Showing posts with label 2 star review. Show all posts
Showing posts with label 2 star review. Show all posts

Wednesday, March 1, 2017

IVY, The Life of I. Compton-Burnett is a dry dry dry book



IVY: THE LIFE OF I. COMPTON-BURNETT
HILARY SPURLING

Columbia University Press
$22.95 hardcover, available now

Rating: 2* of five

The Publisher Says: It is a real cause for celebration when the best and most subtle literary biography of our time comes back into print, and in a single volume instead of the original two. What Hilary Spurling does, in a beautifully-written book, is to relate the life of Ivy Compton-Burnett intimately to the work and show in fascinating details, and with wonderful perception, how her subjects characters mirror aspects of her own nature. The book sends one back to read or re-read the novels - unfashionable, toweringly original tragic-comedies - the most individual novels, it may be, of our time.

My Review: Why would I, a charter member of the “Eradicate Ivy Compton-Burnett” Society, have and read this book? It all started as a joke.

I once lived with someone whose dislike of Icky Crumpet-Burnoose matched or exceed my own. What better way to cause her pain than to cause her to see Icky's malevolent mug on her nightstand, with a note attached: “For relief of insomnia”?

Gratifying shrieks of outrage and stomps of fury from her bedroom assured me of the success of my evil plot. Subsequent hurling of this massive artifact at me (no mean feat! Must weigh 5lbs!) let me know that my humor was properly received and appreciated.

So why not just return the damned thing to the liberry and call it good, a prank well done? I got curious. So many bad things happen when I get curious that you'd think I'd've learned not to scratch that bump. Ha.

Turns out that Icky had a more interesting life than any portrayed in her fiction! (Not that this is a difficult feat.) The oldest child of a Victorian homeopath's second family, she was a bossy, albeit cheerful and fun older sister to her family, gradually losing all semblance of humor and kindness as her extremely weird mother made ever-increasing demands on her to run the family. Her eventual position as head of household was a disaster for her personally, resulting in the suicides of her two youngest sisters and her (far too) belovèd brother's alienation from her by marriage to a woman she didn't seem to like a whole lot. He then dies in WWI, and she drifts personally and professionally for a good long time. She has no money worries, so it's only on the emotional side that this matters.

So then she meets an older woman, more established than she as an independent professional writer and historian of furniture, called Margaret Jourdain. Their love affair lasted some 35 years, spent living together and traveling together and going to parties together. And, according to Spurling, not having sex. They said they didn't, protests Spurling! And yet, in other instances, the mere saying of something is determined by Spurling to be simple misdirection, Icky saying something to deflect or distract someone from learning details she didn't want to give. Other people said they weren't, corroborates Spurling! And yet, in other instances, eyewitness reports are discounted because the people involved were prejudiced or insufficiently informed or what-have-you.

Now, I don't belong to the school of readers who want salacious details of characters's lives, even subjects of biographies. I don't need to know what others do in their bedrooms, any others, unless in some way it expands my knowledge and appreciation of a character. And I am actively revolted by the idea of lesbian sex, unlike most males; I outgrew my juvenile need for female genitalia a long time ago and would prefer not to be reminded of them at all, thank you. I am also not one of those gay people who seeks spurious validation in claiming people from earlier times as members of the gay community before such an identity, let alone community, existed.

But if Ivy and Margaret weren't big ol' dykes, who on this earth is? And why should we for a moment believe that they never so much as kissed? Women, contrary to what most men and their female converts seem to think, have intense erotic urges that (in my experience, at least) they very very very badly want to satisfy. Most men are inept at doing so, sadly, so the myth goes on that these urges are nonexistent. Spurling does these women, raised in a homophobic and reticent culture, a disservice by denying them (posthumously) even a suggestion of a sex life. I think it's bosh, and I think it's dishonest, and Spurling and her ilk should be ashamed that their minds can't encompass the idea that two women in love could find satisfaction and pleasure in each others's bodies without wanting to make it a public display or even discuss it with others. There are anecdotes of Icky saying she'd never made love, and then going on to have quite thoroughly informed and detailed conversations with married women about sex and desire. This, says Icky's biographer, is a testament to the authoress's imaginitve powers.

Oh for God's sweet sake! Grow up, woman, and realize she wasn't that imaginitive!! NO ONE IS. You can't, even in today's world of instant and astoundingly diverse gratification, know what desire and its satisfactions are about until you've been there! Really now.

But oddly enough, I was interested enough in this life to keep reading about this writer whose tiny talents I disparage with vim and vigor at every opportunity. I wouldn't recommend it to any but her most ardent dupes, I mean fans, because it's simply too long to be useful to anyone only mildly curious. Spurling's style is clear, I suppose, though I can't say much more for it than that. It was no great pleasure to read, but it was a life lived on her own terms in a time and place where that was a very, very novel (!) and difficult achievement.

