PLEASANTVIEW, multiple prize-winning Trinidadian story-novel

PLEASANTVIEW: A Novel in Stories
CELESTE MOHAMMED
Ig Publishing
$16.95 trade paper, available now

Rating: 4* of five

THE 2022 OCM BOCAS PRIZE FICTION WINNER!

2022 FIRECRACKER AWARD for FICTION WINNER!

The Publisher Says: Coconut trees. Carnival. Rum and coke. To many outsiders, these idyllic images represent the supposed easy life in Caribbean nations such as Trinidad and Tobago. However, the reality is far different for those who live there—a society where poverty and patriarchy savagely rule, and where love and revenge often go hand in hand.

Written in a combination of English and Trinidad Creole, Pleasantview reveals the dark side of the Caribbean dream. In this novel-in-stories about a fictional town in Trinidad, we meet a political candidate who sets out to slaughter endangered turtles for fun, while his rival candidate beats his “outside-woman,” so badly she ends up losing their baby. On the night of a political rally, the abused woman exacts a very public revenge, the trajectory of which echoes through Pleasantview, ending with one boy introducing another boy to a gun and to an ideology which will help him aim the weapon.

Merging the beauty and brutality of Trinidadian culture evoked by writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James’s A Brief History of Seven Killings, Pleasantview is a landmark work from an important new voice in international literary fiction.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: PLEASANTVIEW is a mixed-idiom collection of Trinidadian fictions that's come in for a heaping helping of praise and prizes...albeit from very literary sources...was my next foray (after If I Survive You) into Caribbean-inflected English-language storytelling. What a dramatic difference between the two projects.

Where Escoffery's Booker-nominated Jamaican-American work was firmly set in the US, this delightful braid of nine stories is emphatically not about, for, or inclusive of US sensibilities. For this reader, that is a feature not a bug. While Author Mohammed does maintain Standard English spellings throughout the book, her inflections and emphases are decidedly NOT Standard English. Her characters would likely struggle to speak Standard English. Those of us without our life-experience being inclusive of other forms of English will likely have to make an effort to get into the flow of this idiom. It is always a good idea for everyone to read in and about areas that are not centering our own unique experiences. This task is made easier, and harder, when reading English that is not the same as the English most of my readers speak. The effort one puts in to see this magnificent, flexible tool of a language used in unfamiliar ways is a big benefit to those who make it. We're seeing our words and our understanding of them used and applied to think thoughts we could never come up with. Isn't that the entire point of reading fiction? Stretch your horizons a bit more with every read.

I am sure you're expecting that I will use the Bryce Method of offering a story-by-story opinion of each piece. Well, you lose this time. The nine stories are:

Prologue: The Dragon's Mouth (Bocas del Dragón)
Endangered Species
White Envelope
The Ides of March
Home
Loosed
Six Months
Santimanitay
Epilogue: Kings of the Earth

I've chosen not to review them individually this time because that is just not the point of this exercise; no one story here is exciseable from its context to present on its own as a really satisfying story. Contrast this with the above-referenced If I Survive You, whose stories are satisfying as stories, if slightly less so as a braid; but they weren't written to be one, so that's not shade. The difference is in expectations. Interconnected stories share a lot of themes, or characters, or settings; braided stories share all of those things and operate towards one storytelling goal, as novels do, though without a novel's unity of voice and/or purpose.

PLEASANTVIEW succeeds as a braid of stories, a polyvocal novel, in a way that a more ordinary novelistic structure would strain to match. It succeeds on its own terms, and offers us as readers access to a very different way of being in the world. The best kind of fiction, then, is what this is.

THE HEIRESS, enjoyable mildly thrilling novel inciting you to eat the rich

THE HEIRESS
RACHEL HAWKINS
St. Martin's Press
$29.00 hardcover, available now

Rating: 3.5* of five

The Publisher Says: THERE'S NOTHING AS GOOD AS THE RICH GONE BAD.

When Ruby McTavish Callahan Woodward Miller Kenmore dies, she’s not only North Carolina’s richest woman, she’s also its most notorious. The victim of a famous kidnapping as a child and a widow four times over, Ruby ruled the tiny town of Tavistock from Ashby House, her family’s estate high in the Blue Ridge Mountains.

