Monday, May 26, 2025

THE SURGE is Author Adam Kovac's second release of this deeply felt story of men in combat mode


THE SURGE
ADAM KOVAC

Tortoise Books (non-affiliate Amazon link)
$8.99 ebook, available now

Rating: 5* of five

The Publisher Says: Larry Chandler knows what his fellow soldiers don’t—that war scars you and haunts you, leaving you with memories you’d prefer not to face. They’re all National Guardsmen serving together in Iraq, but he’s already done a stint in Afghanistan, whereas they’re fresh-faced youngsters on their first tour. The new soldiers are eager for something more interesting than life on a firebase, or boring guard duty at isolated outposts—and they’re about to get their wish.

Adam Kovac has written one of the great novels of The Forever Wars—one that captures both the dust and grit and sweat of soldiers on patrol, and the surrealism of their lives back on base. (Where they might be checking Facebook and ordering lattes one minute, and dodging mortars the next.) In its first edition, it earned comparisons to the likes of Hemingway, Mailer, and O’Brien; this revised second edition promises to find it the audience it so richly deserves.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: I'm connected with Author Kovac across social platforms for ages now, because we support and repost stuff that falls into a leftier, less manosphere-friendly vibe. I got a copy of the DRC from his publisher without mentioning it to him, when one fine day he slid into my DMs asking if I wanted to read it.

Thus proving the old adage "you know your own."

Another old adage proved in this read is "be careful what you ask the gods for lest their answer be 'yes.'" Larry Chandler muses at one point that he doesn't know what to do with the genuine, but not civilian-life-friendly, love he feels for fallen comrades. It's real, this unnamed grief, but it's so very not part of the life your friends, family, spouse at home are leading that you can't see what you can do with it.

For me, that was the emotional heart of this read. In The Yellow Birds, Bartle has a job of work to explain how he survived and another man didn't. In Matterhorn, one of my annual 6*-of-five reads, Waino Mellas had the same gigantic realization in Vietnam. If you're sensing a theme, you're on my signal pretty tightly.

Why I read these war-experience novels by veterans is easy to explain. They are always real and honest; they carry some burden the veteran wants to put down; and they are almost always so polished in the author's writerly imagination that some genuinely lovely turn of phrase leaps out at me:
"People, man, they won’t shut up. Watch. They’ll keep asking what you’re going to do now that you’re back home. Compared to life downrange, I think it might be impossible to find anything as interesting."
–and–
"Civilian world. It’s a dead end. Man knows where he stands here. Where he belongs."

Terse, not flowery, not fancy, but impactful like the sound of an IED just out of sight is.

Why I like reading these stories is also easy to explain. I will never have an experience like this. Even if, as I suspect is the case, this inner conflict ripping up the US does not end without bloodshed, it will not be like this. War has moved on since the Aughties Iraq War. Drones do more killing than people do. I think that will lead to less empathy than even The Surge's men learn to experience. Now you'll simply see the aftermath of killing not commit or participate in it as a group.

I have the luxury of knowing I'll be dead before all that long, so might...probably will...miss most of it. Poor Author Kovac, having lived it, written about it, and now seen it coming again on home soil, just has to gut it out. I'm sorry, my dude. If it's any consolation to you, this story is excellent, and you're a dab hand at bringing your readers along with you as you make a narrative happen for us.

If you're in the modern world and wondering why the right-wing-nuts are whining about men being "too empathetic," read Adam Kovac's novel. Empathy is what war pounds into your skull. If you start out with it, with what it takes to learn it out in the killing fields, maybe...just maybe...you won't do it on command.

That makes this very good story a public mitzvah as well as a pleasure to read.

Sunday, May 25, 2025

THE LEGEND OF VALENTINE, both christian and poorly written


THE LEGEND OF VALENTINE
SHELDON COLLINS

Kindle edition (non-affiliate Amazon link)
$5.99, or free to read on Kindle Unlimited

Rating: 2* of five

The Publisher Says: Rome, 268 AD
In an age of tyranny and turmoil, an eternal love story ignites a revolution.


Valentine, a once-fearsome warrior reborn from the brink of death, sheds his violent past for a new destiny inspired by his blind lover, Agatha. Amidst the ruthless rule of a merciless emperor, Valentine undertakes a clandestine to unite lovers in secret ceremonies, defying imperial decrees that threaten to obliterate the Christian faith.

As Valentine’s covert acts of defiance grow bolder, he challenges the tyrannical order, planting the seeds for a celebration of love that will echo through the ages—becoming the foundation of what we now cherish as Valentine’s Day.

The Legend of Valentine is an epic tale of love, war, faith, and rebellion. Against the backdrop of an empire in chaos, this gripping saga invites readers into a world where love defies all odds, heroes rise from the shadows, and the undying spirit of hope shines through the darkest times.

