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Showing posts with label falling in love. Show all posts
Showing posts with label falling in love. Show all posts
Friday, September 19, 2025
LETTERS TO KAFKA, introduction to a life unjustly ignored in Anglophone literature
LETTERS TO KAFKA
CHRISTINE ESTIMA
House of Anansi Press (non-affiliate Bookshop.org link)
$21.99 paperback, available now
Bookends with Mattea Roach interview with Author Estima.
Rating: 4.5* of five
The Publisher Says: A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.
In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna’s post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story The Stoker from German to Czech, becoming Kafka’s first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka’s energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská’s wit, rebellious spirit, and intelligence.
Jesenská and Kafka meet twice for lovers’ trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Modeling to a world unwilling to see what principled resistance to authoritarianism looks like, Milena Jesenská could be no more perfect a subject to study in 2025. Christine Estima has done it for us, and presented her findings in an involving, intense novel of Milena's life. The incident igniting her rise to resistance is a simple and practical one: she needs income. Her then-husband can't, in 1919 Vienna, provide for them. Having very recently read Kafka's stories and being moved deeply by them, Milena writes to request permission to translate them into Czech. Her aim is to get income...the result is to become utterly, passionately entwined with Kafka. It was not primarily a physical affair, only two known meetings, but a deep and consuming love.
The story here, however, is Jesenská...the woman, the intellectual, the object of desire for many members of the Vienna Secession. Reading this book of her own words, stitched into the author's gap-filling prose, I was unable to conceive of a good reason this vibrant and impassioned liver of life and lover of justice was so unfamiliar to me. I know the reason...she's a woman, misogyny's polarizing lenses filter those people out...but talk about stupid! Writing Milena Jesenská out of History is a wrong I hope we will see righted more and more. A resister of Nazism, not a Jew but friend to Jews and accomplice to their escape from certain death, person whose life trajectory includes Ravensbrück, is someone to be celebrated loudly and often. Never more than now.
The mind that created cultural touchstones Gregor Samsa and K., that saw Reality in place of consensus reality, said to Milena: "Milena, if a million loved you, I am one of them, and if one loved you, it was me, if no one loved you then know that I am dead. - FK". A spirit that can elicit this deep and passionate love from one whose life is known by him to be quite short is one worth knowing and celebrating.
Thursday, May 15, 2025
FRIDA KAHLO'S LOVE LETTERS, passionate Love for others in her own words
FRIDA KAHLO'S LOVE LETTERS
SUZANNE BARBEZAT
Frances Lincoln Ltd (non-affiliate Amazon link)
$24.00 ebook, available now
Rating: 4.75* of five
The Publisher Says: ‘I don’t know how to write love letters. But I wanted to tell you that my whole being opened for you. Since I fell in love with you everything is transformed and is full of beauty . . . love is like an aroma, like a current, like rain’
Frida Kahlo lived a passionate life and the letters shared between her and those she loved are an intimate insight into her life. Letters were sent to her first love, Alejandro Gomez Arias, and to her husband Diego Rivera. But she wrote declarations of love to many others, including Leon Trotsky, Nickolas Muray and Jose Bartoli.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Is somebody, other than the spy agencies, archiving people's emails? I doubt a book like this will be possible to collect in thirty years. That makes me sad.
It's lovely to have this peek into Frida's life of love.
who we're talkin' about
I deliberately said it that way because "love life" carries an entirely different meaning in English. I think no one exemplifies a "life of love" better than wounded, damaged Kahlo. Her many surgeries, her intense pain after the accident that mangled her, the earliness of her death...she was FORTY-SEVEN! I mean, I knew she was too young to die, but that's barely middle age!...all conspired to keep her isolated. It was inevitable. No wonder her artwork is a riot of color, is so intensely involved in portraying volumes in space...it had to be, or she'd go mad. Madder.
