THE OCCIDENTAL BOOK OF THE DEAD: A (really long) Novel

THE OCCIDENTAL BOOK OF THE DEAD: A Novel
T. GERONIMO JOHNSON
William Morrow (non-affiliate Bookshop.org link)
$16.99 ebook, available now

Rating: 4* of five

The Publisher Says: From the PEN/Faulkner finalist and National Book Award longlisted author of Welcome to Braggsville, comes this long-awaited, visionary new novel centered on a Black cop in an Atlanta precinct, whose façade of white alliance begins to crumble after a highly publicized murder.

George Washington Jonson is determined to forge a new life. After growing up in one of Atlanta’s poorest housing projects, he enlists in the U.S. Army and finds some relief serving abroad. When events lead him back home, he joins the police force. It’s 1992, and Jonson is patrolling the streets he grew up on alongside his new partner, a shady legacy cop and self-described “redneck” who takes Jonson under his wing.

After a decade on the job, Jonson has fashioned a new life for himself in an affluent suburb with his white wife and stepson, though he’s still policing his old neighborhood, and now tasked with training hot-headed rookie recruits. One night on patrol a split-second confrontation with a white teenager takes a violent turn. That single gunshot sets into motion a series of escalating lies—all threatening to be exposed as investment in the case mounts to a fever pitch.

When the white-washed veneer of Jonson’s life begins to crack, the story splits, presenting two contrasting versions of the American experience as he’s forced to confront the history that shaped him and the compromises required of a good man in a broken system.

Employing a bold, inventive structure and spanning two fraught decades, vividly evoking the complexities of the South, and written with the same virtuosic dissonance and insight as his previously acclaimed novels, The Occidental Book of the Dead is a propulsive, pyrotechnic exploration of systems of corruption and conspiracy—and an epic, unflinching portrait of a nation divided.

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My Review: Pay close attention to the format shift. Its tonal shift is obviously important; its timing might need some thought but it needs the effort to get the most out of it.

A very long read that, if you're at all like me, goes to some places so dark you will need some days off when certain sections are over.

What happens when ot's YOUR son/nephew/grandson, white people? Why does justice suddenly matter so much that millions get spent on intensive incestigations, careers are suddenly at stake, press conferences get held? I've never, in almost seventy years of life spent mainly in New York City and Texas...so among guns...had a gun pointed at me. Imagining it fills me with cold dread.

But that's all I do. I summon the image and play pretend because it's never happened to me, or to anyone I've ever known at all well. I'm not particularly unusual in this way.

I'm not Black. (Duh.) My Black friends and acquaintances are privileged, educated people. Yet I am sure we would get to gun violence faster checking in with them than with me.

Author Geronimo writes about the futility of expecting the privileged to see or to amend their access to privilege. It is a mug's game to think "ally" is meaningful and substantive label. I know this intimately from being among the QUILTBAG communities and seeing the ease with which people turn us into "them" really fast. It doesn't even need to be for a reason, there's no excuse required, you're suddenly, unexpectedly on the outside looking in.

And that, played out in a story about a man in authority, is a very powerful piece of literary ju jitsu. It is greatly to Author Geronimo's credit that he does not foreshadow things so heavily as to make them feel overly familiar when they occur. It takes considerable, and all too uncommon, levels of skill to achieve that device. It's a craft skill I wish was more widely distributed.

My criticism of this read is length. It can feel very much like we're living the story in real time. Considering it's a very weighty tale indeed, it's a big ask...let alone asking it twice in a row.

SAVVY SUMMERS AND THE PO'BOY PERILS, second dangerously fattening entry in a delightful, atmospheric series

SAVVY SUMMERS AND THE PO'BOY PERILS (Savvy Summers #2)
SANDRA JACKSON-OPOKU
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: The next delectable mystery featuring quick-witted, unforgettable Savvy Summers, owner of a soul food café in Chicago.

Savvy has her work cut out when an old friend hires her to cater a company luncheon at a nearby office building on Chicago's South Side. Stepping out of her traditional soul food comfort zone, Savvy whips together a menu of Creole classics, with her own spin, of course—mini po’boys with assorted fillings, sunburst salad, and bread pudding using Great Aunt Essie’s famous buttermilk biscuits.