But in the aftermath of her death, her adopted son, Camden, wants little to do with the house or the money—and even less to do with the surviving McTavishes. Instead, he rejects his inheritance, settling into a normal life as an English teacher in Colorado and marrying Jules, a woman just as eager to escape her own messy past.

Ten years later, his uncle’s death pulls Cam and Jules back into the family fold at Ashby House. Its views are just as stunning as ever, its rooms just as elegant, but the legacy of Ruby is inescapable.

And as Ashby House tightens its grip on Jules and Camden, questions about the infamous heiress come to light. Was there any truth to the persistent rumors following her disappearance as a girl? What really happened to those four husbands, who all died under mysterious circumstances? And why did she adopt Cam in the first place? Soon, Jules and Cam realize that an inheritance can entail far more than what’s written in a will—and that the bonds of family stretch far beyond the grave.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: This book should have a subtitle: "Schadenfreude Unbound" feels about right. Soapy, sudsy storytelling that plunges nasty, unkind, entitled rich idiots into a decades-long feud à la Succession, fighting over money, fighting dirty, being hateful to each other and everyone around them...the poor bastard who actually inherits the family estate and fortune had my complete sympathy for running away. I'd've done the same.

My introduction to Author Hawkins was her largely unloved-by-fans (most I know gave it about three stars to my four) novel THE VILLA (which review is linked). I liked it fine. Like this book, it was escapist suds with a mote of social commentary. This was handled in a way that it could be text or subtext, depending on the reader, and the mood.

The family-secrets trope is evergreen. I can always get behind a good story of how awful families are to each other! The more money is involved...and there is an ocean of money in this one...the more awful behavior there is. Cam, our heir-apparent, is the victim of bullying by his cousin-of-sorts Ben as they are growing up...and yet it is Ben who contacts Cam when the disrepair of Ashby House (modeled on Biltmore, the Vanderbilt mansion outside Asheville, North Carolina) becomes too much for the Southern-Gothic, heavily derivative "family" he's left in possession of it to handle on their own resources...they are far too Refined to earn their own money, do you not see? As he's the heir to all the money, and the property, but won't take them into his possession, no one can do anything without his say-so and he won't say so.

I got a frisson when I thought about how much that email must've hurt babbitty, bullying Ben.

Cam and his wife Jules, who tell the story in alternating chapters, are to all appearances a happy-enough suburban couple. They set out to assess the situation in person. The trip is from Colorado; not a minor jaunt. They arrive, and while Jules had until now had no real idea of the scope of Cam's background's wealth (a thing that set my BS filter into fine-mesh mode...no particles allowed through), she has a crash course now. Her impoverished childhood, and the sheer opulence of Cam's adoptive family's digs, sets off a major lust in Jules to stop being a hardscrabble never-was and settle in to being utterly secure.

Financially, anyway.

The adoption of a nobody by the heiress whose fortune is being fought over is unsurprisingly very unpopular with her family. The third PoV in the novel is letters sent by the dead Ruby to an unknown recipient that go a long way to explain her thinking...there are good reasons for it...and the book uses them effectively as spikes to hang the twists and turns of the plot onto. I do not particularly think that the ending was a natural outgrowth of the set-up. I was not convinced that Jules and Cam were happily married at the beginning, given the amount of uncommunicated stuff in their relationship. That this money exists and is legally her husband's money is bound to give her some Feelings. That his wife is seduced by the trappings of wealth that he saw through and rejected is bound to give Cam some Feelings. They were not ignored, these factors, but they got less oomph than I thought was their due.

I can only get up to three and a half stars because these factors kept me from getting to the ending with the author. A very entertaining book, a good commentary on the fragility of relationships, a brutal take-down of the superrich and their appalling sense of entitlement...all yes, and all positives. The ending being of a piece with the set-up...well, not for this reader.

Go into it with a heart full of malice for rich people, and enjoy the hell out of it on that level.

