JEAN GIONO'S PAGE: Fragments of a Paradise & Occupation Journal & Ennemonde

OCCUPATION JOURNAL
JEAN GIONO (tr. Jody Gladding)
Archipelago Books (non-affiliate Bookshop.org link)
$7.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A captivating literary and historical record, Jean Giono's Occupation Journal offers a glimpse into life in collaborationist France during the Second World War, as seen through the eyes and thoughts of one of France's greatest and most independent writers.

Written during the years of France's occupation by the Nazis, Jean Giono's Occupation Journal reveals the inner workings of one of France's great literary minds during one of the country's darkest hours. A renowned writer and committed pacifist throughout the 1930s—a conviction that resulted in his imprisonment before and after the Occupation—Giono spent the war in the village of Contadour in Provence, where he wrote, corresponded with other writers, and cared for his consumptive daughter. This journal records his musings on art and literature, his observations of life, his interactions with the machinery of the collaborationist Vichy regime, as well as his forceful political convictions. Giono recounts the details of his life with fierce independence of thought and novelistic attention to character and dialogue.

Occupation Journal is a fascinating historical document as well as a unique window into one of French literature's most voracious and critical minds.

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My Review: Knowing that these quotidian topics of no great interest are Author Giono's middle-of-WWII maunderings while his pacifist life was under the Vichy apparatus of Nazi occupation's close scrutiny makes them fascinating. It's a universal truth that life goes on, kids need clothes and meals and trips to the doctor. Author Giono navigates his way around every obstacle with his money and his persistence and his connections. Being in the toils of legal proceedings for his well-documented lifelong pacifism meant he was never a serious threat who needed close custody. Left to read and write, though subject to censorship, Author Giono writes unselfconsciously in these journal pages (always intended to remain private) of his process as a writer, his frank assessment of other writers' work, and the people of the village of Contadour.

It reminded me that the evergreen thought experiment "whatever you're doing now is what you'd be doing under Nazi occupation" makes one stop short and think hard for a reason. Author Giono took his privilege as a reason to spread the good fortune around: he never has any cash, and owes the government a pile of money, all because he's supporting his whole family...nine people in total...as well as bankrolling the escapes of those who are at lethal risk from that government he owes so much money to.

Using "their" money to keep "them" from committing murder against people whose morals he shared. Full marks, sir. And he did not stop there. He completed six novels (translated another...oh, there were plays too!) during the German occupation. Author Giono was a truly inspiring example of how to live a morally good life in bad times and under dark circumstances.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


FRAGMENTS OF A PARADISE
JEAN GIONO (tr. Paul Eprile)
Archipelago Books (non-affiliate Bookshop.org link)
$13.99 ebook, available now

Rating: 3.5* of five

The Publisher Says: “Giono’s prose is a singularly fine blend of realism and poetic sensibility.” — The Washington Post Giono’s very own Moby-Dick, a sensational maritime journey that follows a crew inwards on a spiritual tale of evocative sea-glimpses

An allegorical critique of modern civilization and the damages of war, Giono’s oft-overlooked seafaring tale sweeps the reader along a narrative as poetic and undulating as the wind, tacking between the sea’s mysteries and the intricacies of the men’s conversations and inner thoughts as they attempt to grasp the sensory reality around them.

“I no longer have any interest in living under the conditions that this era allows,” writes the Captain of L’Indien, a ship whose radio remains packed in a crate in the hold. The men aboard won’t be needing it; they have no interest in connecting with the world of ordinary men. With enough provisions to last them five years, they set sail in July of 1940 for the South Seas, leaving civilization behind in search of the unknown.

Hastening onwards, Giono’s men steer deeper into themselves, seeking a purpose beyond the “world in upheaval” they left behind—a moving and spiritual work written by one of Europe’s most ardent 20th-century pacifists.

A sensational novel that delves into the unknown reaches of the sea and soul, perfect for readers seeking a poetic escape that challenges the political and social status-quo.

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My Review: Really, do I even need to say it?

This read was a beacon of psychic coolness in a summer beset by wildfires, smoke particles, and the looming, ugly threat of super-El Niño to come with its heat and its drought. It's beautiful, as one would expect from a writer of Author Giono's stature, sentences making images that endure on the eye the nose the ear of the mind as the men on this sailing ship leave their families and friends behind to fight their war, rebuild their world, however they like.

No one who leaves the world does so without leaving others behind.

