SAVVY SUMMERS AND THE PO'BOY PERILS, second dangerously fattening entry in a delightful, atmospheric series

SAVVY SUMMERS AND THE PO'BOY PERILS (Savvy Summers #2)
SANDRA JACKSON-OPOKU
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: The next delectable mystery featuring quick-witted, unforgettable Savvy Summers, owner of a soul food café in Chicago.

Savvy has her work cut out when an old friend hires her to cater a company luncheon at a nearby office building on Chicago's South Side. Stepping out of her traditional soul food comfort zone, Savvy whips together a menu of Creole classics, with her own spin, of course—mini po’boys with assorted fillings, sunburst salad, and bread pudding using Great Aunt Essie’s famous buttermilk biscuits.

But when someone is found dead in the company’s conference room, Savvy’s culinary creations are suddenly in the spotlight for all the wrong reasons. While the focus should be on their delicious flavors and inventive techniques, Savvy’s beloved café instead becomes the center of a murder investigation once again.

Caught within a messy web of gossip, miscommunication, and fraught coworker relationships, Savvy will have to settle the confusion to clear her name. Somebody’s hiding something, and with the help of her trusty assistant manager, Penny Lopés, Savvy sets out uncover exactly who is to blame. With familiar faces turning up the heat on her investigation and her café still in hot water, will Savvy be able to save her reputation before it’s too late?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I gained fifteen pounds off the bread-pudding description alone. I would *kill* for some right now! I'd kill for some buttermilk biscuits, honestly, but these, and the perfect bread pudding...*drool*

As I said of Author Jackson-Opoku's work before, this series is going to fatten me right up into blimp-sized, belching satiety. Savvy's knack for landing in hot water is still credible to me, seasoned old reader that I am, because it doesn't come from some out-of-character contrivance but from accepting a job her business needs.

It seems clear that the series is going to do a lot of wandering around. It's not my first preference for the way a murder mystery unfolds, but it very much is my preference for a character-driven polyphonic novel of a community that feels real in its tight-knit gossipy love. Even though ugliness is inherent in murder mysteries, death is always a blow to a group, the deep interconnections are strong enough to heal the wound. With time, and as an aftermath to justice being served.

Savvy herself is a fun character to follow around as she talks to people, caring about them, listening to them. Penny is a scene-stealin' sass-dealin' delight as always. It's a hallmark of Author Jackson-Opoku's chops that I felt welcomed back into a charmed circle of lovely friends most of the time during this read. It takes skill to make that a reader's experience of a series story.

Savvy and Fanon (love that name, so resonant for someone born when and where he most likely was) have the kind of chemistry I myownself prefer: hot, but at a simmer that can turn into a boil quickly if there's just a *little* nudge of the thermostat. It's believable these two connected as hard as they did; it's believable they couldn't make it work full-time, but also are so finely attuned to each other that they have an unbreakable connection.

I really enjoyed being invited back into the community, welcomed with a so-enticing spread of delights, and told all the tea while everyone tried to be the one to spill it hardest. Not the greatest shakes on the mystery front...another deeply unlikeable crudbucket dead that not one soul should mourn the loss of...but as a novel, and a way to spend time rewardingly, it's up there for 2026.

A MURDER MOST CAMP, cozy amateur-sleuth mystery with added queerness!

A MURDER MOST CAMP
NICOLAS DiDOMIZIO
Poisoned Pen Press (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: The Guncle meets Every Time I Go On Vacation Someone Dies in this fun, twisty mystery following a spoiled nepo baby forced to work at a struggling summer camp who stumbles into a real-life murder mystery he has no choice but to solve.

Rustic cabins. Lakefront bonfires. A painfully hot lifeguard. And a murder? Summer has never been this camp.

Mikey Hartford IV has coasted through his twenties in a distracted blur of yachts and sex and partying. But when his father discovers his latest million-dollar impulse buy and changes the terms of his trust, the party's finally over. Now, unless Mikey can make a positive contribution to the world before his thirtieth birthday—one that doesn't involve throwing cash at his problems—he'll never see another yacht again. (Or even so much as a canoe.)

Enter: Camp Lore, a struggling summer camp in upstate New York where Mikey has to work as the oldest, least-qualified staffer to prove that he can "do good" alongside his twelve-year-old aunt. (Yes, aunt.) But Mikey isn't sure he'll be able to survive the camp's ramshackle living conditions, let alone the gaggle of preteens who won't leave his side. And when his campers become obsessed with a local legend set at an abandoned cabin on the grounds, Mikey's chances of not making it through the summer become dangerously real—because it turns out there's a murder hidden beneath Camp Lore. And someone there will stop at nothing to keep it that way.

Solving a decade-old cold case will surely be enough "good" for Mikey to earn his inheritance. He just has to stay alive long enough to do it…

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: What a hoot! This is one of those reads you, as a member of a group being threatened with ever-worsening life outcomes by the very government holding power over you, really, really can use right about now. I was completely prepared to roll my eyes and smile. I needed the hit of "it will be okay, smile more" energy I expected from the description.

I got that. I also got a fun mystery to solve. (Which...well...I've been readin' mysteries since 1967, hard to pull the wool over my eyes.) And a grossly overprivileged trust-fund workshy queenie-queen gets thrown into existential panic as my whipped cream topping on the sundae of this story.

I deliberately avoided using the "cherry" metaphor for reasons I hope are obvious.

What happens is kinda not the point of the story, it's what Mikey becomes in dealing...for the first time...with what happens when his woefully unprepared self is the one in charge of handling what happens. A pillow princess by avocation, Mikey is not at all accustomed to using the space in his brain around his movie trivia and his taste for hot gold-diggers for much of anything. It's "cute" in a young guy. (I don't think so, but that's conventional wisdom.) Mikey's dad isn't havin' it as a life for his soon-to-be-thirty son. Mikey gets a job as his aunt's kind-of carer. The twist is his aunt is twelve. (Go Gramps!) And the job's at a summer camp for her.

He, the laziest human imaginable, is about to be responsible for everything a camp counselor does. Without having been to camp.

*gleeful hand rubbing*

It goes like you'd expect: Poorly.Except, of course, not really. Lurching from crisis to problem to rebellion, Mikey finds the way out of leading teens by example is following his own teen passion for filmmaking. Telling people the story of a long-ago counselor who vanished without a trace and is rumored to have been murdered...his aunt's a true-crime nut, no one in the 2020s has not encountered the genre pervading our culture, and really honestly in our heartiest of hearts are any of us utterly immune to the appeal? Real people fall into awful circumstances and never receive justice because there are so many who need it and so few who know how to deliver it.

Opportunity practically uses a tactical battering ram on Mikey's door. He's now leading by example, helping his aunt find purpose, and attracting the kind of man who's more than physiologically a man...a strong, capable, grounded person with a man's anatomy.

So here's my reservation, and the lost fifth star's explanation. Jackson is a hottie with a heart. Sofar so good. He's way out of Mikey's league, but people cross those lines all the time because "the heart wants what it wants or else it doesn't care." (Bless you, Emily Dickinson!) It's the...unearned-ness...of Jackson's love for Mikey, it's the way Mikey really doesn't set out to become Jackson's man but kinda selfishly just accepts it is happening, that sticks in my craw. It's consistent and fully supported in the storyline, it's clearly how Mikey would have to receive the loving attention of a man like Jackson as a gift, but theres something off about that dynamic for me.

But that's what reviews are about, right? I'm here to say "the story worked but..." so you'll have a picture of how you think you'll respond not just what events you can expect to occur. If you want a book report ask a chatbot for one.

Only real people have opinions.

STAKEOUTS AND STROLLERS, award-winning debut cozy amateur-sleuth mystery

STAKEOUTS AND STROLLERS
ROB PHILLIPS
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: Amateur private investigator and new dad Charlie Shaw gets more than he bargained for when he agrees to track down a young girl’s missing father in Rob Phillips’ award-winning debut.

Charlie Shaw is low on sleep. And cash. Otherwise, life is going pretty well for the ex-crime reporter: He’s happily married to his college sweetheart, he’s a first-time dad to the most adorable baby girl in existence, and he’s making ends meet as a rookie PI. But when Charlie meets Friday Finley, a frightened sixteen-year-old runaway on a stakeout-gone-wrong, his world gets a little more complicated.

