THAT'S WHAT FRIENDS ARE FOR, aaarrrgh earworm earworm!!

THAT'S WHAT FRIENDS ARE FOR
WADE ROUSE
MIRA Books (non-affiliate Bookshop.org link)
$28.99 hardcover, available now

Rating: 4.25* of five

The Publisher Says: In this poignant and hilarious story inspired by TV’s beloved The Golden Girls, bestselling author Wade Rouse celebrates love, aging, finding your people, and the art of impeccably timed one-liners.

Theodore Copeland has created a fabulous life in the desert oasis of Palm Springs, where he shares a fabulous pink mid-century home with three fabulous friends: Barry, a former actor still clinging to his youth, his hair, and the memory of the dream role that killed his career; Ron, an uprooted Christian from the Midwest with a big heart but no one to give it to; Sid, who, after coming out late in life, has never found love. Teddy is the caustic, unspoken leader of “The Golden Gays”—the foursome’s monthly drag tribute to The Golden Girls. Despite their foibles and bickering, they have turned their golden years into a golden era.

But the harmony of their desert enclave becomes a carousel of emotional baggage when Teddy’s estranged sister, Trudy, shows up on their doorstep, her dramatic teenage granddaughter in tow. While Teddy keeps Trudy at arm’s length, she manages to wheedle her way into the lives of the Golden Gays, until the real reason for her visit is revealed and the secrets they’ve all been keeping from each other unravel faster than a hastily stitched hemline.

A novel that gives thanks to “old” friends, That's What Friends Are For proves that while family may be the tie that binds, it’s the chosen family that truly keeps us together.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Four older...old, "of a certain age" is such an absurd weasel-wording...gay guys live in Zsa Zsa Gabor's Palm Springs home, in the absence of other places to be as they live out their invisibility, bond to each other the way the Golden Girls did, and perform as a drag troup reenacting episodes of the show.

You need to be charmed by the premise to enjoy the book. I was; I did.

It was more true to the spirit of the show than I expected. In novel form, that meant packing in a lot of trauma recall, a lot of wistful nostalgia, a lot of regrets for pasts "misspent" in all the ways people do that, in not a lot of space. The gestalt of these four charmers is just *chef's kiss* and the repartee flows like Veuve Cliquot from a marabou mule. (Zsa Zsa is, after all, the former owner of their house.)

If no one is currently in development talks for this book it will utterly stun me. Heartstopper for the teens, Heated Rivalry for the horny adults, That's What Friends Are For representing the generation that fought these stupid necessary battles for all y'all that seem to've been erased from the collective memory. *ahem* I meant to say "the seasoned citizens." Of course I did.

Celebrating found family, talking honestly about what life looks like as "The End" hoves into view without crowding you (yet), flexing the wicked-humor muscles developed from years of deflecting nastiness...it's a grown person's happy place, this. Drama arises because humans create drama the same way we breathe—automatically—but it never feels calculated, like Author Rouse said "let me rile these queens up now" while twirling his mustachios. I bought into the dynamics he built, accepted the moments when the men had trouble dealing with things as natural and inevitable. Author Rouse uses the conflicts the way a good therapist urges one to use them: get to know your friend better, get to know yourself better, apply kindness and acceptance like the balm it truly is, and move on.

A big issue in the story is staying stuck. It's a huge issue in almost everyone's life, from what I can tell. It's good to see it addressed openly, with candor, and in such a humorous setting. (I admit I want to bash Barry for chasing his long-past youth. Grow up!!) What Author Rouse has done is deliver a warm-hearted, clear-eyed, just sentimental enough look at the unforgiving terminal illness of Getting Old, in a relatable and enjoyable visible way denied to queer folk by our heteronormative culture.

Kudos! More soon? Please?

BEASTS OF CARNAVAL, debut Caribbean-set Taíno mythology-centered fantasy novel

BEASTS OF CARNAVAL
ROSÁLIA RODRIGO
MIRA Books (non-affiliate Bookshop.org link)
$14.99 ebook, out now

Rating: 4.25* of five

The Publisher Says: When night descends, el Carnaval de Bestias rises.

They come chasing paradise…

Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave—the wine is simply too sweet, the music too fine and the revelry endless.

Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

There’s a world of wonder waiting for her on the shores of this legendary island, one wherein conquerors profit from Sofía’s ancestral lands and her people’s labor. But surrounded by her former enslavers, she finds something familiar in the performances—whispers of the island’s native tongue, music and stories from her Taike’ri ancestors…a culture long hidden in the shadows, thrust into the light.

