MICHELLE CHOUINARD'S PAGE: The Serial Killer Guide to San Francisco series

THE SERIAL KILLER GUIDE TO SAN FRANCISCO (The Serial Killer Guide to San Francisco #1)
MICHELLE CHOUINARD
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: In Michelle Chouinard’s clever mystery The Serial Killer Guide to San Francisco, the granddaughter of a serial killer shows readers another side of the beloved city.

Welcome to San Francisco, a city with killer charm.

The chill of a San Francisco summer can be deadly. No one knows this better than Capri Sanzio, who makes her living giving serial killer tours of the city. Capri has been interested in the topic since she was a kid, when she discovered she’s the granddaughter of serial killer William ‘Overkill Bill’ Sanzio. She’s always believed in his innocence, though she's never taken the leap to fully dive into the case.

But now an Overkill Bill copycat has struck in San Francisco. And Capri’s former mother-in-law, Sylvia, just cut off Capri’s daughter’s tuition payments. Needing cash, Capri wonders if this is the time to exonerate her grandfather. The case is back in the news and the police will be looking to understand the past to catch a present-day killer. Capri could finally uncover the truth about Overkill Bill—documenting the process with a podcast and a book—and hopefully earn some money.

Before Capri can get very far, the cops discover the copycat’s latest Sylvia. Capri soon finds herself at the heart of the police’s investigation for an entirely different reason. She and her daughter are prime suspects.

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My Review: Weird premise...descendant of serial killer makes living talking about serial killers despite feeling ancestor was innocent...but played for laughs. Shouldn't work, should it?

It does. Mostly because the serial-killing part is discussed, without strong gore emphasis and in the context of Capri's tours. It still feels...weird. But the way the premise leads to Capri herself being a suspect in a copycat killing is very apt, logical, and still not really expected.

What very much is expected is Capri's love interest in Detective Petito, and blessèdly not Ryan (a tech whiz and co-runner of her tour company). I am really tired of this trope. At least freshen it up, make Petito into Louisa, SOMEthing other than another tedious obligatory heteronormative "romance" grafted onto a story to tick a box.

I admit I was amused that the victim whose fate twigged the cops to Capri was her ex-mother-in-law, who had just cut off financial support for Capri's daughter's education. Nice touch, Author Chouinard. What wore on me a bit was the nature of detail I was presented with...I am uninterested in who made or sold more accurately your leather goods, for example...in an abundance I found tiresome. I did enjoy the San Francisco setting mostly because it was well integrated into the plot and not smashing into me in a deluge of verbiage.

Speaking of San Francisco, as the haunt of tech and thus finance bros, there is significant tech-talk. Again, it's there because it's germane to the crimes and to their solution, it's not inaccurate to my limited understanding...though I'm very certain some of the actions taken are illegal and would get their perpetrator sanctioned, fired, and/or prosecuted, not to mention being inadmissible in a court...so I rolled with it. You may not wish to be tech-talked to, so be aware it's there.

The copycat's identity is consistent with all the clues and the nature of the crimes committed. The mystery resolves in a way I found satisfying, and left room for Capri's return. All in all a read I liked, a series I'll read more of, and if anyone knows a development exec at Hallmark, this series would do good business for their channel in Octobers for years to come.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

A TOUR TO DIE FOR (The Serial Killer Guide to San Francisco #2)
MICHELLE CHOUINARD
Minotaur Books (non-affiliate Bookshop.org link)
$11.99 ebook, available now

Rating: 3.5* of five

The Publisher Says: In Michelle Chouinard’s A Tour to Die For, Capri Sanzio is back, giving a true crime tour her guests won’t soon forget. After all, a tour guide who specializes in serial killers knows better than most that San Francisco is a city with killer charm.

Capri Sanzio knows that when you give serial killer walking tours for a living, unexpected situations are more common than San Francisco's famous fog. So, when one of her guests claims to see a woman being attacked during a tour, Capri remains unfazed. The police search the apartment in question and find no evidence of anything amiss, so they chalk it up to a false report from a true crime fanatic looking to be a part of a case. And Capri thinks they might be right, since lately her tours have been attracting even more obsessives than usual—as it turns out, finding the actual serial killer who committed the "Overkill Bill" murders didn't stop the constant questions about her grandfather's supposed crimes, it only intensified them.

