ANN CLEEVES' PAGE: Jimmy Perez/Shetland series 1 through 4...reposting old reviews

RAVEN BLACK
ANN CLEEVES
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: Raven Black begins on New Year’s Eve with a lonely outcast named Magnus Tait, who stays home waiting for visitors who never come. But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

I CHECKED THIS BOOK OUT OF MY LOCAL LIBRARY. USE THEIR SERVICES OFTEN, THEY NEED US!

My Review: There are two facts I must convey to you before reviewing the book. One: I am extremely uncomfortable, to the point of pain, around people with cognitive and/or communicative disorders or inabilities. Two: I was the object of my pedophile mother's sexual interest until I was fifteen.

Unsurprisingly, these aren't the sorts of themes I find enjoyable to find in my leisure reading. Raven Black has both! I was thinking seriously of abandoning the read, just quietly taking the book back to the library and forgetting it existed. Cleeves managed to make that an undesirable option, and in doing so, made it possible for me to hold a very unflattering mirror up to my character.

The younger of my two grandsons is autistic. It is extremely hard for his mother to cope with the demands of two active, intelligent, communicative children plus an active, intelligent, uncommunicative one. I don't know how she does it. I would be incapable of doing one-third what she does, with (at long last) support and help from her (second) husband.

Magnus Tait, one of our POV characters, is cognitively impaired. It was *horrible* for me to read the sections of text told from his POV because I could not bear to be in this close contact with him. It made me think of the helpless inability I feel when confronted with my autistic grandson...that sense of having nothing of myself to offer, of withdrawal from avoidable contact...no one can tell me the boy isn't aware of it, and while Magnus isn't autistic, it was a close-enough situation, and to know from the inside what chill and distance feels like...well, how awful, how awful to know it, feel it, and be unable to *understand* it.

At least I understand. But funnily enough, that fails to make it better. It makes it worse.

Pedophilia is present in several characters, no spoilers so no names, and the object of desire's POV is used in the story as well. It's unbelievable to me that Cleeves can recreate the unmixed-but-unsettled feelings of a child who holds that kind of intoxicating, terrifying, inappropriate power over an adult. I hope not, for her sake, but I felt "takes one to know one" so many times in reading certain parts of the book.

The thriller aspects of the book were nicely done, though as an old hand I pegged the murderer and motive fairly early on...but, discomfitingly, I found that I wanted the truth not to be what I knew, but what my prejudices drooled over.

I recommend this book to the unsqueamish. It's strong stuff. Nothing that happens in it is gratuitous. The guilty, and I mean those morally guilty, are punished severely. There is a bleak pleasure in that.

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WHITE NIGHTS
ANN CLEEVES
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: The electrifying follow up to the award-winning Raven Black

Raven Black received crime fiction’s highest monetary honor, the Duncan Lawrie Dagger Award. Now Detective Jimmy Perez is back in an electrifying sequel.

It’s midsummer in the Shetland Islands, the time of the white nights, when birds sing at midnight and the sun never sets. Artist Bella Sinclair throws an elaborate party to launch an exhibition of her work at The Herring House, a gallery on the beach.

The party ends in farce when one the guests, a mysterious Englishman, bursts into tears and claims not to know who he is or where he’s come from. The following day the Englishman is found hanging from a rafter, and Detective Jimmy Perez is convinced that the man has been murdered. He is reinforced in this belief when Roddy, Bella’s musician nephew, is murdered, too.

But the detective’s relationship with Fran Hunter may have clouded his judgment, for this is a crazy time of the year when night blurs into day and nothing is quite as it seems.

A stunning second installment in the acclaimed Shetland Island Quartet, White Nights is sure to garner American raves for international sensation Ann Cleeves.

I CHECKED THIS BOOK OUT OF MY LOCAL LIBRARY. USE THEIR SERVICES OFTEN, THEY NEED US!

My Review: This is the second Shetland Islands Quartet thriller, which marketing decision was a good one...calling these thrillers instead of mysteries sets up the expectation of a whacking good read though not necessarily the play-fair-with-the-reader puzzle-solver that modern mysteries are.

