DEEP HOUSE: The Gayest Love Story Ever Told does so very much for illuminating the reality of empathy

DEEP HOUSE: The Gayest Love Story Ever Told
JEREMY ATHERTON LIN
Little, Brown and Company (non-affiliate Bookshop.org link)
$29.00 hardcover, available now

Rating: 4.5* of five

One of Publishers Weekly's Top 10 Best Books of 2025!

One of Electric Literature’s Best Non-fiction Books of 2025!

The Publisher Says: From the National Book Critics Circle Award-winning author of Gay Bar comes a rule-breaking, sweat-soaked, genre-busting story of outlaw love.

It’s 1996, and Jeremy Atherton Lin has met the boy of his dreams—a mumbling, starry-eyed Brit—just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights including immigration. The pair steals away to remote forests and vast deserts, London fashion shows and Berlin sex clubs, dinner parties, back alleys, East Village hotel rooms, and San Francisco dives. Finding no other way to stay together, they shack up illicitly among unlikely allies in a “city of refuge.”

With Atherton Lin’s inimitable blend of tenderness and wicked humor, Deep House moves through the couple’s string of rented apartments while unlocking doors to a lineage of gay men who have come before—smuggling a foreign partner through national checkpoints or going public to stand up for the right to get down in the privacy of their own homes. They include hapless criminals, sexpot bartenders, friars, pirates, government workers who subverted the system, activists who went all the way to the Supreme Court, and the celebrated artist Felix Gonzalez-Torres.

Following Gay Bar—called “a rich tapestry” by Vanity Fair and “an absolute tour de force” by Maggie Nelson—Deep House juxtaposes whispered disclosures of undocumented domesticity with courtroom drama and political stunts to explore myriad forms of intimacy while questioning the mechanisms that legitimize love. Deep House is at once a historical kaleidoscope and the innermost tale of two boyfriends who made a home in the shadows of a turbulent civil rights battle.

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My Review: A story whose timeliness could not possibly be greater. Author Jeremy takes us through a moment, thirty years ago, when the political landscape looked a lot like today's. He had just fallen in love with "Famous Blue Raincoat," an undocumented Brit, which is presenting practical problems of residence and life together. How do you rent an apartment, earn a living, make couple-friends? You're carrying the usual relationship stuff but on top of that is the need to be discreet, even secretive, about big pieces of your life.

What Author Jeremy chooses as his narrative strategy is lighter on the deeply personal details in favor of a potted history of the topic of marriage equality in the US from DOMA in 1996 through twists an turns of bi-national queer couples litigating their basic human rights (which is not how rights are supposed to work except here in looney-religious-land) through to the now-imperiled Obergefell v Hodges decision in 2015.

It's a lot to take in. The personal parts pertaining to Author Jeremy and "Famous Blue Raincoat" are sprinkled on like powdered sugar to make the wodges of information go down easier. There are so many facts that impinge on the love story he's telling that there's really no other way to tell the whole story. Author Jeremy was threading needle after needle after needle, trying not to be preachy while advocating equality, trying not to be confessional while honestly depicting the cost of a life defined by struggle to access simple equality, trying not to chirp triumphantly about battles won while they're being refought, yet leaving his readers with real hope in a world that does not do much to support it.

The amount of focused effort in these four-hundred-plus pages is humbling. It's a gift to receive this kind of careful craft on such a personal topic. I'd've given a full fifth star had I had citations, not simply end-notes; it's a "me" thing, it likely won't bother a lot of y'all, but when you're relying on sources to make factual cases and points within cases, I'd like to be pointed at those sources in the text not simply as end notes. I feel a bit unkind bringing it up in a time where even the inclusion of end notes is increasingly rare, but, well, I'm pedantic and grouchy and old.

Surprise!

Don't wait...get yourself a copy fast as you can for your #PrideMonth reading. It's a pleasurable way to appreciate fully and personally what is at stake in the current political crisis.