But Capri would never forgive herself if someone is in trouble and she walks away. Plus, something about the whole situation has every one of Capri's investigative journalist instincts going haywire—why would someone lie about seeing an attack? So Capri starts to dig, and when her questions lead to a body, she finds herself at the center of another murder investigation.

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My Review: Building directly on the resolution of the first story in the series, we meet Capri as she's about to go on a date with Detective Petito, who piqued her interest most saucily and expectedly...but they really can't go out during a case they're both involved, now can they. So now they're not in that situation, all clear, right?

Wrong. Quelle surprise. Capri's riding high on the back of the first case's notoriety...proving she's not guilty of murdering her slimy ex-husband's mother out of spite is hardly a spoiler, it's a mystery series not Roger Ackroyd redux...and her serial-killer tours of her belovèd San Francisco are booming. Maybe too much so, as one of her tourists insists a murder took place in an apartment near the tour's route. Is an overzealous, eager-to-be-a-witness imagination at work? The police respond to the scene, find nothing, and assume that's the case.

Not so much Capri. She does not dismiss the concern, something's up...so investigation mode activates and off we go. And off goes that date with Detective Petito, of course.

Shenanigans ensue, the scoobygroup works their way through the clues, and the ending is satisfyingly apt. I don't think the second bite of the apple is as fun as the first because the novelty's worn off, I do not care for—or about—the romance, and the scumbaggery of Capri's ex around his late mother's palatial home honestly feels shoehorned in to me.

Will I read the next one? I won't say no, and I'm not counting the days, either.

A MURDEROUS BUSINESS, first Harriman & Mancini lesbian-led historical mystery

A MURDEROUS BUSINESS (Harriman & Mancini #1)
CATHY PEGAU
Minotaur Books (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.25* of five

The Publisher Says: Cathy Pegau's sharp, captivating historical mystery about two women in turn-of-the-century New York solving murder and fighting the heteropatriarchy.

There can be a blurry line between what is ethical and what is legal.

Margot Baxter Harriman took the reins of B&H Foods after her father passed. It’s not easy being a business woman in 1912, but she is determined to continue what her grandparents started decades ago, no matter what it takes.

When Margot finds Mrs. Gilroy, her father’s former assistant, dead in the office with a half-finished note confessing to nebulous misdeeds, she seeks out help from a very discreet, private investigator to figure out what's going on. Her company, and her good name, depends on determining the truth, otherwise she could lose everything, including her freedom.

Loretta “Rett” Mancini has run her father’s investigation operation since he started becoming increasingly forgetful. When Margot offers her the chance to look into the potential scandal with B&H, she jumps at the chance.

But the more the two dig, the more it becomes clear that Margot's company may be too far lost...and her life is at stake.

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My Review: Superior iteration of a sleuthing odd couple, platonic edition. The lesbian protagonists are each trying to prove themselves by solving this crime. Rett Mancini's life partner, a nurse called Ceecee, is not terribly filled out as a character, but she isn't backgrounded...her existence is a source of stress between Rett and her private-dick dad. Her mother's not fussed, interestingly, by having an "abnormal" daughter.

Margot inherits her father's food-canning business, and bashes her nose into the harsh reality that she lives in a gilded cage. The canning business is in crisis due to an adulteration scandal. In 1912, that was huge news: next to the Titanic's recent sinking, the still-new Food and Drug Administration (FDA as we know it today) was still rooting out abusive and dangerous practices in the US food chain because of the rampant fraud that led to its founding. Discovering her father's retired right-hand woman dead, inside the office she so recently left, with an unfinished note to Margot that lacks specificity but hints at skulduggery, Margot hires Rett at the moment Papa Mancini chucks her out of the family detective agency for being unnatural.