Discover the man behind the myth, witness the birth of a legend, and experience a love story so profound it promises to live forever.
Are there any limits to what one man will endure for his true love?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Poorly written apologia for the christian religion's most popular saint (who most likelynever existed because we can't find any sources that agree on his details). None of the Valentines in the different hagiographies are anything like this Valentine, but that's really not the biggest issue...the name was very popular in the third-century Empire, so the author can plausibly make up any Late Imperial male and call him that with impunity.

The biggest issue is the way the author wrote the book. Is this a plot-driven story? If so, is the plot religious development with imperial decline, spiritual awakening of a soldier who's Seen Things, or what? Muddled all together as they are one loses track of why any of this is happening. Or are we meant to cleave to Valentine, invest in the events that led him to christian faith? We're told almost brusquely things happen, but not let in on the reasons we should care, as we could do if we were shown actions occurring.

That really took me down a dark, twisty rabbit hole of trying to find anything reasonably widely agreed upon demonstrating there was A Valentine, not just a bunch of local cult stories syncretized in the Middle Ages and lightly draped over the Late Classical god Cupid and his festival of love millennia later. Being deeply anti-christian, I was cynically amused that there's a big ol' nothin' to indicate the actual existence of one true Valentine but a heap of men named that, as one would expect in that time, who seem to have been smooshed into one guy.

I started out my read hoping for a good story set in 260s Roman days, got a poor story trying to make yet another legend for some guy named the Roman equivalent of Liam, then enduring its gushing christian guff all over the place in wooden prose.

A truly regrettable waste of my ever-dwindling supply of eyeblinks.

May 2025's Burgoine and Pearl-Rule reviews


Author 'Nathan Burgoine posted this simple, direct method of not getting paralyzed by the prospect of having to write reviews. The Three-Sentence Review is, as he notes, very helpful and also simple to achieve. I get completely unmanned at the idea of saying something trenchant about each book I read, when there often just isn't that much to say...now I can use this structure to say what I think is the most important idea I took away from the read and not try to dig for more.

Think about using it yourselves!

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The Ghost Woods by C.J. Cooke

Rating: 3.5* of five

The Publisher Says: In the midst of the woods stands a house called Lichen Hall.

This place is shrouded in folklore—old stories of ghosts, of witches, of a child who was not quite a child.

Now the woods are creeping closer, and something has been unleashed.

Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something.

Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place.

As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew—and risk what she holds most dear.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU. CW: graphic nonconsensual sex

My Review: Heed my content warning. It's part of my biggest problem with this well-written, if awkwardly paced, gothic tale: Making action too graphic does not make a read go faster. If anything it slows the reader down to have this strong a tonal shift from beautiful evocative scene-building to bloody or emotionally violent moments.

Not without pleasures for tougher gothic-fiction fans in search of a powerful modern twist on Ann Radcliffe's The Romance of the Forest.

HarperCollins (non-affiliate Amazon link) asks $12.99 for an ebook.

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Echoes in death: an Eve Dallas novel (in Death series #44) by J. D. Robb

Rating: 3* of five

The Publisher Says: This chilling new suspense novel from #1 New York Times bestselling author J.D. Robb is the perfect entry point into the compelling In Death police procedural series featuring Lieutenant Eve Dallas.

As NY Lt. Eve Dallas and her billionaire husband Roarke are driving home, a young woman—dazed, naked, and bloody—suddenly stumbles out in front of their car. Roarke slams on the brakes and Eve springs into action.

Daphne Strazza is rushed to the ER, but it’s too late for her husband Dr. Anthony Strazza. A brilliant orthopedic surgeon, he now lies dead amid the wreckage of his obsessively organized town house, his three safes opened and emptied. Daphne would be a valuable witness, but in her terror and shock the only description of the perp she can offer is repeatedly calling him “the devil”...

While it emerges that Dr. Strazza was cold, controlling, and widely disliked, this is one case where the evidence doesn’t point to the spouse. So Eve and her team must get started on the legwork, interviewing everyone from dinner-party guests to professional colleagues to caterers, in a desperate race to answer some crucial questions:

What does the devil look like? And where will he show up next?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: What you signed up for, if you're already a series fan. All the near-future tech feels just as plausible, without the AI paranoia popular now; but as a starting place, it's subideal because it's more about Eve smoothing down her more dramatic expressions of PTSD. She and Roarke, her very high-class husband, are on a case that really could be more exciting in how they pursue it. Oddly, in this case that means less: less violent confrontations, less fraught choice of victims.

I recommend it to those who, like me, bounced off the earlier, ruder Dallas.

St. Martin's Press (non-affiliate Amazon link) wants $11.99 for an ebook. Most people seem to love these books, so who am I to say don't?

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Dark in death: an Eve Dallas novel (in Death series #46) by J. D. Robb

Rating: 3.5* of five

The Publisher Says: It was a stab in the dark.