Friday is looking for her estranged father Shawn, an unreliable alcoholic who left when she was young—and who also happens to be her only shot at avoiding the foster care system since her mother’s death a few weeks earlier. At first, Charlie believes the man is simply hiding out somewhere, avoiding his responsibilities as usual, but the more he investigates, the more unsettling—and dangerous—Shawn’s disappearance becomes. When his own family is threatened, Charlie realizes he’s in over his head, but can he back out now that he’s begun to care for Friday as his own?

A perfect blend of humor and high stakes, Stakeouts and Strollers is a heartwarming story of fatherhood, family, and what it really means to be a “Girl Dad.”

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My Review: This story won the 2024 Minotaur Books/Malice Domestic Best First Mystery Novel...an "award-winning debut" just sounds odd, at least to me it does.

There's little doubt in my mind that it deserved the award, though. Charlie Shaw was a newspaper crime reporter who, when laid off as it seems all must be in pursuit of more for the ownership class, pivots to using his detecting skills as an actual detective. This is not quite as easy as it might sound, since in addition to losing his reporting job, he's just become a dad for the first time. It's important to the plot: he's so besotted with his baby girl, he has her crib monitor up on his phone at all times thus using up his battery; when he needs to use the camera to document the identity of cheating spouse's side piece, he's got no juice to make the shot. This leads to closer involvement in the perpetrator's life than is healthy...for lots of reasons, Charlie should not get deep into this divorce.

Yet here we are.

Red herrings abound. Ryan, Charlie's wife and co-parent, is in a high position in her company so Charlie's flexible PI schedule makes this job perfect for new parenting, but also means he's sleep-deprived at weird moments so Ryan's making adjustments too. It's a story that brings the stuff of real life into its fictional plot in well-judged ways. All the players in the story are embroiled in family dynamics that give them depth greater than surface level. They all move through life making themselves crazy over trifles, worrying about how to connect better with their families, thinking about what to do to face problems and fix mistakes. It's a very good enhancement to a pretty standard PI plot.

What really sold me on the read was Charlie himself. He's narrating the events with a constant self-deprecating edge of humor. When violent things occur, it's not minimized by his sardonic edge. It's a different register from most PI mysteries, so it comes across as...surprising? fresh?...not as expected, anyway, which is greatly to the story's benefit and Author Phillips' credit.

I can't offer a fifth star, however, due to some squicky stuff around sexism. It's always down to male-gazery isn't it? Noticing and complimenting other women on their appearance, barely avoiding openly comparing his new-mother/full-time executive wife's body and style changes to pretty young things. The "night nurse" Ryan and Charlie employ is more a housekeeper than a nurse, uncomplainingly cleaning, caring for Baby Callie, then taking on a new caretaking job for a teen thanks to Charlie's impulsiveness. It's a stylistic choice to make the story very talky by having dialogue function as exposition at times...why would a man's wife say out loud that his sister died when he was a kid?...which is a trap as often as a bonus chance for emotional resonance.

I'll skip past some stuff that's all on the editor, because the author needs to be able to trust the guidance he's given. Our villain ain't a mystery for long; there are enough red herrings to make it plausible the villain might just be a shitty human being but I pegged the identity early on. *tsk* on you, Editor! Not factored into my rating.

I'd recommend the read, flaws and all, because Charlie's a particular kind of Guy, not a dudebro, not a Cinnamon Roll, but a regular ol' Guy you'll meet on a barstool, at a barbecue, in a post-office line. He means well, he's got a good attitude, he isn't interested in ragey stupid testosterone-y 'tude. I like him, and I think you might too. Get it from the library, by all means, but it's worth getting.

WHIDBEY, evoking a planet-scale beauty spot to soothe and smooth the pain of victimhood

WHIDBEY
T. KIRA MADDEN
Mariner Books (non-affiliate Bookshop.org link)
$14.99 ebook, preorder now for delivery on 10 March 2026

Rating: 3.5* of five

The Publisher Says: A stunning literary achievement and portrait of three women connected through one man in the aftermath of his murder—the explosive and highly anticipated debut novel from beloved and award-winning memoirist, T Kira Madden.

Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution, a plan for revenge.

But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the police: her only son has been murdered.

Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunnit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a story: the one who lives it, or the one who tells it?

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: "Be careful what you wish for," taken to apotheosis. Now including "be careful what you say out loud" because you can never know who is listening...what they want from you...what they will do with, and to, the thoughts you leave unguarded in the air.

A paranoid thriller about sexual abuse of girls does not sound like something I, sexually abused by my mother, will find pleasant reading. It wasn't prurient...it stops short of recreating the abuse...and it very properly presents the topic in high relief instead of flattened into caricature.

Abuse is not foregrounded, at least the mechanics were not. Emotional devastation is this story's heart. I'm not exaggerating, unless you're made of stone, this is a deeply sad and often brutal tome. Linzie is my personal most awful victim of abuse because she parades it for attention, for the validating fame her honesty affords her and the materially comfortable living that brings. If that's not sad....

Birdie is mid-process in trauma terms. Her loose lips, her willingness to talk when silence would serve better, isn't like Linzie's garrulous yappin' for the cameras, the ghostwriter, the audience. Birdie doesn't have a plan, a purpose, a canny angle to show and sell. Birdie can't keep the chirps inside. It's a far worse place to be, because it's doing bad things to her belovèd girlfriend Trace.

But every abuser has a mother. How often do we, as a society, stop to think about what it means to a person to see their child in the harsh glow of a perp walk? How much rage and hate can this lone soul transmute into denial? Mary-Beth is the character I wanted to hug, to stand before her with my arms aroud her and just let her cry. Whatever she did, didn't, couldn't, wouldn't do, she is the one whose role in this was the most devastating to me. Then, while expecting her son to come home to her after incarceration and mandated psychotherapy, she hears the words your blood freezes even thinking about: "your child is dead."

Oh. My. GOD.

Parts one and two make the cases. The stakes get set. The pain is explained. No one's an angel but each one's a clear, passionate survivor. Part three's where we hit the top of the loop on the roller coaster and time speeds up as things happen, people talk but the Doppler effect renders them only partly comprehensible, events occur too fast for old-man me to see why they're causally connected to the first bits. The ending...well...it's a first novel, I grade on a curve for those, but...dude. Resolving plot threads should not feel as though you're doing a time-sucking chore you don't really want to do. Whatever the real ending was, and I'm morally certain there was one, it probably took the murky misty part-three energy around the bend.

If Author Madden reads this (ha! don't read reviews, your publicist does that) please take this sentence away, where you should go now, with you: You have an outstanding literary touch, a visual vocabulary most never acquire, and you need to read Mary Renault and Patricia Highsmith novels.

Everyone else: Support debut authors, or we'll never get more work from them. But maybe check this one out of the library.

BRIDGET WALSH'S PAGE: The Variety Palace Mysteries series 1, 2 & 3

THE TUMBLING GIRL (Variety Palace Mysteries #1)
BRIDGET WALSH
Pushkin Vertigo (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: The first in a sharp, witty series of Victorian mystery novels, The Tumbling Girl sees an unlikely duo team up to solve a grisly spate of murders.

1876, Victorian London. Minnie Ward, the feisty scriptwriter for the Variety Palace Music Hall, is devastated when her best friend is found brutally murdered. She enlists the help of private detective Albert Easterbrook, who already has his hands full trying to catch the notorious Hairpin Killer. But Minnie can't help getting involved in the investigation, and as the bodies begin to pile up, Albert's burgeoning feelings for his amateur partner start to interfere...

A dazzling debut for fans of Sarah Waters and Elizabeth Macneal, and shows like Miss Scarlet and the Duke.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: What delight it is to find a dynamic duo, opposite genders and complementary skill sets uniting to solve a case not worth the police's time...the victim was "just" a performer and a female one at that...without slobbering over each other's sex appeal! Albert comes to realize what a treasure Minnie is without her body being his focus.

Minnie's clearly an unusual person, one who does not accept Authority's word as law. It makes her very much in step with my tastes in a person to read about. Albert is built up as a detective of skill and reputation, which made me a little disgruntled at some missteps he made that were Very Convenient for the plot...I didn't want to leave off that fractional fifth star, but for a while it looked like I'd be rating this story just under four stars.