Margot needs the business to stay open, for practical and ego reasons. Rett needs the spondulix from Margot to live, and wants badly to show her homophobic father he's wrong about her ability to do the work despite being abnormal. Rett summons a common stage entertainer, magicianesque Shiloh, to assist with the details of solving Margot's case. There blooms a lovely fondness between those ladies, as wealthy, sheltered Margot begins her journey out of closet and cage...within limits, I'll wager, that will present problems as Margot is already trying to run the canning business and date a common entertainer on the sly. What could add more spice to a love than that?

Which leads me to explain my rating. This is a good, cozy mystery, set in a time of upheaval and possibility. Some of the very best US institutions were created; some people were freer than ever before; and some were not. My tribe, the queers, were decidedly not included among the social-loosening winners for very long. The excitement of ever-improving quality of life inventions and products was heady. A hefty dose of that comes through in the alternating narration of chapters between Margot and Rett. Unlike most series-starting novels, Author Pegau resists making the central sleuthing duo a couple...thank all those useless gods for that! It felt liberating, and lifted my opinion of a well-written, interestingly placed, but not really surprising story up a notch. Had the main duo been made a romantic couple I'd've rated it a 3.5 and relegated it to a short review to be forgotten.

It took vision for Author Pegau to see how much more good, positive story-developmental material there was in making the couples in her lesbian-demimonde asymmetric in almost every way, but still show how true and heartfelt their interconnectedness is.

Kudos, Author Pegau, and when's the next one coming? Put me on the list, please.

ANOINTED: The Extraordinary Effects of Social Status in a Winner-Take-Most World, sets out to do just that

ANOINTED: The Extraordinary Effects of Social Status in a Winner-Take-Most World
TOBY STUART
Simon & Schuster (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4* of five

The Publisher Says: A leading organizational theorist takes us deep into the realm of humanity’s most powerful invisible force—social status—and how it shapes everything from who we trust and what we value to which ideas and innovations change the world and who gets credit for their success.

Why does an authentic Rembrandt fetch hundreds of millions while a nearly identical painting by his most talented disciple goes for a tiny fraction of that price? What makes a restaurant “hot,” a neighborhood “up-and-coming,” or a technology “the next big thing”? Why do people often choose the same seats in recurrent office meetings? Who is most likely to interrupt someone else mid-sentence? Why do big name lawyers earn so much? Why are health disparities so pronounced? And why, when someone gets a bit ahead in life, does the small advantage so often compound?

The answer to all these questions is social status—invisible hierarchies that influence every aspect of our lives, from our health to our personal relationships and careers to how we behave in social and work settings to the tastes and preferences we form. Without it, we’d be lost and paralyzed when faced with even the simplest decisions. But it comes at a steep status works as a powerful amplifier, turning small initial advantages into insurmountable leads. Inequality is baked into its core.

Through compelling examples from business, economics, literature, art, fashion, and beyond, Anointed demonstrates how status cascades through society, creating winners and losers in ways that often have little to do with merit. And how new technology offers a glimpse of a more equitable future.

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My Review: Analyzing what inequality *does* is pretty much the most important topic in the vastly-more-polarized world of 2025. Why it does those things is harder to pin down because that makes the researcher confront very touchy topics like racism, sexism, class snobbery...all very germane to the topic but also more fungible due to their seeming inevitability. In a world with slavery going on in it this exact instant yet that fact being unacknowledged, unacknowledgable in fact, how does one tease out the roots of the practice? Never mind that it goes back over five thousand years. That we're sure of.

So what's the evidence we have, mountains and mountains of it, say? That inequality exists, that it does some good things...you specifically and personally have the following choices based on your status is a good way to avoid overload when making decisions...and bad ones like "this thing you need to save your life is not available to people of your status." There are obviously many points along the continuum between those arbitrarily opposed points. The author is more careful in framing his examples than I choose to be in this review. As you'd expect.

The conferred prestige of social worth by being in some specific in-group is a golden passkey to benefits at every level of human endeavor. The author does a cracking job of putting this fact before us in blue-chip language backed by stellar research done in prestigious institutions. What does it mean is permaybehaps not always as clear. Does the author, does the data more importantly, support the common perception that this is unjust?

To whom?