Frida in 1926, pre-accident
How I wish she'd lived in the time of the internet. How grateful I am that she didn't. It's like wishing her accident never happened, or she was not so severely broken by it...she wouldn't have been herself, then. Would we know of her as the monadnock of art she is had she not been made famous for overcoming her physical disadvantages? 17 September 1925 ruined one life, opened another. From the life before, her love letters to Alejandro Gómez Arias show a callow, intense crush on this handsome guy: hubba hubba! me likee!
...who, to be honest, is very crushwortthy on value of face. The letters are, well, those of a young, very young, woman finding out about this amazing thing called Love:
It's the sort of thing that causes some people to insist their papers be burned after their death. I'm not sure that's wrong of them. After all, outpourings of Love are utterly cringe if you're not also in love; sometimes even if you are, but in a good way then.
I thoroughly enjoyed this collection of Frida's letters as an object, and as per usual give Frances Lincoln Ltd's designers big ups for their presentation. I understand this is a gift object. I would give it five of five stars if it had included some of the responses the recipients returned. I'm not al all sure that would've been the same book, of course, so that's why I got as close to the full five as I did. I'm quite sure I'd gift this to my lesbian pal (she's still iconic among us, despite the careful heteronormativity of this selection), or my Frida freak cousin, or just pretend I'll give it to someone and end up keeping it on my coffee table for people to flip through.
It's two hours well-spent learning about the close relationship between a gifted artist's openness to Love, and her creative intensity. This was a spirit not to be trapped, not to be bound, not to be trammelled; this was a woman who Loved where she would, who she would.
Wednesday, April 20, 2022
SUBTLE BLOOD, third and (almost) final Will Darling Adventure, and HOW GOES THE WORLD, tidy-up small tale to complete this series
SUBTLE BLOOD
K.J. CHARLES (Will Darling Adventures #3)
KJC Books (non-affiliate Amazon link)
$3.99 Kindle edition, available now
Rating: 5* of five
The Publisher Says: Will Darling is all right. His business is doing well, and so is his illicit relationship with Kim Secretan--disgraced aristocrat, ex-spy, amateur book-dealer. It’s starting to feel like he’s got his life under control.
And then a brutal murder in a gentleman’s club plunges them back into the shadow world of crime, deception, and the power of privilege. Worse, it brings them up against Kim’s noble, hostile family, and his upper-class life where Will can never belong.
With old and new enemies against them, and secrets on every side, Will and Kim have to fight for each other harder than ever—or be torn apart for good.
ANOTHER GIFT FROM MY YOUNG GENTLEMAN CALLER. HE TRULY IS THE BEST.
My Review: This is how you end a series...not with a whimper, but a loud, resounding bang.
The entire world could've finished exploding and I'd've ignored it. I needed to know how this tale ended. I needed the series to live up to the start. (It did.) This is a rare enough occurrence that I wanted to mention it especially, and early in my review. If you're looking for a series to read, read this one; it's got the exciting action and the romantic tension and the period details that make a good read a superior one. Take a look at The Sugared Game's review to see how serious I am...despite the w-bomb Author Charles dropped on me, I still recommend the series. (Might not've had there been another one in this book. But there wasn't.)
In this last planned story of Will Darling and his belovèd Kim Secretan, we're treated to the strange spectacle of Kim without commitments to anything more than Will's bookshop, Will's bed, and Will himself. It's sweet, it's domestic, and it's peculiar! It also is destined to be but an interlude, as we know since the series is called "The Will Darling Adventures" not "The Will Darling Stories." As Kim's life is...unmoored...so Will's is ever more firmly anchored in Kim. Their expanded time together suits Will so completely that he can only be happy, even though...well, there's the little problem of boredom, isn't there, in the dailiness of life.
The list, as he well knew, comprised most of {his bookselling rival}’s hopes, dreams, and sexual fantasies, since he shared the deceased Lord Aveston’s love of Elizabethan and Jacobean music. Will couldn’t tell a madrigal from a macaroon, but he hadn’t got the job for his bibliographic skills. In fact, he’d spent much of his time with the Avestons simply chatting to the new viscount, a pleasantly dim young man who was far more interested in swapping war stories and rattling on about cricket than in anything that might be classed as intellectual pursuits.
