Pages
- Home
- Mystery Series
- Bizarro, Fantasy & SF
- QUILTBAG...all genres
- Kindle Originals...all genres
- Politics & Social Issues
- Thrillers & True Crime
- Young Adult Books
- Poetry, Classics, Essays, Non-Fiction
- Science, Dinosaurs & Environmental Issues
- Literary Fiction & Short Story Collections
- Sookie Stackhouse/Southern Vampire Books & True Blood
- Books About Books, Authors & Biblioholism
Showing posts with label post-WWI setting. Show all posts
Showing posts with label post-WWI setting. Show all posts
Thursday, October 16, 2025
ZONE ROUGE, a novel fictionalizing a reality most of us haven't realized exists
ZONE ROUGE
MICHAEL JEROME PLUNKETT
The Unnamed Press (non-affiliate Bookshop.org link)
$28.00 all editions, available now
Rating: 4.25* of five
The Publisher Says: We are démineurs. We dismantle bombs.
Ferrand Martin and his team of démineurs spend their days in the ruined fields of Zone Rouge on the periphery of Verdun, France where they clean up the artillery and explosives used in World War I. One bullet, one bit of shrapnel, one bomb at a time. The work, they say, is not measured in days, months, or years, but in generations. It’s taken a century to get this far, and it will take many more centuries to complete.
One morning, a routine call to pick up a half-buried artillery shell turns out to be much more than just a single they discover a human skeleton, fully intact. Ferrand and his fellow démineurs dig deep into poisoned soil to reveal the past is rarely ever distant from the present.
This startling discovery kicks off a series of events that sees the usually desolate Zone Rouge teem with activity as academics, politicians, and locals all wrangle over the legacy of the War and what it means to remember. Zone Rouge is a brilliant reimagining of the Sisyphus myth suffused with our modern anxieties over war, climate, class, and the ghosts of our pasts.
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: The real Red Zone, northeastern France, is still...107 years after the Armistice on 11/11/18...unavailable for human habitation, so damaged by and so dangerous from munitions and chemicals used during the battles of the day that it is still polluting the soil, the air, the water...there are areas where arsenic makes up 18% of the soil by weight in the 21st century.
The devastation has led to the abandonment of the area as a productive landscape. The démineurs ...this is a real job, there are hundreds of these men working the "Iron Harvest" from both the 20th century's great wars...have greater risks for some cancers, greater risk, obviously, of fatal accidents as is expected for those working with unexploded ordnance.
An expansion of the myth of Sisyphus, a kind of riposte to the great classic All Quiet on the Western Front, the idea of the story is the unending price paid for war. As long as most of us have never heard of le Zone Rouge, which..be honest...you hadn't before now, the consequences of stupid people wielding too much power are kept out of sight-out of mind. So reading the quotidian struggles of those who, for the sake of a job, clean up their grandparents' and great-grands' messes. To their own occasionally lethal detriment.
No matter the side, no matter the divide, no matter the outcome, the planet we depend on for our existence and are highly unlikely to stop needing for that suffers fro our greed and fecklessness. In the end we will pay for our actions, are beginning to pay for our actions even now. The author is (per his Goodreads bio) a former member of the "...Marine Corps and is a former EMT. He is the Co-founder and Executive Director of the Literature of War Foundation and host of The LitWar Podcast. His writing has appeared in Wrath-Bearing Tree, The War Horse, Leatherneck Magazine, and other publications." With that CV, one can see why this is the subject he chose for his debut novel. A laser focus on the tangible costs of war has clearly guided the gentleman's course in adulthood. The reason the book is easy to read is in his ability to see the men, the actual uniform-wearing people, in the story. It gives the story its immediacy. The weakest part of this narrative is the man who runs a town in the Zone Rouge, who dreams of rebuilding it (in his own image of it, of course) in spite of hurdles both practical...aresenic-poisoned soil and unexploded ordnance do not say "bring the family to live here!"...and bureaucratic. The French government does not want the terrible optics of dead kids who played with a mine to go viral, nor does the rewilding of the areas most impacted strike them as a bad thing. Pripyat, in the Chernobyl exclusion zone, is undergoing this process as well, and it's definitely having an impact on the natural world that the disaster seemed to preclude. We as a species need to learn from these terrible events, learn how best to fix the carnage we've wrought on the planet's other inhabitants. The reason Hugo, the "mayor," doesn't come off well is he is an archetype of end-stage capitalism's obscene valorization of greed, selfishness, and self-interest.