But when someone is found dead in the company’s conference room, Savvy’s culinary creations are suddenly in the spotlight for all the wrong reasons. While the focus should be on their delicious flavors and inventive techniques, Savvy’s beloved café instead becomes the center of a murder investigation once again.

Caught within a messy web of gossip, miscommunication, and fraught coworker relationships, Savvy will have to settle the confusion to clear her name. Somebody’s hiding something, and with the help of her trusty assistant manager, Penny Lopés, Savvy sets out uncover exactly who is to blame. With familiar faces turning up the heat on her investigation and her café still in hot water, will Savvy be able to save her reputation before it’s too late?

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My Review: I gained fifteen pounds off the bread-pudding description alone. I would *kill* for some right now! I'd kill for some buttermilk biscuits, honestly, but these, and the perfect bread pudding...*drool*

As I said of Author Jackson-Opoku's work before, this series is going to fatten me right up into blimp-sized, belching satiety. Savvy's knack for landing in hot water is still credible to me, seasoned old reader that I am, because it doesn't come from some out-of-character contrivance but from accepting a job her business needs.

It seems clear that the series is going to do a lot of wandering around. It's not my first preference for the way a murder mystery unfolds, but it very much is my preference for a character-driven polyphonic novel of a community that feels real in its tight-knit gossipy love. Even though ugliness is inherent in murder mysteries, death is always a blow to a group, the deep interconnections are strong enough to heal the wound. With time, and as an aftermath to justice being served.

Savvy herself is a fun character to follow around as she talks to people, caring about them, listening to them. Penny is a scene-stealin' sass-dealin' delight as always. It's a hallmark of Author Jackson-Opoku's chops that I felt welcomed back into a charmed circle of lovely friends most of the time during this read. It takes skill to make that a reader's experience of a series story.

Savvy and Fanon (love that name, so resonant for someone born when and where he most likely was) have the kind of chemistry I myownself prefer: hot, but at a simmer that can turn into a boil quickly if there's just a *little* nudge of the thermostat. It's believable these two connected as hard as they did; it's believable they couldn't make it work full-time, but also are so finely attuned to each other that they have an unbreakable connection.

I really enjoyed being invited back into the community, welcomed with a so-enticing spread of delights, and told all the tea while everyone tried to be the one to spill it hardest. Not the greatest shakes on the mystery front...another deeply unlikeable crudbucket dead that not one soul should mourn the loss of...but as a novel, and a way to spend time rewardingly, it's up there for 2026.

ALL-NEGRO COMICS: America's First Black Comic Book, wonderful anthology that's a 2025 WINNER OF THE EISNER AWARD

ALL-NEGRO COMICS: America's First Black Comic Book
CHRIS ROBINSON (created by Orrin C. Evans)
Image Comics (non-affiliate Bookshop.org link)
$12.99 paperback, available now

Rating: 5* of five

The Publisher Says: WINNER OF THE EISNER AWARD • The first comic ever created by African Americans, for African Americans.

Three quarters of a century ago, Orrin C. Evans lead a team of cartoonists to create the first comic book anthology of original Black characters created by Black talent, with the expressed purpose of entertaining while rejecting harmful stereotypes and pushing boundaries in the industry. This was only 8 years after Action Comics #1, 6 years after Captain America #1 and a whole 19 years before Black Panther hit the pages of Fantastic Four.

All-Negro Comics #1 should be among those revered moments in comic book history, but the original print run was quickly removed from newsstands and faded into obscurity, remaining largely unknown for 75 years. . . until now.

All-Negro Comics 75th Anniversary Edition (an Eisner Award-winning collection) preserves that history for generations to come, containing All-Negro Comics #1, in full and digitally remastered for clarity, several essays for historical context and contemporary reflection, as well as new stories by Black writers and artists of today, featuring the original characters.