As the nights pass, her mind begins unraveling, drowning in the unnatural, almost sentient thrall of Carnaval. And the sense that someone is watching her grows. To find her brother and break free, Sofía must peel back the glamorous curtain and face those behind Carnaval, before she too loses herself to the island…

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I read this book back in May and enjoyed it; it was a good read, it hit many of my favorite notes of anti-colonialism, women empowering themselves to accomplish things, on and on. It's out this coming Tuesday so as I was picking Monday's review to write, I did the usual open-the-book-and-skip-around search for quotes...
...
...and reread the whole book. It's a magical fever dream first half, then the hangover...but still action packed...second half made up of problem-solving. It's a lot like The Maltese Falcon that way, only it's a more vivid first half than Chandler!

Sofía, a freedwoman who goes to Isla Bestia with her friend (and former owner) Adelina, to discover the fate of her five-years-missing brother Sol. Interesting that it was not Adelina who instigated this...Sol was valet to Reynaldo, her own father, the former main enslaver of both Sofía and Sol. The womens' multivalent relationship...owner/owned, friends, maybe more...intrigued me deeply because I found myself unable to predict what one would say to the other more than once in a while. Author Rodrigo's got "It" for dialogue in my ear. I wouldn't give her a note in that arena.

The problem is the two halves of the story aren't well knitted together. Like a sweater with rows of crochet holding the sleeves on, it's odd, but not *wrong*. The quest to Isla Bestia brings us into a world of Taíno mythology, bringing characters of whom I have no experience intensely alive. The events on the island lead us elsewhere, though, in fulfillment of the quest. So the hedonism, the vividness, the intensity of the pleasures so well evoked by Author Rodrigo's simile-rich prose, change to a more somber and menacing register when we get to Coaybay. It isn't a seamless transition, or an abrupt break; either of those would fulfil my desire for a narrative signpost that says "we're in a new narrative regime" clearly. It's a need I feel The Night Circus, which I *loved*, fulfilled a bit better than this read did.

I suppose this means I'm more like Sofía than anyone else here, the woman who muses that "{...h}ow much easier it would be to let faith patch the cracks in her knowledge, to accept that there were parts of this world not only beyond her understanding, but beyond all human understanding." She's not good at that, and neither am I. Her need to know, to be sure a thing's real and means what it's shown to mean, resonated with me. Myths are fun, interesting, but not real.

Until they are.

The questions that arise from that are the second half of the story. Adelina simply vanishes; she and her father just aren't involved after we leave Isla Bestia. There's a fascinating...fluidity...to meaning, definitions, certitudes in Coaybay. Gender roles there are, assigned by sex, not so much. It's one example of the intense Otherness that troubles Sofía, that causes her to feel she is not in control of the narrative of her life. Sol, whose long separation from her and residence in Coaybay have altered him into an Other to Sofía, offers more mysteries than certainties. For a twin, this is disorienting. Someone whose hearbeat was the soundtrack of your life, suddenly not reachable despite renewed proximity? This was less impactful in the positive sense; no exploration of what that means to the still-overworked-to-exhaustion Sofía's emotions. The world of Coaybay is, paradoxically, over-developed in its obstacles and under-developed in its sensawunda. Isla Bestia is the opposite.

A debut novel's issues, one and all. The lushness (yes, there are untranslated words, but you're not left to hang in tension by them) and the use of a fresh-to-me mythos was all the inducement I needed to finish the read twice.

A thing I very seldom do, read a story twice, since seventy is closer to me than forty is. Well done, Author Rodrigo!

LOVE, HATE & CLICKBAIT, fake dating in the political sphere with added gayness

LOVE, HATE & CLICKBAIT
LIZ BOWERY
MIRA Books
$15.99 trade paper, available now

Rating: 4* of five

The Publisher Says: Shake some hands. Kiss some coworkers.

Cutthroat political consultant Thom Morgan is thriving, working on the governor of California’s presidential campaign. If only he didn’t have to deal with Clay Parker, the infuriatingly smug data analyst who gets under Thom’s skin like it’s his job. In the midst of one of their heated and very public arguments, a journalist snaps a photo, but the image makes it look like they’re kissing. As if that weren’t already worst-nightmare territory, the photo goes viral—and in a bid to secure the liberal vote, the governor asks them to lean into it. Hard.