As I suspect that was the author's intent, I take no exception to Hugo's horribleness. I take mild exception to Ferrand, our main character's, Boy-Scouty, libertarian ways. That's a fast way to enable fascism's rise, as we're seeing now...so no, no fifth star on this story.
That does not mean I was not very pleased to read this book. I was engaged throughout, I was educated by the story's reason for existing...I'm one who hadn't clocked the existence of the titular zone...and I thoroughly appreciated the author's deftness at refining and re-presenting Sisyphus for this climate-changing, cleaning-up century.
Wednesday, August 20, 2025
CHILDREN OF WAR, real person-children and the psychic inheritance of Humanity's love of Hating
CHILDREN OF WAR
AHMET YORULMAZ (tr. Paula Darwish)
Neem Tree Press (non-affiliate Amazon link)
$12.95 trade paper, available now
Rating: 3.5* of five
The Publisher Says: Inspired by the intimate diaries of a refugee family, Children of War is an evocative novel that seamlessly intertwines the allure, complexity, and scars of Crete's storied past to tell the intimate tale of an ordinary man caught in the vortex of extraordinary times.
For fifteen generations, Hassanakis's family has called Crete home, and he's always seen himself as a true Cretan. Yet, as the world around him is engulfed in the chaos of collapsing empires and simmering conflicts, Hassanakis finds himself at the crossroads of identity. In the face of escalating ethnic violence, his family's flight to Chania becomes a poignant journey of survival.
Amid the turmoil, Hassanakis weaves new roots, donning distinctive attire that earns him the nickname 'Hassan the mirror'. As World War I reaches its crescendo and the Turkish War of Independence rages on, a profound romance ignites between him and the graceful Hüsniye. But soon the prospect of being uprooted to a foreign Turkey becomes a chilling reality. Can he fathom leaving behind the life he's built for a land where he's a stranger?
I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.
My Review: A translation of a book published long enough ago to have embarrassing tropes, the main character's obsession with women's breasts as an example. Deciding whom to marry on such a trivial thing is...unappealing any time, unacceptable to say out loud today. (Thank goodness.)
In the US, and I think the "West" more broadly, we are not taught about the HUGE traumas of the Aegean world after the rump of the Ottoman Empire fell after the Great War. (That's the name most at the time would've used.) The always-simmering ethnic and religious hatreds were, as the cork of Imperial tyranny was popped, bubbling and frothing out. They are still bubbling and frothing, the human need to hate is still prominent in daily life...if I need a citation for you to accept that as a foundational truth, let's stick to Greeks and Turks: Cyprus.
The issue will not go away. I assert the root of this in the modern world is calculated. I think it's imperialist, capitalist, and driven by mentally ill levels of greed.
That said, go look at why I think these things. This book contains elements of them all...the PoV character's there because of imperialism, the expulsion is not a little tinged by greed, the character's eventual success is measured by greed's favorite yardstick: money, financial success. The "nativist' argument that either presupposes land ownership is a thing...like the land cares about anything about *who* is using and/or abusing it...or says the claim of this or that person is or is not properly able to live in a place is operating within the system that perpetuates hatred and division for profit.
Humans love to hate more than anything else, go look at all of history, so people like Author Yorulmaz and Translator Darwish do their level-best to personalize the consequences of that appalling truth. It was modestly successful here. I was never really all the way into the story, finding Hassanakis more or less a convenience to hang a narrative upon not a fully realized character. I think this came from a marketing decision I question:this is a novella, and a decent-enough one, not in any way a novel.
I think that setting of expectations would've raised my rating. As it is, I recommend thinking past the novel designation, thus enjoying the story told more.
Sunday, August 3, 2025
THE REMEMBERED SOLDIER, Flemish writer explores the Great War's breakage in intimate detail
THE REMEMBERED SOLDIER
ANJET DAANJE (tr. David McKay)
New Vessel Press (non-affiliate Bookshop.org link)
$22.95 all editions, available now
Rating:
WINNER of the Republic of Consciousness Prize, US & Canada, 2025!