Fear not...the long arm of Author Charles isn't about to leave us mired in the muck of Life as most people live it.
Will sighed. “We didn’t all go to Eton.”
“Aristocracy means ‘rule of the best’, and I can’t think of any company in which Chingford would be counted as best, including the average gaol. Yet the hereditary principle demands we grant power, authority, and vast swathes of land to a man who couldn’t run a whelk stall if you gave him a copy of How To Run A Whelk Stall with corners turned down to mark the good bits.”
–and–
Will felt a whole-body wave of refusal. It was bad enough Kim being Lord Arthur Secretan: he couldn’t become a marquess. It would be impossible. He’d vanish into a world of stately homes and impossible wealth, somewhere Will couldn’t hide and would never belong. They’d never belonged together in the first place. Everything between them had been built piece by piece over a chasm, and that bridge had proved fragile enough in the past without having to bear the crushing weight of Kim’s heritage. They wouldn’t survive this. He’d lose him. “Oh shit,” he said.
It's Kim's family, you know it's bad and going to get worse; you also know that Will's anxiety about Kim's privileged upbringing, Kim's membership in the aristocracy, and Will's unworthiness to be with such a Personage is going to hit overdrive...along with Kim's complete and utter indifference to anything except what keeps him apart from Will. Which, if he has any say whatever about it, will be nothing now, nothing to come, nothing ever.
Kim, like most members of his class, has a lot to say about what happens in the world.
And, as noted above, we're whisked from Will's inherited bookshop into Kim's ancestral manse, with Kim driving the vehicle of their love-match at the destination of not inheriting the worldly goods he so deeply detests.
“Because even if they did think we were fucking, they wouldn’t believe I was anything more than your bit of rough, would they?”
“No,” Kim said. “That’s the daily drip of insult you can expect as things are now, which is why I don’t want them to get worse. Because you are everything more, and I resent to the bottom of my soul that you should feel any other way. Wait for me; I’ll call you. Be good.”
–and–
It wasn’t just that the place was so big and so lavish and so horribly empty. It was that as they walked through room after room, decorated with trappings Will didn’t know how to appreciate, the tomblike silence of the place descended on them both. Kim’s descriptions were mannered and forced, and when he didn’t speak, it was not in the usual way they were quiet together, but in a nothing-to-say way that made an empty space between them. And how could Will talk when it felt like he was on a Cook’s Tour of a stately home, and everything he said was an advertisement of how little he belonged?
Of course, this being a situation that Cannot Be Discussed with Kim's laughingly-termed-family, and his odious brother Chingford is going to make things hard for the faggot loser traitor brother he's spent his entire life detesting, despising, and resenting, despite the fact that the aforementioned man is doing his utmost to prevent Chingford from being hanged for murder.
He's not only ungrateful and a jackanapes, he's deeply stupid. Every action he takes in the course of this story is evidence of the fact that Chingford is all that is bad and unworthy about the aristocracy. And there is not a single second at which he changes course. In some people, there is no impulse to decency. Chingford is one of those people.
But Kim, with his Will standing ever vigilant and always prepared for violence, at his shoulder, does not give up. He runs out of ideas for actions to take on Chingford's behalf; he loses his cool, abandons his self-assurance, and still...with a lot of help from Will's observational skills and his own finely honed instinct for making a lot of waffle sound portentous...comes into the very information that will allow him to rescue his clot of an elder brother and never so much as see him, or his objectionable father, again.
This being a K.J. Charles novel, you know that will not be the end of it.
Chingford, like so many thick people, snatches defeat from the jaws of victory.
He led the way along, and round, and down the stairs to a corridor where they came face to face with Lord Chingford. He was wearing plus fours. Will had always thought they were the stupidest way you could wear trousers short of putting them on your head, and Lord Chingford’s appearance wasn’t changing his mind.