Thom knows all about damage control—he practically invented it. Ever the professional, he’ll grin and bear this challenge as he does all others. But as the loyal staffers push the boundaries of “giving the people what they want,” the animosity between them blooms into something deeper and far more dangerous: desire. Soon their fake relationship is hurtling toward something very real, which could derail the campaign and cost them both their jobs…and their hearts.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Sarcastic psychopath meets delusional dork (probably on the dyspraxic spectrum), picks on him mercilessly until they fall in love after becoming a cute internet meme that helps their tin-eared sociopathic boss in her presidential campaign. Except hijinks ensue and the boys get together. Oh...the psychopathic one? He starts out using/abusing women, this is his first sexual anything with a man. So there's that, too.

It's mean-spirited a lot of the time, which I honestly count in its favor. Author Bowery obviously knows real people like this, she's way too good at both guys' pathologies not to. And the campaign staffers are just *perfect* in their utter and complete soulless indifference to things like others' feelings. It isn't like I have to spend time with them in real life so I can enjoy the terribleness of their callous uncaring ways.

Clay, the delusional dork on the dyspraxic spectrum, is the butt of many jokes and always has been, as we're made aware. I'm not advocating the treatment Clay receives as a come-on or a stay-away quality. I think a lot of socially awkward people would cringe in recognition but I don't know exactly if it would be cathartic or traumatic. It's that much of a toss-up in my mind whether the author's also laughing or making the laughing clods look even worse by not shoving her own reaction at us readers. I actually give points for that. You are left to make up your own mind. I approve of this.

Thom the psychopath, though, isn't played for ambiguity. He has this complex of symptoms, acts out, and is held up as an awful person...until he isn't. Because he's falling ever so slowly in love with a certain tall, dark, and dorky dude. Who seems to be leaning in to their fake wedding (don't ask, just go with it) and the way Thom can make his archenemies freeze to the floor with some truly sick, volcanically hot burns.

Mostly, the beginning of the story is there to set the stakes in romantic fiction. There are enough stakes to go around as these two unappealing people peel off their mannerisms to get to the man inside the ever-baggier suits of fakery. There's a guitar-and-waffles moment when it's all coming together, and they're really connecting over the ordinary stuff of life. Of course Something Happens, and their little moment is lost. I got honestly invested at that point.

The leisurely path to the real relationship is, to my surprise, through the bedroom. There's no little authorial squickiness, either, just two eager, horny men. Sex between men who won't, can't, or don't identify as gay is (as I trust y'all who've been here more than once to know) no news whatever. Been goin' on forever. But these two, in this situation? It's hard for me to figure out why Author Bowery didn't pull the veil over the events but instead she chose the direct path. Did herself proud, too. Her characters don't shy away from the physical responses that real people have, like Thom having a moment's ickiness over the aftermath of sex. It was handled right. It didn't interrupt the story's flow but channeled it closer than ever to the goal of getting these guys past their initial misconceptions about themselves, and therefore each other.

Every step of the way, as Thom felt himself feel for someone else what he's never felt for himself, he fell a little lower in my estimation. He kept being horrible! Truly terrible! And, well...that fall from a height that pride goeth (and pride goeth) before? Pride wenteth. Thom and his belovèd Clay each lost illusions. Clay gained so much self-respect and honest power from losing them! Thom, sad little naked waif huddled in the rain, won much more when he finally realized that standing up means laying down the weapons that defended your badly designed walls.

It's a romance! There's HEA in the social contract of reading them! The wonderful part of *this* HEA is getting there. How it looks? Who knows if this could happen or not...but I'm willing to say it should happen.

LIGHT YEARS FROM HOME, a poignant story of the cost of being where you fit not belong

LIGHT YEARS FROM HOME
MIKE CHEN
MIRA Books (non-affiliate Amazon link)
$12.99 Kindle edition, available now

Rating: 3.75* of five

The Publisher Says: Every family has issues. Most can’t blame them on extraterrestrials.

Evie Shao and her sister, Kass, aren’t on speaking terms. Fifteen years ago on a family camping trip, their father and brother vanished. Their dad turned up days later, dehydrated and confused—and convinced he'd been abducted by aliens. Their brother, Jakob, remained missing. The women dealt with it very differently. Kass, suspecting her college-dropout twin simply ran off, became the rock of the family. Evie traded academics to pursue alien conspiracy theories, always looking for Jakob.