Cleeves writes wonderfully clearly and carefully about flawed, real, lovable characters in bad emotional states because of violent, evil acts disrupting their very ordinary lives.

The stories she tells in this series, to date, are proof to me that she's looked deeply into human nature and seen what its outlines show to the astute...there but for the grace of God go I. Everyone in this book flees from their hurts. Their flight is, inevitably, unsuccessful. Jimmy Perez can't run from his flaming co-dependence. Fran Hunter can't run from her seething ambition. Bella Sinclair can't run from her self-created persona, an Iron Maiden as effective as any Inquistor's torture device. Inspector Taylor, back up from Inverness, can't escape his fear-driven energy. No one, not any one, escapes.

The white nights of the title are a phenomenon of the far north. The sun never *quite* sets enough for true, dark night to fall. It's unsettling to some, it's a biorhythm disturber of tremendous power to have the body's million-year-old clock disrupted by absence of night. It's used by vile people the world over as a form of torture to deprive a human of good rest. And yet, there are thousands whose entire lives are lived with this condition as backdrop, and they seem not to feel its downside too strongly.

But let's face it...this fact of nature is a thriller-writer's best birthday present. What better metaphor, and even a pretty subtle one, for bringing to light old wrongs, shining the pitiless lamp of the torturer on the consciences of those guilty of undiscovered crimes, than a sun that won't go down?

That's a very nice backdrop you've chosen, Mme Cleeves, and it works very, very well for your chosen story, right up to and including the resolution of the multiple crimes. It does not make up for the sense I got, throughout the book, that your focus wasn't on me, your reader.

I recommend the book, yes. I even think there are some things about it that are outstanding, including the character developments of Perez and Taylor. But as I careened from incident to incident, I didn't sense that you were laying out this tale for my delectation, but rather leading me, like a museum docent, from exhibit to exhibit, trying in a haphazard way to lead my somewhat dim brain to a conclusion you'd already reached and were now impatiently awaiting my "aha!" moment. I am already in possession of Red Bones, and I am very much looking forward to seeing what you have planned for me next, but I am a little bit put out by this sense of magisterial disdain that I got from the resolution to White Nights. I wish you'd let me get there with you, instead of running ahead and pointing and waving your arms.

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RED BONES
ANN CLEEVES
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4.125* of five

The Publisher Says: When a young archaeologist studying on a site at Whalsay discovers a set of human remains, the island settlers are intrigued. Is it an ancient find—or a more contemporary mystery?

Then an elderly woman is shot in a tragic accident in the middle of the night. Shetland detective Jimmy Perez is called in by her grandson—his own colleague, Sandy Wilson.

The sparse landscape and the emptiness of the sea have bred a fierce and secretive people. Mima Wilson was a recluse. She had her land, her pride and her family. As Jimmy looks to the islanders for answers, he finds instead two feuding families whose envy, greed and bitterness have lasted generations.

Surrounded by people he doesn't know and in unfamiliar territory, Jimmy finds himself out of his depth. Then there's another death and, as the spring weather shrouds the island in claustrophobic mists, Jimmy must dig up old secrets to stop a new killer from striking again . . .

I CHECKED THIS BOOK OUT OF MY LOCAL LIBRARY. USE THEIR SERVICES OFTEN, THEY NEED US!

My Review: This is the third in what the publishers call The Shetland Islands Quartet in some places, A Shetland Islands Thriller in others. I hope that this betokens a realization on the part of Cleeves and her publishers that the series has the essential ingredient for longevity: Terrific characters entwined in believeable relationships.

We see Jimmy Perez, our sleuth, living without gal-pal Fran Hunter while she's down south in London to visit family and friends. His every waking thought seems to return to her, to her daughter Cassie, and to the natural fears of a man in love whose lover is far away: Is she safe, is she having too good a time to want to come back, is this the end of my dream of happiness, all the stuff men think but never admit they're thinking.