FINALIST for the 2026 PEN Translation Prize
2026 International Booker Prize longlistee!
One of Publishers Weekly's Best Books of 2025!
One of LitHub's 100 Notable Small Press Books for 2025!
Wall Street Journal's The 10 Best Books of 2025
The Publisher Says: An extraordinary love story and a captivating novel about the power of memory and imagination.
Flanders 1922. After serving as a soldier in the Great War, Noon Merckem has lost his memory and lives in a psychiatric asylum. Countless women, responding to a newspaper ad, visit him there in the hope of finding their spouse who vanished in battle. One day a woman, Julienne, appears and recognizes Noon as her husband, the photographer Amand Coppens, and takes him home against medical advice. But their miraculous reunion doesn’t turn out the way that Julienne wants her envious friends to believe. Only gradually do the two grow close, and Amand’s biography is pieced together on the basis of Julienne’s stories about him. But how can he be certain that she’s telling the truth? In The Remembered Soldier, Anjet Daanje immerses us in the psyche of a war-traumatized man who has lost his identity. When Amand comes to doubt Julienne’s word, the reader is caught up in a riveting spiral of confusion that only the greatest of literature can achieve.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Deeply satisfying, immersive, emotionally intense, and really long.
Okay. You can go buy one now. Ebook, trade paper, whatever, the choice is yours on format. Reading it ought not to be a choice not to.
Maybe this is the last time he will walk down the familiar corridor as the man called Noon Merckem, that door there on the left with those welcoming panes of glass could mean the end of his existence, weak in the knees like a man being dragged to the gallows, that's how he feels in this instant, as the hope that sustained him, the certainty that everything would be new and better beyond imagining and normal at last, that he would pass through that everyday door and be another man when he came out, a man with a home and a family and a life outside these walls, all drains away. And he comes to a halt on the sun-dappled tiles and Brother Reginald turns toward him and sees the desperation on his face and murmurs that God will never test Noon more harshly than he can bear, and gives an encouraging nod, and Noon remains silent, because in his four years here he has not seen much to reassure him about God's notions of what is bearable.
The ecstatic terror of being someone..."this is what it is like to be someone"...who belongs to someone, who is known to someone, whose voice and habits and smells aren't case notes but facts of a shared life...permeates Noon (Amand now) from every axis and angle. Julienne is now real. He has a wife and she not only knows him but wants him (unlike other men in the asylum whose wives families whoevers do not have strength to bear them up) back with her and their children (children? oh god) to create anew the life that war stole from them all. But here are losses too, what is to become of Basiel his electively mute buddy? what of Maurice Constant Jules? and this is where Julienne becomes, to my mind, the single luckiest person on this planet to rediscover a man she was amazingly lucky to find in the first place. He (Amand) has room in his hour of grace bestowed to care for and about those he will leave to become someone, restored to life, to his life again. At last. But the men he leaves in the asylum? Only in body. They're still with him.
Bodies. How incredibly important bodies are in, and after, war breaks them. A body is a thing we use to carry our memories that grow our feelings and shape our personas. All of those are plurals. Plurality and duality and dichotomy are the lot of all bodies, most especially as we move them through...whatever time is, listen if the physics geniuses assembled at Solvay in Belgium a mere five years after this book takes place didn't have a clue what time *is* what chance do I have...time, and things happen to around in us. Children, for example, happen. How? "The usual way" glibly tossed off, but how usual is any way?
What makes me so very happy as I re-experience this story after abandoning it back in March, stuck in my hate-fog as Felonious Yam and cronies began their assault on us, only to pick it up on Thursday morning and finish all close-to-six-hundred pages on Friday afternoon, is the respect for my intelligence this book embodies from beginning to end. Julienne never once comes across as anything other than sincere, Amand never steps into any role but the one of honorable man, no one tells me what to think of their foibles, failings, fallings-short.
What I look for, every time I pick out a story to read, is the one that will make it impossible for me to do the ordinary thing, find faults, even ones that normal people wouldn't care about, and instead surrender to the story's currents and tides, falling in falling down falling in love.
That's what happened here. I hope you'll follow me, hope you'll have that experience, hope this read will fulfill you the way it did me.
I'll note that Goodreads has hundreds of Flemish-language reviews that award four and five stars.
Subscribe to:
Posts (Atom)