This award-winning volume includes:

• The complete single issue from 1947, digitally remastered! Consistent colors, crisp text, and no damage! • Contemporary comics and prose stories, featuring the All-Negro Comics characters, written by notable Black creators of today • Essays that provide historical and cultural context to deepen your reading experience • A discussion guide and resource list

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My Review: I had no inkling (!) this series of comics ever existed. Which is the point of banning and suppressing books: If you don't see yourself in popular culture, you have no reason to think you belong in it. I myownself, standing on an already enormous mountain of white male privilege, was also given the gift of growing up after Stonewall...I know exactly how important it is to see your Self, your identity and looks, your behavior and thoughts, in the culture around you.

I can't even imagine how much more important it is today, and certainly was in the past, to Black children...adults, too, but comics reach both groups.

The Eisner Award has never been given more thoughtfully and necessarily than to honor these groundbreaking creators, ignored far, far too long:

I liked seeing the cover art, just as art, without the usual impedimenta to get in the way of its kinetic design. It's easier to enjoy as art:

In my defense of personal ignorance about this comic book's existence, I offer the fact I never read a comic book in my life until I was almost ten. I got books whenever I wanted, bought for me or from the library, so I never developed the interest or formed the habit. Of course, no one pitched them to me like Orrin C. Evans pitched these comics:

Silver-tongued devil, no?

So your comics maven will enjoy the Eisener winner part, your Black history maven will enjoy the recovered history and the prescience of Orrin C. Evans in doing it at all, and it looks lovely on the tablet if you've got an ereader! Now, enjoy some of Ace Harlem's adventures:

#ReadingIsResistance

DEAR BI MEN: A Black Man's Perspective on Power, Consent, Breaking Down Binaries, and Combating Erasure

DEAR BI MEN: A Black Man's Perspective on Power, Consent, Breaking Down Binaries, and Combating Erasure
J.R. YUSSUF
North Atlantic Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 5* of five

The Publisher Says: An unapologetic guide for readers who are Black, masc, and bi—unlearning biphobia, coming out, combatting erasure, and embodying your whole self

Through cutting social analysis, personal stories, and need-to-know advice, Dear Bi Men reclaims bi+ visibility in a culture of erasure—and unapologetically centers Blackness in a practical and deeply researched guide to navigating life, work, and relationships as a Black bi+ man.

Popular representation of bi and pansexual men is growing, but we’re not there It’s mostly white. It collapses bisexual identity into tired, hypersexualized tropes. And it fails to interrogate the deeply entrenched stereotypes that You’re confused. You just don’t know you’re gay. You’re greedy. You must be great in bed.

Author, peer counselor, and creator of #bisexualmenspeak J.R. Yussuf pushes back against these stigmas and misconceptions, exploring how white supremacy reinforces biphobia and dictates what society thinks it means to “be a man.” He contextualizes discourse around queerness and bisexuality within a larger framework that honors readers’ intersecting identities. And he offers deeply practical advice, sharing how to:

Unlearn internalized biphobia and homophobia

Navigate an increasingly hostile digital landscape

Think about coming out: who to tell, why to tell them, and how to do it

Fight back against erasure and stigma

Navigate sex, dating, partnerships, marriage, friendship, and work

Understand your bi+ sexuality through a political lens

Process Black bi+ representation

Rich with personal narratives, insightful analysis, and practical advice, this book is a powerful resource for Black bi+ men to reclaim their identity, counter biphobia, and get empowered—and an offering to all readers looking to fight back against the erasure and dehumanization wrought by patriarchy.

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My Review: Remember the giant internet kerfuffle that ended up in Kit Connor, of Heartstopper fame, being forced to come out as bi, or be outed? He was really young at the time, but he also stood on a giant mountain of white privilege.

Now imagine all that intrusive noisy chatter, all that nasty probing questioning of your sincerity, your motives, your sense of yourself suddenly, unpleasantly open for free debate...while in the hole that anti-Black racism carries in its shot pouch. Add in a hefty amount of religious, cultural, gendered homophobia.

Man needs help. Here it is.

A lot of what Author Yussuf says is applicable to other bi men in the process of figuring out what to say, to do, to present to the world; but the added levels of Black support, uniquely insightful areas of discourse tied in with the author's long experience among Black bisexual men from an insider's PoV, and this resource is definitely uniquely valuable to those men. It does not, as a result, exclude other men.