“Christ,” the Earl said in lieu of greeting. “Must you be underfoot all the damned time?”
“I’d prefer not to be,” Kim said. “Perhaps we could have the conversation that I came here for, and then I can remove myself from your presence.”
I can sense your despairing moan from here. You're correct: This is Chingford dodging the shield Kim is prepared and able to offer him, so he can make a much, much worse hash of things.
But that is just the icing on the cake. The rich, buttery madeira cake. The full-bodied, overloaded friutcake. The truly astounding stupidities that Chingford commits aren't for this brief review to reveal. For one thing I don't want to be shouted at about spoilers and for another, there is so very much pleasure to be had in the journey this story takes to get our men to their Happily Ever After that I want to leave it to you to explore and experience. It is...absolutely...bloody...perfect.
I can't recall too many times I've said that. I can recall that, each time I have, I've meant it.
A three-plus book story about a pair of gay men in a time and a place that doesn't like that mode of existence, that brings them together over class lines and around high-stakes spy-story threats, and brings the pair of them and their found family safely home believably (within the universe depicted) is a beautiful thing. In this story cycle, a man damaged by what he had to do to survive in the Great War's trenches meets a badly damaged aristocrat, a queer younger son with quirky (by the standards of his class) moral principles, who declines to serve in that war in any way, and from those opposite poles they fall in love. Along the way, spycraft is used to bring very, very nasty people to justice, if not always via the law. In the course of this, our main men hash out issues between themselves, issues that stem from their miserable pasts, and they discover the true joy of the tales being told: Making a Life out of what was only an existence.
Their discussions of the problems they've faced already, of the issues they can foresee, and the deep-seated terrors of Being Together in the Cold, Cruel World that any couple of any configuration must face are very real.
“A future. You know the concept? The shape you want the rest of your life to take? I want mine with you, all of it. A future, a forever. I love you.” He said it quite calmly, as if it was an established fact. “People say I love you to madness, but I love you to sanity, because loving you is the sanest thing I have ever done. You are everything to me, Will, and I cannot lose you to my miserable family and an accident of birth.”
–then–
“Stop being strong at me. You weren’t ready for that conversation, that’s all.”
“No. I wasn’t. Thanks for understanding that. I just...”
“Panicked.”
“I did not panic.”
“I don’t think the less of you for it. But you definitely panicked.”
“Sod off.”
“It’s merely an observation.”
“Sod off.”
“If it’s any consolation, I’m still more of a shambles than you.”
“I’m beginning to wonder,” Will muttered. He brushed his lips over Kim’s fingers, and felt the sense of—not panic, obviously, but extreme nervous tension recede.
Real conversations. Ones I can hear myself having. Ones I have in fact had. And that's the beauty of the whole-series read, as the capstone of a series of stories wherein we've made an emotional investment in the characters: It's not life, it's better than, more organized than, and more fully fleshed than the life mere mortals can expect to lead.
Will, I think, has the best way of putting his—probably all of our—feelings into his relatable perspective.
So he’d do better. He had to: he wasn’t giving this up now. There was something in Kim that called to something in himself with a fierce urgency like the baying of hounds on the scent, and that was all that mattered. Yes, there were going to be problems and he’d have to make sure he didn’t add to them by, for example, punching any more rich people. But he’d never felt the sort of connection with another human soul that he did with Kim, and he wasn’t letting it go either by choice or by stupidity, and that was all there was to it.
That is, in fact, all there ever is to it.
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
HOW GOES THE WORLD?
K.J. CHARLES (Will Darling Adventures #3.5)
Author's website
Free PDF download
Rating: 5* of five
The Publisher Says: The Positively Final Appearance: a two-part epilogue with Daniel and Archie at a house party and Kim and Will in a gentleman's club, because those are definitely settings that go well for them.
Epilogue to Think of England/Will Darling Adventures.