What put the rest of the fourth star back on my opinion of the story was Albert and Minnie's response, a shared one, to the Hairpin Killer as a person. The killer has a deeply twisted motive for doing the revolting things done to the victims, and it offends Albert as much as it does Minnie because he sees the victims as real people in the way she does. He, the experienced detective, wants to catch the killer because he is mortally offended that these crimes *occur* to the killer, that it seems *okay* to do these things in a person's mind. Minnie, OTOH, is outraged that there's so little official interest in the killings because the victims are lower class.

All of that is sort of elliptical because it would be very easy to ruin the puzzle if I say more explicitly what the duo are responding to. It's not a cozy, y'all, and the crimes are not sugar-coated. I don't think, for my read anyway, that it's prurient in purpose to be as direct about what the results of murder are. It felt to me that the detective duo's different tonal responses to the realities of the aftermath were intended to make their partnership more nuanced, more relatable for future events in this story and later ones.

Of course I already knew there were more books in the series before starting this read, but that honestly made the ending bearable. The twist, if I'd had to endure a long wait for book two to come out, would've been excruciating! It was not an artificial, tacked-on, manipulative one; it was organic and it was kind of dreadful, but it worked. I'll warn you, gentle readers, to have book two to hand when you read book one.

I encourage you to read it. There is a lot to enjoy in a female-led Victorian detective duo solving nasty crimes by bringing justice to the perpetrator in spite of official indifference. Victims, in any afterlife that might exist, can feel their wrongs have been redressed.

On to book two!

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE INNOCENTS (Variety Palace Mysteries #2)
BRIDGET WALSH
Pushkin Vertigo (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 4* of five

The Publisher Says: The hotly anticipated follow-up to The Tumbling Girl, The Innocents follows Minnie and Albert on a new crime-solving quest in the world of a Victorian music hall.

Still reeling from the gruesome murders of the previous year, Minnie Ward is appointed manager of the Variety Palace. Times are hard, with performers shunning the 'cursed' music hall, and Minnie's relationship with Detective Albert Easterbrook is more complicated than ever. Despite the success of their last case, Minnie is terrified of the feelings that have started to grow between them. She has decided it’s definitely better for all involved if they stay as far away from each other as possible…

But when another killer begins to terrorise the city's streets, Minnie and Albert are thrown together once more. The crimes seem connected to a notorious tragedy that left nearly 200 children dead—and with so many lives affected by the incident, practically everyone is a suspect. As the investigation unfolds, dark truths begin to come to light, and Minnie is forced to confront her own past.

The Innocents is the 2nd book in the Variety Palace Mystery series, which can be read independently but continue the story of irresistible crime-solving duo Minnie and Albert. Taking place against the thrilling backdrop of the Variety Palace Music Hall in gritty Victorian London, it's perfect for fans of historical crime fiction, such as books by Sarah Waters, Stacey Halls and Elizabeth Macneal.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I'll start by noting that you really will enjoy this read a lot more if you read book one before picking this one up. (I'm soft-pedaling this because publishers are really anxious for y'all who resist series-reading unless the series is complete need you to buy the books.)

I'd say this was not *quite* up to the first one's standard of narrative refinement. The twist I mentioned that occurs in the last 15% of The Tumbling Girl is, to my surprise, allowed to keep affecting the action in this book. I felt that was surprising, not ordinary; I didn't mind it because the issue under investigation by Minnie and Albert is not an ordinary one, relating to and stemming from a decade-plus old cause. If we're seeing life unfolding as Life unfolds for us real people, let the recrudescence of complicating factors do the same. After all, ma'at is never done with us; why should plots be artificially tidy?

Because fiction isn't life, that's why.

Minnie is in a more complicated situation vis-à-vis the music hall in this entry, is still processing her complicated feelings for Albert, still juggling skatey-eight skabillion demands on her time...and still can not let an injustice, really a dereliction, with horrible real-world pain and anguish as its fruit go unaddressed once Albert makes her aware of it.

Albert's still the emotionally labile one of the pair. He loves Minnie and still doesn't demand anything of her just is there with her, supportive, while still giving her the impetus to use skills and talents she might be reticent to deploy as he guides her to do. She suffers the conflicted feelings that any PTSD sufferer would when confronted by a worthy, good partner: she isn't good enough, he deserves better, he is too good for her. Albert does not agree. Albert demonstrates this with patient kindness and sincere reassurance. It's like watching Ilya from Heated Rivalry tenderly reassuring Shane that everything's fine when stress causes a spin-out. Albert has earned Minnie's trust so he can focus her on protecting their friends from harm.

These stories are not sugar-coated. The terrible things that happen are not shied away from, minimized, in order to spare your 21st-century squeamishness. I'm okay with that, but in this story two things occur and get described that are...viscerally upsetting, child harm and cruelty to dogs. Both are condemned, both are presented as appalling to Albert, Minnie, and decent people everywhere. They're still in the story and not merely in passing.

I do not recommend this entry in the series to my sensitive pals. I had a hard time with the dog scene. I think y'all might as well skip this story who can't deal even with what I've told you.

Thicker-skinned folk will likely find the resolution to the multistranded miscreancy in this story worth powering past, or through, those dreadful byways. Minnie and Albert have annoying habits of not learning lessons from their pasts, but the author's set the books a couple years apart so that was enough of a fig-leaf for the issue in my reading experience.

It was a rather deus ex machina of an ending, though. Sort of late-career Agatha Christie vibes. It wasn't totally, utterly sprung on me but it was abrupt and not quite the very best work from Author Walsh. I'm still at four stars because Albert and the Variety Palace scoobygroup keep Minnie held together and moving forward in believable, investable ways.

Maybe you'll get as much from these two reads as I did by experiencing them back-to-back. I recommend it to the not-squeamish.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

THE SPIRIT GUIDE (Variety Palace Mysteries #3)
BRIDGET WALSH
Pushkin Vertigo (non-affiliate Bookshop.org link)
$14.99 ebook, preorder now for delivery on 7 July 2026

Rating: 4* of five

The Publisher Says: A witty, propulsive historical murder mystery investigating a secretive spiritualist cult in Victorian London—and the 3rd installment in the beloved Variety Palace Mysteries series!

1879, Victorian London.

Tea room sting operations, seedy music hall secrets, elaborate disguises, and slow-burn romance…

Detective duo Minnie Ward and Albert Easterbrook return for another exciting case to uncover the dark secrets at the heart of Victorian London’s spiritualist scene.

This time, an investigation into two mysterious deaths leads this famed detective duo to the doors of the Spirit Sisterhood, a female-only spiritualist group that facilitates communion with the souls of the dead. And recently several of its visitors have been found dead themselves.

Minnie isn't buying it: there is more to the Sisterhood than there first seems. The more Minnie looks, the more covert operations come to light. She goes undercover at the organization’s secretive countryside home, where she quickly finds herself drawn into the dark but strangely alluring world of spirits and ghosts.

But, isolated from Albert and everyone she loves, Minnie's situation quickly gets out of hand. Can she find a way out of this remote cult before time runs out? And can she keep her own demons at bay long enough to withstand the Sisterhood?

A rip-roaring murder mystery brimming with theatrical detail, loveable characters, and an addictive plot, the 3rd book in the beloved Variety Fair Mysteries will keep you guessing until the very last page.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Albert's more assertive in this book, more worried about Minnie's immediate physical safety, and so more motivated to behave in a protective way. It's not unreasonable. Minnie is separated from him in the remote place that the target of their criminal investigation, the Spirit Sisterhood, has sequestered themselves away from prying eyes (like Minnie's since Albert can't come, or even visit).

Weird things begin to occur; Minnie, as a theatre person, can't *quite* dismiss them all as illusions. That is the most unsettling aspect of her stay with the Spirit Sisterhood. She is not taken in, of course, by the cruder illusions, but she is deeply troubled by the weird...immanence...of violence. There have been two murders already, and without the safety of her ever-attentive Albert, can Minnie navigate the eerie and threatening world of the Spirit Sisterhood?