When Evie's UFO network uncovers a new event, she goes to investigate. And discovers Jakob is back. He's different—older, stranger, and talking of an intergalactic war—but the tensions between the siblings haven't changed at all. If the family is going to come together to help Jakob, then Kass and Evie are going to have to fix their issues, and fast. Because the FBI is after Jakob, and if their brother is telling the truth, possibly an entire space armada, too.

The perfect combination of action, imagination and heart, Light Years From Home is a touching drama about a challenge as difficult as saving the galaxy: making peace with your family…and yourself.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Every damn word of this is so heartfelt, so honest and so completely resonant with my Kassie-like self that I feel like a rotter for not giving it that fourth star. But yet again, sexuality (Evie's probably Lesbian or Bisexual) is window-dressed onto an otherwise complete character. Please stop doing that.

When Arnold, the family patriarch (and doesn't he just know it!) disappears with Jakob, the underperforming (according to Arnold) son, the whole family flies into a state of emergency! Then Arnold comes back from that camping trip, without Jakob, but with a Purpose: Find him and bring him home.

No matter what, no matter who gets hurt or slighted.

So the family is broken again, not re-broken but the existing broken structure is smashed on a new rock. That rock is a vanished son...who returns one day! But what baggage he drags...and what a life he's led...and what his sisters had to put up with...and what they're coping with now.... And, as I am sure you've tipped to by now, this isn't a seamless, straight-through narrative. There are flashbacks!

Every single soul in this narrative has reasons for what they have done that do not depend on what the others did or didn't do. However, as in all toxic families, they blame each other publicly and themselves privately. Jakob made it easy for his twin sister to avoid the tough parts of growing up by leaving her the job of fulfilling the family's expectations. That'll make anyone angry! His little sister, growing up in the vacancy left by a father whose obsession with his lost son is all-consuming, opts out of sane, mainstream society...and this puts yet more pressure on her older sister. Then, wouldn't you just know, Dad dies! And Mom gets dementia!

I think it was around here that I went inside my emotional hidey-hole for a while. It's a lot. I related to Kassie. I was angry with Jakob for...vanishing...without a word. (I mean, come on! He can come back now, but he couldn't send some sort of interplanetary post card? "Having a wonderful war, be glad you aren't here" or something?) But that doesn't put the blame on him, Kassie, the way you want it to...you chose your path, and everyone has choices. Yes, some are harder to make than others, but they're still within the realm of possibility. A thing you, in your faithlessness, have every reason to know....

So this is sci fi? Well...yyyeeesss, but in a curious way no. It's what happens in the space opera between the acts. The messy human bits of the story that get elided over when you're telling the Ultimate Battle of Good Versus Evil!!! and the Hero is tasked with getting {thing} from his home, and whee! he comes back with {thing} and a story about his father being dead. Well, this is what actually happened then!

What makes the story compulsively readable for me is that quality, that interstitial nature. I am always interested in what occurs between the acts. I was not as interested in the seemingly grafted-on piece about the FBI thinking Jakob had run off to become a terrorist...Jakob?! lazy schlub that he was?!...but I can see how it felt timely for young Mister Shao to be branded as something he clearly could never bring himself to be. In a very odd way, though, I guess he did become a violent actor. Just not on Earth. Which, funnily enough, makes it okay...? Or does it?

Kassie's point-of-view narration is cringe-inducingly spot-on for the judgmental left-behind Responsible One's angle. It wasn't fun for me, but it was so real that at times I had to go look and make sure I was still an old, white man and hadn't transmogrified into Kassie Shao. So well done, Author Chen...sort of.

I don't think for a minute that the sci-fi elements will pass muster among the die-hard fans of the genre. They really aren't made for those readers. So if you're a hard SF reader, don't come here with those expectations. This is the moving, affecting, real story of one family's emotional dysfunction over the course of fifteen long, hard, lonely years of alienation and isolation, and the reason for it is science-fictional in nature.

I honestly wondered why I was so caught up in this family cess pit when the Universe is in danger out there! The first part makes you believe that Jakob's quest is URGENT and REAL and then...his sisters kludge onto him, Evie in a credulous, uncritical way and Kassie with her trademark judgment and blame (and she's a therapist?! Yikes), and suddenly it's possible that this is reality and Jakob's just not in it with us.

It gave my reading a focus, a real sense of the stakes, for the story to be presented in this way, though I would've predicted it to have been otherwise. Author Chen's work, which I've been reading for years now, has always made itself a home on my devices because he visibly grows with each published work. I haven't always liked his growing pains, but I appreciate that he is clear about what it is he needs to do and always tries to do it better every time. That he succeeds is a testament to his talent.

