AFTERLIGHT, love, loss, and learning as they look from The End

AFTERLIGHT
JAAP ROBBEN (tr. David Doherty)
World Editions
$19.99 all editions, available now

Rating: 4* of five

The Publisher Says: This moving novel gives voice to the silent grief of the mothers of stillborn children

The young free-spirited florist Frieda grew up in a strictly Catholic environment in the 1960s. When she steps onto a frozen river on a late winter afternoon, little does she know that everything is about to change for her. On the ice, she meets the married Otto. They experience a love that begins stormy and ends with Frieda becoming pregnant—a scandal in the world in which she moves. And so she must never be the mother of her secret child.

For decades she kept her memories of this episode in her life to herself. But the grief for the lost child remains, despite the later marriage, despite the son she still has. At the age of eighty-one, Frieda is suddenly alone again. The silent sorrow returns with force. Only then does she dare to face her story—and to share it.

With Afterlight, inspired by true events, Robben not only pulls back the veil on Frieda’s story but also shines a light on the experiences of countless women between the 1950s and 1980s. The result is an impressive story about buried female trauma, caused by society, organized religion, and the dominant social mores.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: I lost my love a lot earlier in life than Frieda did. He needed the level of care that Frieda does as the story begins, not me; nor have I yet reached the point where she is, of needing basic-living help.

Thank goodness the strokes I had in 2023 didn't make that help a lifelong need. But I still had the points of recognition and connection with Frieda from my life's story. I was right there with her as she adjusted to a new place to live that doesn't belong to her; I felt her dislocation as the night's disturbances had her groping around the unfamiliar space to find things she's sure she has, and still needs...only they aren't there and won't be again.

I am also familiar with the awful pains of being Othered by "religious" people, and told by The World that who you are is bad, and wrong, and will always cause their gawd to hate you and doom you to an eternity of punishment. Poor Frieda. I wouldn't say she overcomes that abusive horror in this story. I would say she makes her own way in life with the miracle of love offered her by the now-dead Louis...the one who fully expected he would survive her as she declined and lost more and more of herself. I asked Rob to read this book, and, after hearing what it was about, he looked at me through the computer screen and said, "No." Simple, final. Understandable.

It's a lot to ask: Frieda's happiness was bookended by a lot of pain. It is, though, the kind of pain that older people will relate to. It is a very familiar world that Frieda brings back to us in each time period. We've all been too young for some major life event that happened to us anyway. We've all felt unloved and abandoned...rightly, as in Frieda's case, or wrongly...and many, if not most, of us can relate deeply to loving someone and losing them. A lot of my readers are getting to the place where they, or their parents, are needing help that wasn't needed in the recent past. And all of that is what you and I share with Frieda.

Do you want to read about it for entertainment? Well, I did. I was pleased to have the fellow-feeling of Frieda's journey into the undignified, unpleasant (to me) world of bodily aging; as this is a story set in two timelines, though, I was expecting to be led into the sunnier meadows of the earlier life she led, and its youthful exuberance. Here is where the story fell short of the five stars all stories I read start with for me.

This is not a short book—three hundred-ish pages. There was space to develop the dual timeline, and it wasn't done. What's enjoyable about the way Author Jaap writes Frieda's story is the immediacy of it. He gets the sense of her, at every age, as a woman very much alert to the world around her; and yet unable to reach it, grasp it, without mediation...hearing aids, glasses, nurses, her husband, gawd...and so never fully having her own undiluted experience of anything.

Youthful inexperience prevented her from seeing the man who impregnated her in 1963 with any clarity, led to her downfall by the mediation of a religious upbringing that so starved her for genuine experience that she fell for the most unsubtle of lures. There's the consequences part of that in the book, but the stick gets applied without the carrot in my estimation.

That said, I liked this read. I liked its soft edges on hard realities...its gentle Impressionistic blur is, though, down to poor vision, not to a soft reality. That made it the more poignant to read. It's an enjoyable, relatable story well-told by an author who knows his subject. It's deftly translated...no clunks or clanks, and nothing that my early-learner study of Dutch saw as out of place...which helps.

Good is not the enemy of great when it is enough in itself.

THE DEEPEST LAKE, eerie, nasty flensing-knife to the guts of the writing industry

THE DEEPEST LAKE
ANDROMEDA ROMANO-LAX
Soho Crime
$26.95 hardcover, available now

Rating: 4* of five

The Publisher Says: In this atmospheric thriller set at a luxury memoir-writing workshop on the shores of Lake Atitlán, Guatemala, a grieving mother goes undercover to investigate her daughter’s mysterious death.

Rose, the mother of 20-something aspiring writer Jules, has waited three months for answers about her daughter’s death. Why was she swimming alone when she feared the water? Why did she stop texting days before she was last seen? When the official investigation rules the death an accidental drowning, the body possibly lost forever in Central America’s deepest lake, an unsatisfied Rose travels to the memoir workshop herself. She hopes to draw her own conclusion—and find closure.

When Rose arrives, she is swept into the curious world created by her daughter’s literary hero, the famous writing teacher Eva Marshall, a charismatic woman known for her candid—and controversial—memoirs. As Rose uncovers details about the days leading up to Jules’s disappearance, she begins to suspect that this glamorous retreat package is hiding ugly truths. Is Lake Atitlan a place where traumatized women come to heal or a place where deeper injury is inflicted?

Perfect for fans of Delia Owens, Celeste Ng, and Julia Bartz, The Deepest Lake is both a sharp look at the sometimes toxic, exclusionary world of high-class writing workshops and an achingly poignant view of a mother’s grief.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Simplicity is a virtue in plotting, if not writing, a thriller. What complexity there is, in a truly involving example of the genre, comes from the characters and what they want that takes them far outside the safe confines of bourgeois life. The death of a child's good for rage, and even revenge; but the death of a child who evokes a guilt or a regret in a parent...that will move one far outside behavioral norms.

This iteration of the mother-hunting-murderer starts to show us complexity about halfway through. The first half is a not-that-exciting takedown of the Writing Industry as a hollow, pretentious ego farm. Been there, read that. I kept going because, as a hardened old reader, there was something prickling my arm hairs, something I couldn't quite put a finger on. The writing about the titular lake was lovely, but not unusually so. The character of the snobby writing coach, if that's what she is and not some super Svengali creating murderous minions out of lonely women who like to write, is in a word predictable. The mother...easiest point of failure because pathos wears thin fast...it's the mother, I thought. But why? echoed back at me.

I couldn't answer myself.

On I read, waiting for the...something. That was it! I was reading a book waiting for this unknown, but subtly prefigured somehow I couldn't quite grasp...something to occur. Let me say that again: Without being able to say what, or when, I got my expectation set on, I was hooked into not being able to put this book down. To beat you about the forehead some more with what an impressive feat that is, I'll tell you that I started reading mysteries with the Hardy Boys and Nancy Drew in...well, let's just say people born that year are grandparents. Several times over.

No, I won't tell you what happens. I will tell you that, while I was satisfied that what ended the book ended the story, I was that smallest bit, that vague hint, disgruntled at how long it took to get there. That constitutes a quibble given how much enjoyment I'm going to get from exploring Author Romano-Lax's back catalog from Soho Crime. The synopsis writer gives you some very apt comps, and those should hint at the direction you can expect the story to take.