On a chilly February night, during a screening of Psycho in midtown, someone sunk an ice pick into the back of Chanel Rylan’s neck, then disappeared quietly into the crowds of drunks and tourists in Times Square. To Chanel’s best friend, who had just slipped out of the theater for a moment to take a call, it felt as unreal as the ancient black-and-white movie up on the screen. But Chanel’s blood ran red, and her death was anything but fictional.

Then, as Eve Dallas puzzles over a homicide that seems carefully planned and yet oddly personal, she receives a tip from an unexpected source: an author of police thrillers who recognizes the crime—from the pages of her own book. Dallas doesn’t think it’s coincidence, since a recent strangulation of a sex worker resembles a scene from her writing as well. Cops look for patterns of behavior: similar weapons, similar MOs. But this killer seems to find inspiration in someone else’s imagination, and if the theory holds, this may be only the second of a long-running series.

The good news is that Eve and her billionaire husband Roarke have an excuse to curl up in front of the fireplace with their cat, Galahad, reading mystery stories for research. The bad news is that time is running out before the next victim plays an unwitting role in a murderer’s deranged private drama—and only Eve can put a stop to a creative impulse gone horribly, destructively wrong.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: This one was fun for me. I'm a Hitchcock fan, (re?)discovering Roarke is too made me like him more...not that I dislike him, just kinda not as impressed as everyone else seems to be...and the Author Nora stand-in here, Blaine DeLano, was entertaining as well. The plot resolved itself pretty much on autopilot. That did not seem bad to me, as it meant Eve did less kickassery and more homebodying.

Don't start here; starting in the earlier series-40s, say #40 itself (Obsession In Death) is better. I will note that the endless cycle of violence against women wears me down.

St. Martin's Press (non-affiliate Amazon link) wants $10.99 for this ebook.

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Faithless in death: an Eve Dallas novel (in Death series #52) by J. D. Robb

Rating: 3* of five

The Publisher Says: In the new Eve Dallas police thriller from #1 New York Times-bestselling author J. D. Robb, what looked like a lover's quarrel turned fatal has larger—and more terrifying—motives behind it...

The scene in the West Village studio appears to be classic crime-of-passion: two wine glasses by the bed, music playing, and a young sculptor named Ariel Byrd with the back of her head bashed in. But when Dallas tracks down the wealthy Upper East Side woman who called 911, the details don't add up. Gwen Huffman is wealthy, elegant, comforted by her handsome fiancé as she sheds tears over the trauma of finding the body—but why did it take an hour to report it? And why is she lying about little things?

As Eve and her team look into Gwen, her past, and the people around her, they find that the lies are about more than murder. As with sculpture, they need to chip away at the layers of deception to find the shape within—and soon they're getting the FBI involved in a case that involves a sinister, fanatical group and a stunning criminal conspiracy.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Ruh-roh, Raggy...the Moonlighting Syndrome is bitin' hard. Eve and Roarke are gettin' a bit stale. The cultist who seems normal as a victim kept me trying to stay engaged, since I'm all about bashing on cults.

Among people like me, not deeply invested in the series, Roarke takes a lot of brickbats for being Too Much: too rich, too pretty, too cultured, too talented. Unfair, say I. Roarke is a bigger version of what someone not worn down by wage slavery, tired out by not-optional Life stuff could be. He's the poster child for a post-scarcity lifestyle I want to see come true.

St. Martin's Press (non-affiliate Amazon link) wants $9.99 for this ebook.

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Perfect Opportunity (A Posadas County Mystery #26) by Steven F. Havill

Rating: 3.25* of five

The Publisher Says: Octogenarian former sheriff Bill Gastner and Undersheriff Estelle Reyes-Guzman investigate a puzzling double murder in this twisty, page-turning instalment in the critically acclaimed Posadas County mystery series "If you haven't yet discovered these wonderful mysteries, you are in for a treat!" Anne Hillerman, New York Times bestselling author

The morning after his eighty-seventh birthday bash, former Posadas County sheriff Bill Gastner drives past a couple of vehicles stopped on the highway shoulder. It's not an unusual a sheriff's patrol unit, emergency lights ablaze, pulled in behind a pickup truck. The female deputy hasn't radioed for backup. But there's something about the scene that makes him feel uneasy.

The next day, Undersheriff Estelle Reyes-Guzman is called to a rather more dramatic and disturbing roadside scene, with the same truck the star of the show. But this time, its occupant is in no fit state to talk—his dead body stabbed through the chest with a Ka-Bar, a second corpse in the ditch beside the car.

What happened to the two men? And what were the dead man and the deputy discussing in the quiet of pre-dawn the previous day? The truth is more twisty and complex than even Estelle and her long-standing friend and former colleague Bill are ready for, and it will take all their combined years of experience to untangle the sorry tale and ensure justice is served.

Fans of CJ Box, Anne Hillerman and Terry Shames will love this thrilling, small-town Western mystery set in New Mexico, as will readers who love strong female protagonists and retired sleuthing heroes.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: Wowee, did I screw this one up! I started with book TWENTY-SIX because, I suppose, I didn't believe a series could last that long...? Whatever my reasoning, I'm amazed I felt I could follow what was happening while knowing there were character nuances I didn't get, all while still enjoying myself.