There is no room for any of the -phobias in Author Yussuf's book. A thing I see A LOT in queer spaces is more, or less, polite transphobia directed at transmasc men. It gets the same treatment in here as other Othered identities: "you're good, come in and let's talk, what's eatin' away at you?" Author Yussuf genuinely presents all maleness with guidance on inner and outer self-presentation. Because in the end that's also self-preservation. A strong core belief in one's worth and identity as good and capable of offering and receiving good, healthy interactions predicts success in life lived inside heteronormative society.

It's hard for me not to say this is a great gift for every male, regardless of sexual identity. I can't tell you what to do about your giftees, but for any but the most removed from self-reflective spheres of influence, this is no bad idea for Yule.

THE KWANZAA STORY: Celebrating Culture through Community, get one now in time for the celebration

THE KWANZAA STORY: Celebrating Culture through Community
ALLIAH L. AGOSTINI (Illus. Olivia H. Smith)
becker&mayer! kids (non-affiliate Bookshop.org link)
$18.99 all editions, available now

Rating: 5* of five

The Publisher Says: Discover the history and importance of Kwanzaa, a week-long December holiday celebrated in Black, African, and African American culture.

In The Kwanzaa Story, little Alliah (of The Juneteenth Story fame) is all grown up and, along with her husband LeVaur, teaches their children Daphne and Alistair why they celebrate Kwanzaa as a family and as a community. This beautifully illustrated storybook shares the origins of the holiday—rooted in Africa, born in Los Angeles—giving historical and cultural context on how a joyful celebration was birthed after the Watts Rebellion and during the Civil Rights Movement. The journey includes:

The history of the holiday, complete with timeline

Key figures of the Civil Rights Movement and their part in the creation of Kwanzaa

The seven guiding principles of Kwanzaa, known as Nguza Saba

The seven core symbols used during Kwanzaa rituals, including the kinara (candle holder) and the mishumaa saba (the seven candles in red, green, and black)

How Kwanzaa is celebrated today

And more!

2025 marks the 60th observance of Kwanzaa. The Kwanzaa Story offers Black, African, and African American children the opportunity to connect with their culture and the holiday in a meaningful way, and to see themselves and their family traditions represented on the page with accuracy and joy. This book also exposes children of different backgrounds to a new end-of-year cultural celebration, taking them on an engaging and educational journey about the principles and traditions of the holiday. This visually captivating guide to understanding Kwanzaa encourages young readers to connect with the holiday and its social impact.

Follow along as Alliah and her family discover the cultural significance of Kwanzaa's principles and symbols, providing a tangible element to the holiday that will allow kids and family members to fully and joyfully participate in its celebration. Readers of all ages will love learning about the amazing history and traditions of Kwanzaa through the wise and educational storytelling in The Kwanzaa Story.

The Holiday Celebration series from becker&mayer! kids honors the diverse holidays and milestones that shape the cultural fabric of the United States. Though these traditions may have originated elsewhere, brought to our shores by ancestors from around the world, they have endured and evolved to weave the vibrant tapestry of American life. The series includes picture books and their companion kid-friendly cookbooks that share stories uniquely representative of the American experience--an experience that is multilayered, eclectic, inclusive, and joyfully beautiful.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Handsome artwork complements the story of how this celebration of the importance, centrality, and personal relevance of community building and membership to the Black American, and broader African diaspora, cultures came to be. 2025 marks the sixtieth celebration of the seven principles:

...restated here for your newly-independent reader. These expressions of the principles, like the text more generally, are pitched at that spot where some things will require some adult input about their meanings, while most will be readily decodable for the seven- or eight-year-old just starting independent reading. Most would challenge an average six-year-old reader unless they're quite advanced.

begin at the beginning

typical text/art spreads

There is a very helpful, quite concise, timeline of the Black cultural holidays and their origins:

The author invites readers to make, or consider how, their own connection to Kwanzaa is or was formed:

A lovely gift for a young Black child, a family needing to explain their holiday tradition to a child, or just a seeker after more satisfying ritual acknowledgments of the irreplaceable bonds of community membership.