THE MIKE CHEN PAGE, three fine reads you need to get into before his latest appears

A BEGINNING AT THE END
MIKE CHEN
MIRA Books (non-affiliate Amazon link)
$13.49 Kindle edition, available now

Rating: 4* of five

The Publisher Says: How do you start over after the end of the world?

Six years after a global pandemic wiped out most of the planet’s population, the survivors are rebuilding the country, split between self-governing cities, hippie communes and wasteland gangs.

In postapocalyptic San Francisco, former pop star Moira has created a new identity to finally escape her past—until her domineering father launches a sweeping public search to track her down. Desperate for a fresh start herself, jaded event planner Krista navigates the world on behalf of those too traumatized to go outside, determined to help everyone move on—even if they don’t want to. Rob survived the catastrophe with his daughter, Sunny, but lost his wife. When strict government rules threaten to separate parent and child, Rob needs to prove himself worthy in the city’s eyes by connecting with people again.

Krista, Moira, Rob and Sunny are brought together by circumstance, and their lives begin to twine together. But when reports of another outbreak throw the fragile society into panic, the friends are forced to finally face everything that came before—and everything they still stand to lose.

Because sometimes having one person is enough to keep the world going.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: First, read this:

“See, relations are people with the same blood. But family, that's different. Family is about who gives you hope, who gets involved. And earns the right for forgiveness. Or at least starts down the path.”
–and–
As a community, we still emphasized the importance of familial ties but finally understood that the definition of family wasn't about blood or even who or what you'd lost. It was about what gave you hope and who was willing to get involved.

You're fully in the thick of this book's ethos with those two quotes.

Post-apocalyptic Britney Spears story, full of the expected drama, and all the better for it. The book was published very early in COVID times, so it really felt too on-the-nose for me to get much distance to do more than gibber incoherently at it. Author Chen's first novel, see below for Here and Now and Then's review, was a very good, if simplistic, rendering of an extremely complex story. In this sophmore effort, he's definitely learned from the crafting of a novel for sale to the public and applied those lessons. In the manner of telling, in the effort to craft sentences, every way this book shows the growth of an artist who listens and learns.

Many are the comparisons made between this book and the superficially similar Station Eleven...post-pandemic societies with survivors doing what people always do, muddling through as best they can to get their livings, as much like they always have as possible. This story's focus isn't on a complete collapse, as Station Eleven focuses on; instead it's more like this present moment, issues and hitches and ongoing crunches; then all Hell breaks loose.

That is where Author Chen shines in his craftsmanship. All the stuff you've read until now, thinking "hmmm is this actually worth going a-dystopianing?" snaps into focus. Author Chen does not stint. Because it's not the World that's ending again; it's the world of each character's own making.

In other words, Life Goes On.

That's the post-apocalyptic novel I want to read, and the one I got here. The one where we're talking about "Post Apocalyptic Stress Disorder" or PASD. I absolutely devoured it because each story, the Britney Spears one and the fatherhood-in-dystopia one, kept me fanning pages as fast as I could.

Author Chen is, it is clear, a father, and that makes his storytelling from a father's perspective. That is very much what I want to read. And, I hope, to read his work when he becomes a grandfather...though it's not likely I'll live that long...because it's a refreshing change to find a man telling the emotional story of his parenthood against this backdrop.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

WE COULD BE HEROES
MIKE CHEN
MIRA Books (non-affiliate Amazon link)
$9.99 Kindle edition, available now

Rating: 3.5* of five

The Publisher Says: The super hero book you need to read right now!

An extraordinary and emotional adventure about unlikely friends and the power of choosing who you want to be.

Jamie woke up in an empty apartment with no memory and only a few clues to his identity, but with the ability to read and erase other people’s memories—a power he uses to hold up banks to buy coffee, cat food and books.

Zoe is also searching for her past, and using her abilities of speed and strength…to deliver fast food. And she’ll occasionally put on a cool suit and beat up bad guys, if she feels like it.

When the archrivals meet in a memory-loss support group, they realize the only way to reveal their hidden pasts might be through each other. As they uncover an ongoing threat, suddenly much more is at stake than their fragile friendship. With countless people at risk, Zoe and Jamie will have to recognize that sometimes being a hero starts with trusting someone else—and yourself.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: First, read this:

“I’ll figure something out” probably wound up being the last sentence said by a lot of people in difficult scenarios.
–and–
“If you're the one everyone relies on, if you take on people's burdens, sometimes there's just not that much left of you.”