HE WASN'T THERE AGAIN TODAY: An Epitome Apartments Mystery, third in a series I plan to catch up on stat

HE WASN'T THERE AGAIN TODAY: An Epitome Apartments Mystery
CANDAS JANE DORSEY
ECW Press
$18.95 trade paper, available now

Rating: 4.5* of five

The Publisher Says: The witty, queer accidental detective of the Epitome Apartments is back. While helping to solve a community murder, she also needs to convince police that she didn’t revenge-kill the man who took everything from her

The nameless amateur sleuth of The Adventures of Isabel and What’s the Matter with Mary Jane? has often said that death is too good for Lockwood Chiles—who is in prison for killing her beloved partner, Nathan, and her close friend Pris—and makes no secret that she hates the man who massacred her shot at happiness. So when Chiles ends up dead in his cell, it’s no wonder she becomes a prime suspect. Meanwhile, an aggressive band of men in military-adjacent garb turn a string of assaults against nameless’s unhoused neighbors into full-bore murder right behind the Epitome Apartments, and she rashly promises to help bring them to law. As if that’s not enough, unscrupulous parties are scheming to strip her of her inheritance, money she and Nathan had intended would address the city’s lack of harm-reduction services and low-income housing. Now it is nameless’s mission to clear her name and to hold her tattered community together, all while she’s coming apart herself.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Canadian SFF monadnock Dorsey is operating in a new field so y'all sit up and hit the one-click. As one would expect from the author of Black Wine, sex and its coevals gender and sexuality get a workout here. Reading the third of what I devoutly hope will be an ongoing series first, I thought permaybehaps I'd be a bit lost, without the deeper background that makes series mysteries such good reads for me.

I forgot whose work I was reading.

Feeling lost and a little at sea is Author Dorsey's calling card. That said, I was never wondering where someone came from, or how anyone fits into the schema of the story being told. It probably helps that the way events unfold is as stochastic as real life is itself...it felt to me as though I was genuinely following our nameless detective around, learning things alongside them. In any truly immersive read I hope that I will be investing in the characters along with the main character, and that was indeed the case here. What might not work quite so well was the book's use of **COPIOUS** footnotes...over two hundred!...and huge numbers of acronyms. It took me some time to find a reading rhythm in this story, but I was so ready to trust the author, from past acquaintance in her SFF days, that I kept my hopes up. I felt rewarded. Again, as one would expect from Author Dorsey, there are little SFnal grace notes relatively unobtrusively scattered about.

As in all series reads, though, it's the characters that make the reader invest or decline to invest in the story at hand. Our nameless protagonist, sharp-eyed and -tongued, is a big draw for me. The other characters are literally kaleidoscopic, forming startling and unusual conjunctions with the narrator, each other, and the story unfolding. This is, to me, a net positive because as unusual as the juxtapositions can be, they're never gratuitous or exploitively deployed. I do sometimes feel as though some authors have, in their heads or on their editors' checklists, a set of identities that they feel the need to dot around to be "inclusive." This is absolutely never the way this read came across to me. In part that's because I've read the author's earlier work; in part it's down to the way the characters are included in the sleuth's life and thus this narrative.

I'd be remiss if I failed to mention the evident pro-environment, anti-capitalist thrust of the story. That won't work for some readers, because it's intrinsic to every element of the series' world-building. You know who you are, so you should seek elsewhere for your own ma'at needs to be met.

For me, it went down like a truly excellent, complex, single-malt whisky. I heartily recommend the read.

NORTHWOODS, deeper than I expected by the end of the read

NORTHWOODS
AMY PEASE
Atria/Emily Bestler Books
$27.00 hardcover, available now

Rating: 4* of five

The Publisher Says: The dark underbelly of an idyllic Midwestern resort town is revealed in the aftermath of a murder with ties to America’s opioid epidemic in this unputdownable and thrilling debut that is perfect for fans of James Lee Burke, William Kent Krueger, and Mindy Mejia.

Eli North is not okay.

His drinking is getting worse by the day, his emotional wounds after a deployment to Afghanistan are as raw as ever, his marriage and career are over, and the only job he can hold down is with the local sheriff’s department. And that’s only because the sheriff is his mother—and she’s overwhelmed with small town Shaky Lake’s dwindling budget and the fallout from the opioid epidemic. The Northwoods of Wisconsin may be a vacationer’s paradise, but amidst the fishing trips and campfires and Paul Bunyan festivals, something sinister is taking shape.

When the body of a teenage boy is found in the lake, it sets in motion an investigation that leads Eli to a wealthy enclave with a violent past, a pharmaceutical salesman, and a missing teenage girl. Soon, Eli and his mother, along with a young FBI agent, are on the hunt for more than just a killer.