It's as the comps say it is; I liked strong, unflappable Estelle, the oldness of Bill was not truly believable, the murder was a bit less twisty than I was led to believe, and I do not want any of those eyeblinks back.

Severn House (non-affiliate Amazon link) requests $14.99 at checkout. Unless you're familiar with the series, maybe asking the library to get one's a better idea.

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Last to leave the room: a novel by Caitlin Starling

Rating: 3.5* of five

The Publisher Says: Last to Leave the Room is a new novel of genre-busting speculative horror from Caitlin Starling, the acclaimed author of The Death of Jane Lawrence.

The city of San Siroco is sinking. The basement belonging to Dr. Tamsin Rivers, the arrogant, selfish head of the research team assigned to find the source of the subsidence, is sinking faster.

As Tamsin grows obsessed with the distorting dimensions of the room at the bottom of the stairs, she finds a door that didn’t exist before—and one night, it opens to reveal an exact physical copy of her. This doppelgänger is sweet and biddable where Tamsin is calculating and cruel. It appears fully, terribly human, passing every test Tamsin can devise. But the longer the double exists, the more Tamsin begins to forget pieces of her life, to lose track of time, to grow terrified of the outside world.

With her employer growing increasingly suspicious, Tamsin must try to hold herself together long enough to figure out what her double wants from her, and just where the mysterious door leads to.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU. CW: body horror

My Review: What worked for me: Tamsin's doppelgänger discovery and subsequent action. What didn't work for me: the first third of the book's quotidian tedium, and the underused plot-point of the sinking city. Too much of one, too little of the other; while I, on balance, liked the read just fine, I put it down for a year at the 15% mark, and only picked it up because someone I trust told me I should. He was correct.

But I could've just left it very easily. Tighter beginning without some stuff I never felt I needed anyway would serve the really good bits better.

St. Martin's Press (non-affiliate Amazon link) expects $11.99 from you. I'd say it's a perfect library borrow.

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The Mysterious Bakery on Rue de Paris by Evie Woods

Rating: 3* of five

The Publisher Says: Edie is … not in Paris?

Edie Lane left everything behind in Ireland for a once-in-a-lifetime job at a bakery in Paris. Except, thanks to a mistranslation, the bakery is not in Paris, and neither is Edie.

The tiny town of Compiègne, complete with its local bakery on the Rue de Paris, holds many secrets. This might not be where Edie intended to be but it's not long before she realises it's exactly where she needs to be…

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Republishing an earlier work by a bestseller's a very old publishing-industry tactic. Unless the bestseller in question does a real overhaul, it's seldom a good idea. In this fine little essay in self-published magical realism, a few things were off...no one is middle-aged at twenty-nine, please do more with M. Moreau...but it's clear why all y'all like Evie Woods.

Perfectly fine way to spend your waiting-room time.

One More Chapter (non-affiliate Amazon link) only wants 99¢, so do not hesitate even a moment to ebook it right onto your ereader.

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78 Degrees and Bloody (The Casey Stafford Series Book 1) by George Prior

Rating: 3* of five

The Publisher Says: An Internet influencer and her boyfriend are brutally killed in their home in Los Angeles, and homicide detective Casey Stafford is under pressure by the LAPD and the news media to catch the disturbed killer—even as he desperately murders more people to cover his tracks.

It appears that their suspect is killing any potential witnesses, and each murder is more disturbing and out of control than the last.

The investigation leads Casey and his partner, Banchet, to a Chinese gang, a Mexican hitman, the FBI, a million dollars in stolen gold, and a leak in the LAPD itself, and with each murder, media interest in the case grows until the entire nation is watching.

Casey needs to stop the deranged murderer before he kills again, and he needs to do it before he is taken off the case by his commanding officers.

With Prior’s “crackling prose and relentless pacing,” each book in the Casey Stafford Series is filled with action, torn-from-the-headlines criminals, authentic LAPD police procedural details, and Casey’s joy in getting justice for his victims and just being a good cop.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: The prose crackles like a police-band radio; the pacing is surprisingly tense and falters only at the very end; this read is as hyped. So why three stars?

I just don't care who killed these unpleasant, useless people. I dislike Casey's smug law-n-orderness. If you're not pushing me somewhere interesting...LA is uninteresting to me as a California native...I need to like SOMEbody. I did not.

Prospect & Main (non-affiliate Amazon link) charges $3.99 for an ebook. If you want entertainment without strings, it's a bargain!

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Cold Burn (National Parks Thriller #2) by A.J. Landau

Rating: 3.5* of five

The Publisher Says: Agent Michael Walker returns when multiple deaths at Glacier Bay National Park are just the first steps in a potential global disaster.

