THE PALACE OF EROS
CARO DE ROBERTIS
Atria/Primero Sueno Press
$28.99 hardcover, available now
SHORTLISTED FOR THE 37TH
Lambda Literary Awards for LGBTQ+ SPECULATIVE FICTION.
Rating: 3.5* of five
The Publisher Says: Young, headstrong Psyche has captured the eyes of every suitor in town and far beyond with her tempestuous beauty, which has made her irresistible as a woman yet undesirable as a wife. Secretly, she longs for a life away from the expectations and demands of men. When her father realizes that the future of his family and town will be forever cursed unless he appeases an enraged Aphrodite, he follows the orders of the Oracle, tying Psyche to a rock to be ravaged by a monstrous husband. And yet a monster never arrives.
When Eros, nonbinary deity of desire, sees Psyche, she cannot fulfill her promise to her mother Aphrodite to destroy the mortal young woman. Instead, Eros devises a plan to sweep Psyche away to an idyllic palace, hidden from the prying eyes of Aphrodite, Zeus, and the outside world. There, against the dire dictates of Olympus, Eros and Psyche fall in love. Each night, Eros visits Psyche under the cover of impenetrable darkness, where they both experience untold passion and love. But each morning, Eros flies away before light comes to break the spell of the palace that keeps them safe.
Before long, Psyche’s nights spent in pleasure turn to days filled with doubts, as she grapples with the cost of secrecy and the complexities of freedom and desire. Restless and spurred by her sisters to reveal Eros’s true nature, she breaks her trust and forces a reckoning that tests them both—and transforms the very heavens.
Told in bold and sparkling prose,
The Palace of Eros transports us to a magical world imbued by divine forces as well as everyday realities, where palaces glitter with magic even as ordinary people fight for freedom in a society that fears the unknown.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: All the Muses please praise the Divine Madeline...Miller, of
The Song of Achilles fame...for igniting the seemingly unquenchable flame of queered/regendered mythology retellings we've been treated to this past decade.
The existence of a flood means, obviously and inevitably, some iterations will not live up to the flood-breaker's level. This book is one that doesn't quite reach heights the very best do. Most of that is down to a tendency of the author to, um, overelaborate:
She came here on some winged creature through the night sky, she is a woman free to roam the sky, a woman with a palace, a woman whose days are hidden from you, a woman who can do outrageous things to another woman’s body, a woman whose power is mountainous, whose strength is vast, whose charm is boundless, you’d never imagined such a woman could be, yet here she is, and far be it from you to anger her when she’s already given you so much, how could you ask for more, when she has chosen you for this adventure for some inscrutable reason you’ll never understand, just as it’s impossible to understand how this adventure can exist or what the scope of it will be, but there it is, the need to clasp it close and not let go because you want this life she’s offered you, want it with every fiber of your being, yet also want to hold on to your own knowing, however tiny it may be compared to hers.
I think that single sentence says more than I ever could.
I am very sure that, absent familiarity with the many versions existing of the underlying myth, this story will still make sense. After you take out you mental machete and whack back some of the vines and shrubs in your path. It is not, in the final analysis, a terribly complicated plot. It's about the nature of desire, and to twenty-first century eyes, the nature of consent.
I was most interested in Author De Robertis' decision to use first-person narration, and a deep access to her thoughts and feelings, for the human/victim of coercive sex Psyche, while according the deity/rapist third person freedom. A force of nature like a deity should, I agree, have an impersonal voice; if any personification of a natural force needs and deserves this distancing, it is the personification of Lust, and subsidiarily, physical Love. There is a reason the Greeks split Love/Aphrodite from Lust/sex Eros. These things are not the same.
I don't entirely understand why, post-#MeToo, one would choose to retell this particular myth without including some examination of the romanticization of coercion that the myth has always represented. Making Eros a non-binary deity, while very much in the spirit of the times, doesn't change what Eros did to Psyche.
A slender reed of a story to hang a novel on, and one that still misses its chances to add value to the ongoing conversation about sexuality and romance. Published about ten years too late to make its best and biggest splash.