My Review: As the author says: "This isn’t a standalone story at all. It will make sense only if you’ve read Think of England, Proper English, and the Will Darling Adventures trilogy, and contains spoilers for some of those."
This is absolutely true, and one would do well to heed her words.
Bill and Jimmy, Pat and Fen and Daniel: at dinner, they all looked to Archie almost as they had twenty years ago, with no glare of electricity to expose weary eyes and wrinkles. That in itself made him reflect on quite how much they had, or had not, changed.
–and–
“...I’m sure I told you I met him in my club? Not the Symposium. And...well. I saw him look at Curtis.”
Will, it is safe to say, does not have the gift of spotting people’s inclinations and affections. If there is a direct opposite of that gift, in fact, that’s what he has. At least he takes my word for these things.
“Really? Sir Archie? Bloody hell.”
Will and Kim meeting Daniel and Archie...it is a heart-filling, eye-watering, nose-blowing moment. It means a lot to see the world from one's agèd viewpoint acknowledged and made part of the future. It was inspired of Author Charles to have Archie and Will meet, but to tell it from Kim's point of view. We don't need to hear the two of them connecting, in fact it would feel so invasive as to cause embarrassment. Daniel and Kim, however...well. Sneaky, weaselly bastards the pair of 'em, can't violate their space since they'll violate yours without a qualm.
But only if they must. And that really is one of the main messages of this series. Boundaries, while they are there to be pushed, must also be respected. And that was the burden of the refrain throughout these delightful reads.
I don't know about you but I need to believe this world can exist. It contains an honor and honesty so much more deeply rooted than the stereotypical conceptualization of the concepts we're accustomed to. It doesn't shy away from hard choices or minimize risks behind lazy, or worse, dishonest screens of Propriety.
Neither Archie nor Will would consent to be in harness next to a dishonest man. A liar, well...clearly that's got to be done, doesn't it, to accomplish the goals. As to those goals, it's the clever ones that figure those out. Archies and Wills feel the trust they feel for their men because they see what the sneaks point at and are smart enough to get it, though utterly incapable of articulating it for themselves.
In this short read, we cap five books and a story with the assurance that, come what may, these men whose love and whose lives are valued at little to nothing by the rest of the world are all right, will be all right, and have made their place in that unforgiving and intolerant world big enough to bring more of our kind into, their safety to assure.
World without end.
Monday, April 18, 2022
THE SUGARED GAME, second of three Will Darling gay spy adventures, and TO TRUST MAN ON HIS OATH, its coda
THE SUGARED GAME
K.J. CHARLES (Will Darling Adventures #2)
KJC BOOKS (non-affiliate Amazon link)
$3.99 Kindle edition, available now
Real Rating: 4.5* of five, rounded down because even though we went alllllmost a whole MM romantic mystery without a single w-bomb splattering my Imperial aesthetic hems, there the bastard was, so call it four...well, no, leave it at four-and-a-half stars because it was bloody good fun
The Publisher Says: It's been two months since Will Darling saw Kim Secretan, and he doesn't expect to see him again. What do a rough and ready soldier-turned-bookseller and a disgraced shady aristocrat have to do with each other anyway?
But when Will encounters a face from the past in a disreputable nightclub, Kim turns up, as shifty, unreliable, and irresistible as ever. And before Will knows it, he's been dragged back into Kim's shadowy world of secrets, criminal conspiracies, and underhand dealings.
This time, though, things are underhanded even by Kim standards. This time, the danger is too close to home. And if Will and Kim can't find common ground against unseen enemies, they risk losing everything.
MY YOUNG GENTLEMAN CALLER KNOWS TO BUY ME EVERY RELEASE FROM THIS AUTHOR. HE IS THE BEST.
My Review: I did not see the ending coming. It's very hard to fool someone who's been reading as long as I have about something this central to the story for two whole books. I am clearly a sociopath because, as the finale debuted in the theatre (note misspelling intentional) of my mind I, the audience, was on my (mental) feet shouting for more gore. Gore there is, be forewarned.