There is a lot of data digested, a lot of analysis done, and at the end of the read...copiously annotated and with a very impressive bibliography...I do not have an answer to give you. There may be no answer to be found in the data.

So, my idea is: look at the data left unexamined. No one can look at everything. Do this same himalaya of work with the other stuff. This book is a terrific curiosity lighter, an excellent introduction to the study of inequality, and not an epitome or summation of it. Nor does the author present it as such. He makes no claims to resolving any debates, he presents case studies...the Rembrandt one he opens with is very trenchant indeed...he leads you through facts that illuminate the issues and then expects you'll do some work.

People who vaguely wonder "why does my boss get a reserved spot near the door?" are well-advised to get this study into their grasp. Status and prestige are very important in your daily life, it behooves you to get a handle on how and (to an extent) why they exist.

The best companion read to this book is Steven Pinker's latest, When Everyone Knows That Everyone Knows...: Common Knowledge and the Mysteries of Money, Power, and Everyday Life. "What everyone knows" is a hugely powerful forever.

EXQUISITE THINGS, time-travel immortality and True Love your thing? Here 'tis!

EXQUISITE THINGS
ABDI NAZEMIAN
HarperCollins (non-affiliate Bookshop.org link)
$12.99 ebook, available now

Rating: 3.75* of five

The Publisher Says: From Stonewall Award–winning author Abdi Nazemian (Only This Beautiful Moment) comes the epic queer love story of a lifetime. Perfect for fans of The Invisible Life of Addie LaRue and The Picture of Dorian Gray.

Shahriar believes he was born in the wrong time. All he’s ever wanted is to love and be loved, but 1895 London doesn’t offer him the freedom to be his true self, and Oscar Wilde’s trial for gross indecency has only reaffirmed that. But one night—and one writer—will grant Shahriar what he’s always wished for: the opportunity to live in a time and place where he can love freely. Rechristened as Shams and then as Bram, he finds what feels like eternal happiness. But can anything truly be eternal?

Oliver doesn’t feel that 1920s Boston gives him a lot of options to be his full self. He knows he could only ever love another boy, but that would break his beloved mother’s heart. Oliver finds freedom and acceptance in the secret queer community at Harvard that his cousin introduces him to. When he meets a mysterious boy with eyes as warm as a flame, his life is irrevocably changed, forever.

Spanning one hundred and thirty years of love and longing, this tale of immortal beloveds searching for their perfect place and time is a vibrant hymn to the beauty of being alive, a celebration of queer love and community, and a reminder that behind every tragic thing that ever existed, there is something exquisite.

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My Review: It's a tale as old as time: boy longs for True Love; the gods hear him, and grant his wish, with the catch that he can't have him; something, no specific Power attached, says "...but you will live to meet him," and Oscar's your uncle you're living out Dorian Gray's life!

Immortality seems a terrible curse to me, when plodding through another Thursday can feel like Hell or at least Purgatory. In this case, at least poor Shahriyar (I went to high school with a queer guy named Shahriyar, wonder whatever became of him?)...going by Shams makes a lot of sense to me with a name like that in Anglophone, Victorian London, better still Bram...gets rewarded by living through very, very interesting times indeed.

The central thesis of the immortality...thing...seemed to me to have a sharp cutting edge in freezing the boys at seventeen. How awful to have adult-strength emotions, unmitigated by adult perspective! The angsty solipsism of eternal youth sounds horrifying to my closer-to-70-than-50 self. We follow them through three timelines in their immortal journey, and spend enough time in each to know they *are* seventeen in them all. It presents the expected problems...remember your dating life at seventeen? *shudder*...but the basic truth of Bram/Shahriyar and Oliver's lives is that they are in love with each other. Men come, men go, but these boys come back into orbit around each other because they're each made the way the other needs a man to be.

It takes forever, it seems, but they own up to their own nonsense and discuss their love of each others' essence, so a lot of the silly acting out does get dealt with. It's thus not purely the angsty nonsense of trying to figure out what works. A lot of time spent doing it, though....