SAVVY SUMMERS AND THE SWEET POTATO CRIMES (Savvy Summers #1) starts a Chicagoland series that's gonna fatten me up

SAVVY SUMMERS AND THE SWEET POTATO CRIMES (Savvy Summers #1)
SANDRA JACKSON-OPOKU
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: A sparkling debut mystery set on the south side of Chicago, featuring the quick-witted, unforgettable Savvy Summers, proprietor of a soul food café.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area.

Even as the police deem Grandy’s death an accident, Savvy quickly finds herself—and her beloved café—in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

But with a slimy investor harassing her to sell her name and business, customers avoiding her sweet potato pie like the plague, and her police sergeant ex-husband suddenly back in the picture, will Savvy be able to clear the café’s name and solve Grandy’s murder before it all falls apart?

After all, while Savvy always said her sweet potato pie was to die for, she never meant literally.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Savvy is a funny, observant, cool customer who inhabits a richly interconnected world. It means a lot of what makes a cozy mystery work...the cast of characters, the sleuth's motivations, and the tone of the storytelling...are all present and accounted for from the get-go.

Just in case you're wondering, the sweet potato pie of the title (which, I'll note approvingly, is both vegan and murder weapon after a certain...addition's made) is very much part of the story line. You will not do well with your diet during this read. Calorie restriction and food-item substitution regimes are not supported by this author's descriptions of food. I would marry Savvy's macaroni and cheese and/or collards as described.

No quotes...I'm not that cruel.

Part of the charm of a series mystery is the scoobygroup of side characters, and the sidekick or assistant sleuth. Penny seems likely to do the latter sparkly and sneaky (a little too sneaky) role, and Savvy's grumblybear ex-husband Fanon does a lot of the fun sparking with her. He totally gets that Savvy's innocent and does things he might maybe shouldn't've because he knows Savvy so well.

So where's the fifth star, fussbudget? I can hear one partic'lar friend say. It got stuck in the run-around-accomplish-nothing middle third. The scumbag who wants to make profits *ptooptoo* without ethics takes up a lot of space. It's not quite there but it's close, like the sweet potato pie out of the oven just before it sets. I found the vernacular easy on my readerly ear; others will not feel it adds anything and might take away from their positive experience. My Rob was in the latter camp.

I'm also required to mention that Savvy is not an eager, nosy sleuth; she's compelled to act because she's got skin in this game as her pie's being blamed for a death that, frankly, ought to upset no one. Oh yeah...that's another piece of a star gone, it seems to me a lot of amateur-sleuth mysteries now are leaning hard on the crutch of making the victim a rotten-souled bastard. The use of that trope here makes a touch more sense, because it's Savvy's pie thus her reputation, but honestly? Just chalk this one up to cleanin' the gene pool, officer, and move on with your day.

So no...not a perfect read. A perfectly fun one, yes, and one I think will give a lot of summertime smiles to most all y'all.

THE QUEEN OF SATURN AND THE PRINCE IN EXILE, Black coming-of-age novel with an SF twist

THE QUEEN OF SATURN AND THE PRINCE IN EXILE
ERRICK NUNNALLY
CLASH Books (non-affiliate Bookshop.org link)
$17.95 trade paper, available now

Rating: 4* of five

The Publisher Says: A Black nerd coming-of-age novel set in 1970s Boston about a boy who struggles to learn the truth behind his mother’s claims of otherworldly origins in the smoldering aftermath of the Civil Rights era and COINTELPRO's dying breaths.

Sean’s mother, Sojourner, consistently claims otherworldly origins—Saturn, specifically. A story he’s heard his entire life and never considered that it might be true until strange men intrude on his family’s lives. Complicating matters, his father, David, and his mother, were part of a Civil Rights era Black power group that captured the attention of the FBI.

A literal bombing put an exclamation point to the end of the organization. But as soon as Sean could read on his own, he immersed himself in science fiction, fantasy, and comic books, while largely ignoring the history of his people. That ignorance morphs into a disturbing proposition and learning the truth of his parents’ pasts could prove deadly.