But oh how satisfyingly deployed.
In my review of Slippery Creatures, I commented that the story resembled Notorious (Ingrid Bergman, Cary Grant {who is the perfect model of Kim Secretan IMO}, Nazi spies) only with 1940s hunk Steve Cochran (my mental casting director's choice for Will Darling) in the Bergman role. This time, as Richard Hannay is directly referenced in the text of the story, I thought of The Three Hostages because we're doing a similar amount of worry about and protecting people from unseen assailants and malefactors. But honestly, I say seek your parallel in the twists and turns, the puppetmaster-pulling-strings artfulness of North by Northwest. The hostages, their fates, the supporting characters' various interrelationships...similar enough that I kept picturing Will in Eva Marie Saint's wardrobe. I will say that it was a tad disturbing. Nothing compared to what Will would've thought of it, of course.
This outing is more, shall we say, meaty than the first...we're starting from what every lover dreads, being ghosted by the belovèd:
“Don’t look at me,” Will said. “I’ve no idea what he’s up to. I haven’t heard from him since I don’t know when.”
He knew exactly when: the second of January. It was currently the twenty-second of February. That was a sore point he had no desire at all to discuss, so he added, “I’m not sure if he ever uses the title. It’s not compulsory, is it, if it’s one of those whatsits?”
–and–
Will wasn’t a country girl, courted and cast aside by a London seducer, and it would not do to give the impression that he felt jilted. Kim’s demeanour gave no indication of regret, still less a desire to resume relations, and Will was damned if he’d embarrass himself by behaving differently.
Only you very much are, Will, you're in love so far out of your league it isn't remotely funny. The wonderful part is that, unlike the incredibly unrealistic plot of Maurice, we're not left wondering what on Earth the two of you will talk about the twenty-two hours a day you're not actually fucking. And Kim's world has already cast him out, to the edges and fringes at least if not all the way out, so there's little danger of you having the awful luck of attending too many of the parties that Author Charles skewers so beautifully in this story...and where Will acquits himself creditably, if not brilliantly, all to serve his mate Maisie as she and Phoebe, Kim's fiancée and Will's friend, start Maisie's rise in the World of Fashion:
"...You need to dress for your own body, not pretend you’ve someone else’s, don’t you think?” (Quite revolutionary, Maisie!)
–and–
“I don’t know how to break it to you, dear boy, but if Maisie pursues a career in fashion, she is likely to meet people of the homosexual or sapphic persuasions. Try not to be shocked.”
“So?”
“So Phoebe thought she should learn to react in an environment where a misstep wouldn’t hurt. As it turned out, she is sure-footed, and a quick study. I see why you both like her so much. I’d like to know her better myself.”
From Kim, that is the highest praise imaginable! And it makes me think more of him as Maisie is the simplest kind of person to underestimate: The honest, forthright, always-herself good-mannered cheerful soul. It doesn't do to underestimate them, yet people so often do. And here's very aristocratic Kim, son of a marquess, seeing her and valuing her appropriately. I enjoy that facet of the character quite a lot. It's of a piece with his genuine, growing love for Will. Who, need I mention, is utterly in love with Kim. Being men, things aren't great in the communication department...but the sex is smokin' so the connection is there.
Ahhh...so, about the sex...yep, it's there and belongs there. It is decidedly not straight-people friendly. You know your own tolerance for reading about sex, listen to your instincts. If you're willing to be adventurous, this series will definitely reward you with a cracking good spy story and a couple seeking their happiness in spite of a hostile world...which does not include any of the people that matter the most to them.
In this entry the stakes for Will and Kim are astronomical and the results are long-lastingly resonant. They're required, in the course of resolving the matter of the first book's primary antagonists, to confront demons within and without human forms to which they each...both...have deep ties. It's clear that Kim possesses facts he isn't sharing, and while that can be good spycraft, it's unmitigated hell on relationships:
He didn’t delude himself that asking Kim to tell him the truth meant it would happen, either. They’d been honest with one another as far as it went, and that was something, maybe even a lot, but Will had a feeling all it had achieved was to dig their foxhole deeper.