I had procedural questions like I always do in immortality stories...how'd they survive the 1980s with databases and licenses and passports and birth certificates? how'd they get bank accounts? credit cards?...but mostly this book is for the reader to enjoy True Love that withstands the fallibility and failings of human beings. The supporting cast is a hoot and a holler. I think any one of 'em would tentpole a novella at least! Still, my niggles lost a half-star off the read. I wasn't swept up enough not to notice them until I thought about it after the read; these were in-the-moment grumbles.

My reason for dropping the majority of fifth star, though, was the ending...cramming way too much into way too little space made me feel like the author saw someone over my shoulder he'd rather talk to and just dropped me. Either adding 50-60 more pages onto this book or splitting the story and make it two volumes would address that rushed, inelegant ending.

Good fun was had, a very satisfying evening of smiling nodding shouting at the pages...not perfect, but what is?

ONE OF US, solid well-crafted not-too-gory horror vibes read

ONE OF US
DAN CHAON
Henry Holt & Co. (non-affiliate Bookshop.org link)
$14.99 ebook, available now

Rating: 4.5* of five

The Publisher Says: A playfully macabre and utterly thrilling tale about orphaned twins on the run from their murderous uncle who find refuge in a bizarre traveling carnival, from master of literary horror Dan Chaon.

It’s 1915 and the world is transforming, but for thirteen-year-old Bolt and Eleanor—twins so close they can literally read each other’s minds—life is falling apart. When their mother dies, they are forced to leave home under the care of a vicious con man who claims to be their long-lost uncle Charlie, the only kin they have left. During a late-night poker game, when one of his rages ends in murder, they decide to flee.

Salvation arrives in the form of Mr. Jengling, founder of the Emporium of Wonders and father to its many members. He adopts Bolt and Eleanor, who travel by train across the vast, sometimes brutal American frontier with their new family, watching as the exhibitions spark amazement wherever they go. There’s Minnie, the three-legged lady, and Dr. Chui, who stands over seven feet tall; Thistle Britches, the clown with no nose, and Rosalie, who can foretell the death of anyone she meets.

After a lifetime of having only each other, Eleanor and Bolt are finally part of something bigger. But as Bolt falls in deeper with their new clan, he finds Eleanor pulling further away from him. And when Uncle Charlie picks up their trail, the twins find themselves facing a peril as strange as it is terrifying, one which will forever alter the trajectory of their lives. An ode to the misfits and the marginalized, One of Us is a riotous and singularly creepy celebration of the strange and the spectacular and of family in its many forms.

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My Review: The dinner-party scene of Tod Browning's super unsettling 1932 film Freaks, only literatured to a fare-thee-well. It feels a little like those Victorian table skirts meant to keep the ladies ladylike and not inflamed with lust by...no one's ever been able to explain to me why women were supposed to be inflamed by a lathe-turned leg not a well-turned calf or a muscular thigh.

What stands out to me in this read is the appalling nastiness of the carnival/family unit's audiences, gawking at people for being different. Those different, often very different, people are Author Chaon's focus to the exclusion of more than...I would say "desultory" but it's so pejorative...unhurried action for half or more of the book. What that allows for is the kind of horror I most enjoy to build. There are no Big Scary Monsters or weird, spooky Happenings...there are people, not ruled by logic, being unpredictable and unnervingly cruel; there are the twins at the heart of the tale learning about and deploying their own difference as defense against ugly human greed. The consequences of that ugly human greed are what ultimately drive them, in despairing desperation, to run from their lives.

Ironically they run into their lives, their purpose, by doing this. Their place, their home, their haven. Like all havens, though, there are shadows. These shadows menace everyone in their found family. Eleanor can't really settle in among the freaks, feels herself different even among the different; Bolt has found his place, made his home, aligned with these freakshow folk to stand against the uneasy-making shadow of...whatever. It is always hard to see someone who's been part of you since you've had memories move away from your perspective, so Eleanor's struggles felt real and immediate to me, even while Bolt's sinking-in to the seductive group embrace we call "family" made all the sense in the world. He can finally feel that someone has his six.

