NAZI WIVES: The Women at the Top of Hitler's Germany
JAMES WYLLIE
St. Martin's Press (non-affiliate Amazon link)
$17.99 Kindle edition, available now
Rating: 4* of five
The Publisher Says: Goering, Goebbels, Himmler, Heydrich, Hess, Bormann—names synonymous with power and influence in the Third Reich. Perhaps less familiar are Carin, Emmy, Magda, Margarete, Lina, Ilse and Gerda...
These are the women behind these infamous men—complex individuals with distinctive personalities who, as they fell under Hitler's spell, were drawn deeper and deeper into a perverse version of reality.
In Nazi Wives James Wyllie skilfully interweaves their stories, exploring their roles in detail for the first time against a backdrop of the rise and fall of Nazism and in the context of the aftermath, notable for the resolute lack of contrition from those wives who survived.
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My Review:
When the Himalayan peasant meets the he-bear in his pride,–Rudyard Kipling, "The Female of the Species"
He shouts to scare the monster who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail,
For the female of the species is more deadly than the male.
We're not supposed to notice things like this in the time of "Believe Women"...yes, of course, if they're telling the truth, but always, always LISTEN to women with open minds...but the women in this book were not exemplars of twenty-first century womanhood's new (!) course. They were awful, racist, anti-semitic, and deeply spoiled people, as one would expect.
Ilse, Carin, Emmy, Gerda, Eva, Margaret, Lina, and Magda married men who ran the worst, most heinous government of the twentieth century. They knew, either from direct evidence or from the unavoidable lessons of sheer propinquity, the kind of men they were married to, and they acquiesced at the minimum and ably assisted in other cases (thinking of Magda Goebbels most especially) in forming and maintaining the ethos of the Reich.
Not one of the women who survived WWII ever expressed regret or remorse for her, or her husband's, actions. These women were prototypical, stereotypical Mean Girls. They reveled in their luxurious lifestyle, they shut down whatever empathy they possessed when confronted with anything that challenged their world, and most especially in the case of Magda Goebbels (who went so far as to murder her children when defeat was inevitable) showed no obvious signs of possessing a conscience.
That made the read kind of revolting on some levels and deeply upsetting on others. I wasn't aware of the facts presented by Author Wyllie. In many ways I wish I still wasn't! But the truth is, the authorial choice to refer to the men by their surnames and the women only by their first names made teasing apart which horrible woman was attached to what vile man more complicated than it needed to be. This is also a function of the organizational principle used, that of dealing with the entire pack of wolves as a whole. I found myself flipping around, looking to connect (eg, Gerda Bormann's, the most often) strands. Gerda was far and away the woman I found least interesting, coming across to me as a Stepford wife without much to recommend her in either positive or negative ways.
All that said, the organizational longueurs are the source of the rating but the informational content earns the author and the book my recommendation. I'm glad someone has, at long last, foregrounded the role that women played in the Third Reich, at the highest levels, in setting, supporting, and even exemplifying the worst of an awful regime.
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
THE VANISHING SKY
L. ANNETTE BINDER
Bloomsbury USA (non-affiliate Amazon link)
$9.99 Kindle edition, available now
Rating: 3.25* of five
The Publisher Says: For readers of Warlight and The Invisible Bridge, an intimate, harrowing story about a family of German citizens during World War II.
In 1945, as the war in Germany nears its violent end, the Huber family is not yet free of its dangers or its insidious demands. Etta, a mother from a small, rural town, has two sons serving their home country: her elder, Max, on the Eastern front, and her younger, Georg, at a school for Hitler Youth. When Max returns from the front, Etta quickly realizes that something is not right-he is thin, almost ghostly, and behaving very strangely. Etta strives to protect him from the Nazi rule, even as her husband, Josef, becomes more nationalistic and impervious to Max's condition. Meanwhile, miles away, her younger son Georg has taken his fate into his own hands, deserting his young class of battle-bound soldiers to set off on a long and perilous journey home.