–and–
“Go on, go,” he said. “Don’t come back. Keep your precious secrets if that’s all you care about, and leave me alone. This isn’t forgivable.”
Kim went. He didn’t even have the decency to give Will a fight or slink out shamefacedly; he just picked up his coat and hat and left. The door closed behind him, setting the bell jangling.
–and–
Will had more self-respect than to trail after him any more.
Horseshit. There is, in every love story, the moment when communication breaks down, both parties are backed up against different walls, and things are at an impasse. In that moment, one feels as though "The End" has appeared on the screen and it's time to gather one's detritus and toss it into the bin on the way out of the theatre. This is almost never true in real life, and pretty much never, ever in fiction. Self-respect and being in love are two ends of one balance beam only in the most simplistic stories, and Author Charles does not traffic in those.
But, as usual, it takes Very Very High Stakes to overcome the grumpy pride of men and compel them to reassert their pair bond. The stakes in this story, which were already quite high, elevate to existential-threat levels. There is so very much riding on Kim getting this issue, the one from last book, resolved...so very much for the men, for their found family, for the U.K. as a whole...that the savvy reader knows the price for Kim will be high. Will, given the choice of what to do and how to do it:
“Do you know Lepanto?”
“The Chesterton poem?”
“There was a bit I was trying to remember...I looked it up afterwards. ‘Dim drums throbbing in the hills half heard, Where only on a nameless throne a crownless prince has stirred, Where risen from a doubtful seat and half-attainted stall, The last knight of Europe takes weapons from the wall.’”
Kim’s lips parted. Will held his eyes, willing him to believe. “That’s you.”
–and–
“I,” Kim began at last, and had to try again. “I would like to be—not alone.”
“Shoulders right here. Suitable for leaning on, crying on, or standing at for the purposes of a fight.”
Have you ever, in all your born days, heard a more moving, more vivid and intensely felt, declaration of love than that? This is the spine-stiffening speech, the statement of commitment, that Will uses to arm Kim for a confrontation his entire lifetime's worth of guilt and insecuritites tells him he can only lose.
It's no spoiler to say that Kim and Will prevail...it's a series! this is two of three!...but there are the necessary costs to the men. They are deep, painful extractions of value, they are seriously out of proportion to the success the men have delivered, and they are going to lead to a fireball of a series-ending book three, Subtle Blood.
...if only she hadn't befouled the experience with that w-bomb at 89%/page 214....
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
TO TRUST MAN ON HIS OATH
K.J. CHARLES (Will Darling Adventures #2.5)
Author's website
Free PDF download
Rating: 4.5* of five
The Publisher Says: A Will Darling Adventures interlude.
Set a week after the ending of The Sugared Game (so contains mild spoilers for that book).
My Review: It's important to understanding the gestalt of Will and Kim to read this short piece. It feels to me like it was clipped off the end of the book, and made into its own thing, instead of being the epilogue it feels to me like it should've been.
I was very moved by the sweetness of Will's acceptance of Kim's faults, amply displayed in previous instalments of the series; and his acceptance of Kim's worthiness of trust. It takes a lot to expose your vulnerability to someone whose track record of treating you is spotty on the plus side. Importantly, though, Will acknowledges that Kim has always come through when the stakes are high and the situation is grave.
I'm also very moved by the way the author frames the conversation, as it accords well with what I know of biphasic sleep: a period of wakefulness in the middle of one's night that disinhibits the usual censorship functions, that allows one's conversation to open doors and breach walls that seem impossible during ordinary daytime. Then, when the needful things are said, sleep returns and the day that dawns, dawns brighter than it would have otherwise.
I was charmed; I was also better prepared for Subtle Blood, so I recommend the read to you, too.
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