The ending scenes of this book resolve the tensions that need resolution, while never being unfaithful to the creeping dread, the human-driven horror (with violence as its salt and pepper) that pervades the read. "Uncle" Charlie is just not going away with all he represents in the twins' lives (and the world at large they must navigate as Others); the release from threat dissipates some tension, but the World is still there...for me this was more the strange and spooky Carnivàle than the broader, flatter American Horror Story.

I found the author's note particularly enjoyable to read. Author Chaon delves a bit into some details of the inspirations for his story. It's a pleasure to have because I was thinking as I read the tale, "is this...did he...am I seeing...?" a lot. It ended up taking me from "this is a mixtape" to "how wonderful to have a creative mind that's inspired by so much."

I can't fill out that fifth star because I felt "Uncle" Charlie was, ironically enough, underplayed. His villainy was so thoroughgoing, ham it up even more, add a po-mo touch of self-aware baroque Javert-ness. As it is, he takes a lot of emotional real estate up with rather a flat affect.

Also either make the book a little longer (my choice) or move up the twins' running away sooner. A little too unbalanced; therefore feels rushed in that last third. But folks, this pleasure of a read very much deserves a shot at your TBR for #Deathtober!

THE LONELINESS OF SONIA AND SUNNY, loneliness is a cultural phenomenon

THE LONELINESS OF SONIA AND SUNNY
KIRAN DESAI
The Hogarth Press (non-affiliate Bookshop.org link)
$13.99 ebook, available now

One of The Guardian's The best fiction of 2025 list!

Time's The 100 Must-Read Books of 2025 selection

One of Lit Hub’s 43 Favorite Books of 2025!

One of BookPage's 10 Best Books of 2025!

A New York Times 10 Best Books of 2025 selection!

Finalist for the 2025 Booker Prize.

Rating: 4.75* of five

The Publisher Says: The spellbinding story of two young people whose fates will intersect and diverge across continents and years—an epic of love and family, India and America, tradition and modernity by the Booker Prize-winning author of The Inheritance of Loss

Behind every love story are the myriad stories of two families.

In the snowy mountains of Vermont, Sonia is lonely. A college student and aspiring writer homesick for India, she turns to an older artist for inspiration and intimacy, a man who will cast a dark spell on the next many years of her life. In Brooklyn, Sunny is lonely, too. A struggling journalist originally from Delhi, he is both beguiled and perplexed by his American girlfriend and the country in which he plans to find his future. As Sonia and Sunny each becomes more and more alienated, they begin to question their understanding of happiness, human connection, and where they belong.

Back in India, Sonia and Sunny's extended families cannot fathom how anyone could be lonely in this great, bustling world. They arrange a meeting between the two—a clumsy meddling that only drives Sonia and Sunny apart before they have a chance to fall in love.

The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

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My Review: If this *immense*, intense, and deeply emotionally charged novel is not on the Booker shortlist tomorrow, I will kick off big time.

Sonia and Sunny and their families are excellent company. Like anyone you spend this much time with, there are moments of irritated shouting, times of sad, misty dripping, and the occasional whoop of glee. (Note to self: reading stories like this at 3am can lead to justifiably angry quarters-sharers. Best not to.)

What I got out of this Dickensian-in-scope tale of love, Love, imperialism, racism, chicanery, skulduggery, and the immutable urge to discover Truths greater than self-actualization, was the conviction that there needs to be a new category of read: a Bildungsroman for adults figuring their {stuff} out; a one-volume roman-fleuve for the increasing number of Indian-authored epic novels that feel even bigger in scope than they are.

Love, love, and desire figure into both of the above subgenres. I think of the old joke describing Stephen Dedalus in Ulysses as "horny Irish medical student goes on a rampage" and I'm still pretty sure that is the whole reason Joyce didn't stop at A Portrait of the Artist as a Young Man...he had so much more to say.

This could have been A Portrait of the Artist as a Young Man-length but Author Desai had a Ulysses-esque lump in her throat. It's a lot, Sunny alone is a novel's worth of weird (mother Babita and her...unexpected...opinions and cheese-related kleptomania), but Sonia and her nasty time with Ilan (older, jealous artist-lover) could've been another entire book fully satisfying the criteria of novelhood. (NB: this is the beginning of the book; persevere, ye who dislike this truthtelling trope. It's not like that all the way through.)

