THE ONE AND THE NINETY-NINE: Forging Identity in the Age of Social Contagion, your words aside Religion is not a good answer to Society's ills

THE ONE AND THE NINETY-NINE: Forging Identity in the Age of Social Contagion
LUKE BURGIS
St. Martin's Press (non-affiliate Bookshop.org link)
$15.99 ebook, available now

Rating: 3.25* of five

The Publisher Says: How to become yourself without losing everyone else.

We’re living in a time when it’s harder than ever to become a whole person—and to stay in authentic community. Some people dissolve into their group identities and lose themselves entirely. Others withdraw into ephemeral, online collectives they can float into and out of without consequence. Both are symptoms of the same a fragmented sense of self in an age of social contagion. This fragmentation is more than a personal crisis—it’s the soil in which hollow and often dangerous mass movements take root, offering counterfeit belonging to those desperate for meaning.

The One and the Ninety-Nine is a timely and inspiring exploration of what it means to forge a stable identity in the face of coercion, conformity, and the contagious desires of the crowd. Through compelling and original insights drawn from philosophy, psychology, and personal experience, author Luke Burgis examines how our lives are shaped by the groups we belong to—and how we, in turn, shape those groups. He offers a roadmap for engaging with modern society without losing our unique sense of personhood, and reveals the essential rites of passage and personal challenges that differentiate a life of meaning from one dictated by societal expectations.

People who are able to find their solid self and thrive in the space between the one and the many—who can act with integrity while being part of a community—live freer and more comfortable lives and become models for others. The One and the Ninety-Nine is a call to reject passive conformity, rediscover the depth of personality, and choose a life that is both truly personal and deeply connected.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I don't approve of religion in general; I have an abiding bone-deep dislike for christians in particular, as a gay man with no interest in "overcoming my sinful nature" or whatever other nonsense "They" spew at me to coerce me into feeling a need to placate "Them" by behaving in a way comfortable to "Them." So when the author admitted to being a christian in the first few pages of the book, I set it aside with no intention of finishing the DRC.

I'm very worried about the undesigned social experiment we as a society are running in the form of algorithmically-mediated social media. I don't trust the tech scum to design the algorithms with the betterment of a person, but a bottom line, as its goal. Ample evidence of the role greed plays in the industry makes me all but positive no attention is paid to human needs when designing systems used by all of us.

Those two prior things are causally linked. I finished reading The Reverse Centaur's Guide to Life After AI (qv) and got more urgently agitated by what I read there; I recalled the DRC of this book, dealing with forming an authentic self. I opened it back up to see what I could glean.

Lots of christian nonsense. Parables and Bible quotes galore. Stating that (in his opinion, to be fair stated as such) people are more selfish now after *heavily*implying* the reason is we're more secular/less christian. Which...well...who's selfish, my dude? the people doing their best to navigate the world in ways you don't like, or you for saying your religion has The Answers to making people better and more empathetic? (Leave aside The Troubles, in the Ireland where you start your book, were an intra-christian spat that's half a millennium old.)

So no, I'm no big fan of his, nor did I think his shepherd/sheep needing rescue framing was anything other than seriously condescending.

But.

He's correct. The education system carefully indoctrinates us to accept Authority and seek conformity. It's a real thing, intentionally designed to do what we see around us: create sheeple. It's been done by his co-religionists for millennia now, to equally destructive effect, not ever acknowledged or examined by him. It's a giant problem for every society throughout time. Cohesion good, public morality good, conformity and scapegoating bad. Since christianity is a major source of both pressure to conform and assigning blame onto Others (those who don't pray like you, sexual-behavioral minorities, the Devil) I think it takes big brass ones not to examine *that* in great detail while quietly assuming the adding-back of religion will go a long way to fixing the very real problem he's identified.

I admire you, Brother Luke, for being so vulnerable and forthcoming about your experiences with your father's dementia. It was very moving. It was a long struggle, of course, and from the inside must've felt interminable. I do not think it was quite the connective tissue you intended it to be. It was rather more confessional than professional.