The Vanishing Sky is a World War II novel as seen through a German lens, a story of the irreparable damage of war on the home front, and one family's participation-involuntary, unseen, or direct-in a dangerous regime. Drawing inspiration from her own father's time in the Hitler Youth, L. Annette Binder has crafted a spellbinding novel about the daring choices we make for country and for family.
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My Review: First, read this:
“You’ve got to do the right thing. You’ve got to use your mind,” she said. “That’s what the real God wants. People should do the right thing but they never do.”
–and–
They should have hung their heads, but people didn’t feel shame anymore. They lied and after a while they believed the lies they told, and this is how it went.
–and–
“He’s not coming back,” Ushi pushed her cup aside. “People leave and they don’t come back. My Jens is gone and my Jürgen, too.” Her voice quavered. “They’ve wrecked the world, these men, and still they’re not done. They’d take the sky if they could. They’d take the air we breathe, and there’s nothing we can do to stop them.”
The Stockholm Syndrome of an entire nation, an entire class of people, is the shocking subject of this novel based on the facts as the author knows them surrounding her own family's WWII experience.
Etta Huber is frantic, as what wife of a dementia-suffering husband (Josef) trying to get into the war wouldn't be; as what mother of a returned soldier (Max) suffering from what we would call PTSD wouldn't be; as what loving, protective mother of a young teenager (Georg) caught up in a vision of glamour obfuscating the war's reality wouldn't be. The situation with Max is, of course, the one she's got the most emotional room for. No sane recruiter would take her retired-schoolteacher husband whose grasp of reality is deficient to wield a weapon, surely? Max, the bright and shining boy who left, is gone forever and here in his place is...a burden, frankly. In a time when the food-growing region the Hubers live in is getting less and less well-fed, another mouth isn't a joy...then Georg is sent to the Eastern front, which destroyed his brother Max, to dig defenses in what everyone knows is a vain effort to stop Allied tanks attcking German troops.
Etta isn't coping well with any of this. What she doesn't know is that she's got a stronger boy in Georg than she thought. He's been unable to believe the nonsense he's been fed in the Hitler Youth. He's fallen in love with one of the other boys, which (since this is simply unthinkable and impossible for Hitler Youths) has formed a strong resistant core in him. He ends up deserting before the boys get to the front, and walks home. Through war-torn Germany. On his own.
Max's horrors are always with him, and his behaviors worry his Mutti. Of course, he was always the odd kid:
Even when he was little Max had a way of fixing his eyes on her and asking questions that had no easy answers or no answers at all. "Mutti?" he'd asked her once when he was only six, "where do birds go to die? I see birds every day and never a dead one. Where do they go then?" and Etta could only shake her head at her boy, who thought of such things.
"They go someplace nice," she told him, "where it's quiet and the cats won't find them and the wolves and foxes neither. That's why we don't see them. They go to bird heaven." He looked at her a long while and then he nodded, satisfied with her response. It made sense that birds could find their way to heaven. They flew beneath it every day. It would only take a breeze to bear them up and through the gates, only a breeze and they were gone.
Much like Max himself disappears, vanishes from his loving mother's ability to care for him...forever. It's one of many heartbreaks in Etta's world.
What a world it was. She, and her other bog-standard German neighbors, have noticed there are people disappearing. Most of them simply note this fact without a lot of interest, but note it they do. The rare German whose instinct is to help in whatever small way she can the disappearing ones, is fighting a losing battle as we-the-readers know. But the fact is no one, inside or outside Germany, knew what was going on in the camps where the disappeared went. It wasn't good...but it was factually unknown until after the war. This novel is set *during* the war, and the author presents the unease of the people with the ever-increasing evidence of their leadership's lies and obfuscations.
In the end, what earned this book a mere shade over three stars was its overly slow pace. Many things were dwelt on that could've been done away with or been less of a focus. The voices of the Germans are, on the other hand, exactly how the German folk I knew in my life sounded: Formal, deliberate, and slightly obscured behind any words they did say. This doesn't mean it was always fun to read their ponderous utterances. But it was the purpose of the author to tell a family story. I expected it to have more of that feel to it. Instead it became a deeply personal historical account of the agonies of your way of life's death.