In Alaska’s Glacier Bay National Park, a frozen woolly mammoth is uncovered by a geological survey team. When all of them are found dead at the site of the thawed-out carcass, National Park Service ISB special agent Michael Walker is called in to investigate.

In Florida’s Everglades National Park, FBI special investigator Gina Delgado traces the murder of an environmental science intern back to another U.S. Geological Survey team’s ongoing experiments that are decimating the fragile ecosystem. Beneath the icy waters of Alaska’s Elfin Cove, the crew of a stranded Los Angeles-class attack submarine is wiped out by a mysterious contagion, inexplicably causing their lungs to freeze. The link between these apparently disparate events lies in a deadly, prehistoric microbe that killed the mammoth the same way it did the USGS survey team in Glacier Bay and the crew members of the submarine. A microbe that a rogue billionaire is desperate to attain, and a Russian strongman will do anything to weaponize to achieve even greater, wide-ranging power.

Fighting a battle on several fronts—militarily, intellectually, and biologically—Walker and Delgado are running out of time to stop a devastating attack that would reshape the entire world.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Urgent, uneasy story about things James Rollins would have Sigma Force out to resolve. Propulsive, intense action scenes that do not exist to decorate the plot. A very fun read.

That sounds more like a four-plus star review. Would've been if we'd had more pages or fewer PoV switches. Also, maybe this is made clear in book one (Leave No Trace), but why are these two working together exactly?

Minotaur Books (non-affiliate Amazon link) requires $14.99 for you to legally possess the ebook. You don't want Walker and Delgado on your butt, looking into your trashcan, so procure legally.

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This space is dedicated to Nancy Pearl's Rule of 50, or "the Pearl Rule" as I've always called it. After realizing five times in December 2021 alone that I'd already Pearl-Ruled a book I picked up on a whim, I realized how close my Half-heimer's is getting to the full-on article. Hence my decision to track my Pearls!

As she says:
People frequently ask me how many pages they should give a book before they give up on it. In response to that question, I came up with my “rule of fifty,” which is based on the shortness of time and the immensity of the world of books. If you’re fifty years of age or younger, give a book fifty pages before you decide to commit to reading it or give it up. If you’re over fifty, which is when time gets even shorter, subtract your age from 100—the result is the number of pages you should read before making your decision to stay with it or quit.

So this space will be each month's listing of Pearl-Ruled books. Earlier Pearl-Rule posts will be linked below the current month's crop.

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Denying to the grave: why we ignore the facts that will save us by Sara E. Gorman and Jack M. Gorman (40%)

Rating: ?4?* of five

The Publisher Says: Why do some parents refuse to vaccinate their children? Why do some people keep guns at home, despite scientific evidence of risk to their family members? And why do people use antibiotics for illnesses they cannot possibly alleviate? When it comes to health, many people insist that science is wrong, that the evidence is incomplete, and that unidentified hazards lurk everywhere.

In Denying to the Grave, Gorman and Gorman, a father-daughter team, explore the psychology of health science denial. Using several examples of such denial as test cases, they propose six key principles that may lead individuals to reject "accepted" health-related wisdom: the charismatic leader; fear of complexity; confirmation bias and the internet; fear of corporate and government conspiracies; causality and filling the ignorance gap; and the nature of risk prediction. The authors argue that the health sciences are especially vulnerable to our innate resistance to integrate new concepts with pre-existing beliefs. This psychological difficulty of incorporating new information is on the cutting edge of neuroscience research, as scientists continue to identify brain responses to new information that reveal deep-seated, innate discomfort with changing our minds.

Denying to the Grave explores risk theory and how people make decisions about what is best for them and their loved ones, in an effort to better understand how people think when faced with significant health decisions. This book points the way to a new and important understanding of how science should be conveyed to the public in order to save lives with existing knowledge and technology.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Over the years (almost ten since I got the DRC) I've tried and tried to finish this read. I'm already inside the church on the subject...the psychology of science denial...but I stall out on "Confirmation Bias" chapter, where the repetitious nature of the prose just overwhelms me.

We need this information on why people simply reject objective truth...they deny it *is* either of those things...but I can't say I think this compendiously-footnoted tome is the way to get that done.

Oxford University Press (non-affiliate Amazon link) asks for $21.99 for an ebook.

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The Fight That Started the Movies: The World Heavyweight Championship, the Birth of Cinema and the First Feature Film by Samuel Hawley (19%)

Rating: 3* of five

The Publisher Says: On March 17, 1897, in an open-air arena in Carson City, Jim Corbett and Bob Fitzsimmons fought for the heavyweight championship of the world. The contest was recorded by film pioneer Enoch Rector from inside an immense, human-powered camera called the “Veriscope,” the forgotten Neanderthal at the dawn of cinema history. Rector’s movie of the contest premiered two months later. Known today as "The Corbett-Fitzsimmons Fight," it was the world’s first feature-length film.