I did not, in other words, find solutions I want to support or even effect to the very real, well-stated societal stressors I'm eager to address. It's not likely to fix things by doing yet again things that helped society fracture before now.

AMERICAN WEREWOLVES, Emily Jane's ruminations on end-stage capitalism and toxic masculinity

AMERICAN WEREWOLVES
EMILY JANE
Hyperion Avenue (non-affiliate Bookshop.org link)
$18.99 paperback, available now

Rating: 4* of five

The Publisher Says: America’s venture capitalist werewolves meet their match in USA Today bestseller Emily Jane’s third rollicking, genre-defying novel.

“It takes aliens (or an Emily Jane) to help us see our society for the bizarre, sugary, microplastic-poisoned dream it is.” —Edgar Cantero

From the author of On Earth as It Is on Television and Here Beside the Rising Tide…

Many full moons ago, a young American boy with ambition in his belly and the moon in his veins followed his destiny west, determined to carve a path to success no matter the carnage.

Two centuries later, a city is captivated by the strange and savage murder of a young woman. Her roommate, Natasha, no longer able to afford their apartment alone—and hounded by both rumors of wolves and a pop-star’s angry fan-swarm—has resorted to living in her car. There’s nothing left for her…except vengeance.

Across town, Shane LaSalle is about to see his wildest dreams come true. He already has a gorgeous apartment and a high paying job in venture capital. Now the partners of Barrington Equity have invited him to board the company’s private jet for an exclusive retreat. But with partnership finally in his reach, Shane realizes he’s losing his taste for just how ruthless and all-consuming the firm is.

Epic and electric, American Werewolves brings readers from the wilds of the New World to the opulent board rooms and golf courses of the twenty-first century, where devouring the weak is an American birthright as old as the country itself.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: I was really amused by On Earth as It Is on Television last year. It made me smile and chuckle in a year when those were not my first choices of response to the world and its shenanigans. I'd hoped for the same experience here.

Mostly got it, though entirely without humor. Toxic masculinity and predatory capitalism are worthy targets for Author Emily Jane's sharply observed snark. Told in two narrative strands, this story of modern-day Shane, an ordinary young man who's just found out he's now a partner in an equity-capital firm; modern-day Natasha, a downwardly mobile woman who is determined to find out how her bizarrely murdered roommate, Marie, died and why no one else seems to care; and, in the nineteenth century, a boy called Bit who wends his way West to make his fortune. There's a horrible animal attack on Shane, to bookend Marie's murder by an unknown creature; it's the first of many such events that Author Emily Jane presents in a dry, unsensationalized framework for us to, ermmm, chew over. Why this character? Why now? What really happened here, who's noticed, and why are we seeing the responses that Emily Jane shows us?

It's just incredible that these people are somehow existing in relation to each other. It does feel stretch-y, like the need of the storytelling trumped the need of the characters; none of them are ever going to be easy in each others' headspace. Which is the point. It just left me with a sad, uneasy emotional aftertaste. I'm clear that the rape-culture and misogyny elements are presented in a highly negative and critical light. I don't know for sure that they're necessary to foreground so much...put it down to my dislike of these themes, not the author's overuse of them in making your decision to read the story or not.

I suspect that, my quibbles above notwithstanding, it will be Author Emily Jane's Jonathan Strange & Mr. Norrell-esque urban fantasy elements regarding lycanthropy and its invented factual history that will cause most of y'all to give the read a pass. I get it...the technique can feel off-putting if over- or awkwardly done. I found these elements very well-chosen and did not find them out of place or obtrusive in the author's hands. Werewolves or aliens, from her previous book—makes no odds, each is as unlikely as the other to be objectively verifiably present among us.

Your taste in humor will matter a lot in your experience of the read, so get that sample under your belt. If you run across this: "Veronica tried to convince him that werewolves weren't supposed to cry, until her dad explained that werewolves could cry when they needed to and it didn't make them any less werewolvesy," and do not at least chuckle, this read will flop for you likely quite resoundingly.

Most of the rest of us will, however, get our grin on. I think it's worth the time and treasure it will take to get it read.