Sean’s exploration introduces him to music, girls, delusions of privilege, and the thrills of revolution, all while becoming an adult. The Queen of Saturn and the Prince in Exile marries golden age sci-fi with the nostalgia of roller skates, funk, and first love.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Coming of age in 1970s Murruhkuh was pretty awful. The nightmare of Watergate and the vileness of the people who supported Nixon and then gave us the Reagan revolution was, and I say this from my own personal experience of doing it, nightmarish...conform or suffer is not new to now, nor was it new to the Nixon trauma years, nor to McCarthyism in the 1950s, nor to...you get the drift.

Always feeling torn and at sea, also not new, as you're told one thing is true but it sure doesn't look like it is has a powerful emotional cost. Paying that cost is Sean's burden. As a Black teen his emotional bills are so much more immense than any my gay atheist, but white, ass had to pay.

Sean and I shared the burden of crazy mothers. Saturn has no crust, ma'am, icy or hot or rocky...just ain't one for your people to have dug themselves into. So while my own mother was a religious nut with weird ideas about her god, her delusions were decidedly less...outré so were easier to hide.

Sean's Dad doing the good work he did to help the increasingly re-oppressed after the Civil Rights era's violent and ongoing denial and retraction of gains made impressed me. The sadness of his mother's psychotic break was intense, but I never read it as anything but psychosis. I did not question the source of the break but the sci-fi clothes she put on it were mostly just reasons to feel sadder for Sean as the coming-of-age we all must do to establish our adult selves blew his happy bubble up.

I'll call it an SF novel mostly because Sean himself needs that genre track to make his reality bearable. It's more a story about how people urgently need their stories to cope with life, and the best place to find the materials you make those stories will always be stories already told.

It's always tough to find a path through the horrors of life. This is the story of a boy becoming a man without enough of a story to hang onto, and how much that cost him in the end. Could not be more rageful, more unblinkingly aware and accusatory of the racism our country refuses to renounce and stop using to harm everyone.

Under two hundred pages of honest reflection on how each Black man is broken: By design.

LISTEN TO YOUR SISTER, an exhortation at least two Black men shoulda taken to heart

LISTEN TO YOUR SISTER
NEENA VIEL
St. Martin's Griffin (non-affiliate Amazon link)
$12.99 ebook editions, available now

Rating: 4.25* of five

The Publisher Says: For fans of Jordan Peele’s films, Stranger Things, and The Other Black Girl, Listen To Your Sister is a laugh-out-loud, deeply terrifying, and big-hearted speculative horror novel from electrifying debut talent Neena Viel.

Twenty-five year old Calla Williams is struggling since becoming guardian to her brother, Jamie. Calla is overwhelmed and tired of being the one who makes sacrifices to keep the family together. Jamie, full of good-natured sixteen-year-old recklessness, is usually off fighting for what matters to him or getting into mischief, often at the same time. Dre, their brother, promised he would help raise Jamie–but now the ink is dry on the paperwork and in classic middle-child fashion, he’s off doing his own thing. And through it all, The Nightmare never stops haunting Calla: recurring images of her brothers dying that she is powerless to stop.

When Jamie’s actions at a protest spiral out of control, the siblings must go on the run. Taking refuge in a remote cabin that looks like it belongs on a slasher movie poster rather than an AirBNB, the siblings now face a new threat where their lives–and reality–hang in the balance. Their sister always warned them about her nightmares. They really should have listened.

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My Review: "Listen to your sister" is the most oddly edged weapon in the arsenal of control. Listen to her wisdom. Listen to her express while she experiences despair. Listen to her, learn how the wisdom comes out of the same swamp as the despair.

Being tasked with responsibilities beyond your capabilities is a common feature in many child-as-custodian tales. Rising to meet the challenge, failing at it, muddling through...well, that's adulthood as parent or guardian or, to be completely honest, any old thing as a legal adult.

What sets this story above most I've read like it, from The Outsiders as a kid on, is The Nightmare. It's a really big part of Calla's quotidian awareness. It's a looming, energy-sapping Presence...éminence grise writ literal...that defines Calla's every waking thought about her ward/little brother. In The Nightmare Jamie dies, and dies, and dies; the most horrific death. Here's Calla, responsible for the life of someone she honestly should never have been if her parents had...well, what? not died? not run away? where are they and why aren't they there?...not, in any event, left her responsible unhelpfully unbackstopped by her other brother, useless Dre.