It's beautiful until the thought, "you have provisions for FIVE YEARS and you left a literal WAR ZONE to escape into a cosmic search for love, truth, and beauty?!" hits.

Stay there and use that magical power to feed hungry wounded orphaned victims.

Yes yes yes, it's a fable, an unreality meant to instruct and to offer guidance on one's search for Meaning, all very well. Author Giono was a pacifist who was punished for opposing the Vichy regime...see above for his journals in review...but this kind of navel-gazing is for the time leading up to war, in an attempt to forestall the slide; this tale appeared in 1948, as the rebuilding of the continent was gathering steam. That was the moment to support peaceful action not hightailing it off to sea to have cool adventures.

Anyway. Beautiful sentences, we're not rebuilding stuff (though we should be), so read and enjoy.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


ENNEMONDE
JEAN GIONO (tr. Bill Johnston)
Archipelago Books (non-affiliate Bookshop.org link)
$12.99 ebook, available now

Rating: 4* of five

The Publisher Says: One of the final novellas by the acclaimed French writer Jean Giono, Ennemonde is a fierce and jubilant portrait of a life intensely lived

Ennemonde Girard: Obese. Toothless. Razor-sharp. Loving mother and murderous wife: a character like none other in literature. In telling us Ennemonde’s astounding story of undetected crimes, Jean Giono immerses us in the perverse and often lurid lifeways of the people of the High Country, where vengeance is an art form, hearts are superfluous, and only boldness and cunning such as Ennemonde’s can win the day. A gleeful, broad sardonic grin of a novel.

"Roads move cautiously around the High Country..." So begins the story of Ennemonde, but also of her sons, daughters, neighbors, lovers, and enemies, and especially of the mountains that stand guard behind their home in the Camargue. This is a place of stark and terrifying beauty, where violence strikes suddenly, whether from the hand of a neighbor or from the sky itself.

Giono captures every wrinkle, glare, and glance with wry delight, celebrating the uniquely tough people whose eyes sparkle with the cruel majesty of the landscape. Full of delectable detours and startling insights, Ennemonde will take you by the hand for an unforgettable tour of this master novelist's singular world.

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My Review: Not remotely comfortable reading, Giono using this female body's looks and size as commentary on her character and morality. Perfectly ordinary in its time; sixtyish years ago people said terribly cruel things about those larger than, or in any way divergent from, "average."

The young women, while they're still maidens, possess a fruit-like beauty; then the beauty bursts, and fragments of it can be seen in their children. Truly nothing remains of these women's former state. Some Venuses turn into fearsome monsters; almost all of them have seventeenth-century mouths, toothless or, even worse, with a handful of loose teeth on which they suck. It's pretty ghastly. But their simple-minded appearance shouldn't be taken at face value. Almost all of them are commanding women. With their back to the wall they achieve wonders. People still remember Ennemonde Girard.

It does not hit the same register in 2026 as it did in 1968, when it first appeared. It feels false, hostile, spoken for effect in the #MeToo world.

There's probably a good reason for that: the French are not so terribly far from the US despite their fantasies:

The tool that people around here have most often in their hand is a shotgun, whether it’s for hunting or for, let’s say, philosophical reflection; in either case, there’s no solution without a shot being fired...
–and–
The Protestants of these parts had since time immemorial protested against Protestantism. They’d ended up worshipping anything at all, so long as the anything at all demanded intolerance. Crown of thorns were consumed in every household, at every meal. Religion was a sort of commerce in which discomfort was always preferred to joy, scorn to pleasure, and ultimately vice to virtue.

"These parts" are Author Giono's native Provençal mountains, where he lived his life.

It's not so weird after all, fellow intolerant lefties; humans been MAGAts a long damn time.

I can't claim to love this story, I can't tell if it's because I'm a judgmental old man or I'm just a product of the times that brought this novella (150pp barely) into being, holding its subjects up for a cold-eyed considering examination. Author Giono does not vouchsafe a verdict; I do.

Me no likee.

WINNING THE EARTHQUAKE How Jeannette Rankin Defied All Odds to Become the First Woman in Congress, recovering the life of a great American

WINNING THE EARTHQUAKE How Jeannette Rankin Defied All Odds to Become the First Woman in Congress
LORISSA RINEHART
St. Martin's Press (non-affiliate Bookshop.org link)
$16.99 ebook, available now

A LIBRARY JOURNAL BEST BOOK OF 2025

Rating: 4.5* of five

The Publisher Says: The first major biography of Jeannette Rankin, a groundbreaking suffragist, activist, and the first American woman to hold federal office.