Of course she can; of course the redoubtable Albert is there when he is really needed. It's the way the series works. And it's the series getting a shake-up with the spooky trappings of the Sisterhood that makes this entry a hit with me. Developments occur in a balloon. Speeches are made, laconic people wax eloquent, the rotten-souled abuser who's preying on young women is thwarted...though we're not privy to the inner workings of a louse's soul like we are with the Epstein Files, we're similarly positioned to watch the fall.

Less physically violent action marked a pleasant change to my mind. I like Albert, and really want him to end up with Minnie in all her prickly glory. I'm really pleased at how his character develops in this story. Minnie needs every second of the peril in this story to do hard, necessary emotional work; her relationship with Albert can't grow if she refuses to.

I very much approve of this outing. I hope the dynamic duo will be back to enliven the music-hall stage (foreshadowing, that) while making London safer for the ordinary working souls.

THE FINAL PROBLEM, "Sherlock" and "The Woman" go head-to-head

THE FINAL PROBLEM
ARTURO PÉREZ-REVERTE (tr. Frances Riddle)
Mulholland Books (non-affiliate Bookshop.org link)
$29.00 hardcover, available now

Rating: 4* of five

The Publisher Says: In this locked-room mystery set in 1960, a washed-up actor puts his on-camera detective skills to the test when a suspicious death shatters the quiet peace for a group of strangers staying at an isolated Greek island resort. Perfect for fans of Knives Out, Benjamin Stevenson, and Anthony Horowitz.

June, 1960. Rough weather at sea leaves a group of strangers stranded on the idyllic Greek island of Utakos, all guests of the only local hotel. Nothing could prepare them for what happens next: Edith Mander, a quiet British tourist, is found dead inside a beach cabana. What appears at first glance to be a clear suicide reveals possible signs of foul play to Ormond Basil, an out-of-work but still well-known actor who in his glory days portrayed the most celebrated detective of all time. Accustomed to seeing him display Sherlock Holmes' amazing powers of deduction on the big screen, the other guests believe that the actor is the best equipped to uncover the truth.

But when a second body is discovered, there is not a doubt in Basil's mind: a murderer walks among them. What's more, the killer is staging each crime as a performance, leaving complex clues that bear an eerie resemblance to those found in the pages of Conan Doyle stories. This is a criminal who knows every trick in the book and is playing a deadly literary game. As the storm rages, Basil must become the genius detective he has only pretended to be.

This clever, whip-smart, locked-room mystery from internationally bestselling author Arturo Pérez-Reverte is a love letter to golden-age detective novels. The Final Problem delights in exploring the tension between an investigator and his suspects, as well as a writer and his reader, delivering a revelatory twist that will shock even the sharpest of mystery fans.

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My Review: There is an old-fashioned expression for the story at the heart of this book: "hoist with his own petard." It's meant to convey the sense that there are unfortunate consequences to making yourself the object of your own expertise.Imagine being famous for playing Sherlock Holmes, then investigating a real crime.

Despite being long past the fame. Despite having no training. It's feeding his need for the adrenaline rush of fame, it's reinforcing his bruised ego's sense that he couldn't have been *just* a guy playing a part, speaking lines scripted for him and looking fabulous on camera. He's an actor, sure, but he found that character inside himself. All of this, the mash-up of knowing self-analysis and willing self-delusion, is where this locked-room mystery shines. I knew from the moment "Ormond" (legally and distinctively different from another famous actor or two who played Sherlock Holmes as a career) was introduced that he would be conducting an investigation. It seemed to me his dithering about doing it, in circumstances that could plausibly be used to justify the act in fiction (though in fact nothing like this would result in anything like what happens here), went on too long; what I didn't care for about that was the long, whiny self-evaluation it elicited.

What happens after we get going is a fun locked-room mystery like Dame Agatha so enjoyed creating (many times I thought of Ten Little Indians to give it the period-appropriate title). I'm glad that I wasn't coming to the read expecting more than an entertaining read. After our overlong dithering came our period-appropriate-name dropping, a fourth wall break or twenty, many call outs to literary lights of yesterday and today, and some fairly heavy-handed moralizing during The Big Reveal, all conspired to extinguish the fifth star. Even chunks of the fourth. The truth is the verve and the bravado of the performance of writing was enough to sweeten me back up to a full four stars.

It's not profound. It's nit brilliant. It's good fun, it's got tons of cleverness as its foundations, it's told in stylish sentences. By glory, that is enough...a gracious plenty...in the world of 2026.

THE MIDNIGHT TAXI, delightful debut cozy

THE MIDNIGHT TAXI
YOSHA GUNASEKERA
Berkley Books (non-affiliate Bookshop.org link)
$12.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: When the last fare of the night turns up dead in her backseat, a Sri Lankan American taxi driver works off the clock to clear her name in this mystery novel by debut author Yosha Gunasekera.

Siriwathi Perera doesn’t quite know where she’s going in life. She never expected to be a taxicab driver in New York City, struggling to make ends meet and still living with her parents at twenty-eight. The true-crime podcasts that keep Siri company as she drives don’t do much to make up for the legal career she imagined for herself, or the brother she’s grieving.

When public defender Amaya Fernando gets into her cab, they make a quick connection through their shared Sri Lankan roots. Siri, whose social circle is limited to her grade-school best friend, Alex, thinks things might finally be looking up with this new potential friendship. But she’s suddenly dropped into her own true crime when she discovers her next passenger murdered in the backseat, and she has to call Amaya sooner than she’d expected.

Pinned as the obvious and only suspect, and desperate to clear her name, Siri chases down leads across the boroughs of New York City with Amaya’s help. But with her court date looming, they have just five days to find out who really killed the midnight passenger—or Siri’s life will be over before she can even truly live it.

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My Review: The author of this ultimate expression of the locked-room mystery is an attorney with the Innocence Project. As a Sri Lankan New Yorker herself, as well as a former public defender and a lawyer practicing with the poorest citizens, her bona fides on every side of this story are established.

The facts of the case are great, designed to keep the puzzle-solving reader alert. The story, as a mystery tory, gets good marks. Siri's interest in true-crime podcasts reflecting her thwarted desire to be a lawyer. It's also, mirabile dictu, a possible key to resolving the death of her passenger...a rookie error on the author's part but honestly, it's a debut so it's forgiven. I mean, how convenient...a lot like how Siri knows fellow Sri Lankan American public defender Amaya. After the two hit it off when Amaya is a fare, who else would Siri call when the police decide they've got their killer and it's her?

Pick one of those coincidences and kill the other. It could've, even might have, happened in Real Life but fiction has different, more stringent rules. (Also as a future Bronxian I bristled just a bit at being called kind but not nice.) The charm of these women bonding over the racism they manage with humor and more generosity than I would, over their families and their quirks (and dwell on their stunningly scrummy sounding meals!), and share a sense of humor based on their very similar life experiences as South Asian women in a patriarchal racist culture. It felt...inevitable, necessary...that Siri be advised by counsel to keep quiet and then she begins popping off!

It's a gently cozy murder mystery à la the Finlay Donovan series, driven by character interactions and the kind of chemistry a series needs. Expect book two soon, or so I expect anyway. I thought the pacing, crime. discovery, clue searches, and the like was exemplary. I thought the resolution was good, giving me the sense that I *could* have figured it out (I didn't).

The case notes don't include complaints about the fun way to see NYC from an angle not remotely like my old white male one. I'm ruffled by the casual, thoughtless nastiness of some people towards anyone not like them everywhere. It hits a little harder when you see it emanating from the place you think of as home.

All in all, a pleasurable puzzle to chew over, a Valentine to the maddening, delightful NYC I have loved and lived in for decades, and a very suitable launch to a new cozy series from a new voice I hope, plan, and expect to hear more from.

The BOOKBINDER'S SECRET, debut historical mystery set in a biblioholic's fever dream

The BOOKBINDER'S SECRET
A.D. BELL
St. Martin's Press (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: Every book tells a story. This one tells a secret.

A young bookbinder begins a hunt for the truth when a confession hidden beneath the binding of a burned book reveals a story of forbidden love, lost fortune, and murder.

Lilian ("Lily") Delaney, apprentice to a master bookbinder in Oxford in 1901, chafes at the confines of her life. She is trapped between the oppressiveness of her father’s failing bookshop and still being an apprentice in a man’s profession. But when she’s given a burned book during a visit to a collector, she finds, hidden beneath the binding, a fifty-year-old letter speaking of love, fortune, and murder.