Sandy, Perez's Detective Sergeant, is also away, though closer to home...he's on Whalsay, a short ferry ride from Lerwick where Jimmy is based. While visiting home, Sandy's beloved grandmother is shot. It looks like a horrible, horrible accident. Sandy is first cop on the scene, naturally, and has to make hard calls about how to pursue the matter before Jimmy shows up to take over. Sandy's family will never be the same again, of course, but more importantly for the story, Sandy won't either. Jimmy helps Sandy grow into his manhood during this investigation, and this makes the book far richer than we'd have any right to expect from a simple thriller. When a second horrible death occurs, Sandy and Jimmy both conclude there are connections here that the two of them aren't making, and whether or not the deaths were intentional, the connections need to be investigated and explored. This takes each of them farther from his comfort zone than either expected.

Cleeves's plot snake-twines around each character, squeezing the past and the present tightly together, and finally forcing the characters into one inevitable crushing future. It looks nothing like the present. It looks nothing like the future the characters saw coming. And that's why I recommend this book, and this series, with such a strong voice.

2017 UPDATE: The TV series based on the idea of the books is on Netflix in the US. Aired four years ago, and you can tell:

PEREZ: For more holiday lets? Christ Duncan you're turning into Shetland's answer to Donald Trump.

DUNCAN: *laughs*

That line spoken in Scotland today would lead to blows and severed friendships.

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BLUE LIGHTNING
ANN CLEEVES
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4 very very disgruntled stars of five

The Publisher Says: In the fourth book of Ann Cleeves’ critically acclaimed series set in the Shetland Islands, Detective Inspector Jimmy Perez brings his fiancée home to Fair Isle, a birder’s paradise, where strangers are viewed with suspicions and distrust. When a woman's body is discovered at the island’s bird observatory, the investigation is hampered by a raging storm that renders the island totally isolated. Jimmy has to find clues the old-fashioned way, and he has to do it quickly. There's a killer on the island just waiting for the chance to strike again.

I CHECKED THIS BOOK OUT OF MY LOCAL LIBRARY. USE THEIR SERVICES OFTEN, THEY NEED US!

My Review: Jimmy and Fran go to visit Jimmy's parents, Big James and Mary, on Fair Isle, since they're planning to be married. Big James and Mary make a nice engagement party for the happy couple at the North Light, which now serves as the centerpiece of a birding reserve and research center. Maurice and Angela, who run the reserve, have attracted the best chef *ever* in the form of Jane, a lesbian escapee from life's more hectic and less forgiving pace in London. Throw in some birders, a weird subspecies of Homo obsessivus, a misery of a teenaged daughter, a snotty young upperclass Brit-twit, and some genuinely surprising revelations about the families and lives of the characters we who are fans have come to love, and then...drumroll please...kill off an extremely main character for absolutely avoidable reasons and throw the entire cast of characters into a major tumult, and you have book four of the Shetland Islands Quartet.

Oh, owww. I thought Lousy Louise Penny had hurt me as badly as a novelist could with her perfidious, horrible, and completely unforgiven emotional drubbing in book 5 of Three Pines. I suppose I should have been on the alert for a similar anguishing event because Lousy Louise herself blurbed this book. I was, however, all padded up in cotton wool, interestedly following Jimmy around his hometown Fair Isle, meeting and tutting over the characters who are slated to die; I had my murderer all picked out (I was right) and I was practically *drooling* with eagerness to see my candidate suffer, be blamed, pay for a horrible crime, a forgivable one too though honestly had the first murder gone unpunished I wouldn't've been even a little fussed about it; and then *BLAMMO* right between the eyes, *smash* went the skull with a twist I did NOT see coming; and then, and then...! Cleeves kicked me square in the teeth with the ending!!

I cried. I was very upset. I felt I'd been hurt in my real life. It takes a good, good storyteller to make that happen.

These are well-written books, and they convey a clear sense of life in the Shetland Islands. They're very much worth reading on that basis alone. But Cleeves creates characters that are deeply real, ones you can invest in, and that's the most important quality a writer can have. I strongly recommend the books. This one, obviously, should be saved for last; I suspect, though, given the last few lines of the book, that Cleeves's publishers have prevailed upon her to make the Quartet more open-ended. I am not at all sure I think that's a good thing, if it's true. Still, I hope you will go and procure them for your reading pleasure, because it will be a pleasure.