to fantastical elements like erudite animal professors of magic thoroughly entertained me.

I was less sure of myself than I'm accustomed to being when it came to untranslated passages...I can get most European languages wrapped in my head but Korean's completely outside my familiarity zone. I had to work harder, and was not always in the mood to do so. Cultural blind spot detected! I realize how much of this story was context. I wouldn't give it to an average high-school kid because I wouldn't expect them to have enough familiarity with the fairy tales and folklore referenced just yet.

Plenty of adults who don't batten on story mechanics and cultural transmission of ideas are going to need Professor Wikipedia and Doctor Google as consultants, too. Which brings to mind a point I might be reading too much into: I enjoyed the inclusion of science in Author Hur's storytelling milieus. It's a very true observation, science is all about making data tell a story only it gets called a proof not a tale, theory not lore, and so on.

A fascinating way to make a novel. It resonated with me on most every level. I did not ever feel an emotional closeness to or connection with the characters; I believe that is Author Hur's design, as they're enmeshed in storytelling systems not simply responding to events messily and randomly as most people do. It's effective and, as soon as I clocked this explanation for why I felt...apart from...the characters I appreciated the subtlety of the effect. (Now, of course, someone will bring up a quote from Author Hur saying the opposite is true because that's how V and Angela both operate in this story!)

I enjoy dark academia stories. I thoroughly love school-set magical tales; I never left Roke Island after 1969. I think the truth of human intelligence being a function of pattern detection and creation is never more clear than in this area of storytelling. Even though I identified (or invented) why I felt distanced from the characters, I still can't offer that fifth star because that coldness, that remove from their inner workings, left me unmoored at key moments. It's not a fatal flaw, and it doesn't feel like an authorial oversight or a judgment error. It is always the case that the author writes the book they want to write not specifically the one I-the-reader want to read; but potential other readers should know where this specific reader found wants unmet in case they have similar storytelling needs.

Immersion into the systems of Story is as much fun as immersive storytelling, when one knows that's what's offered and is what one is in the mood for. A tale to enjoy, an experience of pleasure and satisfaction is within, so come and get it.

THE LOST BOOK OF ELIZABETH BARTON, Tudor times religious shenanigans with your second course in darkest academia

THE LOST BOOK OF ELIZABETH BARTON
JENNIFER N. BROWN
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: A dual-timeline murder mystery set in an English country manor, when an ambitious professor discovers the long-lost manuscript of a Reformation-era prophetess

Historian Alison Sage has made a groundbreaking archival discovery―she found a manuscript containing the prophecies of a 16th century nun, Elizabeth Barton. Barton’s prophecy condemning Henry VIII and Anne Boleyn led to her execution and the destruction of all copies of her prophecies―or so the world believed.

With Alison’s discovery, she is catapulted to academic superstardom and scores an invitation to the exclusive Codex Consortium, a week of research among a select handful of fellow historians at a crumbling manor in England, located next to the ruins of the priory where Elizabeth herself once lived.

What begins as a promising conference turns into a nightmare as the eerie house becomes the site of a murder. Suddenly, everyone is a suspect, and it seems that answers lie at the root of a local legend about centuries-old hidden treasure. Alison’s research makes her best-suited to solve the mystery―but when old feelings resurface for a former colleague, and the stakes of the search skyrocket, everyone's motives become murky.

Alison’s cutthroat world of academia is almost as dangerous as Elizabeth Barton’s sixteenth-century England, where heretics are beheaded, visions can kill, and knowing who to trust is a deadly art. The Lost Book of Elizabeth Barton is a thrilling novel, crackling with the voices of the past and propelled by a mystery that will leave readers in suspense until the very last page.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: A woman of faith such as the factual Elizabeth Barton, but no education or privilege such as the factual Elizabeth Barton, who has visions and claims they're sent by her god such as the factual Elizabeth Barton, and whose country...world, really...is rocked by religious and political strife is going to be very useful to The Powers That Be. No matter what the factual Elizabeth Barton says, believes, or promotes, both sides o any fight are going to do everything they can to gain control over her person and her message. That she already lives in a convent is the first big win for the Catholic/anti-Lutheran/no-divorce-for-Henry pole of the Tudor social spectrum.

Elizabeth Barton was not educated but also was not stupid. She knew what her handlers wanted her prophecies to point towards, and while I believe her statements were sincere in representing her god's will I'm in no doubt that she made the statements to align with her handlers' interests. Not least because she shared them, though also because she believed her god was of one mind with herself and her handlers.
Was the factual Elizabeth Barton a pawn, a manipulated victim of powerful men seeking a political edge in a very consequential power struggle? Or was she a canny survivor who put her credibility behind what turned out to be the losing side in a societal upheaval, with catastrophic consequences? My response to that is yes.

In the 21st century another woman living through a time of upheaval, fictional Alison Sage, discovers the book of prophecies written by Elizabeth Barton during her lifetime. As there are many, many juicy tea-spills that resolve seriously vexing issues of faith, foreknowledge of events, and Elizabeth Barton's real thoughts, fictional Alison Sage becomes famous and powerful overnight. In a passage of History where megalomaniacal murderous tyrants are suddenly back in fashion as heads of state, Elizabeth Barton's true thoughts and honest purposes in making her prophecies bid fair to be as powerful in shaping public opinion as they were when the Royal Serial Killer was on the throne.