The Fight That Started the Movies is the untold story of Corbett’s and Fitzsimmons’ journey to that ring in Nevada and how the landmark film of their battle came to be made. It reveals how boxing played a key role in the birth of the movies, spurring the development of motion picture technology and pushing the concept of “film” from a twenty-second peephole show to a full-length attraction, “a complete evening’s entertainment,” projected on a screen.

The cast of characters in the tale is rich and varied. There are inventors Eadweard Muybridge, Thomas Edison, William Dickson and Eugene Lauste, figuring out how to photographically capture and reproduce motion. There are the playboy brothers Otway and Gray Latham, who first saw the commercial potential of fight films, and their friend and partner Enoch Rector, who pushed that potential to fruition. There are fighters Jim Corbett with his “scientific” methods of boxing; Bob Fitzsimmons with his thin legs and turnip-on-a-chain punch; hard-drinking John L. Sullivan and the original Jack Dempsey and the gifted but ultimately doomed Young Griffo. There are loud-mouthed fight managers and big-talking promoters, and Wild West legends like Bat Masterson and Judge Roy Bean when the story heads to the Rio Grande river. And finally, there is the audience, our collective ancestors, discovering that movies were more than just a curiosity to gape at, but a new and enduring form of entertainment to rival the theater.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: I was interested in the movie stuff. I quit when I hit: "Freed from middleweight constraints, Bob trained up rather than down for the Maher fight and stepped through the ropes weighing one-sixty-five, the heaviest of his career."

I can't make myself care in any positive way about boxing. It was just not gonna happen. It's too darn bad I can't because this is a pivotal moment in popular culture.

Conquistador Press (non-affiliate Amazon link) offers this through Kindle Unlimited, if you are less boxing-averse than I am.

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THE SECRETS OF ALABURG (Alaburg University #1) has maps and cool character art on its Ammy page!


THE SECRETS OF ALABURG (Alaburg University #1)
GREG WALTERS (tr. Patrick Moffatt)
Kindle edition (non-affiliate Amazon link)
$3.99, or free to read on Kindle Unlimited

Rating: 3* of five

The Publisher Says: A hideous beast with glowing red eyes ambushes Bryn on his way home through the forest. After a narrow escape, the sixteen-year-old must flee with his foster father Gerald to the only place that promises Âlaburg University, where humans, dwarves, elves, and orcs come together to study the Colors of Magic.

Bryn soon discovers he can use all three magical colors, which renders him powerful and dangerous at the same time. Will he learn to channel his powers with the help of his unlikely new friends and secure peace for the land, or will he become the one who spells out doom for the enlightened nations of Razuclan?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Aged-up wizarding school story but without the added transphobia that so appalls and offends me, though with forced heteronormativity...just let Bryn be a kid without a love interest!

That series wasn't the first iteration of the story, so no talk of "ripping off," please. In that case everyone owes the Mauschwitz people royalties for that revolting rodent's "The Sorcerer's Apprentice" bit in 1940's Fantasia. Or the composer, Paul Dukas, of that bit owes at least a nod to Goethe for the poem from 1797; which is a nod to Classical sources that likely derive from ancient Egyptian sources. This idea, laddies and gentlewomen, does not belong to, nor was it originated by, the transphobic Scottish woman.

Thank all those useless gods.

Okay, well, that's one hobbyhorse ridden. Now why did I give the read three stars? Simple. I'm tired of this story. Let this field lie fallow a few generations. The translator from the original German, Patrick Moffatt, did an okay job. I don't know what he had to work with, but it's pretty much all "low, green armchair"s and "dust dancing in golden light beam"s level stuff. It works; it's not clunky; but I remember no specific line at all.

So a serviceable read? Yep. I resent not one minute of those five hours. I don't think I'd say yes to a DRC of #2 in the series...just not that excited. The folks who love the special-orphan-learns-magical-truth books will eat it up with a spoon. On current evidence, that's a whole huge heap of y'all. PLUS there's seven of 'em and the series is completed!

I am not now, nor have I ever been, a massive fan of this plot. Earthsea thrilled me as a ten-year-old; the transphobic woman's book had to be read due to FOMO; other than that I'm a resolute take it or leave it guy fatigued into resistance by ubiquity. YMMV, and most likely will, so give it a whirl. It's low risk for these prices, and free on KU means you're really not risking anything except time.

Saturday, May 24, 2025

THE EDGE OF GUILT might better be called the swamp or morass of guilt...but guilt there is


THE EDGE OF GUILT
DAVID MIRALDI

Kindle edition (non-affiliate Amazon link)
$8.99, available now

Rating: 3.25* of five

The Publisher Says: Heather was only fifteen when she died by suicide.
Her father wants justice.
The system wants silence.


After his daughter’s tragic death, Dennis is devastated, convinced that her psychiatrist is to blame. Desperate for accountability, he seeks an attorney to settle the score.