Lily is pulled into the mystery of the young lovers, a story of forbidden love, and discovers there are more books and more hidden pages telling their story. Lilian becomes obsessed with the story but she is not the only one looking for the remaining books and what began as a diverting intrigue quickly becomes a very dangerous pursuit.

Lily's search leads her from the eccentric booksellers of London to the private libraries of unscrupulous collectors and the dusty archives of society papers, deep into the heart of the mystery. But with sinister forces closing in, willing to do anything for the books, Lilian’s world begins to fall apart and she must decide if uncovering the truth is worth the risk to her own life.

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My Review: I was suckered in by "forbidden love" in the description. It does not mean queer love. It means a girl of "gentle birth" (SOMEone's never been in a delivery room, there is not one single thing gentle about birth) falling for a lower-class boy, being thwarted in her desire for him, and the very tedious and predictable consequences thereof.

All of this features in the mystery the young bookbinder's apprentice is required to solve by her...compulsion, I guess...to have some control over something in her life. Her status as a 1901, so transition between Victorian and Edwardian, woman means she's hemmed in on all sides in spite of being her antiquarian-bookseller father's heir and an apprentice bookbinder of significant skill.

She is, in other words, that most dangerous of people: One who knows just enough to know she is second-class by other people's designs. Those are the people who foment revolution, who commit violent crimes, who rise up for their own benefit. Lily's many steps above her peers because she's got a (failing?) business coming to her, she's learning a skilled trade, and by and large is left to her own devices to live her life as she sees fit.

Which leads me to that missing star. Lily has two suitors and pursues relationships with each unremarked on...in 1901. It's the unremarked on that is the bridge too far in straining my suspension of disbelief. She'd have A Reputation, be called names, be gossiped about. As we're never in the men's company for long enough to form our own opinion about them, at least the gossiping neighbors could've filled us in. Also, the mystery is set in 1851...how did it end? Why do I care if a mid-Victorian pairing gets consummated? For that matter, why does Lily, except to distract herself from the unsatisfying life she's leading?

I liked very much the bookbinding bits. I honestly got invested in Lily's struggles with discovering clues, being perfectly willing to lie and steal to acquire them; but also was sure this would not have gone unremarked in her small professional world. For all of my willingness to meet the book halfway, this was my quarter-star docking point. In the future installments of the series this is clearly meant to be I hope some judicious pruning will cut some redundancies, some peril will attach to Lily's unconventional lifestyle, and her men will either be more present or at least gossiped about.

6:40 TO MONTREAL, solidly executed story with atmosphere to spare

6:40 TO MONTREAL
EVA JURCZYK
Poisoned Pen Press (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: No WiFi, no distractions. No way out…

Agatha needs to get some serious work done on her new book. To help her, her husband bought her quiet time to concentrate: a train ticket for a six-hour ride from Toronto to Montreal. The time aboard sets the stage for a perfect writing retreat, with only a handful of other passengers, plenty of snacks and drinks, and beautiful views.

But Agatha has other plans for her day out… plans that are unexpectedly derailed when the train breaks down in the middle of the frigid Canadian woods, and one of Agatha's fellow passengers dies quietly in his seat. Soon, a pleasant morning in transit turns into a fight for survival against an unknown and unseen enemy. Will Agatha, or any of the passengers, make it out alive?

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My Review: Nothing about the set-up, or even the execution, of this read is subtle. If you do not know already have prior reading congress with Murder on the Orient Express, I advise you to consider putting this read off for a time and read that classic first. Like The Murder of Roger Ackroyd (by the same author), there is only one first time to encounter this plot...I argue you should save yourself for the original because each of these two is a rare flawless read. Christie was not a flawless writer, but those two are her closest to flawlessly executed stories.

Okay, seasoned veterans of the mystery wars, it's just us chickens now. We've read it, maybe more than once, and already know what's up. Does Author Jurczyk have the chops to ring a good change on the Dame's platonic ideal? I'll offer a "yes" vote. I know it's entirely, utterly impossible in today's world for this plot to occur. No part of it would hold up to 2025 reality's technology or its many many many social conventions flouted herein.

Since The Twist℠ isn't much of one for me, I was left to find reasons I was flying through the pages. I like neurotic overwound Agatha, her raggedness from writer's block and looming deadline and simmering suspicion of her husband's motives in gifting her this luxe train trip; she's relatably nutso. As events unfold her responses remain in character for her established neuroticicity (is that a word? I need it so it is now) while drawing on her theoretical expertise in problem solving IRL for the first time.

I also resonated to the Canadian author's evocation of the cold's presence, like it's another character in the story, strongly and positively. I think y'all hothouse fleurs will feel similarly to me on the negative side. That "presence"—the beingness of the cold—is a good narrative technique deployed well, much as in the original. It gives the entire story an agreeably menacing claustrophobia, the kind of containment that, IRL, I'd find intolerable, but feel fine reading about when it's well done. It's well done here.

I'm in the camp that the middle of the story does not maintain the beginning's smart pace; it is down to the exigencies of fair-play storytelling, though, so since I couldn't see a trim or an elision I thought would benefit the pace without snipping off something I could see a need for, I'll tell those carpers to try doing it better before just complaining. The ending was fine, didn't make me roll my eyes like the tidy-bow ending I was expecting would've done. I wonder if fifteen more pages before The Twist℠ might've helped....

Monday-morning quarterbacking at its "finest" which should make Author Jurczyk bask in the glow that she has made the kind of story that her readers really invest in. I'll recommend it for all y'all.

MARY KELIIKOA'S PAGE: The Misty Pines Mysteries series

KILLER TRACKS (A Misty Pines Mystery #3)
MARY KELIIKOA
Level Best Books (non-affiliate Bookshop.org link)
$5.99 ebook, available now

Rating: 4* of five

The Publisher Says: A peaceful retreat. A maze of smoke and murder. Is their remote getaway about to become a death trap?

Sheriff Jax Turner is worried about going off-grid and leaving his young team of deputies behind. But while his getaway with his ex is meant to help them reconnect, Jax is distracted by signs of a break-in at their rented lookout.

After a string of unsettling events and an approaching wildfire turn their isolated retreat into a danger zone, he’s stunned to find a dead body with marks tying it to a killer he put away a decade ago.

Terrified his attempt at reconciliation has led them both into a fatal setup, Jax rushes back to his estranged wife before she joins the list of victims. But his dedication to serving and protecting could become an Achilles heel as other players join them among the darkening trees.

Can he fight his way out of the woods before the flames of revenge consume everything?

Killer Tracks is the tense third book in the Misty Pines Mystery Series. If you like tangled relationships, edge-of-your-seat suspense, and small town sheriff procedurals, then you’ll love Mary Keliikoa’s page-turning game of cat-and-mouse.

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My Review: Tangled emotions, a History that beats any failure of your own relationships, and a stressful job as The Crime-Solver in a town as magnetic to crime as Midsomer or St Mary Mead...I am in my happy place. The stakes are very high, the people are familiar enough to be my real life neighbors, and the setting makes me pine away for a small-town life that, if I had it, would make me feel desperate and trapped.

Jax and Abby are still trying to fix what got broken by the awfulness of their shared world...he's an ex-Portland cop (bet they want him back now) and her FBI world...because they just can't quit each other. So while they're off in the patch-up place aka back of beyond, Rachel the deputy is trying her goddamnedest to solve an arson covering up a murder...when in flies her dad, delivering a crucial cold-case clue like a gangrenous carrier pigeon. (Me no likee daddums; he was also Jax's Portland force partner...my hackles will not stay down when he's around.)

Into Abby and Jax's doomed privacy wafts Hannah...wait, who? Exactly! Who's she, where'd she come from, and when's she leaving?

So a series'-worth of Jax pining unrequitedly after Abby, a murder case Rachel really wants to solve without some old man buttin' in (be it her old man or Jax's predecessor as chief), and a serial-killer cold case. Have I forgotten anything?

You'll want to read for yourselves, so I ain't tellin'.

*eville cackle*

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DEADLY TIDES (A Misty Pines Mystery #2)
MARY KELIIKOA
Level Best Books (non-affiliate Bookshop.org link)
$16.95 paperback, available now

Rating: 4* of five

The Publisher Says: A missing surf legend. Waterlogged clues. Can he trust his gut instincts to end the wave of murder?