Now my full attention is engaged. Starting just before the halfway point I began to listen to my own niggling awareness. Permaybehaps this is Calla finding a coping mechanism to make sense of this utter reorientation of her world...permaybehaps she's tuned in to something like a psychic K-Cthulhu...she might simply be going quietly insane...and in the US a young Black woman whose self-image is of being too hefty who's also now responsible for shepherding a teenaged Black man into adulthood alive and unencarcerated when he has a big mouth and a powerful eye for hypocrisy....

I was deeply interested in the way I wasn't answered as I got these musings phrased into questions. I was instead led to ideas about the answers supported in the story. That we see the narrative through all three siblings' eyes lent the book the air of fairness, until you thought a minute about it when Calla's centrality swims into focus ever more clearly. She is the only one who acts for the clearly conceptualized good of the Family, where her brothers (one too young, one too narcissistic) think only of how The Nightmare and its embodiment in their sister affects them. It is through those young men's eyes that The Nightmare feeds into horror. They mock and disbelieve, thinking she's nuts and/or trying to control them.

Sound familiar, Cassandra fanciers? Calla's awful stresses are external, internal, self-inflicted, inevitable for a young woman of color in a deeply racist white world. They're real. They're just fearful imaginings. They can't be taken seriously. Laugh them off.

That goes as well as it usually does when men ignore sound advice from women. As a subject for social horror, I'm hard-pressed to think of a better, more trenchant way to build a story.

What I ended up enjoying the most in this read was less the plot...first novels are almost always a bit baggy at the knees...than Calla's mellifluous voice and her sense of humor. BE AWARE THAT THE N-SLUR IS USED A LOT. I don't like it, this is something I have trouble with from my 1960s childhood where it was used *very*differently* so I want you to know that fact. Mostly, Calla's a smart, funny woman doing a thankless job she wouldn't have had to do had death and abandonment not landed her where she is.

I can't go a fifth star because of the N-slur stuff. It made me think hard about many things, and might should get that five; but not with the (appropriate, well-thought-out) use of N-words.

YMMV, but in any event I encourage you to find out soon.

SKY FULL OF ELEPHANTS, debut novel with ideas that have real power

SKY FULL OF ELEPHANTS
CEBO CAMPBELL
Simon & Schuster
$27.99 hardcover, available now

Rating: 4.5* of five

The Publisher Says: In this exquisite speculative novel set in a world where white people no longer exist, college professor Charlie Brunton receives a call from his estranged daughter Sidney, setting off a chain of events as they journey across a truly “post-racial” America in search of answers.

One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charles Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old who watched her white mother and step-family drown themselves in the lake behind their house.

Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across America headed for Alabama, where Sidney believes she may still have some family left. But neither Sidney or Charlie is prepared for this new world and how they see themselves in it.

When they enter the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell’s astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Well, this was a read and a half. A fantasia, an attempt to view the culture of privilege and prejudice confronted by a man and the mixed-race daughter he never knew he had in the wake of white peoples' mass lemming-like vanishing.

Now, let me bring something up: This is in no way some triumphalist "wouldn't it be cool if all the white people vanished?" racist fantasy. It isn't that kind of facile storytelling, or revenge fantasy. It's a fantasia on the inscrutable ways of the Universe, an unknowable, unfathomably powerful external force that, this time, spared you; but...Amid the reorgaization of society, there's that unease that comes from an unresolved stressor, like the Bomb in the Cold War.

A lot like Le Guin's The Dispossessed, A Morally Ambiguous Utopia, the ideas in this story are heady indeed. The overculture in each of these different stories presupposes the existence of a hegemonic economic system that can only be opposed not reimagined. In Author Campbell's story, the presumption includes the fact that when whiteness and its (largely) unexamined privilege vanish, the enforcement of the hegemonic capitalism dies. Is everything suddenly perfect? No, but it's free from many of the more abusive qualities of capitalism and racism. I myownself am not quite so confident that capitalism would wither so completely or so quickly; it's too effective a tool of control, that most human of needs. Leaving that aside, the Brave New World presented feels...right, just, positive. I say this as someone explicitly excluded from this world. That fact is, I suspect, what led a LOT of whiny little butthurt arrested adolescents to ratings-bomb the book on Goodreads. Such arrant nonsense makes Author Campbell's premise's point for him. It also embarrasses me, an old white man, to be relegated among such angry, hateful, immature people.