Enter Paul Schofield, a struggling attorney who impulsively takes the case, hoping for a quick settlement. But the deeper he digs, the more he uncovers buried secrets, conflicting loyalties, and ethical dilemmas that shake him to his core. As courtroom tensions rise, relationships fracture, alliances shift, and the line between justice and greed begins to blur.

Inspired by true events, The Edge of Guilt is a gripping legal drama that delves into the gray areas of justice, morality, and grief—captivating readers from the first page and resonating long after the final verdict.

Perfect for fans of Defending Jacob by William Landay, Reversible Errors by Scott Turow, and Just Mercy by Bryan Stevenson, this story blends courtroom suspense with emotional depth and real-world ethical complexity.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Legal dramas don't come much more grabby than a grieving father trying to wrap his head around his child's death. Failing that, he sets out to get revenge, or as he thinks of it, "Justice."

The big issue is an Eternal Verity: NEVER START A LAWSUIT IF YOU'RE GUILTY. Of what, well, look at Oscar Wilde if you just want a case study of why this is the world's worst idea. The author's a civil lawyer, so no doubt accustomed to lying clients. I'm not all the way convinced that isn't why there's a twist at the latter stages of the story...was that really a good idea is not settled in my mind.

The real characters here are the lawyer and the father. They eat all our attention, seemingly by design as there aren't any female characters including the dead daughter who speak much still less say anything important.

I won't say it was my favorite read of May 2025 but I never rolled my eyes and resisted picking it up. The comps above seem accurate to me. I liked the Landay book pretty much exactly the same intensity as I liked this one, and for similar reasons of moral complexity. If you like courtroom dramas, this definitely makes its bones there; if you're after a solid tale of grief managed poorly, here you go; if you like a surprise ending, the kettle's on in Author Miraldi's story kitchen.

RED LILY, first thriller I've ever called "cozy"


RED LILY
JANICE GRAHAM

Vendome Books (non-affiliate Amazon link)
$6.99 ebook, available 26 May 2025

Rating: 3.5* of five

The Publisher Says: From the New York Times bestselling author of Firebird comes a delightfully funny and tender tale of family secrets, reluctant spies, and one unforgettable woman!

Paris 1989.
A cold war is ending.
A new family is beginning.
And one dog is about to save the day.

Carl Box has never met his Aunt Lily. She was the family scandal — exiled, disgraced, and never spoken of. So when he’s named the heir to her Paris estate, he packs a bag (and his two-legged dog, Billy) and prepares for paperwork, not espionage.

But Lily is very much alive. And very much in trouble.

What begins as a simple inheritance turns into a Cold War caper filled with coded messages, eccentric operatives, and secrets that could still get people killed. Carl soon finds himself in the role of spy — dodging agents, covering for Lily, and wondering what exactly she’s been hiding all these years.

Red Lily is a warm, witty historical suspense about unexpected heroism and the mysteries of family ties — perfect for fans of Killers of a Certain Age, Jacqueline Winspear, and Only Murders in the Building.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: Thank goodness for the great middle-class Prufrock! He is that scion of privilege who's niggled by the sense of Something More being somewhere out there, though he can't really say where or why. He's a fixture in Graham Greene's Cold War novels: Our Man in Havana's Wormold and Travels with my Aunt's Pulling. Enough privilege and wealth to leave his quotidian life behind. It's never examined from the standpoint of his privilege, his white-male unquestioned freedom to just...chuck it all, no blame or manhunts pursuing him.

Aunt Lily is meant to be a Mame-like figure, a woman who wasn't shunned by her family for trivial reasons but for her utter unwillingness to conform. A sister to a man who left his son a paint factory and the surname Box, she's really more of an Ethel Rosenberg figure to me. She knows what she's doing, and that there are consequences, but she believes she's Right so she does it anyway. Best to keep family far away. Except when they come in handy, as her Prufrock-meets-Babbitt nephew does now.

There's enough action, enough entertaining woman-spy-trades-on-femaleness to make its more cozy aspects of forming found family and taking care of the people in your life (who aren't there from some societal pressure) to the bitter end to make it feel like a weirdly cozy thriller. Running around there is, but more importantly bonds are formed, forged, and honored.

Box himself is slow on the uptake. It frustrated me that Aunt Lily could run rings around him yet HE was the narrator. It was also more than a little effort to keep track of who's who, which is fine in a thriller but not usually part of the reading experience in a cozy, so a bit of the luster got dimmed for me there too.

All in all, though, I'm not mad at the read, nor especially mad for it either. Fun was had, smiles were smiled, and five hours were not wasted in reading it. Need something to wile some time away that still repays giving it your attention?

Seven bucks and it's yours.

Thursday, May 22, 2025

WHACK JOB: A History of Axe Murder, does more than just titillate with true-crime gore


WHACK JOB: A History of Axe Murder
RACHEL McCARTHY JAMES

St. Martin's Press (non-affiliate Amazon link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A brilliant and bloody examination of the axe's foundational role in human history, from prehistoric violence, to war and executions, to newspaper headlines and popular culture.