If Eli solves the case, could he finally get the shot at redemption he so desperately needs? Or will answers to this dark case elude him and continue to bring destruction to the Northwoods?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The steady erosion of the workforce in rural areas is pushing a major crisis in substance abuse to epidemic proportions. This is what underpins the story that debut mystery writer Amy Pease chooses to tell us.

Eli, our main character, is self-medicating with alcohol (the legal drug) his PTSD, his marriage ending, and the loss of his career in the US Fish and Wildlife job he's done since leaving Afghanistan. His mother Marge does what any good parent would do, scrapes him up and gives him a purpose: As sheriff in a drastically underfunded department, she hires him to be a deputy. No one can say it's only nepotism, since he was a soldier, then a game warden, and so what if he's her son? Should she overlook his attendance problems and his increasingly frequent panic attacks from his entirely self-"managed" PTSD? In reality, no. In the book, she does, and it goes pretty much unexamined. As does a lot of the painfully obvious skulduggery rampant in the town...in the name of "going along to get along."

No good deed goes unpunished.

Eli comes across a murder that will make the entire town take stock of what they all know but won't discuss. In this way it resembles "The Ones Who Walk Away from Omelas" in its exposé of complicity by silence. The silences run deep. The town's got many dirty little secrets, and Eli has the end of the thread that unravels the curtain hiding them in the murder of a teenaged boy. That it involves a local drug rehab center...for rich people...is the meat of the sandwich. There is a LOT of drug use in Shaky Lake, Wisconsin, and no one from the town gets help at that rehab...nicely done, Author Pease. There's a lot to unpick in the way this story attacks many facets of the status quo. This is, in fact, the reason I gave it four stars. If I was going solely on its literary merits, maybe three would be more like it. The pacing is slow, the way the author uses descriptions is odd...though it was the way I stumbled upon my fourth star...and the completely unprofessional behavior of Sheriff Marge towards her deputy Eli wouldn't pass the most casual law-enforcement scrutiny.

The action in the book, as in direct conflict, takes place in the last quarter or so; until then, one's got to be kept reading by the investment made in the characters. The frequency of Eli's panic attacks as he responds to the initial call for a disturbance of peace and thus discovers the dead boy became a cause of problems for me. I got jittery every time I was forewarned of another social situation that would trigger Eli. It's a state of negative arousal, so I wasn't at all sure I wanted to keep reading. His lack of proper help, at apparently any turn in his post-service life, turned out to be my dark little clue of what the author was doing. The lights came on for me when I realized the only places she was using descriptive words that were more than merely functional was when Eli was in the woods, or among the wealthy people in his resort-ridden town. The safest and most unsafe places in Eli's world were heightened, thus counterpointed.

Clever. Subtle. Make the contrast unmissable, once you've seen it. The plot's main driver becomes less the murder of that poor kid, and more the hideous disfiguring sense of entitlement that Eli smacks into as he shakily grasps the threads of motive behind the murder. After the dead kid's girlfriend disappears and the FBI gets involved...why that would occur remains hazy in my mind...even then, Eli and Marge are just kept in their place. That the resolution of the case comes at the cost of Eli's illusions about his world, and his mother, is down to the outsiders. Yet nothing is going to change, it feels like to me; the perpetrators are not let off scot-free but there's no sign of some wider awakening....

Honestly, I was in two minds about how to rate and focus on the review until I thought back on the larger exposé aspects of the story as told. Eli is a suffering everyman, a person used and discarded by the very world he's served and is still serving as being broken therefore useless. What I felt the author was doing in making Eli's panic attacks so frequent yet so pointedly timed, was a kind of human kintsugi. Much like the narrative device in A Man and a Woman, it's something that must be allowed to pervade one's sense of the story. To bring it into sharp relief would've made the author's deeper purpose, the one I perceived anyway, too on-the-nose. No exaggeration intended, it truly changed my perfectly okay read of a first mystery, possibly a series-starter, into a very pleasant read of a solidly crafted, well-aimed novel.

Good one, Author Pease.

THE CLARE CARLSON SERIES: BEYOND THE HEADLINES & BROADCAST BLUES

BEYOND THE HEADLINES
R.G. BELSKY
Oceanview Publishing
$26.95 hardcover, available now

Rating: 3.25* of five

The Publisher Says: Dashed dreams: she wanted to run for president one day, now she's dead at 20

When Riley Hunt—a beautiful, smart, popular student at Easton College in Manhattan—is brutally murdered, it becomes a big story for TV newswoman Clare Carlson.