Sheriff Jax Turner is learning to live again. Holding tight to the hope of reconciling with his FBI agent ex-wife, the wary man is determined to keep his focus on his coastal Oregon community. And after a concerned brother requests a welfare check, Jax is troubled to find the absent surf shop owner's tracks lead to a pool of blood.

Now investigating a potential homicide, Turner chases a tip from his former spouse about a severed foot found on the beach. But when a torrent of leads links the victim to a politician's son, a jealous competitor, and a get-straight program for youth, the steadfast lawman fears layers of lies and secret agendas will keep him from stopping a vicious killer.

Can he unravel the fatal agenda before he's the next corpse to wash ashore?

If you like flawed heroes, gritty crimes, and dark twists and turns, then you'll love Deadly Tides, the chilling second book in Mary Keliikoa's Misty Pines Mystery Series.

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My Review: Local surfer dies mysteriously; unconnected human foot washes up on local beach, handled by Jax's much pined-after ex-wife the FBI agent, who knows he can handle it so hands responsibility over; lying liars lie and abuse people...okay, it's Misty Pines. Good to be back.

Abby, the ex-wife and FBI agent, gets a third person PoV like Jax because we need to know things he couldn't and she feels reluctant to tell his simping-for-her self. It helped me keep details clear in my head. I can't help but wonder why her FBI partner Olek is so present...but I like Jax getting the eager young Rachel onto his deputeam. He's settling in to the job of being The Crime Solver for Misty Pines. He's not as unsure of himself. It begins to feel more like a set team is forming.

I confess I do not see Abby's side of their divorce. It doesn't matter much because, unless decades of series-mystery reading and recognizing the need for ma'at to be restored, they *will* get back together. In their profession of law enforcement, each is the other's ideal mate. This time apart will, I predict, pay dividends.

You will pay an attention tax. This book does not hold to a spanking pace as it privileges introspection and the unending process of grieving. Rather we're shown the emotional gyrations in Jax and, to a lesser extent, Abby, as they circle each other simply by virtue of sharing the most important trait of them all: Values.

I think this book would be so fraught as to be meaningless if one had not read book one, Hidden Pieces (q.v.). The cast, the pace, the fuller backstory, all help defray the attention cost of the story's inward focus. Not to be skipped, but don't start here.

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HIDDEN PIECES (A Misty Pines Mystery #1)
MARY KELIIKOA
Level Best Books (non-affiliate Bookshop.org link)
99¢ ebook, available now

Rating: 4* of five

The Publisher Says: Sheriff Jax Turner is staring down the barrel of his broken past. On the brink of ending it all, he feels like a failure following his daughter's tragic passing and his subsequent divorce. But when a schoolgirl vanishes and her backpack is found in a sex offender's backseat, the weary lawman drags himself into action and vows to nail one last sociopath.

Shocked to discover the teen's aunt had lost her life in an abduction years prior, the devastating outcome that he's taken personally, Jax believes the killer has returned with a vengeance. But as the desperate cop frantically hunts down a mysterious relative in search of a suspect, the girl's time keeps ticking away...

Can the jaded sheriff take down the culprit in time to bring the young girl home alive?

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My Review: We meet Jax in extremis...the very worst thing possible to happen to a person has happened, the depressingly most-common fallout of that hideous disaster has occurred and he is (he thinks) ready for The End.

He is not.

He is summoned back to participation in life by the disappearance of Allison, a teenaged missing person with frantic parents. Jax can gird himself to be involved, as he badly wants to give someone else the ending he did not get. All set in the scenic, peacfully beautiful coastal-Oregon town of Misty Pines. As a small town, it is of course a place of unspoken stuff Everybody Knows (or think they know) but which Jax, formerly a Portland detective, isn't privy to. And doesn't know he doesn't know.

All of this feeds the man's deep, well-entrenched anxiety about his skills, about his past coming home to roost, about his misery being without his FBI agent ex-wife who abandoned him...After. It's real, it happens, people are not their best selves when crushed by terrible grief. It does occupy a good deal of his mental energy, though not simply as plot dressing. Trust Author Keliikoa. She has a plan.

Why I wasn't offering nosegays and wreaths of stars comes down to the ending. It is something you'll resonate with or you won't. I felt it introduced more complexity than was necessary, even for a series mystery. But...and this is crucial to know...it was not simply pulled outta nowhere and tacked on. As a first in series read, I'll pin my reservations to my mind's corkboard and see if my issues are used to good advantage in a later book.

Definitely a series I recommend you pursue with me!

ELLE COSIMANO'S PAGE: Finlay Donovan series 1 through 3

FINLAY DONOVAN IS KILLING IT (Finlay Donovan #1)
ELLE COSIMANO
Minotaur Books (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: "Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It.

Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.

When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet . . . Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.

Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moment, Finlay Donovan Is Killing It is the first in a brilliant new series from YA Edgar Award nominee Elle Cosimano.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: As part of a relaunch of the series, or so I've assumed, I got the entire series to date from Minotaur Books. I binged them. It's not far from the truth to say I mainlined them. I badly needed to laugh, and feel as though the shreds of my happy mind could indeed be brought back into contact with each other. That is what reading Finlay Donovan's absurd, impossible antics did for me. Please, dear Thalia, Muse of Comedy that you are, conspire with Calliope of the eloquence brief to get these stories onto a small screen near me!

The pleasures of absurd, impossible situations like a mystery writer on deadline becoming a contract killer are many. Subversion of the rational order of things, the permanent disposal of rotten-souled people who badly need killin', the sheer red-in-tooth-and-claw joy of imposing your own will on an otherwise uncooperative and indifferent cosmos...all are present.

That the perpetratrix is also a mom, a caregiver, an ex-wife with a grudge, means we have before us an exemplar of (pardon my Freud) someone in control of her id in a time where that is not on public display. It is good to be reminded this is, in fact, a desirable thing. So my happy gauge is pegged out after this read. Even better is knowing enough of y'all agree about the happy-making qualities of the read to turn it into an ongoing series! I mean, starting off with a Jane Austen-inspired sentence like: "It is a widely known fact that most moms are ready to kill someone by eight thirty A.M. on any given morning" is gutsy and clever and a gauntlet thrown for your readerly attention.

The alchemy of a cozy series mystery is not, ironically, mysterious: the sleuth must be an amateur; must be within suspension of disbelief as one who knows about crime, usually murder; must have some scoobygroup of supporters and another pride of predatory enemies, usually exes and/or officious bureaucrats; should have a complicated love life or be starting over, falling for a cop or other law-adjacent source; have some figleaf profession that makes this outsider believably (if you squint) able to ask people questions. From there it's a free-for-all. Probably the most consistent downfall of a series is the sidekick, either not interesting or absent entirely or something else that makes one bored with the relationship. No danger of that in Vero! As sidekicks go, she's perfect: Finlay's awful ex-husband hates her, she's great with Finlay's kids (as a nanny I should hope so), and cracks wise with the best screwball-comedy heroines. Vero also asks questions that make sense for her character to ask as well as move the plot forward. That, my olds, is a whole lot harder to do, and rarer to see as a result, than you realize. Vero is the secret sauce on this double-meat, double-cheese, burger of a read.

The ending, while definitely supported by the story, didn't wow me. I had to dock a half-star in spite of the pain it caused me.

I know a lot of us need distraction from *gestures* everything. Here is a solid, enjoyable, engaging distraction that won't leave you sour or unsatisfied.

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FINLAY DONOVAN KNOCKS 'EM DEAD (Finlay Donovan #2)
ELLE COSIMANO
Minotaur Books (non-affiliate Bookshop.org link)
$9.99 ebook, available now

Rating: 4* of five

The Publisher Says: From Edgar-Award nominee Elle Cosimano, comes Finlay Donovan Knocks 'Em Dead―the hilarious and heart-pounding follow-up to Finlay Donovan is Killing It.

Finlay Donovan is―once again―struggling to finish her next novel and keep her head above water as a single mother of two. On the bright side, she has her live-in nanny and confidant Vero to rely on, and the only dead body she's dealt with lately is that of her daughter's pet goldfish.