“Few members of Congress have ever stood more alone while being true to a higher honor and loyalty.” —President John F. Kennedy on Jeannette Rankin

Born on a Montana ranch in 1880, Jeannette Rankin knew how to drive a tractor, ride a horse, make a fire, and read the sky for weather. But most of all, she knew how to talk to people, how to convince them of her vision for America. It was this rare skill that led her, in 1916, to become the first woman ever elected to the House of Representatives.

As her first act, Rankin introduced the legislation that would become the 19th Amendment. Throughout her two terms in 1916 and 1940, she continued to introduce and pass legislation benefitting unions, protecting workers, and increasing aid for children in poverty. In 1941, she stood tall as the sole anti-war voice in Congress during WWII, advocating for pacifism in the face of tragedy and stating that you can no more win a war than you can win an earthquake.

A suffragist, feminist, peace activist, workers' rights advocate, progressive, and Republican, Rankin remained ever true to her beliefs—no matter the price she had to pay personally. Yet, despite the momentous steps she made for women in politics, overcoming the boys club of capitalists and career politicians who never wanted to see a woman in Congress, Jeannette Rankin’s story has been largely forgotten. In Winning the Earthquake, Lorissa Rinehart deftly uncovers the compelling history behind this singular American hero, bringing her story back to life

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My Review: I was aware of Rankin as the lone voice against declaring war in 1941. My 1970s public school education in Austin taught me that fact in seventh grade; nothing positive was ever added to it in any class I ever took on History, on sociology, or any other discipline at any later stage of my education. This book, published fifty years after that initial mention of Rankin's name, is the first comprehensive biography of a very very important voice in US politics in the first half of the twentieth century. This proves a point Author Rinehart makes:

"Nowhere in her education or prolific reading had she learned that in 1848, three hundred women gathered in Seneca Falls to declare their sovereign right to the ballot. Nor had she heard that since then, women in every state of the nation had been fighting for their right to vote. To her even greater amazement, they had won it in Wyoming, Colorado, Utah, and Idaho, all before the turn of the twentieth century. She and all American women seemed to have been purposefully denied knowledge of their own struggle for liberation."

My one cavil with this statement is the modifying presence of "seemed" since there is no better way to stop people from making change than to stop them from knowing about the changes that have already happened. If authoritarians do not want any changes either made again or expanded on, they simply erase the history that shows their way is not the only way from public discourse. Then the few places the awareness of the changes survives can be marginalized and shouted down.

Book banning is step one; book burning step two; reducing literacy overall is the final nail in the coffin the high-control society uses.

I was drawn in by the title of the book. It seemed so off-kilter, so self-evidently contradictory, that I wanted to know where it came from hence my desire to read a book about someone I knew nothing substantive about. It's from one of pacifist Rankin's well-known in her time sayings: "you can no more win a war than you can win an earthquake." Millennia of corroborative evidence has had no appreciable effect on war's prevalence.

I was impressed by the depth of Author Rinehart's scholarship. Her extensive notes and citations were all very enlightening and well-chosen from my layman's point of view. There are widely varying sources cited so this tells me how very much work it was to find all the factual crumbs she did. One major shock, though honestly it shouldn't've been, was that the representative from Montana was elected as a Republican. I'm so steeped in the post-LBJ empire of evil that is the modern GOP that I've lost sight of the entire progressive history of the Republicans. Go read about Robert La Follette and Teddy Roosevelt. Time was these were the progressive leaders, not the soulless evil bastards in the McConnell/Bush/Cheney ilk or the wild-eyed reactionary MAGAts.

How likely is the present base, let alone "leadership", of the party to embrace a pacifist follower of Gandhi, a campaigner for the abolition of the Electoral College, and vehement supporter of unions? Growing up in Montana in the 1880s (when their representatives were called "the gentlemen from Anaconda," the state's largest employer and main economic driver), Rankin recognized the evils of untrammeled capitalism. She emulated Jane Addams in her work for the betterment of ordinary folks. Rankin was, in short, the best kind of radical there is, a radical believer in people and their power to do good...when left to do it.

A role model for today who is finally getting her scholarly due, I hope the sudden awareness of Gen Z that things in the US do not have to be this way will lead some of them to discover this spirit-parent from our country's past.