After days of intense media coverage, a suspect is caught: a troubled Afghanistan war veteran with a history of violent and unstable behavior. The suspect's mother, however, comes to Clare with new evidence that might prove her son's innocence.

As Clare digs deeper into the puzzling case, she learns new information: Riley had complained about being stalked in the days before her murder, she was romantically involved with two different men—the son of a top police official and the son of a prominent underworld boss—and she had posted her picture on an escort service's website offering paid dates with wealthy men.

Soon, Clare becomes convinced that Riley Hunt's death is more than just a simple murder case—and that more lives, including her own, are now in danger until she uncovers the true story.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: The inappropriate use of sexuality slacks off in this entry. That was a relief. The main thing I got from the murder victim's life story, as it unfolded, was the fact that she was deeply shallow. Appearances and attention were her gods. She pursued her dream of being famous all her life; it all bit her in the butt...hard. I think the kind of uses the young woman made of her body were overplayed, but far from unrealistic. This is not uncommon in the 2020s for men or for women, to earn money from offering sexual services. We seem to be returning to the Victorian era, just being more open about it.

I'm pretty sure Clare's got oppositional defiant disorder. I agreed with her stance of refusing to obey her interfering boss's orders to make the facts of the young woman's case fit the narrative of danger and violence running rampant. The sacrificial victim chosen to take the blame is, Clare is sure, innocent; she gets busy using her investigative skills to ferret out the truth. It is, as expected, not related to the narrative she's been told to push.

There was a new guy in the mix for Clare, and for once, he wasn't a conflict of interest and super inappropriate for Clare to hook up with. I don't much like the emphasis the male author puts on his female character's sexuality, though the lack of the conflict of interest made me more willing to just...let it go.

Author Belsky is a very able, witty writer of sentences. I am less willing to engage with his sexual subject matter. Making it into a marker of crime, or into a professional quid pro quo, isn't a trope I enjoy reading too terribly much. I've got one more to read to be current on the series. Let's see how that one hits me.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

BROADCAST BLUES
R.G. BELSKY
Oceanview Publishing
$27.95 hardcover, available now

Rating: 3* of five

The Publisher Says: Wendy Kyle took secrets to her grave— now, Clare Carlson is digging them up

New York City has no shortage of crime, making for a busy schedule for TV newswoman Clare Carlson. But not all crimes are created equal, and when an explosive planted in a car detonates and kills a woman, Clare knows it' ll be a huge story for her.

But it' s not only about the story— Clare also wants justice for the victim, Wendy Kyle. Wendy had sparked controversy as an NYPD officer, ultimately getting kicked off the force after making sexual harassment allegations and getting into a physical altercation with her boss. Then, she started a private investigations business, catering to women who suspected their husbands of cheating. Undoubtedly, Wendy had angered many people with her work, so the list of her suspected murderers is seemingly endless.

Despite the daunting investigation, Clare dives in headfirst. As she digs deeper, she attracts the attention of many rich and powerful people who will stop at nothing to keep her from breaking the truth about the death of Wendy Kyle— and exposing their personal secrets that Wendy took to her grave.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: No more; I'm tapping out. The way the victim was, yet again, involved in the negative side of a sex-linked industry...sleuthing for wives who want to catch their husbands cheating on them for an advantage during divorce proceedings...is not going to work for me.

Clare's a wildly opportunistic, abrasive person. That is fine with me, takes one to know one. What I find really hard to credit is that any corporate structure in today's world would harbor such a person in their senior ranks. Not because it's a bad way to be, but because routinely defying one's boss is not well tolerated in the C Suite.

At the end of the day I want to read about fictional sleuths who follow their own compasses believably enough that I don't have to remind myself that it's a novel too often. I really feel sad that I don't have that sensation in this series because the author is genuinely amusing, often enough laugh-out-loud funny. But the overemphasis on the negative uses of sex and the main character's apparent inability to use the sandpaper on her tongue to round off some of her spikier corners make this series just over the edge of my suspension of disbelief line.