There. That's the emotional core of this read, as I see it anyway; how can you live up to your best and still do your life's miscellany? Who gets to drain you of your reserves with your permission, and why?

Answering those questions outside the framework of a Romantic Relationship is the central conflict in the story of Zoe and Jamie. They aren't, and don't become, lovers; they are friends. They are bonded by something weird, that is being without memories but with superpowers. And they are very, very unlikely to remain friends when their pasts recrudesce.

Screw that, says my imaginary avi of Author Chen, Real Life has lots of examples of friends who don't fit! He is, of course, correct, and he makes sure that the story develops in such a way that they must come together to use their superpowers but only together will they work to stop...a villain who wants to feed the whole, overcrowded world...?!

Wait. What?

Yes, that's right folks, we're in the era of "superheroes aren't so great" fiction! If you've paid me the slightest bit of attention, you already know I adore Natalie Zina Walschots' HENCH for its unflinching take-down of the Cult of the Superhero. It is greatly to my taste. I think the whole MCU and DCEU are, in a word, brummagem. But there's something irresistible in the stories available to tell in them...Irresistible Force meeting Immovable Object can be played for laughs, for tears, for intensity or resolution. It is always going to find takers. But I, perverse old bastard that I am, want to find takers-on instead.

Author Chen's chops are up to it. What he doesn't seem to want to do, however, is explore pansexual Jamie's sexuality. It's not even there, it's simply referred to. If one doesn't want to use the gun, don't bring the gun out. I'm not asking for details, I'm asking for more than a mention of him having had a husband. This is the 21st century, not the 20th...don't tell me we're going there and we're not.

But that was not a fatal flaw in a story that gave me morally gray, but more goal-oriented than selfishly motivated, characters overcoming not only a handicap but a lifetime's conditioning to work together to solve a problem they could only hope to really fix if they worked together. That was worth so much to me. In a deeply divided world, it needs saying again and again: Do you want to Be Right, or fix what's wrong?

I like Jamie's and Zoe's answers.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

HERE AND NOW AND THEN
MIKE CHEN
MIRA Books (non-affiliate Amazon link)
$9.99 Kindle edition, available now

Rating: 3.25* of five

The Publisher Says: To save his daughter, he’ll go anywhere—and any-when…

Kin Stewart is an everyday family man: working in IT, trying to keep the spark in his marriage, struggling to connect with his teenage daughter, Miranda. But his current life is a far cry from his previous career…as a time-traveling secret agent from 2142.

Stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives—eighteen years too late.

Their mission: return Kin to 2142, where he’s only been gone weeks, not years, and where another family is waiting for him. A family he can’t remember.

Torn between two lives, Kin is desperate for a way to stay connected to both. But when his best efforts threaten to destroy the agency and even history itself, his daughter’s very existence is at risk. It’ll take one final trip across time to save Miranda—even if it means breaking all the rules of time travel in the process.

A uniquely emotional genre-bending debut, Here and Now and Then captures the perfect balance of heart, playfulness, and imagination, offering an intimate glimpse into the crevices of a father’s heart and its capacity to stretch across both space and time to protect the people that mean the most.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: First, read this:

Somehow, he’d mistaken her being good at something for really wanting to do it.
–and–
Sometimes I feel like I can’t move forward with things. Because it’s not right that life is happening without her. But I keep telling myself that she would want us to change and move forward. She’d say an awesome quote and it’d make it all right. So I’m nervous because of how I feel. But I’m also nervous because it’s like this big life thing without Mom and I wonder how can it really be me without her. We’re all different people all through our lives, but that’s okay, as long as you remember all the people you used to be.

What you really need to know about this read is there, in those quotes.

It's been several years since I got this DRC, to my shame, and I've put off writing about it because it was...good. Okay reading. Neat ideas! And it could've been so much more. There are reasons, though, to pass on from bashing a first novel. The resulting career is a big one: Mike Chen's a significant author in SF these days. He's grown a good deal as a writer, and this promising start has paid off.

The emotional core of this crossed-destinies story is still: Did a missing past even matter anymore compared to human touch in the here and now? It's a clear-cut choice and Kin, the point-of-view time traveler, must make it. What happens to him, as a result of making his choice, isn't a perfect ending. It is a happy one, and worthy of the suspenseful story that led to it. But...and this is a key consideration...there's a reason none of my quotes are dialogue.

Go in forearmed. Enjoy the good things the story offers, and be entertained.