THE SLIP, debut novel that feels very assured and is very complex and involving

THE SLIP
LUCAS SCHAEFER
Simon & Schuster (non-affiliate Bookshop.org link)
$14.99 ebook, available now

2025 National Book Critics Circle Award/The John Leonard Prize finalist for debut work!

One of The Washington Post's 10 Best Books of 2025!

A New York Times 100 Notable Books of 2025 selection

One of The Washington Post's 10 Best Books of 2025!

Rating: 4.5* of five

WINNER OF THE 2025 KIRKUS PRIZE for Fiction!

The Publisher Says: For readers of Jonathan Franzen and Nathan Hill comes a haymaker of an American novel about a missing teenage boy, cases of fluid and mistaken identity, and the transformative power of boxing.

Austin, It’s the summer of 1998, and there’s a new face on the scene at Terry Tucker’s Boxing Gym. Sixteen-year-old Nathaniel Rothstein has never felt comfortable in his own skin, but under the tutelage of a swaggering, Haitian-born ex-fighter named David Dalice, he begins to come into his own. Even the boy’s slightly-stoned uncle, Bob Alexander, who is supposed to be watching him for the summer, notices the change. Nathaniel is happier, more confident—tanner, even. Then one night he vanishes, leaving little trace behind.

Across the city, Charles Rex, now going simply by “X,” has been undergoing a teenage transformation of his own, trolling the phone sex hotline that his mother works, seeking an outlet for everything that feels wrong about his body, looking for intimacy and acceptance in a culture that denies him both. As a surprising and unlikely romance blooms, X feels, for a moment, like he might have found the safety he’s been searching for. But it's never that simple.

More than a decade later, Nathaniel’s uncle Bob receives a shocking tip, propelling him to open his own investigation into his nephew’s disappearance. The resulting search involves gymgoers past and present, including a down-on-his-luck twin and his opportunistic brother; a rookie cop determined to prove herself; and Alexis Cepeda, a promising lightweight, who crossed the US-Mexico border when he was only fourteen, carrying with him a license bearing the wrong name and face.

Bobbing and weaving across the ever-shifting canvas of a changing country, The Slip is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.

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My Review: Does the publisher's synopsis sound like A Lot? That's down to the fact that it is. Don't fret, though, there's room for it all in close on five hundred pages. It's told in multiple layers of PoV, it's told across points in time, and it's told at an unfolding pace, not the heady adrenaline rush of a boxing match. (Y'all remember from May's Pearls & Burgoines how I feel about boxing.)

The truth is that "Boxing" isn't quite the same as what I see in the fights here. It's the reasons and techniques and substance of boxing, not the performative violence I'm so repelled by, that are on display. The way young Nathaniel is drawn in to the world of the gym, discovers himself, and makes such a stir as he and David, his Haitian boxing mentor, discover his natural abilities is what it means to be young and find your gift.

Then Nathaniel, all of sixteen, disappears.

To say this was upsetting to me is to understate its impact within the story. It is that dramatic pivot point that many books either lack, or squander the impact of. That almost happens here, which is why the fifth star is partial. There are a welter of viewpoints, some more impactful than others...what's the self-defense hen-class all about anyway?...but the fact is everything does tie in by the end. I think comparisons to Jonathan Franzen are appropriate; I'd say they're not quite all there is, though. Franzen's undeniable way of summing a character up in a phrase is here, but so is John Kennedy Toole's bitter, snarky, unkind edge. I'll say that I encountered these thoughts as I was shifted and rearranged in time, therefore was more than usually alert for new ways of seeing the characters. This is a read that repays your attention and will escape you if you just scan the pages looking for distraction from the world. Attentively read it will be a strong accent on many of the issues we face in the world today.

The gay subject matter in the book is not foregrounded, but foundational all the same. It is not accidental that absolutely nothing in the author's biography is in any way indicative of his own sexuality. He wrote this story well and treated the gay characters well; does that mean anything except he's a good observer, and a sensitive storyteller? ¿Quién sabe? And does it really matter? I'm of the opinion it does not.