On the not-so-bright side, someone out there wants her ex-husband, Steven, out of the picture. Permanently. Whatever else Steven may be, he's a good father, but saving him will send her down a rabbit hole of hit-women disguised as soccer moms, and a little bit more involvement with the Russian mob than she'd like.

Meanwhile, Vero's keeping secrets, and Detective Nick Anthony seems determined to get back into her life. He may be a hot cop, but Finlay's first priority is preventing her family from sleeping with the fishes... and if that means bending a few laws then so be it.

With her next book's deadline looming and an ex-husband to keep alive, Finlay is quickly coming to the end of her rope. She can only hope there isn't a noose at the end of it...

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My Review: I'm sad to do this, but the idea that a cheating, lying sack of shit is a "good father" is too big a leap for me...no way does this story get past four stars. A father is an example of how to be, or what to want in, a man to his children. The example Steven the scumbag sets is terrible, his behavior to Finlay and, not coincidentally, Vero is misogynistic and patronizing, so no way in hell do I think Finlay's Stockholm syndrome-based protection of him from being the subject of a hit is necessarily good. It's morally correct, of course, saving a human life is always that, but...some people just need killin' and he is one.

It stinks to believe human lives should be saved even when they're scumbags. But here we are.

How Finlay and Vero go about this self-appointed task, the people they hate dealing with but who are central to their intended result, and the emergence of Finlay's acerbic, tart-tongued mom, Susan, into the scoobygroup, made this a read I enjoyed...more mutedly...than the first one. Susan is the only possible mother for Finlay, her mode of relating to the world absolutely explains the way her daughter became the woman she is...such a treat to learn, since I like the daughter so much.

Oh, and for the completist readers, y'all's fetishistic "start-with-#1" behavior is completely and utterly the only way to go in this series. A lot would make sense, but not hit the right notes, without the background established in Finlay Donovan is Killing It. Truly this is a series, first and foremost.

There's the required "romance" with, in this book, two unrealistically perfect guys...cop and aspiring lawyer...vying for her attention. Color me unimpressed.

Resolving the threat to Steven, much as I disagree that it's actually truly necessary, does take some turns, deliver some surprisingly unknown dirt, and end in a way that's totally condign. It is, like reality itself, a little less than utterly satisfying...Steven isn't rescued from being eaten by sharks only to fall into a lion's mouth, dammit...but a whole lotta laughs, witty banter, sassy crosstalk, and fun.

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FINLAY DONOVAN JUMPS THE GUN (Finlay Donovan #3)
ELLE COSIMANO
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 4* of five

The Publisher Says: From USA Today bestseller and Edgar-Award nominee Elle Cosimano, comes Finlay Donovan Jumps the Gun—the highly anticipated, hilarious, and heart-pounding next installment in the beloved Finlay Donovan series…

Author and single mom Finlay Donovan has been in messes before―after all, she's a pro at removing bloodstains for various unexpected reasons―but none quite like this. When Finlay and her nanny/partner-in-crime Vero accidentally destroyed a luxury car that they had "borrowed" in the process of saving the life of Finlay's ex-husband, the Russian mob did her a favor and bought the car for her. And now Finlay owes them.

Mob boss Feliks is still running the show from behind bars, and he has a task for Finlay: find and identify a contract killer before the cops do. The problem is, the killer might be an officer themself.

Luckily, hot cop Nick has just been tasked with starting up a citizen's police academy, and combined pressure from Finlay's looming book deadline and Feliks is enough to convince Finlay and Vero to get involved. Through firearm training and forensic classes (and some hands-on research with a tempting detective), Finlay and Vero use their time in police academy to sleuth out the real contract killer to free themselves from the mob's clutches―all the while dodging spies, confronting Vero's past, and juggling the daily trials of parenthood.

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My Review: When the Russian mob does you a favor, you better know the repayment's gonna be steep.

Like "find a hitman we can't find ourselves" steep.

Of course this is silly, like the people in the killing for profit industry...and specific market-segment leaders...couldn't do this in their collective sleep. You shouldn't read these expecting real-life scenarios (or out of order!) and anyone who does: "Welcome to Earth! I am the Leader, will gladly accept bribes for favors."

Off to hot-cop Nick's well-timed, brand new citizen's cop school go Vero and Finlay. As you'd expect, there's a lot of raillery and badinage; there's a lot of hectic running around; and the mystery, when solved, makes sense and makes it clear we'll have still more adventures ahead. Vero's past is coming to light a bit more. Finlay seems to be inching towards making an emotional commitment to Nick, poor Julian the student-lawyer is fading...for now. The kids are, realistically, being handfuls for Vero the nominal nanny (but really co-parent with Finlay by now) and their mom to ride herd on. Steven the nasty ex-husband is nasty. Mrs. Haggerty, the nosy neighbor, is still clueless and curious and pushy.

If you're on the fence about diving in, get the relationship dynamic clear: These women are the Lucy-and-Ethel of the 2020s. They egg each other on. They get each other's jokes. They have each other's backs. They've got men, but none matter as much as each does to the other. It's a series that centers them, centers their wild and woolly ride through a fantasy universe where there's no statistical crime mapping, no Child Protective Services, no hint of any of the real-world crap we all want to escape from.

So do it with Finlay and Vero, and get them to ease some stress off your shoulders as they set the world to rights for you.

SAVVY SUMMERS AND THE SWEET POTATO CRIMES (Savvy Summers #1) starts a Chicagoland series that's gonna fatten me up

SAVVY SUMMERS AND THE SWEET POTATO CRIMES (Savvy Summers #1)
SANDRA JACKSON-OPOKU
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: A sparkling debut mystery set on the south side of Chicago, featuring the quick-witted, unforgettable Savvy Summers, proprietor of a soul food café.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area.

Even as the police deem Grandy’s death an accident, Savvy quickly finds herself—and her beloved café—in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

But with a slimy investor harassing her to sell her name and business, customers avoiding her sweet potato pie like the plague, and her police sergeant ex-husband suddenly back in the picture, will Savvy be able to clear the café’s name and solve Grandy’s murder before it all falls apart?

After all, while Savvy always said her sweet potato pie was to die for, she never meant literally.

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My Review: Savvy is a funny, observant, cool customer who inhabits a richly interconnected world. It means a lot of what makes a cozy mystery work...the cast of characters, the sleuth's motivations, and the tone of the storytelling...are all present and accounted for from the get-go.

Just in case you're wondering, the sweet potato pie of the title (which, I'll note approvingly, is both vegan and murder weapon after a certain...addition's made) is very much part of the story line. You will not do well with your diet during this read. Calorie restriction and food-item substitution regimes are not supported by this author's descriptions of food. I would marry Savvy's macaroni and cheese and/or collards as described.

No quotes...I'm not that cruel.

Part of the charm of a series mystery is the scoobygroup of side characters, and the sidekick or assistant sleuth. Penny seems likely to do the latter sparkly and sneaky (a little too sneaky) role, and Savvy's grumblybear ex-husband Fanon does a lot of the fun sparking with her. He totally gets that Savvy's innocent and does things he might maybe shouldn't've because he knows Savvy so well.

So where's the fifth star, fussbudget? I can hear one partic'lar friend say. It got stuck in the run-around-accomplish-nothing middle third. The scumbag who wants to make profits *ptooptoo* without ethics takes up a lot of space. It's not quite there but it's close, like the sweet potato pie out of the oven just before it sets. I found the vernacular easy on my readerly ear; others will not feel it adds anything and might take away from their positive experience. My Rob was in the latter camp.

I'm also required to mention that Savvy is not an eager, nosy sleuth; she's compelled to act because she's got skin in this game as her pie's being blamed for a death that, frankly, ought to upset no one. Oh yeah...that's another piece of a star gone, it seems to me a lot of amateur-sleuth mysteries now are leaning hard on the crutch of making the victim a rotten-souled bastard. The use of that trope here makes a touch more sense, because it's Savvy's pie thus her reputation, but honestly? Just chalk this one up to cleanin' the gene pool, officer, and move on with your day.

So no...not a perfect read. A perfectly fun one, yes, and one I think will give a lot of summertime smiles to most all y'all.