Well, it was a darn good attempt for me. I wish it had worked better.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE CLARE CARLSON SERIES: THE LAST SCOOP & BEYOND THE HEADLINES

THE LAST SCOOP
R.G. BELSKY
Oceanview Publishing
$16.00 trade paper, available now

Rating: 3.5* of five

The Publisher Says: Martin Barlow was Clare Carlson’s first newspaper editor, a beloved mentor who inspired her career as a journalist. But, since retiring from his newspaper job, he had become a kind of pathetic figure—railing on about conspiracies, cover-ups, and other imaginary stories he was still working on. Clare had been too busy with her own career to pay much attention to him.

When Martin Barlow is killed on the street one night during an apparent mugging attempt gone bad, it seems like he was just an old man whose time had come. But Clare—initially out of a sense of guilt for ignoring her old friend and then because of her own journalistic instincts—begins looking into his last story idea. As she digs deeper and deeper into his secret files, she uncovers shocking evidence of a serial killer worse than Son of Sam, Ted Bundy, or any of the other infamous names in history. This really is the biggest story of Martin Barlow’s career—and Clare’s, too—as she uncovers the path leading to the decades-long killer of at least twenty young women.

All is not as it seems during Clare’s relentless search for this serial killer. Is she setting herself up to be his next victim?

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Terrific first read in a series. It's book three in order, but it is my introduction to Clare and her media-centered world. Since I lived in Manhattan during the 1980s and all the 1990s, I love reading about that uniquely different world.

There are two strands to this story. Clare's early-days mentor, when she was cutting her jounalistic teeth in the newspaper business (making this kind of an historical novel, since that was rendered impossible early this century), has declined in mental health of late. She thinks, in common with others, that he's lost part of his mind because he's going on about conspiracies and cover-ups at great length...so Clare's done what she can to avoid him. It's not as cruel as it sounds, her job in the TV-news world of New York City really is consuming. She just...stops making time to see Marty.

This definitely rings true...happens all the time when someone has a high-powered position.

Thus we get that high-quality evergreen inciting event: Guilt and remorse over past behavior after someone dies. The senselessness of an older man of apparently diminishing capacities dying in a violent mugging is so utterly believable that I was pretty sure it would end up being a red herring.

Not at all. Author Belsky does a darn fine job of using it to motivate Clare to look into the wild and woolly world of Marty's carryings-on about the web of evildoing he's discovered. As she gets deeper and deeper into the material Marty's been trying to interest her in, she realizes...believably slowly and frustratingly incompletely...that he wasn't ranting about nothing but fantasies loosely based on coincidences. I admit I wanted to shout at her as she continued in her doubts. That, to me, means Author Belsky's doing a fine job of making me care about and invest in the story. For this reader, the fact that we're in first-person narration by Clare helps this investment.

The deeper Clare gets into this topsy-turvy world of power and corruption making devil's bargains, though, the more I came to think that I was missing something big about her character. When she uses a quid pro quo that, while I'm sure it's been tried before, would get a news director AND an FBI agent fired right quick by their respective employers, I realized that I wasn't buying in to Clare as a professional as fully as I would need to for this to be the next-level read it started out to be. Clare's deep personal issues aren't overly emphasized, but they're rather too neatly dovetailed into the dark, evil doings of some truly horrifying people.

The stakes ratchet up steadily as Marty's research unfolds in Clare's hands. Her skills as an investigative reporter are pretty well delineated. There are, I think inevitably given the problem I have outlined above, some credulity-straining convenient hurdle-collapsing events and coincidences. It's not the main thing I took away from the story, but I was aware that this was happening.

In the end, the *astoundingly* (but believably) heightened stakes of this investigation would have resulted in dire and condign consequences that don't happen here. I was glad to forget about that lapse, as I saw it, in authorial credibility because I really, really liked the way the story ended.

So on to the next one!

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

BEYOND THE HEADLINES
R.G. BELSKY
Oceanview Publishing
$26.95 hardcover, available now

Rating: 3.25* of five

The Publisher Says: She was a mega-celebrity—he was a billionaire businessman—now he’s dead—she’s in jail

Laurie Bateman was living the American dream. Since her arrival as an infant in the U.S. after the fall of Saigon, the pretty Vietnamese girl had gone on to become a supermodel, a successful actress, and, finally, the wife of one of the country’s top corporate dealmakers. That dream has now turned into a nightmare when she is arrested for the murder of her wealthy husband.