The ultimate payoff of the story is down to the much-delayed and very tellingly told investigation into Nathaniel's disappearance that his uncle comes to launch, acting on a strange tip. It becomes a very different story, honestly, as Uncle Bob Alexander does not seem to get too far yet the police still seem to want to stand in the way...but the idea doesn't seem to be to stop him discovering something so much as preventing him from ruining their image.

Quite a lot happens in the last third of the book that tucks odd strands of character development into proper place in ways I wasn't expecting. The trans representation is excellent, sensitive, and as fearlessly written as the white author's Black characters are. In fact, if I were to pick one word to sum up the affect of this debut author's novel, "gonzo" would be my choice: He sees no obstacles in his difficult choices, only climbable walls.

It is hard to spend almost five hundred pages learning about these folks then leave them behind. A better recommendation to get yourself a copy is hard to imagine.

QUEER AS ALL GET OUT: 10 People Who've Inspired Me, inspired me in my turn

QUEER AS ALL GET OUT: 10 People Who've Inspired Me
SHELBY CRISWELL
Street Noise Books
$18.99 trade paper, available 23 November 2021

Rating: 5 shining, proud, delighted stars of five

The Publisher Says: Take a walk with one queer artist from Texas and explore the lives of ten LGBTQ+ people from history.

What does it take to live your truth? And how do we each navigate the struggle for personal acceptance within a society that is so often intolerant? In this galvanizing story of resilience, Shelby Criswell takes us by the hand and leads us through the lived experiences of ten inspiring people. Each an example of how to find your way as your own authentic self.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: This US Thanksgiving, or "Happy Holocaust of the Native Americans" Holiday as I am prone to call it, I wanted to offer something I am truly thankful for: Young Queer creators telling their authentic stories from the places they live. It's not a luxury I had; it's not a luxury to be taken for granted anywhere, if you listen to Scholastique Mukasonga; and so it should be celebrated as much as we're able to do so.

This is a strong open, the simple act of getting one's order in a coffee shop made without awkwardness or fuss or hostility. The kindness of simply not assuming anything and still making the effort to be polite is, sad to say, still revolutionary and worthy of comment and praise. But it's a fruitful moment: It gives birth to the concept, "who came before me? who else struggled with the world's pig-headedness and intolerance?" As the marketing material offers this list of people profiled in the book, I can do no better than to offer it to you in my turn:

Mary Jones (mid 1800’s);

We’wha (1849-1896);

Magnus Hirschfeld (1868-1935);

Dr. Pauli Murray (1910-1985);

Wilmer “Little Axe” M. Broadnax (1916-1994);

Sister Rosetta Tharpe (1915-1973);

Carlett Brown (1927-?);

Nancy Cárdenas (1934-1994);

Ifti Nasim (1946-2011);

and Simon Nkoli (1957-1998)

Comprehensive! Impressive! I loved the profiles, as brief as they were by necessity, because they were handsomely illustrated and clearly selected for Author & Artist Creswell's personal connection to their message(s). First up is late-life out lesbian Nancy Cárdenas:

I found the story of Cárdenas's coming out so touching, that she was inspired to do it by the horrors of the AIDS plague (Beauty Salon came out the same year she died of breast cancer). It is an ongoing tragedy that breast cancer's ravages deprive so many of us of people we love, and the world of so many bright and shining stars. Cárdenas led an exemplary life and I'm delighted to meet her here.

The other nine protagonists are equally well-chosen, equally share their space with the everyday bravery of a trans person living in Texas well. The idea of being openly anything in Texas is something that slightly stuns me. Yes, I grew up in Austin; I wasn't ever really *in* so coming *out* wasn't very necessary; but it was always, always clear to me in 1970s Texas that I was suffered to exist and that sufferance was revocable at any time.

That young Shelby Criswell isn't as threatened in their environment thrills and delights me. This lovely book exists because they made it; they made it because it spoke to a need in them; and that need, as is so often the case, is the normal human need to see yourself in the world, past and present.

Anyone out there who needs to hear this, here's the message in lovely images and direct words without fear or judgment. If you know someone who's got a tablet who needs to hear this message of being seen, being valued and valuable, being the heir to a lineage of ancestors, here's a #Booksgiving treat to gift to them.