Saturday, April 2, 2016

AGENT 6: a huge disappointment, suspenseless and sloppy



AGENT 6
TOM ROB SMITH
Leo Demidov #3
Grand Central Books
$15.99 trade paper, available now

Rating: 2* of five

The Publisher Says: THREE DECADES.
TWO MURDERS.
ONE CONSPIRACY.

WHO IS AGENT 6?

Tom Rob Smith's debut, Child 44, was an immediate publishing sensation and marked the arrival of a major new talent in contemporary fiction. Named one of top 100 thrillers of all time by NPR, it hit bestseller lists around the world, won the CWA Ian Fleming Steel Dagger Award and the ITW Thriller Award for Best First Novel, and was longlisted for the Man Booker Prize. 
In this spellbinding new novel, Tom Rob Smith probes the tenuous border between love and obsession as Leo Demidov struggles to untangle the threads of a devastating conspiracy that shatters everything he holds dear. Deftly capturing the claustrophobic intensity of the Cold War-era Soviet Union, it's at once a heart-pounding thriller and a richly atmospheric novel of extraordinary depth....

AGENT 6

Leo Demidov is no longer a member of Moscow's secret police. But when his wife, Raisa, and daughters Zoya and Elena are invited on a "Peace Tour" to New York City, he is immediately suspicious.

Forbidden to travel with his family and trapped on the other side of the world, Leo watches helplessly as events in New York unfold and those closest to his heart are pulled into a web of political conspiracy and betrayal-one that will end in tragedy.

In the horrible aftermath, Leo demands only one thing: to investigate the killer who destroyed his family. His request is summarily denied. Crippled by grief and haunted by the need to find out exactly what happened on that night in New York, Leo takes matters into his own hands. It is a quest that will span decades, and take Leo around the world--from Moscow, to the mountains of Soviet-controlled Afghanistan, to the backstreets of New York--in pursuit of the one man who knows the truth: Agent 6.

My Review: Unsuccessful. That's about the size of it. This is an unsuccessful book.

There's not a lot of suspense. There are some tense moments, yes, but they're all in the moment. Suspense is built from wanting to know what is coming, how this knot will part, what secrets will we learn.

Those expectations weren't well met, and weren't well set up. It's an okay novel, a sort of late-Soviet Doctor Zhivago, but it's not thrilling and I stopped caring about what would happen next after the central murder takes place.

The ending is just flat-out terrible and the author and editor should be held up for prolonged public ridicule for having the bad sense and poor sensibilities to foist it on readers who loved Child 44 and liked The Secret Speech.

A poor performance on all parts. The thing I liked best was that I read this in large type, which made a big difference in low-light reading comfort. To be avoided except by completists.

Monday, July 7, 2014

Book A Day #7: A Chocolatey Book, ALL THE PRETTY HORSES


ALL THE PRETTY HORSES
CORMAC MCCARTHY

Vintage Books
$15.00 trade paper, available now

Rating: 2* of five

The Publisher Says: The national bestseller and the first volume in Cormac McCarthy's Border Trilogy, All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself. With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood. Winner of the National Book Award for Fiction.

My Review: The Doubleday UK meme, a book a day for July 2014, is the goad I'm using to get through my snit-based unwritten reviews. Today's prompt is to discuss the "most chocolatey novel" for National Chocolate Day.

I hate chocolate, and I hated this pretentious self-conscious poseur of a novel.

I dont think omitting punctuation is novel since the nouveau roman movement has been doing it since oh I dunno the 1950s AND its pretty much pointless in telling a standard coming-of-age story AND it's an absurd (and inconsistently utilized) affectation whose cynical deployment in this violent animal-abusive Peckinpahesque farrago won the author a National Book Award

Which is not to say that McCarthy can't write very nice lines:
Between the wish and the thing the world lies waiting.
--lovely and precise

Scars have the strange power to remind us that our past is real.
--amen to that one

But that isn't enough to make a book a Modern Classic! A triumph! A brilliant (overused word) novel!

It's a very basic coming-of-age-in-the-West story featuring a blah little boy who becomes a Man because shit happens. Where it isn't tedious it's nauseous. The pornographically sensual descriptions of guns and blood and cruelty are, for this reader at least, off-putting.

Take away the "difficult" "innovative" (really? eighty years after Ulysses and we're calling this crap-fest difficult and innovative?) stylistic quirks and what do you have?

A Louis L'Amour novel written by DH Lawrence.

How horrible is that.

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