THE LOST HOUSE, entertaining cold-weather family tragedy story

THE LOST HOUSE
MELISSA LARSEN
Minotaur Books (non-affiliate Amazon link)
$14.99 ebook edition, available now

Rating: 3.5* of five

The Publisher Says: In Melissa Larsen's The Lost House comes the mesmerizing story of a young woman with a haunting past who returns to her ancestral home in Iceland to investigate a gruesome murder in her family.

Forty years ago, a young woman and her infant daughter were found buried in the cold Icelandic snow, lying together as peacefully as though sleeping. Except the mother’s throat had been slashed and the infant drowned. The case was never solved. There were no arrests, no conviction. Just a suspicion turned into a the husband did it. When he took his son and fled halfway across the world to California, it was proof enough of his guilt.

Now, nearly half a century later and a year after his death, his granddaughter, Agnes, is ready to clear her grandfather’s name once and for all. Still recovering from his death and a devastating injury, Agnes wants nothing more than an excuse to escape the shambles of her once-stable life—which is why she so readily accepts true crime expert Nora Carver’s invitation to be interviewed for her popular podcast. Agnes packs a bag and hops on a last-minute flight to the remote town of Bifröst, Iceland, where Nora is staying, where Agnes’s father grew up, and where, supposedly, her grandfather slaughtered his wife and infant daughter.

Is it merely coincidence that a local girl goes missing the very same weekend Agnes arrives? Suddenly, Agnes and Nora’s investigation is turned upside down, and everyone in the small Icelandic town is once again a suspect. Seeking to unearth old and new truths alike, Agnes finds herself drawn into a web of secrets that threaten the redemption she is hell-bent on delivering, and even her life—discovering how far a person will go to protect their family, their safety, and their secrets.

Set against an unforgiving Icelandic winter landscape, The Lost House is a chilling and razor-sharp thriller packed with jaw-dropping twists that will leave you breathless.

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My Review: I'll always say yes to cold-weather thrillers. After all, I read, then watched, The Terror with the gruntled hygge of a true Northerner. Now you're waving Bifröst in my face?! Sign me right on up!

The sleuths are, to put it politely, secondary to my enjoyment of the setting. Nora, in particular, grated my nerves like a box-grater does soft cheese. If I met her in meatspace I would either do her grievous bodily harm or turn away in the first moments of listening to her whiny, manipulative BS on her podcast. I was no fonder of Agnes, again finding her crutching of the terrible physical trauma and subsequent drug dependence grounds for whining unpleasant me-me-me behavior. I suffer from grinding chronic pain, am dependent on drugs to continue living, and make a concerted effort not to do what Agnes is helping herself to: Making everything about herself, her pain, her life.

Unpleasant trait in my book. Raised my hackles.

Another hackle-raiser was the author's weird opinion of Icelandic people as credulous...treating Agnes as a sort of avatar or reincarnation of her grandmother, the murder victim, and therefore a carrier of the miasma of bad luck. It seems also a bit on the nose to call the town Bifröst, the name of the rainbow bridge between Earth and the afterlife in Norse myth. I doubt there'd be such a name chosen in Christian Iceland of the nineteenth century or earlier, and the town isn't presented to us as, say, a WWII new-build or something.

Well, anyway, those are the issues that shaved more than a star off my rating...but it's a read I'd tell you to get out of the library soon. I liked the way the author built her atmosphere of distrust at every opportunity. I found it a solid replacement for the identity of the murderer not being in the least surprising.

Bifröst is, pace its nose-thump of a name, a well-realized setting with a readily pictured landscape. It's just enough to get me over the three-star hump. I don't think these characters would, even if they could, draw me into reading a series, but I am not mad I read this book to pleasantly wile away a few hours.

ALL'S FAIR IN LOVE AND TREACHERY, Regency-era mystery twofer with satisfying conclusions

ALL'S FAIR IN LOVE AND TREACHERY
CELESTE CONNALLY
Minotaur Books
$28.00 hardcover, available now

Rating: 4* of five

The Publisher Says: Bridgerton meets Agatha Christie in this dazzling next installment in a captivating Regency-era mystery series with a feminist spin.

21 June, 1815. London may be cheering the news of Napoleon’s surrender at Waterloo, but Lady Petra Forsyth has little to celebrate after discovering that the death of her viscount fiancé three years earlier was no accident. Instead, it was murder, and the man responsible is her handsome, half-Scottish secret paramour Duncan Shawcross—yet the scoundrel has disappeared, leaving only a confusing riddle about long-forgotten memories in his wake.

So what’s a lady to do when she can’t hunt down her traitorous lover? She concentrates on a royal assignment instead. Queen Charlotte has tasked Petra with attending an event at the Asylum for Female Orphans and making inquiries surrounding the death of the orphanage’s matron. What’s more, there may be a link between the matron’s death and a group of radicals with ties to the aristocracy, as evidenced by an intercepted letter. Then, Petra overhears a nefarious conversation with two other men about a plot to topple the monarchy, set to take place during three days of celebrations currently gripping London. As the clock counts down and London’s streets teem with revelers, Petra’s nerves are fraying as her past and present collide. Yet while all’s fair in love and war, she can never surrender, especially when more orphaned girls may be in trouble. And to save their lives, the monarchy itself, and even her own heart, Lady Petra must face her fears with the strength of an army of soldiers and fight with the heart of a queen.

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My Review: Heavy hitters, those comps. Aim high, editors and marketers, we can all use some top-flight relief from reality.

If you, like me, haven't read book one (Act Like a Lady, Think Like a Lord), I think you'll be okay starting here. Lady Petra is a solid character whose relationship to the world she inhabits is established; none of the frequent, and to me off-putting, Regency trope of "marriage or bust" that all the Bridgerton books reinforce so very fully. It's been a long time since the best Regency writer of all time, Georgette Heyer, poured her champagne prose into the flutes that served my readerly soul. Author Connally does not sit that high in my writers' tier list. To be fair, there are almost no other writers that high in my estimation, in genre or out. This unpleasant trope is present in Heyer's writing but is borne up from the yeasty sludge of my twenty-first centurion's disapproval by the prose it's crafted in.

The comparison to Dame Agatha is apt. The puzzle to be solved here had faint echoes of Death in the Clouds, one of her strange 1930s Poirots. If you've read it, you know what the thrust of this book will be. The preservation and/or restoration of Ma'at is the matter of all mysteries, so the ultimate resolution of the story is a foregone conclusion. Which mystery requiring Lady Petra's attention, personal or "professional," will be the one that knits a rent in the social fabric?

The accustomed repurposing of class-based access and modern storytelling's need for a female character to have agency unthinkable in the time period of the story is done deftly here. In part this is due to Lady Petra's age and status as a not-quite widow, but still suitably linked to a male authority figure that it needn't be discussed or thought about...a dead-in-the-war fiancé is a useful device in this world. Her current love interest can be elided from public suspicion because he knew her in childhood, so their connection can be acceptably explained away without the need to resort to scandal. As he is both absent in flesh and central in fact to the submystery in the book, this is a fact much traded on.

Any book set in historical times has a hurdle to leap in the way it handles the realities of its time period versus the narrative needs of a twenty-first century novel. Lady Petra lusts after Duncan, who's hunkiness is permaybehaps over-established, but in private, as would be the case for women of the era who are not Lady Caroline Lamb. Lady Petra's freedom to act due to her distant connection to Queen Charlotte feels a bit overly modern but needs must when the plot-devils drive.

They drive hard in here, with a lot of characters doing a lot of things they oughtn't to do. The ideas of the story are complex, possibly convoluted, and center on the way the world is changing due to the recently-completed Napoleonic wars that have organized English society for decades. At war's end, there is little appetite for going back to the way things were for anyone disadvantaged in that earlier day. The cork's out of the bottle. Now how does society change?

Lady Petra and her fellows are figuring it out. There is a lot of upheaval to come, as history tells us, but this book is set when the shapes of the upheavers are still shadowy. The change that is inevitable in any highly unequal society is as yet unformed but its energy is very much present in every detail Lady Petra uncovers on the Queen's errand. It was fun piecing together the next few years from what happens in the story's present...a big reason I enjoy the historical-mystery genrw when it's well done. Plus: doggos!

I needed this kind of escape now. If you're in need of a series that makes story-sense, and is in hailing distance of historical sense, here's you a choice worthy of your time and treasure.