The weight of expectation, of cultural baggage, on aspiring artist Sonia (I'd read her novel!) and journalist Sunny (a byline I'd look for!) as they try to figure out their paths in the buzzing hive of US culture and politics, all stewed up with many people they run into (sometimes literally) along the way: crushing, annihilating, and in the end energizing. Loneliness and fear and baggage motivate these two, where they squash so many. Across the world there are people with the talent and the drive, but not the luck, of Sonia and Sunny, and we will never hear their names.

We have, now, heard their names, in Author Desai's busy, overstuffed novel. I hope in that magical-realist liminal place they are, they know and are happier for it. Seher, Sonia's mother said it best: "Loneliness could mean abiding peace. It could mean understanding your happiness backward, when you happened to exclaim out loud, surprising yourself when there was no apparent reason, I'm happy!"

Shout it, folks, you've been found.

LETTERS TO KAFKA, introduction to a life unjustly ignored in Anglophone literature

LETTERS TO KAFKA
CHRISTINE ESTIMA
House of Anansi Press (non-affiliate Bookshop.org link)
$21.99 paperback, available now

Bookends with Mattea Roach interview with Author Estima.

Rating: 4.5* of five

The Publisher Says: A sweeping, tragic romance and feminist adventure about translator and resistance fighter Milena Jesenská’s torrid love affair with Franz Kafka.

In 1919, Milena Jesenská, a clever and spirited twenty-three-year-old, is trapped in an unhappy marriage to literary critic Ernst Pollak. Since Pollak is unable to support the pair in Vienna’s post-war economy, Jesenská must supplement their income by working as a translator. Having previously met her compatriot Franz Kafka in the literary salons of Prague, she writes to him to ask for permission to translate his story The Stoker from German to Czech, becoming Kafka’s first translator. The letter launches an intense and increasingly passionate correspondence. Jesenská is captivated by Kafka’s energy, intensity, and burning ambition to write. Kafka is fascinated by Jesenská’s wit, rebellious spirit, and intelligence.

Jesenská and Kafka meet twice for lovers’ trysts, but can such an intense connection endure beyond a fleeting affair? In her remarkable debut novel, Christine Estima weaves little-known facts and fiction into a rich tapestry, powerfully portraying the struggles of a woman forced to choose between the roles of wife, lover, and intellectual.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review: Modeling to a world unwilling to see what principled resistance to authoritarianism looks like, Milena Jesenská could be no more perfect a subject to study in 2025. Christine Estima has done it for us, and presented her findings in an involving, intense novel of Milena's life. The incident igniting her rise to resistance is a simple and practical one: she needs income. Her then-husband can't, in 1919 Vienna, provide for them. Having very recently read Kafka's stories and being moved deeply by them, Milena writes to request permission to translate them into Czech. Her aim is to get income...the result is to become utterly, passionately entwined with Kafka. It was not primarily a physical affair, only two known meetings, but a deep and consuming love.

The story here, however, is Jesenská...the woman, the intellectual, the object of desire for many members of the Vienna Secession. Reading this book of her own words, stitched into the author's gap-filling prose, I was unable to conceive of a good reason this vibrant and impassioned liver of life and lover of justice was so unfamiliar to me. I know the reason...she's a woman, misogyny's polarizing lenses filter those people out...but talk about stupid! Writing Milena Jesenská out of History is a wrong I hope we will see righted more and more. A resister of Nazism, not a Jew but friend to Jews and accomplice to their escape from certain death, person whose life trajectory includes Ravensbrück, is someone to be celebrated loudly and often. Never more than now.

The mind that created cultural touchstones Gregor Samsa and K., that saw Reality in place of consensus reality, said to Milena: "Milena, if a million loved you, I am one of them, and if one loved you, it was me, if no one loved you then know that I am dead. - FK". A spirit that can elicit this deep and passionate love from one whose life is known by him to be quite short is one worth knowing and celebrating.