SALT BONES, Demeter & Persephone on the Mexicali border

SALT BONES
JENNIFER GIVHAN
Mulholland Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: For fans of Silvia Moreno-Garcia’s Mexican Gothic and Ramona Emerson’s Shutter: a gripping retelling of Persephone and Demeter in the Mexicali borderlands

At the edge of the Salton Sea, in the blistering borderlands, something is out hunting. . .

Malamar Veracruz has never left the dust-choked town of El Valle. Here, Mal has done her best to build a good life. She’s raised two children, worked hard, and tried to forget the painful, unexplained disappearance of her sister, Elena. When another local girl goes missing, Mal plunges into a fresh yet familiar nightmare. As a desperate Mal hunts for answers, her search becomes increasingly tangled with inscrutable visions of a horse-headed woman, a local legend who Mal feels compelled to follow. Mal’s perspective is joined by the voices of her two daughters, all three of whom must work to uncover the truth about the missing girls in their community before it's too late.

Combining elements of Latina and Indigenous culture, family drama, mystery, horror, and magical realism in a spellbinding mix, Salt Bones lays bare the realities of environmental catastrophe, family secrets, and the unrelenting bond between mothers and daughters.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: There's Spanish in here.

Everybody still here, this is a retelling of Demeter and Persephone, probably the original mother-myth in Western culture. It is also notable that Demeter's the oldest sister of baby Zeus...that energy surrounding maleness surrounds this entire story.

Are the whiny man-babys gone yet? Good.

The gynergy is strong in this one, folks. All the horror, and there's a lot of it, stems from problems and issues around femaleness in our highly misogynistic culture. Women are, for a wonder, presented as misogynistic as hell in here, and all the monstrous, horrifying behavior is portrayed as affecting women. (Why the fathers aren't ever fussed I'll leave to your imagination.)

Invest in the first quarter to third of the read as your acclimatization, get used to Mal and her pueblo's speech patterns, and (ebook users only) try out the built-in translation feature to get the hang of Spanglish, then cruise through the story that fills in the lines of the old myth in a really fun...not the right word, but "interesting" is so juiceless and "involving so cerebral...unexpected way.

It's a dark reality that Mal's fears and worries are rooted in the ugliness that is femicide, a too-easily-dismissed issue plaguing la frontera. Stories like this one are ways to increase awareness of the precarity of simply existing as a female, or in a female body, in so many parts of the world. And like the real world, some people have privilege, even when bad things happen to and around them. Seeing the author present this as a reality, well...brava for doing it at all, and do it more, please.

The Salton Sea is important enough to the read that I recommend you acquire basic knowledge of it, its existence and origin, before embarking on this fascinating thriller. I found the pace fast. I don't think everyone will. I hope you'll try, though.

THE JINN DAUGHTER, death magic, motherhood, and one very ill Death

THE JINN DAUGHTER
RANIA HANNA
Hoopoe Books|American University in Cairo Press
$17.95 trade paperback, available now

20% Off when ordered on their website! Just enter promo code: summer24 at checkout. Valid until 10 August 2024 in North America, the Uk, Europe, and (naturally) Egypt.

Rating: 4.5* of five

The Publisher Says: A stunning debut novel and an impressive feat of storytelling that pulls together mythology, magic, and ancient legend in the gripping story of a mother’s struggle to save her only daughter

Nadine is a jinn tasked with one job: telling the stories of the dead. She rises every morning to gather pomegranate seeds—the souls of the dead—that have fallen during the night. With her daughter Layala at her side, she eats the seeds and tells their stories. Only then can the departed pass through the final gate of death.

But when the seeds stop falling, Nadine knows something is terribly wrong. All her worst fears are confirmed when she is visited by Kamuna, Death herself and ruler of the underworld, who reveals her desire for someone to replace her: it is Layala she wants.

Nadine will do whatever it takes to keep her daughter safe, but Kamuna has little patience and a ruthless drive to get what she has come for. Layala’s fate, meanwhile, hangs in the balance.

Rooted in Middle Eastern mythology, Rania Hanna deftly weaves subtle, yet breathtaking, magic through this vivid and compelling story that has at its heart the universal human desire to, somehow, outmaneuver death.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Mythology that tantalizes with its familiar outlines, and its very intriguing shifts, is always going to get my attention. Nadine has a very unusual job as a Hakawati jinn who must tell the story of the dead before their spirit can move to the next world. This is very appealing to me, as the medium of delivery is pomegranate seeds that fall from the sky. This use of the many-cultural pomegranate as a deliverer of information about the dead in its very numerous, sweet-fleshed seeds seemed like it should be used in more myths!

Demeter and Persephone add their cultural mite to the familiarity stakes as Nadine, our jinn mother, needs to keep her daughter from being drafted to assume the role of the soul-sickened, dying, Death. I don't guess any mom wants her little girl to grow up into a being universally feared and loathed. The tension seemed logical if overplayed: In the quest to save her half-human child from becoming Death, Nadine takes us through an afterlife of surprising charm and a weird kind of gentleness. I guess when Death and her court are female, that is what happens...? As a side note, the men here are one-dimensional walk-ons. I was fine with that, others might not be.

I kept thinking that Death sounded like a fine ruler, where do I go to learn necromancy? Nadine was way ahead of me. Lots of the stories in this very literary fantasy novel center on death as a bargain, making deals, and the like. That is not really something I think is factual, but this being fiction not religion I have no kick with it. The book is short enough that its one note, Motherlove, does not become tiresome. She needs to make some hefty decisions with serious consequences to keep her daughter safe, including the hail-mary pass of digging up her dead partner's horrible father, but in the end only truly good people can help Nadine do good things.

Does it all make sense? Not to me; but I am a cynical old man who thinks the job of being Death sounds spiffing. There is a lot of time spent doing the same thing a couple different ways...go with it. Be in the flow of the story. I recommend this quiet, loving story for US mother's day, as a gift or as a celebration of a deeply missed Mom.