If the story had stayed in this register I'd've lapped it up like a camel hittin' the oasis after crossing the entirety of the Empty Quarter on a mouthful of salty water. Alas, fictional Alison Sage is a Good Girl who still reminds her ex that his mother's birthday is coming up, defers to the men in her academic discipline while getting infodumped on, and doing her own infodumping, gets entangled in the literal dopiest fatal entrapment-cum-treasure hunt scheme ever devised...you know there's really no point in trying this story wanted to be a romantic novel but Clio, Muse of History, said "Ἄρα οὐκ" and made it a chase/quest mystery with too much talking...even for academics.

It all hangs together, Author Brown doesn't drop any story-threads, the ending is the one that best fits the developments in the story. It just does this while taking its own sweet time to get from A to B while everyone infodumps each other, which even academics who luuuv them some monologuing would not put up with their colleagues giving the 101 course synopsis to everyone they meet at a conference. Of subject matter experts.

Nope.

Nor does fictional Alison Sage deciding to trust someone from her past with crucial information about her career-altering discovery. Nor...well, my point is made. Structural integrity does not make for structurally supported magnificence of edifice design. I'm not sorry I read the story because I think Author Brown made her historical-resonance points obvious enough to be meaningful, made the factual Elizabeth Barton aka "The Holy Maid of Kent" or "The Mad Maid of Kent" or other such obscurative labels as suited the dismissive purposes of male historians of different eras take a more solid shape than she usually does, and managed still to leach all the propulsive drive I thought would be inherent in this set-up, a female Cotton Malone tale of derring-do, out.

It's a sadness to me because this is the kind of idea I batten on finding in a novel.

FOUR BY FOUR, Sara Mesa's odd, claustrophobic, upsetting challenge to smugness

FOUR BY FOUR
SARA MESA (tr. Katie Whittemore)
Open Letter Books
$15.95 trade paper, available now

August 2025: 40% discount on all Open Letter titles written or translated by female-identifying artists. (Discount is applied automatically at checkout on publisher's website and applies to all hardcover, paperback, and ebook editions.)

Rating: 4.25* of five

The Publisher Says: Set entirely at Wybrany College—a school where the wealthy keep their kids safe from the chaos erupting in the cities—Four by Four is a novel of insinuation and gossip, in which the truth about Wybrany’s “program” is always palpable, but never explicit. The mysteries populating the novel open with the disappearance of one of the “special,” scholarship students. As the first part unfolds, it becomes clear that all is not well in Wybrany, and that something more sordid lurks beneath the surface.

In the second part—a self-indulgent, wry diary written by an impostor who has infiltrated the school as a substitute teacher—the eerie sense of what’s happening in this space removed from society, becomes more acute and potentially sinister.

An exploration of the relationship between the powerful and powerless—and the repetition of these patterns—Mesa’s "sophisticated nightmare" calls to mind great works of gothic literature (think Shirley Jackson) and social thrillers to create a unique, unsettling view of freedom and how a fear of the outside world can create monsters.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: There's enough animal cruelty in here for me to warn the sensitive to cross the story off their radar for good. It was a very close-run thing for me to finish the book, in fact.

What moved me forward was the nature of the story. It's a closed society, a hierarchy run on the tacit rules of conduct that never get enumerated and therefore are that much harder to fight against, to resist inside and out. The "colich" (as everyone refers to it) was established to keep the children within safe from...honestly, at this point, I can't help myself: from what, given that what happens in the "colich" is so utterly unspeakably awful...the Outside, the terrors of the unknown-but-known. (Like all "security states" the unknown being protected from must be known to someone or else how would one know it was worse than the security state?) Sexual assaults, class enmities, all the sins of the world are routine within the "colich" and the outside world's worse? Hm.

Anyway, Mesa's tight and tiny little microcosm of all authoritarian states is limned in hot acid on living flesh, her story unfolds as a fever dream had by a starving political prisoner might with all its abuses and horrors. Her singular talent for controlling the reader's attention...leaving the basic reality of the world outside the "colich" unexplored, undescribed, but making the contrast to the well-fed and privileged comforts of staff and students plain...creates the slightly seasick sense of knowing someone is being abused, but not quite knowing how. Still less realizing that it is also happening to you. Author Mesa's narrative, then, is finely balanced between the states of revulsion and empathy, between understanding and comprehending viscerally, always shifting the reader's attention away when clarity threatens to lift that so-necessary fog.

A lot like life in the world, then.

What makes this a four-star read, not a five-star one, is the nature of the animal cruelty (it's the reason not solely the fact that's so upsetting to me) and the strange, third-act summing-up bit written by a teacher who's no longer at the "colich" but which was presumably written while there and is now, suddenly, here in our face. The framing device wasn't as effective as it seemed to want to be in this case, and rather fractured the eerie, claustrophobic darkness that's prevailed in the novel until now.

As a reading experience, it's definitely one I can recommend to you. As an extended metaphor for the nature of wealth-measured success in Society, I can even urge it on you. As Spanish Gothic, it excels. As a gestalt, it falls only slightly—but perceptibly—short.