New York City TV journalist Clare Carlson does an emotional jailhouse interview in which Bateman proclaims her innocence—and becomes a cause celebre for women’s rights groups around the country. At first sympathetic, then increasingly suspicious of Laurie Bateman and her story, Clare delves into a baffling mystery which has roots extending back nearly fifty years to the height of the Vietnam War.

Soon, there are more murders, more victims, and more questions as Clare struggles against dire evil forces to break the biggest story of her life. Beyond the Headlines is perfect for fans of Robert Crais and Harlan Coben.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: The witty, sarcastic, self-destructive Clare Carlson is back. This time she's looking into a dead rich guy who, frankly, just needed killin' and no matter who did it they should get a severe chastisement and a ride home from the police. That would, however, make a boring story.

As with The Last Scoop (above) Clare is in no way reluctant to spread her...charms...far and wide to get dirt and details and help that she wouldn't otherwise come across. This was more of a problem for me on this second outing because it felt reductive to me. A woman in a powerful position, coming to the aid of a woman who seems to be wrongly accused of her dirtbag husband's murder, and using sex to accomplish lots of things she shouldn't be able to do, is problematic for me. Why make her out to be good at her job, show her being possessed of professional skills, then set her out as a serial sex-hound?

So there went that quarter star.

What *did* work for me was the investigation into accused husband-killer's past that resulted from a seeming slip of the tongue on her part. The way this book took on dark and ugly stuff from the US's past was very well-handled and integrated into the crime story. I was so involved in the whys and hows of the story that I could put aside my unhappy response to the overuse of Clare's sexuality.

I'm not so sure that will last, I must say...I hope Author Belsky will dial this back before the next book. Which I will definitely read.

Reaching higher for even better reads and reviews in 2024

Time to set 2024's goals! A bad year for me health-wise started me on the path of pulling in my horns, making my goals and my ideas about myself and my capacities smaller in the wake of the disaster. That really doesn't work for me, as a person, I found out. I got hugely lucky...I'm walking, talking, reading, and writing, despite the consensus opinion that I wouldn't be doing much of any of those things. And that somehow means I need to rein my ambitions IN?! What kind of dimwitted thinking is that?

So I set bigger and bigger goals as 2023 went on. I made them all. That leads me to think this year shouldn't be started with self-limiting smallness. If I reviewed 222 books in 2023, why not go for at least 250 in 2024?

So I will.

2023's six-stars-of-five read was a gay classic, winner of the National Book Award for Translation, The Words That Remain by Stênio Gardel and translated by Bruna Dantas Lobato. It was published in the US by New Vessel Press, and I got a DRC from them via Edelweiss+. An excellent read. It was the sweetest, most poignant tale of the immense agony that homophobia perpetrates on its victims that I have read. It transported me back to a time in my life where a similar thing happened to me that happened to the boys in the story, and seeing that awfulness perpetrated by others put my own pain into a new perspective. Author Stênio Gardel and Translator Bruna Dantas Lobato deserve all the accolades, and this novel of the sweetness and delight of young love destroyed by the unreasoning hatred of homophobia deserves a place on everyone's shelf.

All but 36 of 2023's reviews were from NetGalley and Edelweiss+, the DRC aggregators I use to get my biblioholism fixes. That's 16% of the total actually read and reviewed. In 2024, I think that percentage is just fine to maintain, so I'll settle on 41 reads not from those two sources as my soft goal...I don't much care if I hit it exactly, but I do need to leave room to read and review books I've been gifted over the years!

2023's #Booksgiving review blast resulted in my blog views for the month being 177% of November's total. So that worked. I only used Twitter for all of November, then for #Booksgiving, added Bluesky and Tumblr. That worked, too. The sadness of my #PrideMonth limp, flaccid performanceless unblast made me realize that, if I'm going to get a big project done, I need to break it down into steps. This is new for me, and a result of the actual limitations that the strokes have imposed on me. Like no longer being able to read handwriting or decode graphics like Wordle, this acquired dyslexia is a limitation I need to acknowledge. Not to say I won't keep pushing against it...but it's real, and planning needs to be based in reality.

I hope all y'all have 2024s that brim with good reads, good news, and good love.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++