The author's imagination, then, can't be faulted. This is his debut novel, so technique is logically enough less well-honed than his idea-generating musculature. I kept saying to my DRC, "Please don't explain so much to me. Trust that the stories you've imagined so richly will, in fact, lead me where you're wanting me to go. Conflicts whose roots and results you carefully elucidate aren't tense enough to keep me eagerly reading." I'm confident this can be attributed to his tyro status. I'm also very eager to read his next work when it comes out.

The ending of the story, while not exactly a release from tension, does flow from the events of the preceding action. It felt...I'm not sure "inevitable" is precisely correct, but it has the leadenness of affect I want to convey.

I've rated the book with four stars because I was brought up short and required to consider the ideas of the story multiple times. Good SF/F does that wonderful job better than any other form of storytelling.

This is good SF. That explains the other half-star.

BLACK DIAMOND QUEENS: African American Women and Rock and Roll, another co-opted cultural theft from Black folks

BLACK DIAMOND QUEENS: African American Women and Rock and Roll
MAUREEN MAHON
Duke University Press
$30.95 trade paper, available now

Rating: 5* of five

The Publisher Says: African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise.

In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers.

By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Get your pearl-clutching hand limbered up, y’all...white men grabbed a narrative and co-opted it again!
I know, I know...no one saw that coming, did they?

What I did not know about the history of women in rock and roll was a LOT. The underhanded way the gatekeepers would routinely mislabel Black women's music as soul or R&B, making it into an audience-awareness choice, reaching the natural market for these women's work, ie other Black folks. This made sure it all looked okay from the outside and still kept them separate from the white audiences that loved their music. Big Mama Thornton recorded major hits for white artists who got them from discovering her versions, eg Elvis re-recording "Hound Dog" after she did it, then refusing ever to acknowledge her as the source of the style and the rendition he made. She never got her public due, her deserved attention, or her merited rewards despite a many-decade career.

There is an entire chapter on the girl groups like the Shirelles and the Supremes, huge cultural forces in their day and now largely ignored or forgotten entirely. Diana Ross might be familiar to some younger folk (likely as a solo act), but neither Florence Ballard nor Mary Wilson are, and that is nigh on criminal neglect! The history of the women who worked behind the stars, and in the session studios, are equally unknown to the broad swath of listeners. Who knows who Merry Clayton is, by name anyway? But listen to the Rolling Stones' absolutely ubiquitous "Gimme Shelter" and they know that voice. An actual human woman, with a career, made those glorious sounds behind Jagger's howl of lust. Women like Claudia Lennear and Minnie Riperton were "muses" for white, famous men, and had tiny fractions of their success.

Of course no one can take a cursory look at this book and fail to see Tina Turner front and center. Rightly so. Her life and career were legendary from the beginning. Every action, every concert, was An Event. A life lived in the glare of publicity, though, is not always a career that works for the aritst. While Tina Turner did find justly given adulation and success for her talents, she worked for everything she ever got *against* the men resisting her input and rejecting her needs and wants. It was not until the 1980s, her fourth decade as a singer, that she finally shed the R&B ghettoization and became a megastar. The fact is that Tina Turner was a musical force of nature, and should have been lionized with the greatest of the British white men who gave the US white audiences covers of the Black women's originals.

I think I learned most from Author Mahon's chapter on Betty Davis, one of Miles Davis' wives. Her astonishing music was a YouTube rathole I had not known existed. Listen to "If I'm In Luck I Might Get Picked Up" and tell me you don't feel deprived that you are hearing it for the first time in the 21st century. That is my—our—loss, and a bitter privation indeed. It slammed home the grotesque waste of Black women's talents and gifts this book was written to highlight.

For this MLK Day of reviews, this read was both fascinating and infuriating. The misogyny, the racism, the sheer hideous waste of so much life force, all left me more hell bent than ever to seek voices, experiences, and talents in as many corners that are not spotlit than ever. Join me and let's start shoutin’ about it.