For as long as the axe has been in our hands, we have used it to kill.

Much like the wheel, the boat, and the telephone, the axe is a transformative piece of technology—one that has been with us since prehistory. And just as early humans used the axe to chop down trees, hunt for food, and whittle tools, they also used it to murder. Over time, this particular use has as the axe evolved over centuries to fit the needs of new agricultural, architectural, and social development, so have our lethal uses for it.

Whack Job is the story of the axe, first as a convenient danger and then an anachronism, as told through the murders it has been employed in throughout from the first axe murder nearly half a million years ago, to the brutal harnessing of the axe in warfare, to its use in King Henry VIII's favorite method of execution, to Lizzie Borden and the birth of modern pop culture. Whack Job sheds brilliant light on this familiar implement, this most human of weapons. This is a critical examination of violence, an exploration of how technology shapes human conflict, the cruel and sacred rituals of execution and battle, and the ways humanity fits even the most savage impulses into narratives of the past and present.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review
: End-noted to a fare-thee-well, this rollicking romp through axes as historical objects isn't academic and dry, or deeply in-depth; it's a mountaintop view into the foothills and valleys of human material culture. Using the axe as our viewpoint stand-in makes a lot of sense. In anthropology classes I took in the 1980s, stone tools came in varieties like flakes, blades, and scrapers, all discovered by the carloads; a hand axe was treasure indeed. The knack of flintknapping is easier to acquire for smaller objects. An axe was high tech indeed.

There's a reason an axe centers the fasces in Roman art; there's a reason the axe was buried as often as a sword in Viking graves. They're not just useful, they're mightily impressive and have always been difficult to fashion until fairly recently. A sharp axe is a supremely useful tool for the agricultural way of life. Splitting logs to burn for warmth, making fenceposts to contain cattle and demarcate property, etc etc, are all made trivially easy with ownership of a good, sharp axe.

Splitting wood is, of course, not the only splitting an axe does with effectiveness and relative ease. Author Rachel starts us with split skulls in Neanderthal prehistory, when possession of an axe was a major symbol of power. As the reasons humans kill each other really haven't changed over the millennia (spoiler alert: we enjoy it), the means we choose to do it with haven't either. Whatever is handy, be it rock, knife, or axe. What we don't know in any detail is why the owner of a particular skeleton was deprived of the ghost driving it, though the remains are clearly damaged in specific, tell-tale ways. So Author Rachel talks about axes more in the first third of the book than murders. (Seriously, stop at 30%...chapter six...if details of what happens are not to your taste.)

In historical times, as details become available, they are vouchsafed you.I do not find this particularly bothersome, but if you do, understand this is not going to be an easy book for you to read. We're still focusing on the axes, though, which is what enabled me not to feel queasy. The weapon of choice is contextualized to the extent possible based on the records surviving, be they legal, social, or religious in nature. And has Author Rachel done her archive diving! Literal hundreds of endnotes could probably result in a visit from the spooks if I followed them all up on Google. The thing I appreciate most in a history like this one, focused on a reasonably narrow bit of human behavior, is that sense the author's done a lot more than the minimum. That is definitely the case here.

I don't classify this as a microhistory to myself. It has a narrow focus. It doesn't, however, confine itself to just one bit of History like The Forger's Spell or Cod: A Biography of the Fish that Changed the World, both estimable books. I suppose when your topic is something as universal or as ancient as an axe, one can't feasibly stay in the micro.

Speaking of micro, Author Rachel does not spare us Y-chromosome-havers in her analysis of why axes represent authority. There's a good bit about male insecurity as it relates to symbols of power and status. If I felt she was factually incorrect, or grinding an academic axe (!) too finely to make her point, I'd say so. Instead I shrank a little more every time the topic arose. Well done, madam, point well made. Dealing with how the labrys became a feminist/matriarchal symbol was fascinating.

The structural elements of the book are largely thematic. We're in chapters called things like "In Truth, An Enemy and a Man of Violence" (chapter four, the 500s BCE) and "Five Axes in the Cellar, One Axe on the roof" (chapter nine, Lizzie Borden). Author Rachel's style lends itself to hooks, positioned carefully at the ends of chapters. It makes the read hard to portion out; I usually read a chapter of a book, take a few notes, move to a different book; not here. I read through five chapters in a long afternoon. That's not common for me. I simply didn't want to stop, and the hook-y chapter ends (can't quote them, the Spoiler Stasi will trade their hoses and chains for axes) were designed to keep the reader engaged.

So what happened to the fifth star? It's half there, and deserves to be. I can't offer the full five only because the way Author Rachel mixes it up felt at times as though there were topics she could not go into that she wanted to. That left me wishing for an extra hundred pages and more ridden hobbyhorses.

No matter about cavils so minor as that. If you're interested in anthropology and history through a narrow but deep time-lens, have a good tolerance for murderous acts, and enjoy sly witticisms, this is a solid read for you.