THEY DREAM IN GOLD, debut novel from tyro publisher SJP Lit...both worth watching

THEY DREAM IN GOLD
MAI SENNAAR
Zando/SJP Lit
$28.00 hardcover, available now

Rating: 4* of five

The Publisher Says: A “luminous” (Tara Conklin) literary debut following two dreamers, one intercultural family, and the diasporic pursuit of home.

When Bonnie and Mansour meet in New York in 1968―his piercing gaze in a downtown jazz club threatening to carry her away―their connection is undeniable. Both from fractured homes, with childhoods spent crossing the Atlantic, they quickly find peace with each other. And as Mansour’s soaring Senegalese melodies continue to break new ground, keeping time with the sound of revolution and taking him and Bonnie from Paris to Rio and Switzerland, it seems as though happiness might finally be around the corner for them both.

Then Mansour goes missing. His Spanish tour was only meant to last three weeks, but three months later, he and his band have not returned. In his absence, Bonnie reckons with her memories of him, and comes to understand that the hopes of so many women―her mother and grandmother; his mother, aunt, childhood friend―rest on her perseverance. Stirred by the life growing inside her, Bonnie puts a plan in action to find him.

Spanning two decades and moving through the hotbeds of the African diaspora, They Dream in Gold is an epic yet intimate exploration of the migrant hunger for belonging and a powerful, intergenerational testament to our shared humanity, for lovers of Tara Stringfellow’s Memphis and Abi Daré’s The Girl with the Louding Voice.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: Buckle up...this is a complicated read. Long at over four hundred pages, complex in its interrelated cast of characters, difficult to summarize as a result. Senegal, Paris, New York...the Twenties, the Sixties...familys seen in passing, a family being formed...this novel's a web.

It's a debut novel for the storyteller and close to a debut for the publisher. Sarah Jessica Parker's SJP Lit is part of a company called Zando Projects (Zando's website). SJP Lit's mission statement is:

Sarah Jessica Parker’s SJP Lit publishes sweeping, expansive, thought-provoking, and discussion-driven stories that are inclusive of international and underrepresented voices. SJP Lit books capture the contemporary imagination and reflect a wide range of ideas and experiences.

So someone famous decided not to start a book club, or an imprint in the Corporate World, but a company publishing books she curates and pays for and edits for us to see what she wants to read and offers us as worth it to read, too. As I would expect from Parker's résumé, the story told here is very much focused on character development. Bonnie and Mansour are not, despite what you could reasonably expect from the synopsis, the only or even the best developed characters. Because the story does not conform to linear time's slightly tedious constraints, we get the family polyphonics as well as the dynamics. This is a fancy way for me to say, if you're expecting a straightforward family saga, you're going to be left wanting. If you really want a book you can inhabit, one that feels more like a series (I mean this in the good way!) than a standalone, here's a great summertime immersion.

The way we move from time to time, from place to place, demands of the reader a level of participation, of code-switching, that might be off-putting for some. I think you'll twig quite quickly to the cues that indicate we're going to shift, though they are not the same from one instance to the next. What I like about that is the mood of the read never stagnates, a danger that family sagas can fall into readily. After a time many of them feel like trauma porn, or a weird triumphalism celebrating a character's Strength, Nobility, and Fortitude. Yeeeccchhh

Author Mai Sennaar doesn't succumb to that too-easy, too-incredible stuff. Her women are beset by worries and doubts. They wonder if things are worth it if they hurt this much, demand this much of them. They stumble, fall, and fail. But they never stay down for good.

It is a distinction, not a difference, but it is a consequential one that speaks to the author's intent. She is not going for the facile road to storytelling success. That is clear from the start. For this old white man, that made the read all the more interesting and involving. Some of that could be down to the slightly more...distant...way the narration is deployed, it gets an overview feeling across. Back to that polyphony of PoVs. This is a natural outgrowth of it. I found it enhanced my reading experience, in part because it enabled Author Sennaar to put me more firmly into the time and place the different strands of her story-web flow through.

I found I was disgruntled by one big, star-losing thing: Like Sweet, Soft, Plenty Rhythm (whose author flatteringly blurbed this book), every one of these women is circling a man. The story's center is a man (absent though he be). Is it that hard to make these women interrelate around themselves and each other?

A crotchet of mine. The Bechdel test still matters to me because the queer equivalent is abysmal still...gay characters feature more than ever, less than reality says is fair. So, no fifth star for you, debut novel. Author Sennaar is deeply talented and should be supported, make no mistake.

Maybe she's got more to say, soon. Let's show we're listening.